作品不錯(cuò)pedro f男歲室內(nèi)設(shè)計(jì)師人在工作驗(yàn)薪酬可談

姓名：Pedro.F先生年齡：41畢業(yè)時(shí)間：2002年畢業(yè)于圣保羅建筑與城市美術(shù)學(xué)院（Architecture&Urbanism,FineArtsFacultyofS?oPaulo），2016年畢業(yè)于美國(guó)的范德比爾特大學(xué)(納什維爾)Pedro.F先生2002年本科畢業(yè)于圣保羅建筑與城市美術(shù)學(xué)院（Architecture&UrbanisFineArtsFaculyofSoPau姓名：Pedro.F先生年齡：41畢業(yè)時(shí)間：2002年畢業(yè)于圣保羅建筑與城市美術(shù)學(xué)院（Architecture&Urbanism,FineArtsFacultyofS?oPaulo），2016年畢業(yè)于美國(guó)的范德比爾特大學(xué)(納什維爾)Pedro.F先生2002年本科畢業(yè)于圣保羅建筑與城市美術(shù)學(xué)院（Architecture&UrbanisFineArtsFaculyofSoPauo），2016年碩士畢業(yè)于美國(guó)的范德比爾特大學(xué)(納什維爾)。曾在巴西的多家公司工作多年，擅長(zhǎng)方案設(shè)計(jì)和擴(kuò)初設(shè)計(jì)。其過往參與設(shè)計(jì)過的項(xiàng)目及產(chǎn)品有：七巧板地毯；MeaCabon；Pivea；Kao；acae等。 不 基 一 熟 極AutoCADXMicrostationX 不 基 一 熟 極Bentley匯報(bào)軟 不 基 一 熟 極XXX3DStudio手繪草XBrazilian|Italian(DualARTDIRECTOR||Brazilian|Italian(DualARTDIRECTOR||HEADOFDESIGN|DESIGNMANAGER|CREATIVEDIRECTOR BRANDDESIGNMANAGER SUMMARYOFSolidcareerpathwithexperienceinDesignManagement.StyleCoordination,ProductResearch&Development,TrendResearch.DefinitionofstrategicdesignwithanalysisandmeasurementofresultsandprocessesoftheProductareaslinkedtootherareas,suchascommercialandMarketing.SignificantGlobalExperienceACADEMICBACKGROUNDANDInternationalExecutiveMBA–FIA(2016|InternationalTrainingModule-VanderbiltUniversityNashville(USA)2016InternationalTrainingModule–BocconiUniversity–Milan(Italy)2017Intercom-InstitutoDomCabral2016UniversityDegreeinArchitecture&Urbanism,FineArtsFacultyofS?oPauloPortuguese,EnglishandItalian–FluentSpanish–IntermediatelevelPROFESSIONALALotOfBrasilLtda(2011–current)Ahigh-designindustrynHeadofCreationandconceptionoftheStructuringoftheareas:Commercial,Marketing,ProductBrandDefinition-IdentityAnalysisofbehavioraltrends,asabasisforthedefinitionoftheSubjectofannualcollectiontobepresentedininternationalexhibitions,suchas:MilanFurnitureFair,ICFF–NewYork,IndexFair-Recruitmentofoutsourceddesigners,inaccordancewiththeglobalproposalofthebrand,aswellaswiththeBriefingConceptionforannualcollections.Line-upandprojectsrequestedbyrenownedglobaldesigners,suchas:Pininfarina,AlessandroMendini(Italy)CampanaBrothers(Brazil),XavierLust(Belgium)NikaZupanc,(Slovenia)Coordinationofin-housecreativeprocesses:DesignThinking,Research,InnovationLeadershipofcreativeandmultidisciplinaryteamsandmanagementofinterfaceswithinproductdevelopment,commercialandmarketingareas.Managementofroutineslinkedtotheproducts:coveringtheintroductionofprocessesandcontrols(KPI).CreativeProcessMethodology,TrainingmodelandmanualsonCommercialTeams,IndustrialProcessCreation,ControlsoverProductPerformance.ProductMixManagement,withanalysisofindividualandcollectionperformances,timingcontrolforCoordinationofresearchestoprovidesupportforCollections,targetaudience,competitors,pricing.360o-degreeArtDirection:briefingdefinition,productdevelopment,catalogue,packaginganddigitalplatforms;Launchschedule.ResearchofnewsustainableTechnologiesalongwithmappedTeaching&ResearchPedroPauloSantoroBroadexpertiseinundertakingmarketingactivities,includingPedroPauloSantoroBroadexpertiseinundertakingmarketingactivities,includinginsertionsandadvertisingcampaigns,nationalandinternationalcross-brandingactions,aswellasthecoordinationofpressadvisoryservices,withreleasingforproperdisclosure.TrainingSessionsfortheacculturationonthevaluesofthebrandand/orcollectioninthe42NationalDistributorsand15InternationalDistributorsDefinitionofstrategiceventsandfairstopromotebrandgrowth;artdirectionforbooths.Spokesmanofthecompany’sdesignvalueswiththemediaMainDevelopmentoftheProductCatalogue,consistingof107itemsin05Productssignedby17designersfrommanycountries,strengtheningtheglobalprofileofthecompanyDevelopmentofacollectioncomposedofdifferentproductiveprocessesandmaterials.Plastic,metal,wood;creatingamoreversatilebrandpositioningHolderofaninternationalpatentduetoanewsustainableandtechnologicalmaterial.(Injectionofacerola,coconutanda?aíseeds)Managementofproductsthatmadethecompany’srevenuegofrom0toR$10Min05PedroFranco–DesignEstratégico StrategicDesignConsultancynHeadDevelopmentofproductsandTaylor-madesolutionsuponthestrategicanalysisoftheindustryasaParticipationandConsultancyinpricingdecisions,coordinationofthelaunchtimingandcatalogues,definitionoftheexpositoryplatformandalignmentsforreleaseandvisualmerchandisingClients|oBontempo|Cabinets(2017)ProductDevelopment|Creationofanewcabinetsystemwiththelock-instrategyArtDirectionforexhibitionsinInternationalFairs:Finishing,Catalogues,VisualMerchandising,Exhibitionproject,PromotionLectures.CeramicaPortinariArtDirection:definitionofthestrategyinaccordancewiththevaluesofthebrand|Creativebriefingdirection|Alignmentwitharenownedinternationaldesigner(AlessandroMendini)|Definitionofexhibitionmethodsandvisualmerchandisingmaterials|PricingPolicy|ArtDirectionforanexhibitioninanInternationalFair(Milan)PromotionLectures***AwardwinningproductinthegreatesteventoftheindustryIndústriaTexionStrategicDesignandArtDirection:brandrepositioning|VisualIdentity|ManagementandProductDevelopment|PricingPolicy|DisseminationStrategies|Changeoftargetaudience(B2BtoB2C)|PreparationoftheBiannualStrategicPlanning***70fabricsdevelopedupontrendanalysis,thebrandbecomesaretaileranditsprofitgrowsby5x.TapeteSantaM?nica:ArtDirection|CreativeBriefingDefinition|AlignmentwithInternationalDesigners(AnnaGilli,AlessandraBaldereschi)|VisualMerchandising|NewpricingPolicy|ArtDirectionforaninternationalexhibitionCinex:ProductDevelopment|DevelopmentofNewProductsthattranslatethevaluesofthebrand|Cross-BrandingAlignment|DirectionooooPedroPauloSantoroMissoniHome(Brasil)–2010-2011High-designItalianCompanyAnalysisandauditPedroPauloSantoroMissoniHome(Brasil)–2010-2011High-designItalianCompanyAnalysisandauditofthecompany'sresultssinceitsarrivalinBrazilinResponsibleforthepresentationofthenewBusinessPlan,followedbytheapprovalandrenewalofthecontractwiththeItalianheadoffice5-foldturnoveranddefinitionofthenewsalesteamRedefinitionofpricingandmarketingstrategiesDefinitionofanewcommerciallocationinlinewiththecompany’sneweconomicSkitschdoBrasil–DirectorLATAMHigh-designItalianCompanyDirectorResponsibleforthepreparationoftheBusinessPlan,followedbythepresentationtotheItalianBoardResponsibleformanagingandestablishingtheProductMixforSouthAmericaDefinitionofthebestimportDefinitionofthecommerciallocationandCoordinationfortheopeningofaFlagshipStoreResponsibleforeventsaimedatinsertingthebrandinBrazilOrganizationofculturepromotionactions:organizationoflectureswithforeigndesignersinBrazilwiththegoalofpromotingthebrandOrganizationofeventsforBrazilianspecifiersintheItalianFinancialOfficer,responsibleforP&LandotherquarterlystatementstobesubmittedtotheBoardinAbimovel–BrazilianAssociationoftheFurnitureIndustry–2016_2017(Pro-bono)ClassAssociationVice-Participationinthemonthlymeetingoftheassociation’sboardAnalysisandreportingStrategicmeetingsandBoardMemberofthe“BrazilianFurniture”entitybeforeApexBrasil,settingstrategicplansandallocatingfundsfromtheentitytotheindustry.HoldingofmeetingsatApexBrasilheadquarters–inBrasilia,representingtheoBrasiléCosi (Pro-DesignShowatSalonedelMobilediMilano InterfacewithMinistryofForeignRelationsfromBrazil(sponsoroftheProject)Selectionof42youngdesignersfromBrazilPressRelationsLogisticCoordinational:shipping&ReturnPiecesbetweenBrazil|ArDirection:conceptoftheExibithion,GraphicDesignoftheCatalog,andProjectoftheALOTOFMAGAZINE_-QuaterlyJornalofALotofBrazilIndustry15.000copiesper ArtDirectorCoordinationDefinitionofthecontentInterviewwithimportantdesignnames:MarvaGriffin,VaniPasca,AlessandroMendini,othersAlignmentandeditorialpublishingofthesponsorsGuidelineforPedroPauloSantoro?InternationalPedroPauloSantoro?International(2017)SaloneInternazionaledelMobileSubject:DesigninTheWorld:***withPatrickJouin,FrancescoLibrizzi,SatyendraPakhalé,(2012)SaloneInternazionaledelMobilediMilanoInternationalLecturerinvitedbyMarvaGriffin"It'sNeedaBric(k)tobuilda***withFabioNovembre;Sebastian(2010)TorinoDesignGuestInternationalLecturer"Esperienze,motivazionie***withEnzoMari,StefanoMaffei,Ugodela?National(2018)Design&Trends|Brasília(DF)Lageado(RS)PortoAlegre(RS)Curitiba(PR)Maringá(PR)Campinas(SP)Alphaville(SP)AnáliaFranco(SP)Palmas(TO),Araguaina(TO),Gurupi(TO)Uberaba(SP)Ribeir?oPreto(SP)BalneárioCamburiú(SC),Florianópolis(SC)Fortaleza(CE)Belém(Pará)Salvador(Ba)FeiradeSantana(BA)CaxiasdoSul(SC)(2017)DesignandEntrepreunership(FineArtsFacultyofS?o(2016)AcessibleDesign|CONAD(NationalConventionofInteriorDesigners)(2015)DesignxExports|Abimóvel/ApexSeminar|S?oPauloandBrasília(2014)MUBE"DESIGNMADEINITALY"ICE(ItalianCulturalInstitute)(2009)"DesignxMarket"|SenacEssentials:Araraquara,Bauru,Franca,Jaú,Limeira,Osasco,Piracicaba,Ribeir?oPreto,SP,SantoAndré,S?oCarlos,S?oJosédosCampos?CompetitionSelection(2018)Express?oPortinari(2016)SatelliteAward|SaloneInternazionaledelMobile***alongwithAndreaMolteni(Dada)PaolaAntonelli(MoMA);GiovanniAnzani(Poliform);LaurettaCoz(CorrieredellaSera).