奧斯卡王爾德英語(yǔ)簡(jiǎn)介_(kāi)第1頁(yè)
奧斯卡王爾德英語(yǔ)簡(jiǎn)介_(kāi)第2頁(yè)
奧斯卡王爾德英語(yǔ)簡(jiǎn)介_(kāi)第3頁(yè)
奧斯卡王爾德英語(yǔ)簡(jiǎn)介_(kāi)第4頁(yè)
奧斯卡王爾德英語(yǔ)簡(jiǎn)介_(kāi)第5頁(yè)
已閱讀5頁(yè),還剩3頁(yè)未讀, 繼續(xù)免費(fèi)閱讀

下載本文檔

版權(quán)說(shuō)明:本文檔由用戶提供并上傳,收益歸屬內(nèi)容提供方,若內(nèi)容存在侵權(quán),請(qǐng)進(jìn)行舉報(bào)或認(rèn)領(lǐng)

文檔簡(jiǎn)介

1、第 奧斯卡王爾德英語(yǔ)簡(jiǎn)介Wildes devotion to the philistine philosophy and hypocritical morality of British society, he used the beauty of art to confront the ugly in the vulgar reality. He believes that the United States above all else, art is higher than life, the beauty of art and value does not exist in life

2、and nature, art should be detached from life. He said: All the bad art is returned to life and nature caused by, and is the life and the natural rise to the ideal results. Also said: The only thing that is beautiful is nothing to do with us. Art more abstract , Super-idealized, the more we reveal th

3、e characteristics of the times. He opposed materialism, but also against the naturalism and realism of the creative principles. He said: The abomination of realism in the nineteenth century is like the wrath of the Kleban classes who see their faces from the mirror. And as a way, realism is a comple

4、te failure. One of the two things that an artist should avoid is the modernity of the form and the modernity of the subject. Thus he advocates writing beautiful and untruthful stories , the so-called lying works, the hero of his aesthetic works, Whether it is Dorian Gray, Salome, or Happy Prince, ar

5、e unrealistic, fictional, and exotic; the background of these peoples activities are also surreal, man-made imagination, away from life. Wilde firmly believes that the independent life of the art and their own value, follow the decadent faction, against the utilitarian nature, advocate that art is n

6、ot subject to moral constraints, the artist should be absolute freedom and pride independent. He said: The purpose of the art is to show the art itself, the artist is the creator of the works of the United States . the artist is not ethical and evil, book does not matter moral immorality. all art is

7、 useless In addition to the performance of their own art, do not show anything, it and thought, like an independent life, and purely according to their own line of development. So he was obsessed with the pursuit of art form beauty, and asserted that only the style can make the art immortal. Since t

8、he purpose of art is to create beauty, and the purpose of beauty is only their own, then how can we create this pure art, pure to come He under the socialist soul to answer that the beauty of art Is a unique temperament without any constraints of the artist just to enjoy the creative purpose of pure

9、, imagined to create out. He emphasized the beauty of the United States, subjectivity and enjoyment. This beauty is beyond the beauty, sublimation of the United States, ethereal beauty, mysterious beauty, but also Kants aesthetics with the attachment beauty against the free beauty. This kind of beau

10、ty produced by the joy, not simply the function, the feeling of happiness, but the joy of free life, for the beauty of the paradise and immersed in which the joy. In the theme of the portrait of Dorian Gray and the spiritual and flesh clamor revealed by Salome, what we see is the claim of Wildes spi

11、rituality. There is an aestheticism in the indulgence of Salomes persistent pursuit of beauty and love and embracing death. This philosophy is a sharp criticism of the material society and mediocrity at that time. It can be seen that Oscar Wildes aesthetic claim is, in fact, not entirely super-utili

12、tarian and artistic self-contained. Life is imitation of art, life is in fact a mirror, and art is real. That is to say, not art reflects life, but life imitates art. Naturally only after the artists transformation can exist, so the natural is the imitation of art. In his view, with Hamlets pessimis

