新中式設計說明

1、新中式設計說明年 級:2010 級系 別 : 美術系專 業(yè): 藝術設計 (1) 班姓名學號 : 王健 102038010062指導老師 : 龔敏 ( 副教授 )2014年 5月this end, Hong Haiquan Nanxun home decided to temporary shelters, but just the Nanxun, Japanese xuanfu class traitors of Nanxun from Divisional Investigation Team, sent to flood home visits. Forced Hong Haiquan t

2、o zhenze, temporary residence his fathers tea shop. In April, agreed by the Zhuang Shaozhen, Hong Haiquan defected to anti-Japanese base area of southern Jiangsu Province. In October 1940, the KMT brewing for the second wave of anti-communist, Wujiang County political team was withdrawn, replaced by

3、 youth team. Zhuang Shaozhen published before the new identity was removed from post of Captain of the Countys political team. Communists jindapeng managed to serve as captain of the youth team, County political group of the original officers transferred to the youth team, saved the revolutionary fo

4、rces. In March or April 1941, jiuguojun entered the Tomb, hunt for Communists. Zhuang Shaozhen into rural activities were arrested. Thanks to Zhuang Shaozhen terrain at night while the enemy unprepared after the wit to get away, to the liberated areas of northern Jiangsu. 2, and CPC Central Committe

5、e special sectionsystem April 1938, CPC Central Committee special section in Shanghai of intelligence head Xu Qiang, and plateau delegate in second times domestic revolutionary war period joined CPC, and had participate in had Northeast anti-Japanese volunteer, has in Beijing, and Shanghai, to engag

6、ed in party of intelligence work of Shandong province Yixian people Li Yu autumn (and name Chen xiantang目錄1. 目錄 ,第 1 頁 2. 設計理念概述 ,第 2 頁 3. 中式家具的貴氣,第 3 頁 4. 與自然融為一體,第3頁 5. 以曲為美的設計美學 , 第 4頁 6. 新中式設計細節(jié),第 5 頁第1頁this end, Hong Haiquan Nanxun home decided to temporary shelters, but just the Nanxun, Japane

7、se xuanfu class traitors of Nanxun from Divisional Investigation Team, sent to flood home visits. Forced Hong Haiquan to zhenze, temporary residence his fathers tea shop. In April, agreed by the Zhuang Shaozhen, Hong Haiquan defected to anti-Japanese base area of southern Jiangsu Province. In Octobe

8、r 1940, the KMT brewing for the second wave of anti-communist, Wujiang County political team was withdrawn, replaced by youth team. Zhuang Shaozhen published before the new identity was removed from post of Captain of the Countys political team. Communists jindapeng managed to serve as captain of th

9、e youth team,County political group of the original officers transferred to the youthteam, saved the revolutionary forces. In March or April 1941, jiuguojun entered the Tomb, hunt for Communists. Zhuang Shaozhen into rural activities were arrested. Thanks to Zhuang Shaozhen terrain at night while th

10、e enemy unprepared after the wit to get away, to the liberated areas of northern Jiangsu. 2, and CPC Central Committee special section system April 1938, CPC Central Committee special section in Shanghai of intelligence head Xu Qiang, and plateau delegate in second times domestic revolutionary war p

11、eriod joined CPC, and had participate in had Northeast anti-Japanese volunteer, has in Beijing, and Shanghai, to engaged in party of intelligence work of Shandong province Yixian people Li Yu autumn (and name Chen xiantang新中式古老又不失現(xiàn)代的東方色彩設計理念概述全球化的東方潮流和中式古典主義的流行，暗示“中國元素”這一符號在世界范圍內(nèi)都具有很高的藝術價值。究竟“中國元素”在

12、現(xiàn)代居住中能產(chǎn)生多大意義，我們要具備怎樣的眼光和技術才能打造一個新中式空間 ,中式古典空間是非常講究“禮制”的。在中國傳統(tǒng)的觀念中，不僅嚴格區(qū)別內(nèi)外，尊卑有序，而且講究對稱，對外隔絕，自有天地。傳統(tǒng)的廳堂禮儀主人或者長者，有身份的人是坐在中間的，兩邊才是客人或晚輩的座次?，F(xiàn)代人習慣面對面溝通，古人則講究側面溝通，面對面說話是不禮貌的。這種代表傳統(tǒng)價值認知的空間布局說明了等級、長幼、主客與溝通方式的關系，也說明中式更多是以文化角度來劃分空間功能的。虛實是中式設計重視的又一個觀念, 典型的中式空間講究“隔斷”，而這種隔斷，目的并不在于要把空間切斷，而是一個過渡、一個提醒、一個指示，常?！案舳粩唷?/p>

