09年12月27日中行統(tǒng)考英語真題

09年12月27日中行統(tǒng)考英語真題LtDbyusingbrightlightsintheworkplace,minimizingshiftchanges,andtakingschedulednaps.Manypeoplewithtotalblindnessexperiencelife-longsleepingproblemsbecausetheirretinasareunabletodetectlight.Thesepeoplehaveakindofpermanentjetlagandperiodicinsomniabecausetheircircadianrhythmsfollowtheirinnatecycleratherthana24-hourone.Dailysupplementsofmelatoninmayimprovenight-timesleepforsuchpatients.However,sincethehighdosesofmelatoninfoundinmostsupplementscanbuildupinthebody,long-termuseofthissubstancemaycreatenewproblems.Becausethepotentialsideeffectsofmelatoninsupplementsarestilllargelyunknown,mostexpertsdiscouragemelatoninusebythegeneralpublic.閱讀A

AsmallcardsitsaboveanemptyshelfintheWholeFoodsstoreinPetaluma,CaliforniaOnSeptember14ththeCentersforDiseaseControlandPreventioninAtlantaissuedthefirstofseveraldailyalertsconcerninganoutbreakofE.coli0157:H7,apotentiallylethalpathogentypicallyassociatedwithadulteratedbeef.Investigatorshadtracedittoconsumptionoffreshrawspinachsoldinbags.Afewdayslater,aninvestigationconductedbytheFoodandDrugAdministration(FDA)hadnarroweddowntheculpritstoaCalifornia-basedgrower,NaturalSelectionFoods,andatleastoneofitsdistributors.Sofar,a77-year-oldwomaninWisconsinhasdiedfromeatingspinachtracedbacktoNaturalSelection,and146peoplein23statesareill,someveryseriously.Halfofthevictimshavebeenhospitalized,ahighratethatmayindicateanespeciallyvirulentstrainofE.coli.Investigatorscontinuetosearchforthecauseoftheoutbreak.Theyhavescouredthecompany’sprocessingplantaswellasthefarmsthatgrowthespinach,lookingateverythingfromirrigationwatertotheproximityoflivestock,withnosureconnectionsmadesofar.ThefactthatNaturalSelectionisinCalifornia’sSalinasMoreoverNaturalSelection,whichsuppliesseveralsupermarketchainsacrosstheUnitedStateswithconventionallyproducedfreshspinach,isalsothenation’slargestgrowerandshipperofcertifiedorganicproduce,underitsEarthboundFarmbrand.Iforganicspinachbecomesimplicated,thefinancialconsequencesfortheorganicsectorofthefreshproducemarket,whichpridesitselfonitspurity,couldbesevere.ButwiththeFDAadvisingconsumersnottoeatfreshspinachfromanysourceuntilfurthernotice,theoutbreakcouldruinCalifornia’swholespinachindustry.Thestategrowsaboutthree-quartersoftheAmericancrop.Inrecentyearsthemarketforfreshspinachhasbenefitedhugelyfromwhatoneproducers’spokesmancalls“agreathealthprofile”.In2005,percapitaconsumptioninAmericawasforecastat2.2pounds(onekilogram),upfromjust0.6poundstenyearsago.Thattotalisn’tlikelytoincreaseagainforawhile.閱讀BAnotherroundhasjustbeenfoughtinthebattlebetweentobaccocompaniesandthosewhoregardthemasspawnofthedevil.InappearjustpublishedintheLancet,withtheprovocativetitle“Secretscience:tobaccoindustryresearchonsmokingbehaviorandcigarettetoxicity”,DavidHammond,ofWaterlooUniversityinCanadaandNeilCollishawandCynthiaCollard,twomembersofPhysiciansforaSmoke-FreeCanada,alobbygroup,criticizethebehaviorofBritishAmericanTobacco(BAT).Theysaythefirmconsideredmanipulatingsomeofitsproductsinordertomakethemlow-tarintheeyesofofficialdomwhiletheyactuallydeliveredhightarandnicotinelevelstosmokers.Itwasandisnosecret,asBATpointsout,thatpeoplesmokelow-tarcigarettesdifferentlyfromhigh-tarones.Thereasonisthattheywantadecentdoseofthenicotinewhichtobaccosmokecontains.Theythereforepullalargervolumeofairthroughthecigarettewhentheydrawonalow-tarratherthanahigh-tarvariety.Theextravolumemakesupforthelowerconcentrationofthedrug.Butaburningcigaretteisacomplexthing,andthatextravolumehassomeunexpectedconsequences.Inparticular,abiggerdrawisgenerallyafasterdraw.

