【《旅游文本翻譯中常見錯誤分析》5200字（論文）】

旅游文本翻譯中常見錯誤分析摘要：中西方文化背景的差異在其語言的結(jié)構(gòu)和使用上得以體現(xiàn)，消除中外文化的差異就需要在中英語言的翻譯上進行研究,從而使其在不斷增長的全球化發(fā)展和融合中發(fā)揮重要作用。本文將從四個方面介紹旅游文本翻譯中的錯誤和策略。首先是導論部分，主要介紹我國翻譯的現(xiàn)狀。其次，介紹了阻礙翻譯的障礙以及產(chǎn)生這些問題的原因。第三，譯者在克服和應對這些障礙時可以使用添加、刪除、解釋、借用和重寫的方法。最后是結(jié)論部分。本文旨在提高譯者在翻譯材料過程中的技巧。只有這樣，譯文才能被外國游客理解和接受，可以改善我們國家的文化傳播問題。關鍵詞：中英；翻譯；問題；策略Abstract:ThedifferencesbetweenChineseandWesternculturalbackgroundsarereflectedinthestructureanduseoftheirlanguage.ToeliminatethedifferencesbetweenChineseandforeigncultures,weneedtolearnChineseandEnglishtranslation,soastomakeitplayanimportantroleinthegrowingdevelopmentandintegrationofglobalization.ThispaperwillintroducetheerrorsandstrategiesinTourismTextTranslationfromfouraspects.ThefirstpartmainlyintroducesthecurrentsituationoftranslationinChina.Secondly,itintroducestheobstaclestotranslationandthereasonsfortheseproblems.Thirdly,translatorscanusethemethodsofaddition,deletion,interpretation,borrowingandrewritingtoovercomeanddealwiththeseobstacles.Thelastpartistheconclusion.Thispaperaimstoimprovethetranslator'sskillsintranslatingmaterials.Onlyinthiswaycanthetranslationbeunderstoodandacceptedbyforeigntouristsandimprovetheproblemofculturalcommunicationinourcountry.Keywords:Chinese/English;Translation;Problems;strategy

ContentTOC\o"1-3"\h\u1Introduction IntroductionWiththedeepeningofglobalizationandthecontinuousexpansionofChina'sopennesstotheoutsideworld,thenumberofforeigntouristsvisitingChinahasalsoincreasedsharply.AccordingtotheWorldTourismOrganization'sforecast,Chinawillsurpassothercountriesby2020tobecometheworld'slargesttouristdestinationandthefourthlargestexporteroftouristattractions.Therefore,in2000'smajorstrategicgoalofbuilding"worldviewlightpower"by2020wasproposedfrom"Asiantouristdestination"to"worldviewlightpower".Thatiswhytourismisindeedanaturalindustryinthe21stcentury.TourismmaterialtranslationisawaytopublicizeChina'smagnificentsceneryoverseas.Itsqualitydirectlyaffectsthedevelopmentoftourism,especiallyinboundtourism.Becausethemajorityofforeignfriendsoftenunderstandaccurateandvividscenicspotsthroughreading,andwatchorlistentotourismmaterialsbeforepersonalexperience,whichleadstotourismbehavior.PropertranslationwillhelpshapeChina'sexternalimageintheworldandexpandtheinternationaltourismmarket.Impropertranslationmayconfusereadersorlisteners,maketouristsmisunderstandthetruemeaningofourheritage,andevenproduceresentment.Thisnotonlyfailstoattractforeigntourists,butalsoaffectsChina'stourismindustry.Therefore,itisofgreatnecessityandurgencytostudythetranslationoftourismmaterials.Thispaperdiscussestheprinciplesandmethodsoftourismtranslationfromtheperspectiveofculturaldifferences.