(2010)PlanetaCasaAward-EditoraAbril|(2009)PlanetaCasaAward-EditoraAbril|SustainabilityEcoleoAward–LeoMadeiras|Sustainability?RelevantThenewwaveofBraziliandesign|CorrieredelaSera(March30,ThenewStarofBrazilianDesign:IstoéMagazine(IssueNo.2533TheAmbassadorofDesign–PlatinumMagazine(IssueTheThirdRevolutionofBrazilianDesign|IstoéDinheiroMagazine(IssueNo.782)4trendsfromtheMilanFurnitureFair|TheNewYorkTimes(13/4/2017)TheAmazingDesignbyPedroFranco|OGloboNewspaperBrazilianDesignonanIndustrialScale|AUMagazineWorksofaBrazilianDesignergotothecollectionoftheVitraDesignMuseumGazetadoPovo14/6/2016BookScenariDelGiovaneDesign(Cover)byVanniPasca|EditoraLupettiLittleCampanasGrow(DDN184)|(Some)ProductsStrategicDesignPORVANNI"In2001,publishingabookcalled"ScenaridelGiovaneDesign",IinsertedinthecovertheimagePORVANNI"In2001,publishingabookcalled"ScenaridelGiovaneDesign",IinsertedinthecovertheimageofasingularobjectdesignedbyaBraziliandesigner,PedroPauloFranco.WhatwasverypositivewasthatFrancowascarefultotraditionalstyles,sadfateofsomanyartisansinItalytoo,buthelpedtheecologicaltheme,theintelligentreuse,referencestotheconceptofassemblage(alsolookinganItaliandesignlikethatoftheCastiglionibrothers)andsoKeepingyourresearchprojectinconjunctionwiththeBraziliantraditionoffreeandfantasticway,alwaysensuringthecaretoavoidfolklore:Inthissense,theworkofPedroFrancohasaspecialinterest..."Curatorandcriticof"PedroPauloFrancoparticipatedintheSaloneSatelliteforthreeeditionsasnotbeotherwisethanhappytoseethatoneof‘myboys’fromtheSatellitehasfollowedthisbeautifulpath,becomingoneofthenewandpromisingfiguresinthestarsystem.Inventive,extrovertedandcapable:PedroPaulogainedimmediaterecognitionwithhisfringedsofa,attheendofhisfirstappearanceatthe2010SaloneSatellite,followedbytwoevenmorelasteditions."PORMARVAPedro(PauloSantoro)FromtherewouldbeginPedro(PauloSantoro)FromtherewouldbeginatransitthatremainsuntilthecurrentdaysbetweentheaxisBrazil|Italy.In2002,againawardedwithitsnewcreation,SUPERNOVAarmchair,returnedtoexposeintheMilanHall(ManifestazioneFuoriIn2009,hePascatospeakatWeekPedroFrancoisconsideredonethebiggestnamesintoday'sBrazilianVersatileactsdevelopingfromindustrialtoconceptualandlimitedpieces.InbothpathwaysseekstobringhisBrazilianrootsasinspirationforhisIn2010,thecuratorHisfirstpiece,ORBITAL,wasdevelopedin2000;andafterwinningthenationaldesigncontest“BrasilfazDesign”,exhibitedintheMilanFair(asManifestazioneFuoraSalone)forthefirstMarvaGriffintoparticipateintheSaloneSatellite,alsoparticipatinginthetwosubsequenteditions:theSaloneSatellite2011and2012.Fortherepresentedconceptcreations,inlimitededitions.Manyofwhichwouldcomeinthecomingyearsinindustrialproduction,withmorecommercialversions.Kaosarmchair,EsqueletochairandJacaréChair;wereinitiallypresentedintheSaloneThepiecewasnominatedthatyearasthemaincreationoftheBrazilianDesignbytheItalianmagazineAbitare.Afternumerouscreations,thedesignerreturnstotheMilanFair,ascuratorandidealizerofthe“MostraBrasiléCosi”;inwhichexposedbeyondtheirpiecestheworkof32youngBrazilianThecriticandcuratorVanniPasca(whoinsertedthepieceonthecoverofhisbook:ScenariDelGiovaneDesign(01);andinvitedthedesignertoparticipateintheAbitareIlThepieceisnowthebest-sellingitemofBrazilianindustrialdesign;andispartofthecollectionoftheVitraDesignMuseumSchadeupot,duetoitsnewmaterial.oftheevent(nexttoPaolaAntonelliInThepieceisnowthebest-sellingitemofBrazilianindustrialdesign;andispartofthecollectionoftheVitraDesignMuseumSchadeupot,duetoitsnewmaterial.oftheevent(nexttoPaolaAntonelliIn2011,decidestofoundhisownindustry:ALotofBrasil;inwhichhehasworkedsincethenasArtDirector;andworksonthethemeBrasilidade.ItgoesnotonlytocreatetheirownpiecesbutalsotoinvitedesignersfromaroundtheworldtocreatepiecestobeMADEinBRASIL.Francoisnowoneoftheandhavefrombothnationalandinternationalmedia.TheNewWaveofBraziliandesign,bytheItaliannewspaperCorrieredellaSera(06);Oneofthe4TrendsoftheMilanSalonbytheAmericannewspaperTheNewYorkTimes(07);TheNewStarofBrazilianDesignbytheBrazilianmagazineIstoé;orAmbassadoroftheBrazilianDesignMagazineHewasinvitedtospamduringtheMilanFair|SaloneSatellitefirstin2012Designersconsecratedas:AlessandroMendini(Italy),Pininfarina(Italy),FábioNovembre(Italy),PaoloUlian(Italy),AlessandraBaldereschi(Italy),NikaZupanc(Slovenia),BorekSipek(CzechRepublic),SatyendraPakhalé(India),CampanaBrothers(Brazil),begantocreatepiecestogetherwithFranco,fortheBraziliandesignerslikeFabioNovembreandEzarrazzuz);andin2017(alongsidenameslikeNendo,PatrickJouet)(03)(04).tobejuryAsartdirector,PedroFrancocreatesthetermBRASILIDADEINDUSTRIAL,thatmean,piecescreatedtobeproducedwithsoul,butinanindustrialThusarisestheEsqueletochair,produceddevelopedtechnologyandinternationalpatentreason:injectionfromwasteBrazilianseeds.AbitareLeLanewRiusoeCIlcreativoPedro?Fibreamazzonicheepartid’aereo:cosìricreoiconeenuoviBrazilianBrazilianrootstotheGlo-SincetheGlo-Sincethebeginningofhisactivitiesasadesigner,Francoalwayssoughttotranslateitsrootsinitsproduction,creatingnotonlyaproduct,butalsoinsertingsoultoeachofPedroFrancouseshisBrazilianrootsashiscreativebackground;Butrunningawayfromlabelsandclichés.Anincessantsearchforsituations,contextsormaterialsthatserveasinspirationforyourcollections.Fromhandmadecreations,serialandlimited.AswasthecaseofhisColezioneArtesania(2010)throughwhichcreatedalongwithartisans,relyingontraditionalBraziliancrafttechniques.EvenhiscreationsthatseektobringtheBrazilianrootsbuttopieceswithproductioninscaleandindustrial.SuchisthecaseoftheEsqueletoCollectionthattransformsBrazilianseedsintoatechnologicalandindustrialproduct(2013).ItalsofacesthechallengeofexploringtotheextremethemaximumofGlocalidade.TopicssuchastheCaririCearense(2016)ortheSert?oTocantinense(2017)areusedasaguidelineforcollectionspresentedduringtheMilanFair.InadditiontoFranco,designersfromallovertheworldareinvitedtothinkandexplorethetheme|briefing.Notbychance,PedroFrancohasbeenappointedbythenationalmediaas;"TheambassadorofBrazilianDesign"(MagazinePlatinum2014),"AGlobalbutlocaldesigner"(MagazineMadein2018),"ThemanthattransformstheBrazilianirreverenceinfurniture."(OEstadodeS?oPaulo,2018).