美國(guó)塞基諾州立大學(xué)Dr

1、附件十美國(guó)塞基諾州立大學(xué)Dr. Robert Drew 履歷ROBERT S. DREW827 Sutton StreetDepartment of CommunicationSaginaw, MI 48602Saginaw Valley State UniversityTel.: 989-249-49417400 Bay RoadUniversity Center, MI 48710Tel.: 989-964-7495EDUCATIONPh.D. in Communication, Annenberg School for Communication, University of Penns

2、ylvania, 1994.M.A. in Communication, Annenberg School for Communication, 1986.B.A. in English, Columbia University, 1983.ACADEMIC WORK EXPERIENCEAssociate Professor, Department of Communication, Saginaw Valley State University, 2002-present.Assistant Professor, Department of Communication, Saginaw V

3、alley State University, 1998-2002.Visiting Assistant Professor, Department of Communication, University of South Florida, 1995-1998.Visiting Assistant Professor, Department of Communication, State University of New York at Albany, 1994-1995.Instructor, Annenberg School for Communication, University

4、of Pennsylvania, 1992-1993.FIELDS OF PROFESSIONAL INTERESTMedia StudiesCultural StudiesNew MediaPopular CultureQualitative Research MethodsCOURSES TAUGHTSaginaw Valley State UniversityMedia, Meaning, and Audience (Graduate), 1998-2004.Capstone Course (Graduate), 1999.Communication in Marketplace and

5、 Media, 1999-2005.Communication and Popular Culture, 1999-2006.New Media and Society, 2001-2005.Research Methods in Human Communication, 1999-2000, 2004-2006.Human Communication Theory, 1998-1999.Fundamentals of Human Communication, 1998-2006.University of South FloridaPopular Forms of Communication

6、, 1996-1997.Rhetoric of Mass Media, 1995-1996.Relationships in Film, 1996-1998.Communication Theory, 1997.Interpersonal Communication, 1995-1998.State University of New York at AlbanyIntroduction to Mass Communication, 1995.Popular Culture and Communication, 1995.Mass Media Criticism, 1995.Communica

7、tion Research Methods (Graduate), 1994.Interpersonal Communication, 1994.Public Speaking, 1994.Annenberg School for CommunicationArt as Communication, 1993.Introduction to Mass Communication, 1992.PUBLICATIONSBooksKaraoke Nights: An Ethnographic Rhapsody. Thousand Oaks, Calif.: AltaMira Press, 2001.

8、Journal articles“Review of Media Audiences and Identity.” Journal of Communication Inquiry, 30:4, October 2006.“Lethargy Begins at Home: The Academic Rate-Buster and the Academic Sloth.” Text and Performance Quarterly, 26:1, January 2006.“Review of Where the Ball Drops: Days and Nights in Times Squa

9、re.” Space and Culture, 8:4, November 2005.“Once More, With Irony: Karaoke and Social Class.” Leisure Studies, 24:4, October 2005.“Mixed Blessings: The Commercial Mix and the Future of Music Aggregation.” Popular Music and Society, 28:4, October 2005.“Old Habits and New Media: Ethnography Meets Cybe

10、rspace Studies.” Symbolic Interaction, 28:3, Summer 2005.“Review of Rock Over the Edge: Transformations in Popular Music Culture.” Popular Communication, 1:1, Fall 2002.“Rough Trade: Cruising for Music in the Big Box Record Store.” Bad Subjects: Political Education for Everyday Life, 59, February 20

11、02, /bs/59/drew.html.“Karaoke and the Utility of the Already Sung.” Bad Subjects: Political Education for Everyday Life 56, Summer 2001, /bs/56/drew.html.“Embracing the Performers Role: How Karaoke Bar Patrons Become Regular Performers.” Journal of Contemporary Ethn

12、ography 25:4, January 1997.“Review of Top Ten Academic Books on Popular Music.” RPM: The Review of Popular Music, 21, Winter 1995.“Review of 1990 ICA Panels on the Public Domain.” Antenna: Newsletter of the Mercurians Special Interest Group, Society for the History of Technology, 3:1, October 1990.“

13、A Short History of Graffiti.” Antenna: Newsletter of the Mercurians Special Interest Group, Society for the History of Technology, 2:2, October 1989.Book chapters“Popular Communication and Social Class.” In The International Encyclopedia of Communication, edited by Wolfgang Donsbach. Malden, Mass.:

