翻譯碩士英語

湖北大學(xué)翻譯碩士MTI《翻譯碩士英語》命題思路序號考試內(nèi)容題型分值時(shí)間（分鐘）1詞匯語法20題多項(xiàng)選擇（10個(gè)詞匯+10個(gè)語法）+1篇改錯(cuò)20+10602閱讀理解2篇選擇+2篇簡答【第1篇專四難度后3篇專八難度】20+20603外語寫作命題作文（400字）【給圖表、詩歌等英文背景，談看法】3060共計(jì)100180湖北大學(xué)翻譯碩士MTI《翻譯碩士英語》考試樣卷PARTIGrammarandVocabulary(1'X20=20')Directions：?Therearefortysentencesinthissection.BeneatheachsentencetherearefourwordsorphrasesmarkedA,B,CandD.Chooseonewordorphrasethatbestcompletesthesentence.Markyouranswersonyouranswersheet?Heplaystennistotheofallothersports.eradictionB.exclusionC.extensionD.inclusionSheansweredwithan“No”totherequestthatsheattendthepublichearingeloquentB.effectiveC.emotionalD.emphaticEveryonewhohasvisitedthecityagreesthatitiswithlife.vibrantB.violentC.energeticD.fullWemetMaryandherhusbandatapartytwomonthsago.we'vehadnofurthercommunication.C.Should,willC.Should,willD.Unless,wouldC.ofustobepreparedC.ofustobepreparedD.ourbeingpreparedA.Onlyif,willA.Onlyif,willB.Ifonly,wouldA.ThereofB.TherebyC.ThereafterD.ThereaboutsTheheatinsummerisnolesshereinthismountainregion/concentratedB.extensiveC.intenseD.intensiveCouldyoujustgivemeahand?Let'sthecarintomotion;itgotaflameoujustnow.shoveB.nudgeC.promptD.pokeTheriverwaswithwastefromthatfactory.Somemeasuresmustbetakentostopitsproduction.A.corruptedB.consumedC.contaminatedD.infectedThisdiseaseitselfinyellownessoftheskinandeyes.A.manifestsB.modifiesC.magnifiesD.exposesIsthereanypossibleexplanationforhisbadhealthsinceheseemstohavenoobviousdisease?A.psychiatricB.psychologicalC.surgicalD.physicalTheyoungloverswerenotallowedtogetmarriedbecausetheirtwofamilieswereenemies.A.hereditaryB.congenitalC.innateD.latentIlikeeconomics,Ilikesociologymuchbetter.A.AsmuchasB.SomuchC.HowmuchD.Muchasbothsidesaccepttheagreementalastingpeacebeestablishedinthisregion.

Iknowhefailedhislasttest,butreallyhe'sstupid.A.somethingbutB.anythingbutC.nothingbutD.notbutWhat'sthechanceofageneralelectionthisyear?A.therebeingB.theretobeC.therebeD.theregoingtobeyoufurtherproblemswithyourprinter,contactyourdealerforadvice.A.If...hadB.Have...hadC.Should...haveD.Incase...hadB.asuccessmorethanB.asuccessmorethanD.asuccessasmuchasLandbelongstothecity;thereisA.nosuchaB.notsuchItwaswehadhoped.A.moreasuccessthanC.asmuchofasuccesas_thingasprivateownershipoflandC.notsuchaD.nosuchIamsurprisedthiscityisadullplacetolivein.A.thatyoushouldthinkB.bywhatyouarethinkingC.thatyouwouldthinkD.withwhatyouwerethinkingTheopeningceremonyisagreatoccasion.Itisessentialforthat.A.forustobepreparedB.thatwearepreparedLindawastheexperimentamonthago,butshechangedhermindatthelastminute.tostartB.tohavestartedC.tobestartingD.tohavebeenstartingPARTIIReadingComprehension(2'X20=40')SectionAInthissectiontherearethreereadingpassagesfollowedby15questionsorunfinishedstatements,eachwithfoursuggestedanswers(2'X10=20')markedA,B,CandD?Choosetheonethatyouthinkisthebestanswer.Markyouranswersonyouranswersheet.TEXTAInthe1960s,medicalresearchersThomasHolmesandRichardRahedevelopedachecklistofstressfulevents.Theyappreciatedthetrickypointthatanymajorchangecanbestressful