《傲慢與偏見》中的女性意識(shí)開題報(bào)告

1、贛南師范大學(xué)科技學(xué)院學(xué)生畢業(yè)論文（設(shè)計(jì)）開題報(bào)告教學(xué)系外語系英語屆別2017屆學(xué)生姓名賴春艷1320031113指導(dǎo)教師姓名劉小月職稱和學(xué)位講師碩士論文（設(shè)計(jì)）題目TheStudyofJaneAusten'sFemaleConsciousnessinPrideandPrejudiceTheworkofPrideandPrejudicehasbeenstudiedbothathomeandabroad,andtherearedifferentthemesintheanalysisofwomen.Athome,ChenYanlingandLiuLikunstudiedthefeminine

2、consciousnessofhernovels(2007,03).In200&XiongYanfeiofJiangXiBlueSkyUniversityconductedadetailedanalysisofthesmallthemesofprideandprejudice.SongWei,JiangLian(YanshanUniversitySchoolofforeignlanguages)studiedfeminisminPrideandPrejudicein2009.TheworksofJaneAustin'sartisticcharmisnotonlytoseethe

3、fine,butismoresimple,people'sdailylifeisdepictedinfullofsoundandcolorthroughhumorouslanguage.Keeble,afamousBritishwriterandcritic,said,“Janeisacomedyartist”byandbelievesthatsheis“secondonlytoShakespeare”inpurecomedyart.InnineteenthCentury,theBritishfamoushistorian,poetandpoliticalcommentatorThom

4、asThomasMacauleycalledher“Shakespeare”inprose.Maughamsaid:“IbelievethatthemajorityofreadershaveidentifiedPrideandPrejudiceisamasterpieceofAusten,”Ithinktheirevaluationisverypertinent.Itisthepleasure,wisdomandaspirationinherworksthatmakesherworkbecomeaclassicmasterpieceratherthanthecriticsofunanimous

5、praise,professors,textbooksforschool.Personally,IthinkthatPrideandPrejudiceis,ingeneral,themostsatisfyingworkofallnovels.Maughamsopinionnotonlyrepresentstheauthoritativeevaluationofscholarsandexperts,butalsoexpressestheconsensusoftheworld'sreaders.Thisthesistriestointerpretthe"PrideandPreju

6、dice"fromtheperspectiveoffeminismandgiveitanewpointofview.Italsotriestorevealthemodernwomen'sattitudetowardslifethroughtheanalysisoftheheroineElizabeth'sviewoflife.I.Academicvalue:學(xué)術(shù)價(jià)值和現(xiàn)實(shí)意義feelingsandWecanacquireauniquefemaleperspectivethroughreadingthenovelwrittenbyJaneAusten.She,asawo

7、manwriterinthetransitionalperiodfromthetraditionandrebellion,madeahugecontributiontothedevelopmentoffemaleliteratureinEngland.Austen,whowasoncehailedas“Shakespeare”byFosterdescribedfemaleuniqueexperienceoftheworldfromtheperspectiveofacuteobservation,whichconveyedthefemalewillsandwishesandinspiredfem

8、aletoperceivetheworldbytheirownperspectives,Austen,asthetorchbeareroffeminismandtheadvocateoffemaleconsciousness,assertedtheindependenceoffemalepersonalitiesandappealedtoequalrights.HeradvancingthoughtandthecareshowedinthenovelofPrideandPrejudice,obviouslyexertedapioneeringcontributiontothefemalelit

9、eratureandanenlighteningeffectoncontemporaryhuman,especiallyforfemale.Besides,thefemaleconsciousnessinthisthesiswillbestudiedanovelperspective.Theviesonmarriage,forexample,theawakeningconsciousnesswillbevividlyreflectedonthecompareofdifferentkindsofmarriageinPrideandPrejudice.II.Practicalsignificanc

10、e:Inthelate18thandtheearly19thcenturies,themalehadalwaysbeenthedominantpositionwhetherinthesocietyorintheliteraryworksofEngland.Thedominantpositionofmalenotonlyexistsontheareasofeconomy,politicandideology,butalsoreflectsontheliteraryworksofmalewriterswherethefemaleisalwayscontrolledbymale.But,thenov

11、el,PrideandPrejudice,isanexception,whichiswrittenbyAustenfromasubversionandnovelperspective,itwelcomesanageoffemale.Thefemalestrongdesirestofightfortheirequalrightsandindependenceinthisnovelhasawakenfemaleconsciousnessinreality.Theadvancedfemaleconsciousnessofthisnovelhasbecometheideologicalweaponfo

12、rfemaletofightfortheirfreedomandindependence.Actually,thesocietywelivedtodaystillexistsgenderinequality.Theadvancedfemaleconsciousness,whichreflectedonthisnovelalsocanencourageustofightforourequalrightsandgenderinequality.論文提綱1. Introduction2. ThesocialbackgroundofAusten'sfemaleconsciousness.2.1

13、 Lowsocialstatues2.1.1 Economicstatus.2.1.2 Education.2.2 Thelackoffemaleconsciousness.2.3 Theemergenceoffemaleconsciousnessandfeminismliterature.3. Austen'femaleconsciousnessinPrideandPrejudice3.1 Theconsciousnessoffreedom.3.1.1 Independentconsciousness.3.1.2 Equalconsciousness.3.1.3 Intelligen

14、tconsciousness.3.2 Rebelliousconsciousness.3.3 Marriageconsciousness.4Maleimage.4.1 Mr.Darcy4.2 Mr.Benet4.3 Mr.CollinsandWickham5.Conclusion寫作進(jìn)度安排November2nd,2016;Selectingtopic.December15th,2016;Thesispaper.February20th,2017;Firstdraft.March20th,2017;Seconddraft.April5th,2017;Thirddraft.May10th,201

15、;Finaldraft.May12th,2017;MakingopenreplyMay15th,2017;Checkingandhandingin主要參考文獻(xiàn)1 TongWei.JaneAusten'sFeminismConsciousnessThatReflectedinPrideandPrejudice.OverseasEnglishNov.2011:259-261.2 JaneAusten.PrideandPrejudice.Nanjing:VilinPress,2012.3 Woof,Virginia.ARoomofOne'sOne.Beijing:TheCommerc

16、ialPress,2012.4 JaneAusten.PrideandPrejudice.PenguinEnglishLibrary,1983.5 LiYing.OnAusten'sConsciousnessofWomen,inHerNovels,2004.6 GaryKelly,Women,Writing,andRevolulion,1790-1827,OxfordClarendonPress,1993.7 簡(jiǎn)奧斯丁.王科譯.傲慢與偏見M.上海：上海譯文出版社，2015.8 李章.簡(jiǎn)奧斯丁在傲慢與偏見中的婚姻觀J.湖北廣播電視大學(xué)學(xué)報(bào).2004,21(4)：50-51.9 余榮妹.論傲慢與偏見中反諷與戲劇性J.時(shí)代文學(xué).2009(6):65-66.10 簡(jiǎn)奧斯丁.傲慢與偏見M.南京：譯林出版社.1996.11 田玉霞喜劇背后的覺醒