2ObstaclesintourismtranslationcausedbyculturefactorsTourismisanedgesciencethatincludesavarietyofdisciplines,involvingbroadandcomplex,fromnaturalsciencetosocialscience,fromastronomyandgeographytothecustoms,andevencultureandentertainment,foodandclothingandliving.Itturnsouttobeall-inclusive.Asaresult,thetranslationoftravelmaterialalsoinvolvesavarietyofknowledge,avarietyofgenres.Thereareplentyofgenresfortourismtranslation,includingtourism-relatedcorrespondence,advertising,travelschedule.Inaddition,booksontouristconditions,introductionofpicturesqueplaces,announcements,telecommunications,contracts,speechesandotherpurposestoattracttourists,attracttourists,popularizeChineseculture,interestingplacestovisitandstimulatethemtoimprovetourismpleasure.ImprovetheunderstandingofChinesehistoryandculture.2.1Thefactorsofhistory,beliefandcustomerCultureisthecentreoftourismandhastheopportunitytodeveloptourism.However,thetranslationoftouristmaterialsposesmajordifficulties:thedifferentculturalmeaningscontainedintouristmaterialswillcertainlybereflectedinthetranslationoftouristmaterials.Thisarticlediscussestwoimportantareasoftranslationbarriers.2.1.1GapbetweenvocabularyandthecontradictionofvocabularyThefirstisduetotheculturaldivideandculturalopposition.Languageisthecarrierofculture.Becauseofdifferentgeographicalconditions,historicalconditions,religionandsocialcustoms,sothatthevocabularyoftwolanguagescannotcorrespondtoeachotherthereisnocoincidenceofsemanticresonancebetweenthem,butonlysemanticgaporsemanticdislocation.Inotherwords,itisculturevacanciesthatcausevocabularyvacancies,andthevocabularyofconflictcausedbyculturalconflict.Theselanguagesareknownasthelanguageofcultureandcargo.Thespecificityofthenationalculturewillaffectthespecificityofthelanguage.Vocabularylike"YinYang"(陰陽),"bagua"(八卦)and"FiveElements"(五行),"Qigong"(氣功),"taijiboxing(太極拳),strictlyspeaking,wecannotfindthecorrespondingwordinEnglish;foodlikejiaozi(餃子)、zongzi(粽子)、yuanxiao(元宵),Inaddition,translatethecorrespondingwords.Ifwedonottake"Jiaozi"as"Jiaozi",thelattermeansbroader.Moreimportantly,withoutthefeelingofspringbreak,manypeoplemakedumplingsandengageinsmallstories."Zongzi"canbeinterpretedaspyramidaldumplingsmadefromstickyricewrappedinbambooorreedleaves(whichcanbeeatenattheDragonBoatFestival),butifforeignfriendsdonotknowQuYuan,thegreatpoetofChu,donottheoriginsofthefestival,theDragonBoat,anddonotknowwhyweeatzongzionthatveryday,therealmeaningofzongzistillnotbeunderstoodbythem.Itisnonsenseforustransmitourculture.“元宵"canalsobetranslatedtodo"ariceglueball"or"sweetdumplingsmadeofglutinousriceflour(fortheLanternFestival)".Ifsomeonereallymissesourbackgroundinformation,heorshecanunderstandnotonlythemeaningofthekey,butalsothesymbolicmeaningofthefestival.Therefore,manyexpertsbelievethatwhenwetranslatethesewords,weneedtoaddmarkerstoexplaintheirspecialassociativemeaning.Infrequentculturalexchanges,foreignfriendshavedeepenedtheirunderstandingofChineseculture,sothatthesewordscanbeunderstoodandacceptedwithoutspecialinstructions,suchas"餃子(jiaozi),"氣功"(qigong),