14、Blackwell, forthcoming.“Scenes Dimensions of Karaoke in the U.S. In Music Scenes: Local, Translocal, and Virtual, edited by Andy Bennett & Richard A. Peterson. Nashville, Tenn.: Vanderbilt University Press, 2004.“Anyone Can Do It: Forging a Participatory Culture in Karaoke Bars.” In Hop on Pop: The

15、Pleasures and Politics of Popular Culture, edited by Henry Jenkins, Tara McPherson, and Jane Shattuc. Durham, N.C.: Duke University Press, 2003.“The Cosmic and the Local: The Burden of Stardom in Karaoke.” In Looking Back, Looking Ahead: Popular Music Studies 20 Years Later, edited by Kimi Krki, Reb

16、ecca Leydon, and Henri Terho. Turku, Finland: IASPM-Norden, 2002.“American Karaoke Performers as Amateurs and Professionals.” In Popular Music: Style and Identity, edited by Will Straw, Stacey Johnson, Rebecca Sullivan, and Paul Friedlander. Montreal: Centre for Research on Canadian Cultural Industr

17、ies and Institutions, 1995.“Graffiti as Public and Private Art.” In On the Margins of Art Worlds, edited by Larry Gross. Boulder, Colo.: Westview Press, 1995.Journalism and criticism“The Mekons: Still Riding the Punk Wave.” Tampa Weekly Planet, May 1, 1996.“Buy a Record, Save a Life.” Philadelphia W

18、elcomat, October 13, 1993.“Forget WoodyWhat About Mias Movies?” Philadelphia Welcomat, June 23, 1993.“WDRE: Alternative Music Finds Its Market Niche.” The Graduate Perspective, April 1993.“Skeptical Rock.” The Graduate Perspective, February/March 1993.“Nothing to Lose but Her Chains: Madonnas in Con

19、trol, but of What?” The Graduate Perspective, December 1992.“On the Hook.” The Graduate Perspective, March 1992.PRESENTATIONS AND CONFERENCE PAPERSRefereed conference papers“Mixed Blessings: The Commercial Mix and the Future of Music Aggregation.” Presented at the annual meeting of the National Comm

20、unication Association, Chicago, November 2004.“Emcees Who Love Too Much: Sincerity and Cynicism on the Karaoke Circuit.” Presented at the annual meeting of the International Communication Association, Acapulco, May 2000. Winner of Top Three Paper Award of the Popular Communication Division.“The Auth

21、ority Song: Encouragement, Judgment, and Emotional Labor among Karaoke Emcees.” Presented at the Society for the Study of Symbolic Interaction Couch/Stone Symposium, St. Petersburg, January 2000.“Looking a Gift Horse in the Mouth: Corporate Sponsorship of Educational Multimedia.” Presented at the an

22、nual meeting of the National Communication Association, Chicago, November, 1999 (with Chi-Feng Tsai). “Relating in the Limelight: Karaoke Performance as Pathway to Public Life.” Presented at the annual meeting of the National Communication Association, Chicago, November, 1999.“The Corporate Sponsors

23、hip of Multimedia in Educational Settings.” Presented at the Communication and Technology Conference of the National Communication Association, Washington, D.C., July 1999 (with Chi-Feng Tsai).“Rough Trade: Cruising for Music in the Big Box Record Store.” Contributed to seminar, “Perspectives on Com

24、munication and Consumption,” National Communication Association, New York, November 1998.“Singing the Self: Identities Performed and Transformed.” Contributed to seminar, “Narrative and Alternative Ethnography,” National Communication Association, Chicago, November 1997.“Anyone Can Do It: Forging a

25、Participatory Culture in Karaoke Bars.” Presented at the annual meeting of the Society for the Study of Symbolic Interaction, Toronto, August 1997.“The Socialization of Karaoke Performers.” Presented at the annual meeting of the International Communication Association, Albuquerque, May 1995.“Ambigui

26、ties of the Performance Frame in Karaoke Bars.” Presented at the annual meeting of the Speech Communication Association, Chicago, November 1992.“Karaoke Performers as Local Musicians.” Presented at the annual Conference on Social Theory, Politics, and the Arts, Philadelphia, October 1992.“Graffiti a

27、s Public and Private Art.” Presented at the annual Conference on Social Theory, Politics, and the Arts, Philadelphia, October 1992.“Issues of Stardom, Authorship and Identity in Karaoke.” Presented at the annual meeting of the International Association for the Study of Popular Music, Chicago, Octobe

28、r 1991.“Regulation of Membership and Negotiation of Status within Graffitis Art World.” Presented at the annual meeting of the International Communication Association, Dublin, June 1990. Winner of Top Two Student Paper Award of the Popular Communication Division.“The Myth of Graffiti as Peoples Art.