.Negativeeventslike"seriousillnessofafamilymember"werehighonthelist,butsoweresomepositivelife-changingevents,likemarriage.WhenyoutaketheHolmes-Rahetestyoumustrememberthatthescoredoesnotreflecthowyoudealwithstress--itonlyshowshowmuchyouhavetodealwith.Andwenowknowthatthewayyouhandletheseeventsdramaticallyaffectsyourchancesofstayinghealthy.Bytheearly1970s,hundredsofsimilarstudieshadfollowedHolmesandRahe.AndmillionsofAmericanswhoworkandliveunderstressworriedoverthereports.Somehow,theresearchgotboileddowntoamemorablemessage.Women'smagazinesranheadlineslike"Stresscausesillness!"Ifyouwanttostayphysicallyandmentallyhealthy,thearticlessaid,avoidstressfulevents.Butsuchsimplisticadviceisimpossibletofollow.Even訐stressfuleventsaredangerous,many--likethedeathofalovedone--areimpossibletoavoid.Moreover,anywarningtoavoidallstressfuleventsisaprescriptionforstayingawayfromopportunitiesaswellastrouble.Sinceanychangecanbestressful,apersonwhowantedtobecompletelyfreeofstresswouldnevermarry,haveachild,takeanewjobormove.Thenotionthatallstressmakesyousickalsoignoresalotofwhatweknowaboutpeople.Itassumeswe'reallvulnerableandpassiveinthefaceofadversity.Butwhatabouthumaninitiativeandcreativity?ManycomethroughperiodsofstresswithmorephysicalandmentalvigorthantheyhadIra.fore.Wealsoknowthatalongtimewithoutchangeorchallengecanleadtoboredom,andphysicalandmentalswain.TheresultofHolmes-Rahe'smedicalresearchtellsus.thewayyouhandlemajoreventsmaycausestresswhatshouldbedonetoavoidstresswhatkindofeventwouldcausestresshowtocopewithsuddenchangesinlifeThestudiesonstressintheearly1970'sledto.widespreadconcernoveritsharmfuleffectsgreatpanicoverthementaldisorderitcouldcauseanintensiveresearchintostress-relatedillnessespopularavoidanceofstressfuljobsThescoreoftheHolmes-Rahetestshows.howmuchpressureyouareunderhowpositiveeventscanchangeyourlifehowstressfulamajoreventcanbehowyoucandealwithlife-changingeventsWhyis"suchsimplisticadvice"(Para.3)impossibletofollow?Noonecanstayonthesamejobforlong.Noprescriptioniseffectiveinrelievingstress.Peoplehavetogetmarriedsomeday.Youcouldbemissingopportunitiesaswell.Accordingtothepassagepeoplewhohaveexperiencedupsanddownsmaybecome.nervouswhenfacedwithdifficultiesphysicallyandmentallystrainedmorecapableofcopingwithadversityindifferenttowardwhathappenstothemTEXTBThatsummeranarmyofcricketsstartedawarwithmyfather.Theypickedafighttheminutetheyinvadedourcellar.Daddidn'tcareforbugsmuchmorethanMamma,buthecouldtolerateafewspidersandassortedcreepycrawlerslivinginthebasement.Everyfarmhousehadthem.Apartofrusticlivingandsomethingyouneededtoputupwithifyouwantedthesimplelife.HetoldMamma:nowthatwerelivingouthere,youcan'tbejerkingyourheadandswallowingyourgumoverwhat'splainnatural,Ellen.Butshewasacitygirlthroughandthroughandhadnoearswhenitcametodefendingvermin.Shesaidacricketwasjustanoisycockroach,justadumbhornybugthatwouldn'tshutup.Shesaidinthecitytherewereblocksofbuildingsoverrunwithcockroacheswithnowayforpeopletogetridofthem.Nosir,nowaycouldshesleepwithallthatchirpinggoingon;thentoproveherpointshewouldn'tgotobed.Shedrankcoffeeandsmokedmyfather'scigarettesandshepacedbetweenthecouchandtheTV.Nextmorningshethreatenedtopackupandleave,soDaddrovetothehardwarestoreandhurriedback.Hesquirtedpoisonfromajugwithaspraynozzle.Hesprayedthebasementandallaroundthefoundationofthehouse.Whenhewasfinishedhetoldusthatwastheendofit.Butwhatheshouldhavesaidwas:thisisthebeginning,thebeginningofourwar,thebeginningofourdestruction.Ioftenthinkbacktothatsummerandtrytoimaginehimdeliveringaspeechwithwordslikethat,becauseforthenextfourteendaysmammakeptfinddeadcricketsinthecleanlaundry.Shedshakeoutatowelorasheetandadeadblackcricketwouldrollacrossthelinoleum.Sometimesthecatwouldcornerone,andswatitaroundlikehewasplayinghockey,thencarryitawayinhismouth.Dadsaidswallowingafewdeadcricketswouldn'thurtaslongasthecatdidn'teattoomany.EachtimeMammacomplainedhetoldheritwasonlynaturalthatwe'dbefindingacoupleofdeadonesforawhile.Soonlivecricketsstartedshowingupinthekitchenandbathroom.Mammafreakedbecauseshethoughttheywerethedeadcricketscomebacktohaunt,butDadsaidthesewasdefinitelyanewbatch,probablycominguponthepipes.Hefetchedhisjugofpoisonandsprayedbeneaththesinkandbehindthetoiletandallalongthebaseboarduntilthewholehousesmelledofpoison,andthenhesprayedthecellaragain,andthenhewentoutsideandsprayedallaroundthefoundationleavingafoot-widemoatofpoison.Foracoupleofweekswewentbacktofindingdeadcricketsinthelaundry.Dadtoldustokeepasharplookout.Hesuggestedthatwe'dallbebetterofftohidasmanyawecouldfrommamma.IfedafewdozentothecatwhoIdidn'tlikebecausehescratchedandbitfornoreason.Ihopedthepoisonmightkillhimtoosowecouldgetapuppy.Acoupleofweekslater,whenbothliveanddeadcricketskeptturningup,heemptiedthecellarofjunk.Thenheburnedalotofbundlednewspapersandmagazineswhichhesaidthecricketshadturnedintonests.Hestoodoverthatfirewitharakeinonehandandagardenhoseintheother.Hewouldn'tleaveitevenwhenMammasentmeouttofetchhimforsupper.Hewouldn'tleavethefire,andshewouldn'tputsupperonthetable.Bothmybrotherswerecrying.Finallyshewentoutandgothimherself.Andwhileweate,thewindliftedsomeembersontothewoodpile.Theonlygasolinewasinthelawnmowersfueltankbutthatwasenoughtocreateanexplosionbigenoughtoreachthehouse.Oncetheroofcaught,therewasn'tmuchanyonecoulddo.Theword“rustic”inthefirstparagraphprobablymeansA.urbanB.ruralC.metropolitanD.extravagantWhichofthefollowingisCORRECTaboutDadandMamma?ComparedwithMamma,DadwasmoretolerantofbugsMammatookDad'sadvicetoputupwithsomecrawlers.Dadcouldbeartohavespidersmorethanbugs.Mammaoftenswallowedherguminthehouse.DadhadtogotothehardwarestoretobuyA.somepesticide.B.atoxicjug.C.aspraynozzle.D.somecigarettes.DadsprayedpoisoninallofthefollowingplacesEXCEPTC.bathroom.D.A.kitchen.C.bathroom.D.sitting-room.TheimmediatecauseofthefireisA.thewind.someembers.A.thewind.D.thematerialsoftheroof.theexplosionofthefueltank.D.thematerialsoftheroof.SectionB:Directions：?Inthissectiontherearetwopassagesfollowedbyanumberofquestions.Youarerequiredtogiveabriefanswerin2'X5=10')twoorthreelinestoeachofthequestions.