[1]Thatpullsahigherproportionoftheairinhaledthroughtheburningtobacco,ratherthanthroughthepapersidesofthecigarette.This,inturn,meansmoresmokeperunitvolume,andthusmoretarandnicotine.Thenatureofthenicotinemaychange,too,withmoreofitbeinginaformthatiseasyforthebodytoabsorb.AccordingtoDrHammondandhiscolleagues,aseriesofstudiesconductedbyBAT'sresearchersbetween1972and1994quantifiedmuchofthis.Thestandardizedwayofanalyzingcigarettesmoke,aslaiddownbytheInternationalOrganizationforStandardization(ISO),whichregulateseverythingfromcomputercodetogreenhousegases,usesamachinetomake35-millilitrepuffs,drawnfortwosecondsonceaminute.Thefirm'sresearchers,bycontrast,foundthatrealsmokersdraw50-70mlperpuff,anddosotwiceaminute.DrHammonds'sconclusionisdrawnfromthehugebodyofdocumentsdisgorgedbythetobaccoindustryaspartofvariouslegalsettlementsthathavetakenplaceinthepastfewyears,mainlyasaresultofdisputeswiththeauthoritiesintheUnitedStates.閱讀CChemicalengineersinNorthDakotahavesuccessfullyturnedoilfromplants-canola(rapeseed),coconutsandsoybeans-intojetfuelindistinguishablefromtheconventionalkind,accordingtoU.S.governmenttests.[1]WorkingwiththeU.S.DepartmentofDefense’sDefenseAdvancedResearchProjectsAgency(DARPA),scientistsattheEnergy&EnvironmentalResearchCenter(EERC)attheUniversityofNorthDakotaturnedtheseplantoilsintofuelthathadasimilardensity,energycontentandevenfreezingpoint.

“It’sprocessedsothatitcontainsonlythesamehydrocarbonmoleculespresentinpetroleumfuel.”sayschemicalengineerChadWocken.Althoughhedeclinedtoexplaintheexactdetailsoftheprocess,Wockensaysitisthermocatalytic-inotherwords,theengineersheattheplantoilsinthepresenceofanundisclosedcatalysttocreateaslewofpetroleumproducts.Infact,theprocessisnotunlikeconventionaloilrefininginthatitproduceseverythingfromthekeroseneusedasaviationfuel

toregulargasoline.

“Theprocessingcostswouldbesimilarandcomparabletopetroleumoilrefining,”andperhapsevenlessexpensive,Wockennotes,“becauseyou'renotdealingwithcontaminantslikesulfur.”

Ofcourse,thebiofuel’sultimatepricetagisyettobedeterminedasonly“gallons”ofithavebeenbrewedcomparedwiththemorethan60milliongallons(225millionliters)ofjetfuelconsumeddailyintheU.S.Butitwillinlargepartdependonthepricetogrowthecropsthemselves-allhavebeenfluctuatinginrecentmonthsduetonewlyvolatileglobalcommoditymarkets.

VirginAtlantichasflownajumbojetonacombinationofconventionaljetfuelandbiofuelmadefrompalmoil,andajetpoweredsolelybybiodieselhasstayedaloftformorethan30minutes-albeitwithaspecialdevicetokeepitsfuelfromfreezingathighaltitude.AndtheEERCfuelisnottheonlybio-basedjetfuelavailable:UOP,LLC,adivisionofHoneywellSpecialtyMaterials,hasasimilarfuelmadefromvegetableandanimaloils.

TheEERCiscurrentlyintheprocessofproducing25gallons(95liters)ofthebio-jetfuelforgroundtestinginajetengineasearlyasnextmonth.