29、” Presented at the Conference on Culture and Communication, Philadelphia, October 1989.Panel presentationsSan Antonio, November 2006.“Mixed Blessings: The Commercial Mix and the Future of Music Aggregation.” Presented at the annual meeting of the Midwest Popular Culture Association, St. Louis, Octob

30、er 2005. “The Regime of the Hook: Shopping for Music in the Post-Millennial Megastore.” Presented at the bi-annual meeting of the International Association for the Study of Popular Music, Montreal, July 2003.“Scenes Dimensions of Karaoke in the U.S.” Presented at the bi-annual meeting of the Interna

31、tional Association for the Study of Popular Music, Montreal, July 2003. “Once More, With Irony: Karaoke and Social Class.” Presented at the annual meeting of the International Communication Association, San Diego, May 2003.“Teaching New Media When Your Students Know as Much as You.” Presented at the

32、 annual meeting of the National Communication Association, New Orleans, November 2002.“The Cosmic and the Local: The Burden of Stardom in Karaoke.” Presented at the biennial meeting of the International Association for theStudy of Popular Music, Turku, Finland, July 2001.“Lost in a Supermarket: The

33、Anomie of Music Megastores.” Presented at the annual meeting of the International Communication Association, Washington, D.C., May 2001.“Writing Ethnographic Alternatives.” Presented at the annual meeting of the National Communication Association, Chicago, November 1999.“Some Observations on the Quo

34、tidian Aspects of Rock and Pop Performance.” Presented at the annual meeting of the Eastern Communication Association, Pittsburgh, Pa., April 1995.“Between Onstage and Offstage: The Amateur Aesthetic in Karaoke Performance.” Presented at the annual meeting of the Eastern Communication Association, W

35、ashington, D.C., April 1994. “Karaoke Performers, Local Musicians, and the Amateur-Professional Continuum.” Presented at the biennial meeting of the International Association for the Study of Popular Music, Stockton, Calif., July 1993.Invited presentations“The Space Between: Copyright, Consumer Righ

36、ts, and Home Audio Mixing.” Visiting Scholar, Department of Communication, Saint Louis University, October 2003.“Media Coverage of the Iraq Crisis.” Teach-In for Peace, Saginaw Valley State University, March 2003.“Reading and Book Signing for Karaoke Nights: An Ethnographic Rhapsody,” Saginaw Valley

37、 State University, December 2001.“Studying the Role of Popular Music in Everyday Life through an Ethnography of Karaoke Bars.” Conference on “Rethinking The Development of Qualitative Methodologies in Communication Studies,” Shih Hsin University, Taipei, Taiwan, December 2000.“Anyone Can Do It: Forg

38、ing a Participatory Culture in Karaoke Bars.” Valley Scholars Lecture Series, Saginaw Valley State University, March 1999.“Embracing the Role of Performer in Karaoke Bars.” Department of Communication Lecture Series, University of South Florida, December 1995.Other conference participationPanel resp

39、ondent, “Action! Ethnography and Media/Cultural Studies,” annual meeting of the National Communication Association, Chicago, November 2004.Panel chair, “Technological Transformations and the Production of Popular Culture: Reporting, Reading, Revising,” annual meeting of the National Communication As

40、sociation, Chicago, November 2004.Panel respondent, “Music as Popular Communication,” annual meeting of the International Communication Association, San Diego, May 2003.Panel respondent, “American Consumerism Represented and Enacted through Media,” annual meeting of the National Communication Associ

41、ation, New Orleans, November 2002.Panel respondent, “Popular Communication about the Environment, Animal Rights, and Natural Resources,” annual meeting of the International Communication Association,” Acapulco, May 2000.Panel chair, “Critical Perspectives in New Media of Communication,” annual meeti

42、ng of the Michigan Academy of Science, Arts and Letters, Saginaw, Mich., March, 2000.Panel respondent, “Ethnography and Mediated Communication,” annual meeting of the National Communication Association, Chicago, November 1999.Panel chair, “Community, Technology, and Popular Culture,” annual meeting

43、of the International Communication Association, Montreal, May 1997.Panel chair and co-organizer, “Teaching Popular Culture,” annual meeting of the International Communication Association, Chicago, May 1996.SERVICEDepartmentalParticipant, departmental assessment of communication program, Department o