(TEXTATheearliestcontroversiesabouttherelationshipbetweenphotographyandartcenteredonwhetherphotograph'sfidelitytoappearancesanddependenceonamachineallowedittobeafineartasdistinctfrommerelyapracticalart.Throughoutthenineteenthcentury,thedefenceofphotographywasidenticalwiththestruggletoestablishitasafineart.Againstthechargethatphotographywasasoulless,mechanicalcopyingofreality,photographersassertedthatitwasinsteadaprivilegedwayofseeing,arevoltagainstcommonplacevision,andnolessworthyanartthanpainting.Ironically,nowthatphotographyissecurelyestablishedasafineart,manyphotographersfinditpretentiousorirrelevanttolabelitassuch.Seriousphotographersvariouslyclaimtobefinding,recording,impartiallyobserving,witnessingevents,exploringthemselves—anythingbutmakingworksofart.Theyarenolongerwillingtodebatewhetherphotographyisorisnotafineart,excepttoproclaimthattheirownworkisnotinvolvedwithart.ItshowstheextenttowhichtheysimplytakeforgrantedtheconceptofartimposedbythetriumphofModernism:thebettertheart,themoresubversiveitisofthetraditionalaimsofart.Photographers'disclaimersofanyinterestinmakingarttellusmoreabouttheharriedstatusofthecontemporarynotionofartthanaboutwhetherphotographyisorisnotart.Forexample,thosephotographerswhosupposethat,bytakingpictures,theyaregettingawayfromthepretensionsofartasexemplifiedbypaintingremindusofthoseAbstractExpressionistpainterswhoimaginedtheyweregettingawayfromtheintellectualausterityofclassicalModernistpaintingbyconcentratingonthephysicalactofpainting.Muchofphotography'sprestigetodayderivesfromtheconvergenceofitsaimswiththoseofrecentart,particularlywiththedismissalofabstractartimplicitinthephenomenonofPoppaintingduringthe1960's.Appreciatingphotographsisarelieftosensibilitiestiredofthementalexertionsdemandedbyabstractart.ClassicalModernistpainting—thatis,abstractartasdevelopedindifferentwaysbyPicasso,Kandinsky,andMatisse—presupposeshighlydevelopedskillsoflookingandafamiliaritywithotherpaintingsandthehistoryofart.Photography,likePoppainting,reassuresviewersthatartisnothard;photographyseemstobemoreaboutitssubjectsthanaboutart.Photography,however,hasdevelopedalltheanxietiesandself-consciousnessofaclassicModernistart.Manyprofessionalsprivatelyhavebeguntoworrythatthepromotionofphotographyasanactivitysubversiveofthetraditionalpretensionsofarthasgonesofarthatthepublicwillforgetthatphotographyisadistinctiveandexaltedactivity—inshort,anart.Whatistheauthormainlyconcernedwith?WhydoestheauthorintroduceAbstractExpressionistpainter?Howdidthenineteenth-centurydefendersofphotographystressthephotography?CouldyounameafewoftheClassicalModernistpainters?whatdoestheauthorwanttotellusbysaying“Ironically,nowthatphotographyissecurelyestablishedasafineart,manyphotographersfinditpretentiousorirrelevanttolabelitassuch.”