(SOME)(SOME)ConceptualOrbitalSupernovaUnderconstructionAntropófadoPrimaveraEsqueletoJacaréAntropófagoAntropófagoUnderconstructionUnderconstructionEsqueletoEsqueletoTheEsqueletronCollection,ismadewithTheEsqueletronCollection,ismadewithaNewandPatentedTechnology,developedinTheinjectionwithEcoPolymer+Organics(1)EcoWoodInjected(2)A?aiInjected(3)BambooInjectedCoconutInjected(5)AcerolaInjectedVersion:(1)Version:(1)InjectedAluminiumand(2)CarbonJacaréJacaréKaosKaosPriaveraPriaveraMesaCarbonMesaCarbonTangramCarpetTangramCarpet(main)(main)Medias1.REVISTALIVING|1.REVISTALIVING|EDI??O2.REVISTACASA&|3.REVISTA|EDI??OREVISTAAUREVISTAAU|EDI??OREVISTAPAUSE|3.JORNALAFOLHADE|1.REVISTA1.REVISTA2.REVISTAREVISTACARAS|REVISTACARAS|JORNALDOREVISTAArtdevelopedArtdevelopedtoALotofBrasilConceptofBriefingInvitationtoGlobalDesignCoordination:DevelopIndustrializationArtDirection(Catalogues,Folders,Stands)EdictorofMagazineCo-BrandingActionsPRCoordinationBrazilianEventsPublic????????????ArtBriefing-CollectionYear:ArtBriefing-CollectionYear:2018Year:2018Year:FairsandThemesandFairsandThemesand(1)Milan`sInternationalYear:PalazzoDurini|FuoriSalone(Milano)Year:2013(2)Year:2014ArtDirection|ProjectedbyYear:2018ConceptandYear:2013ArtDirection|Projectby(2)(3)(1)BrandingConferencesinBrazilBrandingConferencesinBrazil|Designer:VanniYear:Place::ClubMedTarget:500Designer:PaoloYear:Place::Top100_TransáméricaTarget:500Designer:AlessandroYear:Place::WTCS?oDesigner:XavierYear:Place::WTCS?oTarget:500Designer:MartenYear:Place::Top100Event|PortodeDesigner:FabioYear:Place::WTCS?oTarget:500AgostoMaioSalvadorFeiradeSantana(BA)CaxiasdoSul(SC)Fortaleza(CE)BelémS?oAgostoMaioSalvadorFeiradeSantana(BA)CaxiasdoSul(SC)Fortaleza(CE)BelémS?oPaulo??????Brasília(DF)Lageado(RS)Curitiba(PR)Maringá(PR)Campinas(SP)Ribeir?oPreto(SP)???????SetembroBlumenal(SC)Santos(SP)???JunhoAlphaville(SP)AnáliaFranco(SP),Palmas(TO),Araguaina(TO),Gurupi(TO)Uberaba(SP)??????OutubroFortaleza?Design&TrendsDesignforAllGlobalDesignDesignThinking?????PublicSpeech|BrazilARTART|IndustrialsomesomeProduct:k2IndustrialProcess:RotomoldingandNewPolymer(EcowoodYear:Family:LacquerSofa,Eco-plasticDesigner:FabioNovembreProduct:IndustrialProcess:Rotomolding(BiggestAluminiumStampYear:Family:Plasticsofa,UpholsteredbraziliandesignDesigner:LucanichetoProduct:GlocalIndustrialProcess:Steel(Structure)andYear:Family:UpholsteredSofa(2,3,4seats)+Designer:CampanaBrothersProduct:EstrelaCollection(NewProductionSystem,developedandIndustrialProcess:Designer:CampanaBrothersProduct:EstrelaCollection(NewProductionSystem,developedandIndustrialProcess:LaserCut,RobotSoldier,some1?2Designer:NikaZupancProduct:MaidIndustrialProcess:NewTechnich,InjectedSugarcane,Manualholes,aluminiumFamily:?Designer:AlessandraBaldereschiProduct:BambooCollectionYear:20163?Designer:KarimRashidProduct:SiameseIndustrialProcess:Rotomolding,andFamily:4?Designer:XavierProduct:ConeIndustrialProcess:AluminiumstampedorNewInternationalTechniche(HotstampedwithSisalfiber)Family:Designer:PininfarinaProduct:BeachIndustrialProcess:RotomoldingandCalendaredFamily:BeachDesigner:AndreaProduct:CaririIndustrialProcess:Woodworkedin5?6?7?some(Lampsandsome(LampsandDesigner:AnnaGiliProduct:BlossomIndustrialProcess:carpet,industrialFamily:SquareDesigner:AlessandraBaldereschiProduct:MaidIndustrialProcess:Carpet,IndustrialandManualFamily:SquareandCircularDesigner:NikaZupancProduct:LaceIndustrialProcess:RotomoldingFamily:Designer:C