[2]“ThethingthatneedstohappenisapurchaseordertocomethroughfromtheAirForcesowecanget[the]investmenttobuildthatfirstplant,”Wockensays.“Wecouldgetaplantoperationalintwotofiveyearsiftherewereacommitmenttobuythefuel.”閱讀DProponentsofdifferentjazzstyleshavealwaysarguedthattheirpredecessors’musicalstyledidnotincludeessentialcharacteristicsthatdefinejazzasjazz.Thus,1940’sswingwasbelittledbybeboppersofthe1950’s,whowerethemselvesattackedbyfreejazzersofthe1960’s.Theneoboppersofthe1980’sand1990’sattackedalmosteverybodyelse.ThetitanicfigureofBlacksaxophonistJohnColtranehascomplicatedtheargumentsmadebyproponentsofstylesfrombebopthroughneobopbecauseinhisownmusicaljourneyhedrewfromallthosestyles.Hisinfluenceonalltypesofjazzwasimmeasurable.Attheheightofhispopularity,Coltranelargelyabandonedplayingbebop,thestylethathadbroughthimfame,toexploretheouterreachesofjazz.Coltranehimselfprobablybelievedthattheonlyessentialcharacteristicofjazzwasimprovisation,theoneconstantinhisjourneyfrombeboptoopen-endedimprovisationsonmodal,Indian,andAfricanmelodies.Ontheotherhand,thisdoggedstudentandprodigioustechnician-whoinsistedonspendinghourseachdaypracticingscalesfromtheorybooks-wasneverabletoabandoncompletelytheinfluenceofbebop,withitsfastandelaboratechainsofnotesandornamentsonmelody.TwostylisticcharacteristicsshapedthewayColtraneplayedthesaxophone,hefavoredplayingfastrunsofnotesbuiltonamelodyanddependedonheavy,regularlyaccentedbeats.ThefirstledColtraneto“sheetsofsound,”whereheracedfasterandfaster,pile-drivingnotesintoeachothertosuggeststackedharmonies.Thesecondmeantthathissenseofrhythmwasalmostasclosetorockastobebop.ThreerecordingsillustrateColtrane’senergizingexplorations.RecordingKindofBluewithMilesDavis,Coltranefoundhimselfoutsidebop,exploringmodalmelodies.Hereheplayedsurging,lengthysolosbuiltlargelyaroundrepeatedmotifs-anorganizingprincipleunlikethatoffreejazzsaxophoneplayerOrnateColeman,whoalteredmelodiesinhissolos.OnGiantSteps,Coltraneactedasleader,introducinghisowncompositions.Herethesheetsofsound,downbeataccents,repetitions,andgreatspeedarepartofeachsolo,andthevarietyoftheshapesofhisphrasesisunique.Coltrane’ssearchingexplorationsproducedsolidachievement.MyFavoriteThingswasanotherkindofwatershed.HereColtraneplayedthesopranosaxophone,aninstrumentseldomusedbyjazzmusicians.Musically,theresultswereastounding.Withthesoprano’spipingsound,ideasthathadsoundeddarkandbroodingacquiredafeelingofgiddyfantasy.WhenColtranebeganrecordingfortheImpulse!label,hewasstillsearching.Hismusicbecameraucous,physical.Hisinfluenceonrockerswasenormous,includingJimiHendrix,therockguitarist,who,followingColtrane,raisedtheextendedguitarsolousingrepeatedmotifstoakindofrockartform.Theprimarypurposeofthetextisto

[A]discusstheplaceofColtraneintheworldofjazzanddescribehismusicalexplorations.

[B]examinethenatureofbebopandcontrastitwithimprovisationaljazz.

[C]analyzethemusicalsourcesofColtrane’sstyleandtheirinfluenceonhiswork.

[D]acknowledgetheinfluenceofColtrane’smusiconrockmusicandrockmusicians.

Whichofthefollowingbestdescribestheorganizationofthefourthparagraph？

[A]Athesisreferredtoearlierinthetextismentionedandillustratedwiththreespecificexamples.

[B]Athesisisstatedandthreeexamplesaregiveneachsuggestingthatacorrectionneedstobemadetoathesisreferredtoearlierinthetext.

[C]Athesisreferredtoearlierinthetextismentioned,andthreeexamplesarepresentedandrankedinorderoftheirsupportofthethesis.

[D]Athesisisstated,threeseeminglyopposingexamplesarepresented,andtheirunderlyingcorrespondenceisexplained.

Accordingtothetext,JohnColtranedidallofthefollowingduringhiscareerEXCEPT

[A]improviseonmelodiesfromanumberofdifferentcultures.

[B]performasleaderaswellassoloist.

[C]spendtimeimprovinghistechnicalskills.

[D]eliminatetheinfluenceofbeboponhisownmusic.

AccordingtothetextamajordifferencebetweenColtraneandotherjazzmusicianswasthe

[A]degreetowhichColtrane’smusicencompassedallofjazz.