陰陽"(yinyang),觀音(guanyin)and風水(fengshui)andothertranslationofthewordhasprovedthispoint.2.1.2DifferentassociativemeaningorimpliedmeaningTakingtheassociativemeaningoffloraandfaunaasanexample,wecanillustratethisphenomenon.ChenDezhang,professorofBeijingForeignStudiesUniversity,madethequestionnairetothepeoplewhospeak,respectively,ChineseandEnglish.Analysisshowedthat,inbothEnglishandChineseculture,someanimalsisonbehalfofsimilarimages,suchasthefox;sometorepresentacompletelydifferentimages,suchasdogsanddragons;somedifferencesisverysubtle,suchaspigs.Associativemeaningofsomeplantssuchaswillows,redbeans,pine,bamboo,plum,orchid,chrysanthemumandotherisalsoidenticalinsuperficialanddifferentinquality.Inaddition,somecolorwordsinthetwocultureshavedifferentassociativemeaningandmanyscholarshavediscussedthat.Therefore,asmentionedbyMr.WangZuoliang,translatorsaredealingwithtwolanguagesbuttheyfacetotwokindsofcultures,thatisthetranslatorneedtoovercomenotonlylanguagebarriersbutculturalbarriers.2.2DifferentlevelofdiscourseandrhetoricuseTheEnglishnationandChinesenationhaveformeddifferentculturalpsychology,wayofthinkingandaestheticideas,whichisreflectedintheseaspectsinlanguageincludinglayoutoftext,rhetoricalmethods.Hannationalityadvocatesthephilosophyof"harmony".Manyancientpoetsliketouseobjectstodescribetheiractions,orborrownaturallandscapestowritetextsandpoems,andusesomeobjectstocapturetheirambitions.Thespiritandfeelingofpainting,architectureandpoetrypaymoreattentiontoformandetherealstyle.AlloftheaboveconceptsarereflectedinthecharacteristicsofChinese.Ithasbothbeautifullanguageandrichfeelings,rhythmandcharm.Moreover,underhisinfluence,"中庸",Chinesewillachieveacertainbalanceinemphasizingtheconceptofbeauty.Inadditiontothecommonlyusedrhetoric,ourscholarsalsousemanyfourphrases,especiallyinthesenseofthetwoparts,suchasperfectforeachother天造地設,theendsoftheearth天涯海角,accessible四通八達,highlyrespected德高望重.Intheserespects,theWesternnationsareverydifferentfromChinese.Westernphilosophystressestheanalysisofabstractthought.Intherelationsofsubjectiveandobjectiveimages,theymoreemphasizeimitationandreproduction,whichreflectsthatheavenandhumanarebroken,notintegrated.Asaresult,Englishisalanguagethatpaysmoreattentiontoform,practice,andrationalideas.Therefore,foreignerswillgraduallydevelopdifferentwaysofthinkingcharacterizedbyacorrectsentenceframework(intentionalexpression).Logic,reasonandfocusofwritersEnglishliketousesimpleanddirectlanguagetodescribeemotionandemotion.Thesedifferencesinlanguageandrhetoricinevitablyappearinthetranslationoftourismmaterials.EnglishandChinesedifferinthechoiceofwords,thechapterlayout,style,rhetoricandsoon.Therefore,aestheticstandardsandessaystylecanbedescribedasquitedifferent.Considerthefollowingexample:中華大地，江河縱橫；華夏文化，源遠流長……輕快的龍舟如銀河流星，瑰麗的彩船似海市蜃樓，兩岸那金碧輝煌的彩樓連成一片水晶宮，是仙境？是夢境？仰視彩鴿割飛,低眸漂燈留霓，焰火怒放，火樹銀花，燈舞回旋，千姿百態(tài)，氣墊船騰起一江春潮，射擊手點破滿天彩球，跳傘健兒綻空中花蕾，搶鴨勇士譜水上凱歌……啊，××城是不夜城，龍舟會是群英會。7AbovepassageisextractedfromapropagandawhichdescribestheInternationalDragonBoatRaceheldbyacertaincity.Obviously,atthebeginning,therearefourfour-characterphrases.Thismethodisdescribedbelow.Second,usebeautifullanguage,beautifulsentencesandrhetoricaldevicesofparallelism,symmetry,ultrasoundandharmoniousrhythmtotellthesceneofsevendragonbeads.Chineselistenersshouldusethisadtorecreatethewarmatmosphere.However,ifthistextis"faithfully"translatedintoEnglish,howtheeffectwillbe?ThedivinelandofChinahasitsriversflowingacross;thebrilliantcultureofChinahasitsrootstracingbacklong…Thelight-somedragon-boatsappearontheriverasthoughthestarstwinkleintheMilkyWay.Therichlydecoratedpleasureboatslooklikeasceneofmirage.Thesplendidawningsingreenandgoldbuildingschainintoapalaceofcrystal.Isthisafairy-landorameredream?Lookingabove,youcanseethebeautifuldovesflyingabout.Lookingbelow,youcanseethesailinglampsglittering.Crackingarethefirecrackers,whichpresentyouapictureoffierytreesandsilverflowers.8Mr.DuanLianchengspeciallyinvitedanAmericanjournalisttoreadthispassage.Then,shefranklywrotehercomment.Shesaid:“FULLOFHYPERBOLEthatisfullofextremeexaggeration.Itisnotonlyincomprehensible,butalsolaughable."Therefore,wecanclearlyseethedifferencesbetweenChineseandWesternaestheticnormsinstylisticrhetoric.Accordingtothecurrenttourismsurvey,foreigners(mainlyEnglish-speakingcountries)donotlikeexcessivepublicity.Iftherevitalizationmaterialsoftourismarefullofsuchexaggeratedlanguage,touristswillfeeltooharsh,unnatural,exaggerated,stupidandsimplyunreliable.Incontrast,“theEnglishtraveltranslationtextsgenerallyadoptsimple,practical,intuitiveandaccessiblewords,whichisdifferentfromChinese--beautifulwords,neatphrasesandparallelsentences.”SaidbyJiaWenbo

3StrategiesforTranslationInordertospreadChineseculture,attracttouristsandtopromoteChina'stourismindustry,weshouldorientthespiritofChineseculturemaketranslationimportant,inwhichprocessweshouldcomplywithsomeprinciples.Thetranslationoftouristmaterialsrequiresrelevanceandflexibility.Wecan'ttranslatewordsintolanguage,butwecanadd,delete,andmodifytheoriginallanguageifthetargetlanguagedoesn'taffecttheoriginalthought.Translatorsshouldtrytheirbesttomakethetargetlanguagespecificandvividandmakethesyntaxsimpleandaccurate.3.1TechniquesforthetranslationofscenicspotsThenameofscenicspotscameintotourists’eyesfirstandempressthemdeeply,whichassociatesthemwithlandscapeitself.Adecenttranslationfortheplacesofinterestingisextremeimportanttoattractvisitors'attention,improveinterest.“Ingeneral,thetranslationofpicturesqueplacenameshasthefollowingmethods:strongtranslationability,freetranslation,strongtranslationability,literaltranslationplustranslation,freetranslationandstrongtranslationability.However,atranslatormustequipthemselveswithakeenandstrongsensecross-culture.TheguidingprincipleisalwaystospreadtheChineseculture-oriented."HeretakethetranslationofthenameofseverallandscapesintheForbiddenCityasanexampletoexplainthetranslationofthenameofthescenicspots.ThenamesofseveralmainpalacesinForbiddenCityalwayshaveavarietyoftranslationversions,somecompletelytransliteration,combinationwithtransliterationandparaphrase,aswellasthecompleteparaphrase.1太和殿Taihedian;TaihedianHall;HallofSupremeHarmony2中和殿Zhonghedian;ZhonghedianHall;HallofCompleteHarmony3保和殿Baohedian;BaohedianHall;HallofPreservingHarmony4文華殿Wenhuadian;WenhuaHall;HallofLiteraryGlory5武英殿Wuyingdian;WuyingHall;HallofMilitaryProwess6乾清宮Qianqinggong;QianqinggongPalace;HallofHeavenlyPurity7交泰殿Jiaotaidian;JiaotaidianHall;PalaceofUnionandPeace8坤寧宮Kunninggong;KunninggongPalace;PalaceofEarthlyTranquilityFullytransliterationisapplicabletothetranslationofthenamesofadministrativedivisionssuchascities,towns,county,village,etc.Manycitiesarefamiliartoforeignvisitors,such北京(Beijing),八達嶺(Badaling),北戴河(Beidaihe),西安(Xi'an),長安(Changan)臨潼(Lintong)andsoon.Undertheguidanceofthisprinciple,"銀川"canonlybetranslatedinYinchuan,butnotSilverStream;Similarly,長安istranslatedChangan,insteadofEverlastingPeace.Ifthetranslatortranslatesthenamesofnon-administrativedepartmentsbyfulltranslation,thesituationisdifferent.Forexample,iftheroyalapartmentistranslatedintotheForbiddenCity,foreigntouristswillthinkthatitisameaninglesssymbolicmountain,whichfailstotransmitChineseculture,letalonetomakevisitorsunderstandthetranslation.Translationandfreetranslationcanbeusedtotranslatesomesituationsofpicturesqueplaces.Suitablenamesaregenerallyreprintedandgeneraltermsareoftentranslatedfreeofchargeorinotherwords,especiallyforhistoricalandlegendaryfigures,suchas茅盾故居(MaoDun'sFormerResidence),杜甫草堂(Dufu'sThatchedCottage)etc.Namesofmanymountainsandrivers,lakes,andseaschoosethistranslation.Hereinvolvesauniformofthenamesanditsmeanings.Theauthorswillbeinfavorofthisapproach.IfitisjustasinglenameofaChinesetouristattraction,thetranslatormusttranslategeneraltermsbecauseoftherhythm,suchas太湖Lake(TaihuLake),黃山(HuangshanMountain),華山(HuashanhasMountain),豫園Garden(Yuyuangarden)andsoon;iftheyaredoublenames,itisunnecessarytotranslateitsendwordlikelake,mountain,sea,gardenout,suchas普陀山(Putuomountain),峨眉山(Emeimountain)andsoon.Asmentionedabove,bythefreetranslationofurbancharmnames,inotherwords,itisveryimportanttopreservetheoriginalimageandcultureofpicturesqueplacesandhistoricalfeelings.Inaddition,forexample,三潭印月(ThreethePoolsMirroringtheMoon),紫來洞(PurpleSourceCave),寒山寺(ColdMountainTemple),拙政園(GardenofHumbleAdministrator),獅子林(LionsGrove),aregoodexamples.Itiscriticaltoretaintheoriginalimageandcultureofscenicspots,historicalsensebycompletelyparaphrases,suchasthefreetranslationofthenameoftheForbiddenCityattractionsthatlistedabove.Inaddition,forexample,三潭印月(ThreethePoolsMirroringtheMoon),紫來洞(PurpleSourceCave),寒山寺(ColdMountainTemple),拙政園(GardenofHumbleAdministrator),獅子林(LionsGrove),aregoodexamples.Completelyfreetranslation,however,alsohassomeinadequacies,becausethereisnotransliteration,foreignvisitorscannotestablishadirectlinkbetweentheChinesepronunciationandthetranslationversion.Moreappropriatetranslationiscombinationoftransliterationandfreetranslation(MinDayong,1992).Take鷹嘴巖asexample,鷹嘴巖Yingzuiyan；YingzuiyanCliff；Yingzuiyan（EagleBeakCliff）.InDreamofRedMansions,Manynamesareusedacombinedapproachoftransliterationandfreetranslation:大觀樓:Daguanlou(GrandViewPavilion)綴錦閣:Zhuijinge(VariegatedSplendorTower)含芳閣:Hanfangge(FragrantTower)蓼風軒:Liaofengxuan(SmartweedBreezeCot)藕香榭:Ouxiangxie(LotusFragranceAnchorage)紫菱洲:Zilingzhou(PurpleCaltrop)3.2AddingsomeinformationtoexplainhistoricalheritageTheadditionofsomeessentialbackgroundinformationoftheoriginaltextsisnecessary,suchastheeraofhistoricalevents,celebrity’sbirthanddeathyears,theiridentityandtheircontributiontothehistory,thespecificlocationandsoon.Inadditiontotheappreciatingvalueofitsownnaturallandscape.Thetouristresourcescontainarichculturalconnotation.Infact,theyhavedevelopedspecialvalues.Ifthereisnoadditionalbackgroundinformation,generalforeigntouristscannotunderstandwhatkindofsensetheyhaveshowed.Forexample:路左有一巨石，石上原有蘇東坡手書“云外流春”四個大字。ToitsleftisanotherrockformerlyengravedwithfourbigChinesecharactersYunWailiuChun(Beyondcloudsandflowsspring)writtenbySuDongpo(1037—1101),themostversatilepoetoftheNorthernSongDynasty(9601127).12Inthisversion,thecloudoutflowspringshowsourhighculturalheritage.BecausethefourwordswerewrittenbytheversatilepoetswholivedintheBeisongdynasty.林邊有一個洞，叫白龍洞。傳說《白蛇傳》的白娘子曾經(jīng)在這里修煉。NeartheforestisLadyWhite,thelegendaryheroineinthestoryofthewhitesnake,whofollowstheteachingsofBuddhismtoopenherownlocalwhitedragoncave.WhoisLadyWhite?WhyshecultivatedherselfinWhiteDragonCave?Ifthereisnoaddition,foreignvisitorswilllostthemselves,willbepuzzled.Theoriginaltextisjustafoldingfanonthesurface.Evenifthereisnoaddition,Chinesecannotunderstanditssignificanceforforeigntourists.Therefore,addingsomebackgroundinformationisveryindispensable.紹興是越瓷的產(chǎn)地。HalalisYue'sporcelainhouse.Youarethenameofacountry,usedtorefertotheXinregionofancientChina.Ifnoadditionaldescriptionisadded,thenforeigntouristsdonotknowwhyporcelainiscalledYueporcelainandtherelationshipbetweenXinandYue.3.3ExplanationConsulttheliteralinterpretationofwords,sentencesandsentences.Thismethodusestheinversionoftheaforementionedpicturesqueplacenames.Inthisway,ontheotherhand,itcanestablishtheconnectionbetweenpronunciationandcharacters,helpforeigntouristsandreadersunderstandthenamesofcharacters,realizetheoriginofnamesandimprovethepleasureoftraveling.花港觀魚：HuaGangGuanYu(ViewingFishatFlowerHarbor)孤山:Gushan(SolitaryHill)16TheversionuseaattributiveclausetoexplainHunan,whichletforeignvisitorsunderstandtheoriginofthenameandexpressedthemdeeply.傳說中的白鶴泉、笑啼崖、響鼓嶺旅游點。登上傳說中的望湘亭，俯瞰長沙，景象萬千。TherearealsolegendaryBaihe(WhiteCrane)Spring,Xiaoti(laughandcry)CliffandXianggu(LoudDrum)Ridge.FromtheWangxiang(lookingdownatHunan)PavilionhighontheYueluPeak,onecanhaveabird’s-eyeviewofthebeautifulChangsha.Thisversionhasexplainedthosenamesandthiscanfacilitatevisitorsunderstandthemeaningofthenameoftheplaceandtheywillimagemuch.3.4Borrowing"Lendingtacticsaretotranslatethesourcelanguagethatcontainsspecificculturalmeaningandimpression,meaningtemptationtoborrowaccordingtotheperformanceandimageofthetargetlanguage,"hesaid(18-year-old)said.Somescientistshaveculturallyexchangedthismethod.Whenwecannotfindaculturalequivalent,wecanuseallusions,idiomsandeuphemismssimilartothetargetlanguage,andinthiswaywecansometimesbestruckunexpectedly."Borrowingisalsoaconciseandaccuratelanguagetointroducewordsandbeautifulplaces.Whichletvisitorstounderstandthemoodofaforeigncultureonthebasisoftheirownculture,tostrengthenculturalexchangesandunderstanding"(ZhangNing,張寧，2000).Forexample,wecanviewJigong濟公asRobinHood,西施asCleopatra,LiangshanboandZhuyingtai梁山伯與祝英臺比asRomeoandJuliet,SuzhouasItaly'sVenice,ConfuciuscomparedtoAristotleofGreeceandsoon.3.5DeletionInthetranslationoftouristmaterials,thedeletionissometimesverynecessary.Thedeletionoftenisnotveryimportantpartorredundanttranslation.Thedeletionoftheoriginalisinseveralways.First,ChinesepeoplelikeusingavarietyofhistoricalresearchinthearticlesandsuchresearchisnecessaryforChinesereaderswhoisfamiliarwiththehistoryofthecountryandculture,butforforeigners,itisunnecessary,andsometimesalsomakethemevermoreconfused.Secondly,Chineseliketoquotefamouscelebritypoems.Aftertheygotodifferentplaces,theyverifytheirmood.Butpoetryisthemostdifficultformoftranslation.Thetranslatorcanalmostconveytheatmosphereofthelandscapetoforeignersbothinwritingandorally.Forvariousreasons,thesepoemshavebeenpartiallytranslated.Sometimesitdistortstheoriginalmeaningthathindersforeigntouristsfromunderstandingit.Ifwecannotachievetheexpectedcommunicationgoal,wecandeleteit.3.6RewritingRewritingismainlyapplicableinthefollowingsituations:1)torewritetheoriginalsentencestructureBecauseofdifferentwaysofthinking,theconclusionmethodsofwritingbetweenChineseandWesternersaredifferent.EuropeansandAmericanstendtousedeductiveinference,andChineseuseinductiveinference.Whenwritingtopics,Chineseisoftenwritteninturn.Englishwritersoftenusedirecttothepoint,frequentandslowarticles.Therefore,translationisneededtoadapttheoriginalstructuresuitableforEuropeanandAmericanvisitors.Suchas:在四川西部，有一處美妙的去處。它背倚岷山主峰雪寶頂，樹木蒼翠，花香襲人，鳥語婉轉(zhuǎn)，流水潺潺。這就是松潘縣的黃龍。OneofSichuan’sfinestscenicspotsisHuanglong(YellowDragon),whichliesinSongpanCountyjustbeneathXuebao,themainpeakoftheMinshanMountain.Itslushgreenforests,filledwithfragrantflowers,bubblingstreams,andsongbirds,arerichinhistoricalinterestaswellasnaturalbeauty.19TheaboveversionistorewritetheoriginalandmakeHuanglongboxinginlinewiththethoughtmodeofforeigners.2）TorewritetheoriginalpoemsItisdifficulttotranslatepoems,sothetranslatorscanadoptrewriting.Forexample：水映山容，使山容益添秀媚，山清水秀，使水能更顯柔情，有詩云：岸上湖中各自奇，山觴水酌兩相宜。只言游舫渾如畫，身在畫中原不知。Thehillsovershadowthelake,andthelakereflectsthehills.Theyareinperfectharmony,andmorebeautifulthanapicture.Theversionomittheoringinalpoem,usingsimplesentencetogeneralisethemainidea.3）TorewriteofthestyleoftheoriginallanguageChineseandEnglishhaveabigdifferenceinstyleandrhetoric.InChinesearticles,therearealotofrhetorichanging,four-characterphraseswhichisonlytomakephonologicalharmonyandrendertheatmosphere.Thereislittlepracticalsignificance.Weshouldadjusttheorderoftheword,sothatthetranslationisaccessibleandsmooth,consistentwiththehabitsoftheEnglishexpression,andenhancethereadabilityofthetranslation.TourismTranslationshouldbetourist-oriented,sothattheyunderstand.Ifweenc