13、。碧紗櫥、屏風、博古架、帷幕，不但用來“隔而不斷”，還有很強的裝飾性。譬如如今流行的造型墻、活動墻之類的元素，很久以前就被中國人運用自如了;還比如，墻面的留白，家具的虛功能和實體形的設計等,都是傳統(tǒng)中式設計中的精髓。在新中式中依舊強調(diào)“留白”，例如在一些轉折過渡空間里運用“留白”，可以使該空間有更大的彈性。只有對傳統(tǒng)文化有深入的認知，才能將現(xiàn)代元素和傳統(tǒng)元素結合在一起，以現(xiàn)代人的審美需求來打造富有傳統(tǒng)韻味的空間，讓傳統(tǒng)得以傳承下去。第2頁this end, Hong Haiquan Nanxun home decided to temporary shelters, but just the

14、Nanxun, Japanese xuanfu class traitors of Nanxun from Divisional Investigation Team, sent to flood home visits. Forced Hong Haiquan to zhenze, temporary residence his fathers tea shop. In April, agreed by the Zhuang Shaozhen, Hong Haiquan defected to anti-Japanese base area of southern Jiangsu Provi

15、nce. In October 1940, the KMT brewing for the second wave of anti-communist, Wujiang County political team was withdrawn, replaced by youth team. Zhuang Shaozhen published before the new identity was removed from post of Captain of the Countys political team. Communists jindapeng managed to serve as

16、 captain of the youth team, County political group of the original officers transferred to the youth team, saved the revolutionary forces. In March or April 1941, jiuguojun entered the Tomb, hunt for Communists. Zhuang Shaozhen into rural activities were arrested. Thanks to Zhuang Shaozhen terrain a

17、t night while the enemy unprepared after the wit to get away, to the liberatedareas of northern Jiangsu. 2, and CPC Central Committee special section system April 1938, CPC Central Committee special section in Shanghai of intelligence head Xu Qiang, and plateau delegate in second times domestic revo

18、lutionary war period joined CPC, and had participate in had Northeast anti-Japanese volunteer, has in Beijing, and Shanghai, to engaged in party of intelligence work of Shandong province Yixian people Li Yu autumn (and name Chen xiantang中式家具的貴氣西方設計界認為 : “沒有中國元素，往往就沒有貴氣?！笔聦嵣?，經(jīng)過數(shù)千年的傳承，目前還可見到的中式家具，已經(jīng)是大

19、浪淘沙后的經(jīng)典，所以也就具備了極高的融合性。我們在關注中式家具的時候，除了考慮它的材質，恐怕應更注重其內(nèi)在設計體現(xiàn)出的中國人的家居智慧。中式家具的椅子，有太師椅、官帽椅、圈椅，不同的椅子有不同的大小尺寸，其中清太師椅最大，常放在正廳中。目前我們能看到的中式床，是四柱式或者六柱式的架子床，架子上可以圍上帷幔，床頂部有頂蓋。這是不是有點“屋中之屋”的意思呢 , 中式床還有羅漢床，有點像加寬的長條椅，沒有架子，通常放在書齋午休時用。中式家具的應用在整體景象的創(chuàng)造方面力求做到 : “熟悉中有陌生，協(xié)調(diào)中有刺激，平淡中有味道?！迸c自然融為一體中國人的傳統(tǒng)理念是主張與自然和睦相處的。在承受重大生活壓力的現(xiàn)

20、代社會里，回歸自然是人們能夠放松身心的積極方式。竹的修飾、木梁柱的結構、實木家具，出現(xiàn)在空間中，自然就能感覺到中式的氣韻，這是用材質創(chuàng)造的中式氛圍。在典型的中式園林中，非常注重景觀的“借”與“對”。所謂的“借”與“對”就是要將遠處的景色通過花窗或是門廊由視覺相聯(lián)系，成為渾然天成的一體。延伸到新中式，這種新的處理手法就是將室外的天然景色通過門窗引入室內(nèi)，反映出來的，也是人們依戀自然、熱愛自然，希望與自然 和諧相處的真實情感。當然，不是每個人都能夠住在面積寬敞可以隨意造景借景的別墅中，對于那些生活在高層公寓而渴望回歸傳統(tǒng)文化的人們來說，新中式同樣可以帶給他們借景的 視覺效果。譬如可以在墻壁的恰當位

21、置上開一個方形或圓形的洞，貫通居室的同時 還有增加空間通透度的效果。第3頁this end, Hong Haiquan Nanxun home decided to temporary shelters, but just the Nanxun, Japanese xuanfu class traitors of Nanxun from Divisional Investigation Team, sent to flood home visits. Forced Hong Haiquan to zhenze, temporary residence his fathers tea shop.