44、f Communication, Saginaw Valley State University, 2006.Honors thesis advisor (2), Department of Communication, Saginaw Valley State University, 2005.Mentor to adjunct faculty, Department of Communication, Saginaw Valley State University, 2004.Participant, departmental assessment of General Education

45、 courses, Department of Communication, Saginaw Valley State University, 2001-2004.Participant, departmental assessment of Teacher Certification Program, Department of Communication, Saginaw Valley State University, 2002.Chair, Faculty Search Committee (3), Department of Communication, Saginaw Valley

46、 State University, 1999, 2001, 2006.Member, Faculty Search Committee, Communication and Multimedia Program, Saginaw Valley State University, 2000.Member, Faculty Search Committee (2), Department of Communication, Saginaw Valley State University, 1998, 2004.Masters thesis advisor (3), Communication a

47、nd Multimedia Program, Saginaw Valley State University, 2000-2003.Masters thesis committee member (2), Communication and Multimedia Program, Saginaw Valley State University, 2001-2002.Multimedia capstone project advisor (11), Communication and Multimedia Program, Saginaw Valley State University, 199

48、9-2005.Multimedia capstone project committee member (20), Communication and Multimedia Program, Saginaw Valley State University, 1999-2005.Independent study supervisor (9), Department of Communication, Saginaw Valley State University, 1999-2004.Independent study supervisor (5), Communication and Mul

49、timedia Program, Saginaw Valley State University, 2000-2005.Program planning faculty member, Communication and Multimedia Program, Saginaw Valley State University, 1998-2005.Faculty sponsor, Communication and Multimedia masters student participation in Association of Internet Researchers conference

50、(2), Saginaw Valley State University, 2001.Author, new course proposals for Communication & Popular Culture and New Media & Society, Saginaw Valley State University, 2000.Evaluator of adjunct faculty (2), Department of Communication, Saginaw Valley State University, 1998, 2000.UniversitySecretary, F

51、aculty Association Executive Committee, Saginaw Valley State University, 2004-2006.Co-chair, Student Evaluation of Teaching Committee, Saginaw Valley State University, 2004-2005.Member, University Strategic Planning Committee and Technology Subcommittee, Saginaw Valley State University, 2004.Author,

52、 Student Satisfaction Survey and Report, Communication and Multimedia Program, Saginaw Valley State University, 2004.Member, Communication and Multimedia Program Task Force, Saginaw Valley State University, 2003-2004.Member, Contract Review and Planning Committee, Saginaw Valley State University, 20

53、04-2005.Chair, Faculty Evaluation Team (3), Saginaw Valley State University, 2002-2005.Member, Faculty Evaluation Team (9), Saginaw Valley State University, 2000-2005.Co-Chair, Distance Learning Action Team of the Teaching, Learning, and Technology Roundtable, Saginaw Valley State University, 2001-2

54、002.Member, Distance Learning Action Team of the Teaching, Learning, and Technology Roundtable, Saginaw Valley State University, 1999-2001.Member, Steering Committee of the Teaching, Learning, and Technology Roundtable, Saginaw Valley State University, 2001-2002.Member, Art Department Search Committ

55、ee, Saginaw Valley State University, 1998-1999.Participant, Faculty Strategies for Student Success Workshop, Saginaw Valley State University, 1998.Member, Faculty Board of the Communication Guild, Saginaw Valley State University, 1998-1999.Internship Supervisor (2), University of South Florida, 1996

56、, 1997.Member, Grievance Committee, University of South Florida, 1995.Culture Editor, Graduate Perspective, University of Pennsylvania graduate student newspaper, 1991-1993.Member, Graduate Student Association Council, University of Pennsylvania, 1989-1990.CommunitySource for article, “Fans Bid Fare

57、well to Close Friends,” Saginaw News, May 5, 2004.Source for article, “Hip-Hop Dropped: Fears of Violence Spur Some Pubs to Ban the Popular Dance Music,” Saginaw News, April 22, 2004.Source for article, “Karaoke for Dummies,” Flint Journal, March 14, 2004.Source for article, “Perfection is Karaoke,”

58、 Portland Mercury, March 4, 2004.Source and subject of profile, “Scholar Studies Songs in the Heart,” Saginaw News, February 6, 2004.Source for article, “Faux Fame,” Herald News (West Paterson, N.J.), January 11, 2004.Source for phone interview on Karaoke Nights by students in course on Ethnographic Research