13、m, modern pessimistic thinking, with the poet, the painter wrote the fog of London, people realized that London has beauty fog. So he advocated life to art, rather than art to be biochemical. So he fell to the top of the art and life, the relationship between art and nature. From the point of view o

14、f the surface, this view enhances the position of art, but from the deep analysis, it denies the value of the art of cognition, and thus denies the meaning of art itself. But Wildes point of view is not complete, and he recognizes the interrelationship of art and life in another place and the existe

15、nce of art for life imitation. The tragedy of Wilde is that his series of aesthetic claims lack the inherent unity of materialism, and finally leads to a series of errors and contradictions in theory and practice. But this is not to say that Wildes aesthetic claims, theory, practice, and his aesthet

16、ic exploration are of no value and worthy of study. On the contrary, it is a positive idea to reject the degeneration of art and to defend the purity and independence of art. 奧斯卡王爾德寫作特點(diǎn) fairy tale Although Wildes tragic fairy tale works regardless of the story is hidden behind the same sex or the op

17、posite sex of the affair, his language used to modify the language of love almost a flashy beauty, but this beauty for the secular love of the ultimate disillusionment and disappearance of the matter , To be able to achieve the perfect only love of Christ and supreme art. As Wilde himself says, the

18、purpose of art is not simply real, but complex beauty. He presents a tragic story of aestheticism in a unique narrative way, creating an unspeakable beauty. Compared to the tragic fate of the Greek tragedy, Shakespearean drama humanist lonely pain, Hemingways never-ending tragedy heroic spirit, he n

19、arrates is the beauty of life and sorrow - the ordinary life of love, the spirit of the world Beauty, and the destruction of the two to the great pain of the human mind, highlighting the divine salvation and fate of Christ. Wilde did not repeat the prince and the princess happy to live a hundred yea

20、rs of cliche, do not express good and good evil evil report of the good wishes, only a kind of indifferent tone to describe the tragedy, with the characters staggered perspective and vision Let the reader hear the long sigh of the fish, the nightingale last life if the hairspring song, the dwarf mou

21、rn cry and his heart rupture sound. As an implied author, he has always been silent on the story of the characters, so that Christs death in the call to become a farewell tragic fate of the best end of the ceremony. He repeatedly inquired about the contradictions and paradoxes that existed in life i

22、n an imperfect fairy tale, and fascinated the difficulties and complexities of the real society, showing his perfect and pure pursuit of art, love and life in a tortuous way and using his own works Predicted his unique line of life: walking in the hedonism and sensibility of the edge, swinging betwe

23、en the material and the spirit of love both desire and despair, dying in the lonely converted to the Catholic Church, into the embrace of Christ, and he The tragedy of the characters in general, get his true peace of mind. Poetry Aestheticism is not only the inheritance and development of romantic p

24、oetry, more importantly, its innovation. The most famous slogan of the aesthetic movement is art for art, which is one of the reasons why this literary movement can develop in the middle and late stages of Victorian Victorian feud. In 1895 Wilde was jailed for the so-called guilty conscience, even t

25、hough his inspiration was not affected during his sentence. In a classic work entitled From Deep, he wrote more than once that I am a symbol of art and culture in this era, and even muttered in his mouth before his death, Beauty, only the beauty is like this. Wildes dedication to art, the rebellion

26、and innovation of the practice of traditional poetry, the poem Riding Prison Songs is the best embodiment. Lyon Prison Song by Oscar Wilde in prison after the start of creation in 1897 and completed in 1898, is his last great poem. The whole poem is divided into six parts, a total of 660 lines, six

27、lines a poem, which he changed the traditional narrative lines, expressed the feelings of other prisoners, especially described the evil university, moral decay and prison system of non-human abuse The This poem is to commemorate the situation of a royal guard soldier who will be hanged for murderin

28、g his wife. In this poem, he tried to use the words that could better express his thoughts, seemingly felt and improvised, and in fact included the examination and judgment of the whole society, which was inseparable from his two years of prison life Relationship. In the whole poem, he used the repe