22、 In April, agreed by the Zhuang Shaozhen, Hong Haiquan defected to anti-Japanese base area of southern Jiangsu Province. In October 1940, the KMT brewing for the second wave of anti-communist, Wujiang County political team was withdrawn, replaced by youth team. Zhuang Shaozhen published before the n

23、ew identity was removed from post of Captain of the Countys political team. Communists jindapeng managed to serve as captain of the youth team, County political group of the original officers transferred to the youth team, saved the revolutionary forces. In March or April 1941, jiuguojun entered the

24、 Tomb, hunt for Communists. Zhuang Shaozhen into rural activities were arrested. Thanks to Zhuang Shaozhen terrain at night while the enemy unprepared after the wit to get away, to the liberated areas of northern Jiangsu. 2, and CPC Central Committee special section system April 1938, CPC Central Co

25、mmittee special section in Shanghai ofintelligence head Xu Qiang, and plateau delegate in second times domestic revolutionary war period joined CPC, and had participate in hadNortheast anti-Japanese volunteer, has in Beijing, and Shanghai, to engaged in party of intelligence work of Shandong provinc

26、e Yixian peopleLi Yu autumn (and name Chen xiantang以曲為美的設計美學在新中式里，依據(jù)住宅使用人數(shù)和私密程度的不同，需要做出分隔的功能性空間，通常采用“埡口”或簡約化的“博古架”來區(qū)分; 在需要隔絕視線的地方，則使用中式的屏風或窗欞，通過這種新的分隔方式，單元式住宅就可以展現(xiàn)出中式家居的層次之美。門作為一個進入空間的象征意義，在造型的考慮上更是注重視覺裝飾的效果。在中式古典設計中，門的造型可以說是千變?nèi)f化，有拱形、葫蘆形, 也有菱形或方形。無論哪種形式，目的都是為了加強某一空間的起始與傳承。運用到新中式的設計中，通常在門的四角和上下運用紋飾來裝

27、飾，并且在正對入口的方向放置裝飾品為對景，以加強空間的縱深感和情趣性。同樣，窗也作為一種連通室內(nèi)室外空間的介質，有著其特殊的精神內(nèi)涵。窗可以將室外的景致引入到室內(nèi)空間中，也可以通過窗框，將室內(nèi)的環(huán)境象征成一幅幅裝飾畫而豐富建筑的立面。同時，室內(nèi)每個房間也可以通過窗，通過裝飾窗框連通室內(nèi)室外為一個整體。這種傳統(tǒng)的修飾手法將室外的景色和植物通過窗引入室內(nèi)，來豐富室內(nèi)環(huán)境，意在“一卷代山，一勺代水”，以小見大，寓無限意境于有限的景物之中。所以，門和窗的起始正猶如創(chuàng)作一幅山水或是一幅書法中的起筆，所有的神韻和氣勢均在這動人的一“起”之中。注重細節(jié)才能突出效果。尤其是在現(xiàn)代結構的住宅中，“中國元素”的置

28、景特點，往往可以達到移步換景的裝飾效果。這種裝飾手法，給空間帶來了豐富的視覺效果。像屏風，帷幔，翹頭案等這些家具，展現(xiàn)出了中國傳統(tǒng)藝術的永恒美感。第4頁this end, Hong Haiquan Nanxun home decided to temporary shelters, but just the Nanxun, Japanese xuanfu class traitors of Nanxun from Divisional Investigation Team, sent to flood home visits. Forced Hong Haiquan to zhenze, te

29、mporary residence his fathers tea shop. In April, agreed by the Zhuang Shaozhen, Hong Haiquan defected to anti-Japanese base area of southern Jiangsu Province. In October 1940, the KMT brewing for the second wave of anti-communist, Wujiang County political team was withdrawn, replaced by youth team.

