中國書法英文介紹

中國書法英文介紹中國書法英文介紹Goodafternooneveryone,Today,ourteam’stopicisChinesecalligraphyandpainting、Firstofall,letmeintroducethefirsthalfoftheChinesecalligraphy、開篇視頻翻譯:CalligraphyistraditionallybeenregardedinChinaasthehighestformofvisualart、書法,傳統(tǒng)上被視為視覺藝術(shù)的最高形式。Thefourtreasures……文房四,筆墨紙硯 pinesoot(松煙)Calligraphyinsocialdimension……self-cultivation emulationofmoralexemplars書法在社會(huì)層面上,孔子:自我修養(yǎng),效仿道德模范老子:內(nèi)心自我認(rèn)識的表達(dá)直到今天,中國書法依然在中國人生活中保持著強(qiáng)大力量。Chinesecalligraphy,thefourancientChineseartisticformsarecalledqin,chess,penmanship,andpainting;andpenmanshipparticularlyreferstoChinesecalligraphy、(中國古代四大藝術(shù)“琴棋書畫”的“書”特指書法)Chinesecalligraphyisakindofartusingabrushtowritesealscript,officialscript,regularscript,runningscript,andcursivescript,andothervariouswritingstylesofChinese、(它就是)ThewritingtechniquesofChinesecalligraphyarehighlightedbythemannerofusingabrush,thewayinkisused,theartofcomposition,andsoon、(中國書法在技法上講究筆法、墨法、章法等)Itsharmoniousbeautyofartisreflectedinbetweenthelines、(它藝術(shù)的與諧之美體現(xiàn)在字里行間)Chinese calligraphy exhibits(iɡ?zibits) its beauty in different poses, such as uniqueness(j?'nikn?s)oftheofficialscript―silkwormheadandswallow),theregularscriptrequirementto―sticktothenormand),thecharacteristicofcursivescript―flyingdragonanddancing),andthedistinctive―naturalgraceoftherunningscript(行書的瀟灑飄逸)、可謂異彩紛呈,千姿百態(tài)Indeed,ChinesecalligraphyreflectsthepersonalityofChinesepeople’sstraightforwardness,dignity,andreticence('ret?sns)、(中國書法體現(xiàn)了中華民族的豪爽大氣、端莊含蓄的特點(diǎn))Chinesecharacterswereinitiallymeanttobesimplepicturesusetohelppeoplerememberthings、Afteralongperiodofdevelopment,itfinallybecameauniquecharactersystemthatembodiesphoneticsound,image,idea,andrhyme(ra?m)atthesametime、(漢字就是從原始人用以記事的簡單圖畫,經(jīng)過不斷演變發(fā)展最終成為一種兼具音、形、意、韻的獨(dú)特文字)Thewritingsystem,whichwasextremelyadvancedinancienttimes,beganwithinscriptionsonbonesandtortoiseshells,andtheseareregardedastheoriginalformsofChinesecharacters、(,)Afterwards,Chinesecharacterswentthroughnumerouscalligraphicstyles:bronzeinscriptions,officialscript,regularscript,cursivescript,runningscript,、()Chinesecharactersareusuallyroundoutsideandsquareinside,whichisrootedinancientChinesebeliefsofanorbicularskyandarectangularEarth、(漢字結(jié)構(gòu)“內(nèi)圓外方”,源于古人“天圓地方”的觀念)ThefivebasicstrokesofChinesecharactersare一(thehorizontalstroke),丨(theverticalstroke),丿(theleft-fallingstroke), 