29、titive rhetorical means, the slight syllable changes. In verses 443 and 444, fear is striding forward in front of us; terror is treading behind us, which increasingly adds to the horrific atmosphere that is creepy. This poetic realistic description of the situation so that readers feel the same, rea

30、lly achieve the purpose of aesthetics. Fiction Wilde created a lot of work in his life. He is rich in materials, covered a wide range. There are reviews, fairy tale, there is drama. But his novel is only one - the portrait of Dorian Gray (1890). In this novel, Wilde in this novel, with rich imaginat

31、ion, bizarre plot, beautiful writing, full of philosophical language, exposing the British high society of spiritual emptiness and moral sink, intertwined with good and evil, beauty and ugliness, soul The tragedy of the destruction of the flesh, the image of the authors own outlook on life, morality

32、 and art. This novel, with a unique artistic conception of the visualization of the art first theory. The painter Bessel does not create portraits for fame and fortune, because of his pursuit of beauty in the process, in the portrait into their own all effort, so that the portrait has an unusual bea

33、uty and peculiar vitality. The author through such an arrangement to explain: only the implementation of art for art and art to create the works of art can be counted as eternal lofty perfection to the works of art. It is reflected in the aestheticism, art for art and other views, with Marxist-Lenin

34、ist view of literature and art is certainly not biased, but we should see that this time the intellectuals trying to escape the capitalist system Under the evil of the kind of naive idea, can be considered that this is a negative reaction to the capitalist system. Drama Wildes great achievement in t

35、he drama is the language of the dialogue dialogue, and every word is worth considering. Wilde is a brave playwright, his humorous language reveals the decay and chaos of the upper class society. Many famous aphorisms even come from some negative roles, which makes the conversation even more interest

36、ing, but also makes the characters more full and true shape. It is the use of rhetorical devices that make Wildes play meaningful and flourishing. For Wilde, contradictory rhetoric fully embodies his witty language style. He uses a pair of semantics, opposite words are used together to express more

37、complex thoughts and feelings or to explain a meaningful philosophy. The magical effect of contradictory rhetoric is to reveal the complex psychological contradictions and philosophy of life in the inner world. In the ideal husband , Mabel Chilton said: I really like London! This has been fully proved, the whole city is a beautiful fool and outstanding madman. Muller said she loved London and it was well proved, but her argument was that London was full of beautiful fools and outstanding madmen. Beautiful , fool , outstanding , madman The contradictory statements

溫馨提示

  • 1. 本站所有資源如無(wú)特殊說(shuō)明,都需要本地電腦安裝OFFICE2007和PDF閱讀器。圖紙軟件為CAD,CAXA,PROE,UG,SolidWorks等.壓縮文件請(qǐng)下載最新的WinRAR軟件解壓。
  • 2. 本站的文檔不包含任何第三方提供的附件圖紙等,如果需要附件,請(qǐng)聯(lián)系上傳者。文件的所有權(quán)益歸上傳用戶所有。
  • 3. 本站RAR壓縮包中若帶圖紙,網(wǎng)頁(yè)內(nèi)容里面會(huì)有圖紙預(yù)覽,若沒(méi)有圖紙預(yù)覽就沒(méi)有圖紙。
  • 4. 未經(jīng)權(quán)益所有人同意不得將文件中的內(nèi)容挪作商業(yè)或盈利用途。
  • 5. 人人文庫(kù)網(wǎng)僅提供信息存儲(chǔ)空間,僅對(duì)用戶上傳內(nèi)容的表現(xiàn)方式做保護(hù)處理,對(duì)用戶上傳分享的文檔內(nèi)容本身不做任何修改或編輯,并不能對(duì)任何下載內(nèi)容負(fù)責(zé)。
  • 6. 下載文件中如有侵權(quán)或不適當(dāng)內(nèi)容,請(qǐng)與我們聯(lián)系,我們立即糾正。
  • 7. 本站不保證下載資源的準(zhǔn)確性、安全性和完整性, 同時(shí)也不承擔(dān)用戶因使用這些下載資源對(duì)自己和他人造成任何形式的傷害或損失。

最新文檔

評(píng)論

0/150

提交評(píng)論