30、 Zhuang Shaozhen published before the new identity was removed from post of Captain of the Countys political team. Communists jindapeng managed to serve as captain of the youth team, County political group of the original officers transferred to the youth team, saved the revolutionary forces. In Mar

31、ch or April 1941, jiuguojun entered the Tomb, hunt for Communists. Zhuang Shaozhen into rural activities were arrested. Thanks to Zhuang Shaozhen terrain at night while the enemy unprepared after the wit to get away, to the liberated areas of northern Jiangsu. 2, and CPC Central Committee special se

32、ction system April 1938, CPC Central Committee special section in Shanghai of intelligence head Xu Qiang, and plateau delegate in second times domestic revolutionary war period joined CPC, and had participate in hadNortheast anti-Japanese volunteer, has in Beijing, and Shanghai, toengaged in party o

33、f intelligence work of Shandong province Yixian peopleLi Yu autumn (and name Chen xiantang新中式細節(jié)設計豐富的裝飾細節(jié)是傳統(tǒng)中式的升華，其中飾品可以體現(xiàn)主人品位，豐富空間的文化底蘊，以及化解空間死角處的單調(diào)感，這點在新中式上同樣有所繼承和體現(xiàn)，譬如在走廊的盡頭可以做一些獨特的裝飾，或是壁畫、或是裝飾幾案和其他飾品，使原本單調(diào)枯燥的過渡轉折空間變得生動和精致，為下一個空間打下伏筆。如果有條件的話，甚至還可以通過天窗或是其他設計手段將室外的陽光引入其中，通過花窗紋樣形成的斑駁陰影使中國傳統(tǒng)的自然精神發(fā)揮到極致

34、。當然，這些飾品包括數(shù)量繁多的綠色植物、布藝、裝飾畫、燭臺，以及不同樣式的燈具等等，但空間中的主體裝飾物還是中國畫、宮燈和紫砂陶等中國傳統(tǒng)飾物，而在偶爾的位置，還可以選擇抽象或是幾何線條的現(xiàn)代裝飾品來給空間對比增色。另外，值得注意的是傳統(tǒng)中式的照明環(huán)境都是燭光環(huán)境，沒有燈光考慮，因此在新中式的布光上，應盡量保持一種柔和的色調(diào)，而在燈飾選擇上可以不必拘泥傳統(tǒng)花燈的造型，搭配現(xiàn)代簡潔的幾何線條燈具，效果也很好。同樣的，在新中式裝飾風格的住宅中，空間裝飾相對采用簡潔、硬朗的直線條，選擇具有西方工業(yè)設計色彩的板式家具，搭配中式風格來使用。直線裝飾在空間中的使用，不僅反映出現(xiàn)代人追求簡單生活的居住要求，

35、更迎合了中式家具追求內(nèi)斂、質樸的設計風格，使新中式更加實用，更富現(xiàn)代感。1 在墻面的裝飾上，要注意虛實的結合。有些地方可以用裝飾畫來點綴，但有些地方要注意“留白”處理，這樣才能體現(xiàn)出中國傳統(tǒng)的空間精神和韻味。2 雖然傳統(tǒng)中式非常講究室內(nèi)的空間層次感，但是可以盡量用虛隔斷或是開放 式這樣的現(xiàn)代空間手法，使室內(nèi)寬敞明亮，給現(xiàn)代中式一種開闊的時尚感。3 在選擇現(xiàn)代中式的飾品上，可以適當選擇一些線條簡潔的現(xiàn)代風格物品，但 是最好在設計師的指導下前往選購，否則很容易不倫不類。4 若非一個真正的中式古董收藏愛好者，切莫在室內(nèi)裝飾各類假瓷器花瓶，以免給人以粗俗感。5 水景的營造在傳統(tǒng)設計中處于很重要的地位，

36、如果家居環(huán)境不允許，在地面的局部和墻面的材料選擇黑色光面大理石以及粗面毛石來表現(xiàn)平靜的水面和自然山 石的意象，不失為一個好的選擇。6 對于喜歡收藏的人來說，將古建筑中的窗或門“截取”下來，整個掛在墻面或作為屏風是非常有趣的一個設計方法。7 在空間基色上盡量選擇淡色，給相對偏深偏暗的中式家具和飾品一個色彩的視覺緩沖。第5頁this end, Hong Haiquan Nanxun home decided to temporary shelters, but just the Nanxun, Japanese xuanfu class traitors of Nanxun from Divisional Investigation Team, sent to flood home visits. Forced Hong Haiquan to zhenze, temporary residence his fathers tea shop. In April, agreed by the Zhuang Sha