捺(theright-fallingstroke),and乙(theturningstroke)、(漢字有五種基本筆畫,即:橫、豎、撇、捺、折)Thefourtreasuresofthestudy、文房四寶Thewritingbrush,inkstick,inkstone,andpaperwererequisite('rekw?z?t)treasuresinthestudyofthescholarsofancientChina,andtheyareoftenreferredtoasthe―FourTreasuresofthe、(被稱為“文房四寶”ThewritingbrushandinkstickhavebeenusedbytheChinesetowriteandpaintsince5,000yearsago、(用筆墨書寫繪畫在中國可追溯到五千年前)IntheQinDynasty(221BC-206BC),peoplealreadyusedfeathers('f?e?)ofdifferenthardnessandbambootrunkstomakebrushes、(秦朝時(shí)已用不同硬度的毛與竹管制筆)DuringtheHanDynasty(206BC-220AD),man-madeinkwasusedinsteadofnatural、漢)AfterpaperwasinventedbytheChinese,bambooslips,woodentablets,brocadeandsilk,whichoriginallyfunctionedaswritingsurfaces,graduallyfadedout、(,簡牘錦帛)Theinkstonewasfirstdevelopedwiththeuseofwritingbrushesandink、(硯臺則隨筆墨的使用而發(fā)展)AftertheSongDynasty(960AD-1279AD),the―FourTreasuresoftheStudy,particularlyreferredtohubi,thewritingbrushproducedinHuzhou,Zhejiangprovince;huimo,theinstickproducedinHuizhou,Anhuiprovince;xuanpaper,akindofpaperproducedinXuanzhou,Anhuiprovince;andduanyan,theinkstonemadeinZhaoqing,Guangdongprovince(ZhaoqingwasearliercalledDuanzhou)、Indeed,the―FourTreasuresoftheStudyhavewrittenthewholeChinesecivilization,asitis、“文房四寶”到宋朝(960-1279)以后特指湖筆(浙江湖州)、徽墨(安徽徽州)、宣紙(安徽宣州)、端硯(廣東肇慶,古稱端州)。可以說文房四寶書寫了整個(gè)中華文明。WangXizhi(303-361)wasaChinesecalligrapher、Heisconsideredbysomeasthefirst"artist"intheWesternsense,insofarasithasmovedawayfromtheofficialcanon['k?n n] force,thecursivehandwriting,practicingaformoffreepersonalandpictorial、王羲之就是中國的書法家,她在西方被認(rèn)為就是第一位藝術(shù)家,她擺脫官方的標(biāo)準(zhǔn),創(chuàng)造了獨(dú)具自身自由特色的形象化的草書。YanZhenqingisamasterofcalligraphyinTangDynasty、(顏真卿就是唐代書法大師)HisinnovationincalligraphicexpressionisinfluencedbyhisengagementwiththenortherntraditionofmonumentalstandardscriptstylesrepresentingabalancebetweenproprietyandZhangXu'swildness、(她的書法創(chuàng)新表達(dá)就是基于她北部傳統(tǒng)風(fēng)格與張旭的野性適當(dāng)平衡中與表現(xiàn)的)Thesheerweightandlackofhesitationinhisbrushstrokeshaslongbeenassociatedwithhisphysicalandmoralcourage、(俊俏毫不猶豫的筆鋒一直與人的身體與思想聯(lián)系在一起)Amasterthough,hewasnotaprofessionalhimself、Instead,hewasalsowell-knownforbeingastraight-forwardofficialforthegovernmentinhis(,但就是她的)柳公權(quán)(778－865)—TangdynastyLiuGongquan,amasterofkaishuandcursive(行草)whoisoftenedmentionedwithYanZhenqing、,,Kaishu:vigorousandrigorous楷書骨力遒健Running-cursive:fluentandflowing行草行云流水黃庭堅(jiān)(1045-1105)HuangTingjianAcalligrapherandpoetinSongdynast、Hisworksarefancyad,edingchangeofthetrend、Popularstyles黃庭堅(jiān)就是北宋的書法家與詩人。她的作品奇絕堅(jiān)實(shí)。就是當(dāng)時(shí)流行的形式。CalligraphyisconsideredthemostimportantartinEastAsia,andalsothemostelegantformofwriting、書法被認(rèn)為就是東亞的重要藝術(shù)與最優(yōu)雅的寫字形式。WriteChinesecharact