[B]repetitionofmotifsthatColtraneusedinhissolos.

[C]numberofhisowncompositionsthatColtranerecorded.

[D]indifferenceColtranemaintainedtomusicaltechnique.

Intermsofitstoneandform,thetextcanbestbecharacterizedas

[A]dogmaticexplanation.

[B]indignantdenial.

[C]enthusiasticpraise.

[D]speculativestudy.

[答案與考點(diǎn)解析]

「答案」A

「考點(diǎn)解析」本題是一道中心主旨題。第一段的倒數(shù)第一、二句是全文的中心主旨句，全文就是根據(jù)這兩句話展開論述的。抓住這兩句話就可以找出本題的正確選項(xiàng)A.考生在解題時(shí)，尤其是破解中心主旨題時(shí)，一定要先找出全文的中心主旨句。

「答案」C

「考點(diǎn)解析」這是一道例（舉）證與細(xì)節(jié)理解題。第四段第一句明確指出“三張唱片為科爾特蘭尼富有活力的探索提供了證明”。這說明第四段將講述三個(gè)例子用來說明在前一段即第三段所提出的論點(diǎn)。另外這三個(gè)例子是按著先后順序給出的，因此本題的正確選項(xiàng)是C.考生在解題時(shí)要注意段落之間的相互關(guān)系，更要注意句子之間的相互關(guān)系。

「答案」D

「考點(diǎn)解析」這是一道細(xì)節(jié)理解題型。本題屬于比較難的題型，因?yàn)楸绢}的涉及面比較廣。本題A、B、C選項(xiàng)的內(nèi)容分別在第二段第一句、第四段第三四句和第二段第二句提到過。故本題的正確選項(xiàng)應(yīng)該是D.其實(shí)這道題表面上非常難，但是對(duì)于善于捕捉全文中心主旨句的同學(xué)來講確比較容易，因?yàn)閺牡谝欢蔚谒木涞脑驙钫Z從句中就可以推導(dǎo)出本題的正確答案D.考生在解題時(shí)應(yīng)時(shí)時(shí)牢記全文的中心主旨句。

「答案」A

「考點(diǎn)解析」本題是一道審題定位題型。根據(jù)本題題干中的“otherjazzmusicians”可將本題的答案信息來源定位在第一段的第一至四句，因?yàn)樵谶@四句話中提到了其它的爵士音樂家。第一段第四句的狀語從句明確指出了“Coltrane”與其它音樂家的不同在于他吸收了各種風(fēng)格的爵士音樂。故本題的正確答案應(yīng)該是A.考生在解題時(shí)應(yīng)重視審題定位。

「答案」C

「考點(diǎn)解析」本題是一道歸納推導(dǎo)題型。細(xì)心的同學(xué)可從本文作者在論述時(shí)使用的詞語中推導(dǎo)出本題的正確答案C.例如作者在第一段第四句的主語上使用了“titanicfigure”；在第五句使用了“hisinfluence…wasimmeasurable”；在最后一段的第三句使用了“hisinfluence…wasenormous”，這都反映了作者的“enthusiasticpraise”?？忌诮忸}時(shí)要重視原文作者在表達(dá)觀點(diǎn)時(shí)的遣詞造句。

[參考譯文]

不同的爵士樂風(fēng)格的支持者一貫認(rèn)為他們前輩的音樂風(fēng)格沒有包括那些使爵士樂之所以成為爵士樂的本質(zhì)特征。這樣，二十世紀(jì)五十年代的比波普派輕視二十世紀(jì)四十年代的搖擺音樂派，而他們自己又受到二十世紀(jì)六十年代的自由爵士派的抨擊。二十世紀(jì)八十至九十年代的新比波普派幾乎對(duì)任何其他人都進(jìn)行抨擊。而黑人薩克斯管巨匠約翰？科爾特蘭尼使這些從比波普派到新比波普派的支持者所提出的主張更加復(fù)雜化，因?yàn)樵谒约旱囊魳防讨校?jīng)歷了所有這些風(fēng)格。他對(duì)所有爵士音樂的風(fēng)格的影響是不可估量的。在他最受歡迎的時(shí)期，科爾特蘭尼基本上放棄了比波普風(fēng)格的演奏以便探索爵士樂更深的處延，然而正是比波普風(fēng)格的演奏使得他成名。