(para.2)TextB:PopstarstodayenjoyastyleoflivingwhichwasoncetheprerogativeonlyofRoyalty.Wherevertheygo,peopleturnoutintheirthousandstogreetthem.Thecrowdsgowildtryingtocatchabriefglimpseoftheirsmiling,colorfullydressedidols.ThestarsaretransportedintheirchauffeurdrivenRolls-Royces,privatehelicoptersorexecutiveaeroplanes.Theyaresurroundedbyapermanententourageofmanagers,pressagentsandbodyguards.Photographsofthemappearregularlyinthepressandalltheircomingsandgoingsarereported,for,likeRoyalty,popstarsarenews.IftheyenjoymanyoftheprivilegesofRoyalty,theycertainlysharemanyoftheinconveniencesaswell.Itisdangerousforthemtomakeunscheduledappearancesinpublic.Theymustbeconstantlyshieldedfromtheadoringcrowdswhichidolizethem.Theyarenolongerprivateindividuals,butpublicproperty.Thefinancialrewardstheyreceiveforthissacrificecannotbecalculated,fortheirratesofpayareastronomical.Andwhynot?Societyhasalwaysrewardeditstopentertainerslavishly.ThegreatdaysofHollywoodhavebecomelegendary:famousstarsenjoyedfame,wealthandadulationonanunprecedentedscale.Bytoday'sstandards,theexcessesofHollywooddonotseemquitesospectacular.Asinglegramophonerecordnowadaysmayearnmuchmoreinroyaltiesthanthefilmsofthepasteverdid.Thecompetitionforthetitle‘TopofthePops'isfierce,buttherewardsaretrulycolossal.Itisonlyrightthatthestarsshouldbepaidinthisway.Don'tthetopmeninindustryearnenormoussalariesfortheservicestheyperformtotheircompaniesandtheircountries?Popstarsearnvastsumsinforeigncurrency—oftenmorethanlargeindustrialconcerns—andthetaxmancanonlybegratefulfrotheirmassiveannualcontributionstotheexchequer.Sowhowouldbegrudgethemtheirrewards?It'sallverywellforpeopleinhumdrumjobstomoanaboutthesuccessesandrewardsofothers.Peoplewhomakeenviousremarksshouldrememberthatthemostfamousstarsrepresentonlythetipoftheiceberg.Foreveryfamousstar,therearehundredsofothersstrugglingtoearnaliving.Amanworkinginasteadyjobandlookingforwardtoapensionattheendofithasnorighttoexpectveryhighrewards.Hehaschosensecurityandpeaceofmind,sotherewillalwaysbealimittowhathecanearn.Butamanwhoattemptstobecomeastaristakingenormousrisks.Heknowsattheoutsetthatonlyahandfulofcompetitorsevergettotheverytop.Heknowsthatyearsofconcentratedeffortmayberewardedwithcompletefailure.Butheknows,too,thattherewardsforsuccessareveryhighindeed:theyaretherecompenseforthehugerisksinvolvedand訐heachievesthem,hehascertainlyearnedthem.That'stheessenceofprivateenterprise.

WhydoesthewriterbelievethatPopstars'styleoflivingcouldbecomparedtothatofRoyalty?Theword“astronomical”inpara.onemeans.Inwhatwayhasthesocietyrewardeditstopentertainerslavishly?Whatdoes“thetipoftheiceberg”meaninthesentence“Peoplewhomakeenviousremarksshouldrememberthatthemostfamousstarsrepresentonlythetipoftheiceberg”?(para.4)Whatisthewriter'sattitudetowardsthetopic?PartIIIProofreading&ErrorCorrection(1'X10=20')Thepassagecontains10errors.EachindicatedlinecontainsamaximumofONEerror.Ineachcase,onlyONEwordisinvolved.Youshouldproofreadthepassageandcorrectitinthefollowingway:Forawrongword,underlinethewrongwordandwritethecorrectoneintheblankprovidedattheendoftheline.Foramissingword,markthepositionofthemissingwordwitha“A”signandwritethewordyoubelievetobemissingintheblankprovidedattheendoftheline.Foranunnecessaryword,crosstheunnecessaryworkwithaslash“/”andputthewordintheblankprovideda