科爾特蘭尼自己可能認(rèn)為爵士樂的唯一本質(zhì)特征就是即興創(chuàng)作，這是他從比波普風(fēng)格到對(duì)形式音樂、印度音樂、非洲音樂的自由即興演奏的歷程中一直沒有改變的。另一方面，這個(gè)頑強(qiáng)的學(xué)生和異常的技巧家每天花幾個(gè)小時(shí)用以練習(xí)理論書籍上的曲譜，從未能完全拋棄比波普的影響，在他的旋律中可以找到帶有比波普特點(diǎn)的快速和精細(xì)的音符以及修飾效果。

有兩種風(fēng)格特征影響了科爾特蘭尼演奏男高音薩克斯管的方式：他喜歡對(duì)建立于一種旋律上的音符進(jìn)行快速的演奏，同時(shí)也依賴于強(qiáng)有力的、有規(guī)律的重音節(jié)奏。前者引導(dǎo)科爾特蘭尼走向“片狀聲響”的境界，在那里科爾特蘭尼的演奏越來越快，將音符成堆互相累放起來以表達(dá)一種堆疊起來的和諧感。而后者意味著，他的節(jié)奏感之接近于搖滾樂幾乎就像其接近于比波普風(fēng)格一樣。

三張唱片為科爾特蘭尼富有活力的探索提供了證明。和馬爾斯？戴維斯合作錄制《有幾分憂傷》時(shí)，科爾特蘭尼發(fā)現(xiàn)他已離開了波普風(fēng)格，對(duì)形式音樂進(jìn)行探索。在這中間，他演奏那些跌宕起伏的冗長的獨(dú)奏，而這些獨(dú)奏基本上是圍繞著一個(gè)重復(fù)主題展開的。該種主題是用以組織其音樂的原則，它和自由派爵士樂薩克斯管演奏家奧尼迪？科爾曼采用的組織方式不同。后面這位音樂家在他的獨(dú)奏中會(huì)對(duì)其旋律進(jìn)行調(diào)節(jié)改變。在《大踏步》中，科爾特蘭尼初次以領(lǐng)導(dǎo)者角色出現(xiàn)，對(duì)他自己的作品進(jìn)行了介紹。在這中間，“片狀聲響”、強(qiáng)拍重音、重復(fù)回旋和極快的速度組成了每一段獨(dú)奏的各個(gè)部分，各樂章的形式的多樣性是獨(dú)一無二的?？茽柼靥m尼深刻的探索獲得了穩(wěn)固的成就?！段业溺姁壑铩肥橇硪环N意義上的分水嶺。在這里，科爾特蘭尼演奏了爵士樂演奏家很少使用的女高音薩克斯管，所產(chǎn)生的音樂上的效果是驚人的。伴隨著女高音薩克斯管的尖音，那些顯得昏暗及帶有沉思意味的主題獲得了一種令人眼花繚亂的夢(mèng)幻感覺。

當(dāng)科爾特蘭尼開始為沖動(dòng)唱片公司進(jìn)行音樂錄制時(shí)，他仍然在探索。他的音樂變得沙啞而感性。搖滾樂手受到他的巨大影響，其中包括吉米？亨德瑞克斯這位吉它手。后者仿效科爾特蘭尼，使基于重復(fù)主題的大段吉他獨(dú)奏上升成為一種搖滾藝術(shù)形式。段落排序Therelationshipbetweenformaleducationandeconomicgrowthinpoorcountriesiswidelymisunderstoodbyeconomistsandpoliticiansalikeprogressinbothareaisundoubtedlynecessaryforthesocial,politicalandintellectualdevelopmentoftheseandallothersocieties;however,theconventionalviewthateducationshouldbeoneofthieveryhighestprioritiesforpromotingrapideconomicdevelopmentinpoorcountriesiswrong.

Wearefortunatethatisit,becauseneweducationalsystemsthereandputtingenoughpeoplethroughthemtoimproveeconomicperformancewouldrequiretwoorthreegenerations.Thefindingsofaresearchinstitutionhaveconsistentlyshownthatworkersinallcountriescanbetrainedonthejobtoachieveradicalhigherproductivityand,asaresult,radicallyhigherstandardsofliving.

Ironically,thefirstevidenceforthisideaappearedintheUnitedStates.Notlongago,withthecountryenteringarecessingandJapanatitspre-bubblepeak.TheU.S.workforcewasderid