立體墻面建筑裝飾板材的時(shí)尚趨勢(shì)

1、.立體墻面建筑裝飾板材的時(shí)尚趨勢(shì)，三遞板文化隨著電腦技術(shù)的開展，建筑室內(nèi)室外的墻面裝飾越來(lái)越豐富，立體生動(dòng)。平面和三維立體造型的時(shí)尚趨勢(shì)越來(lái)越被人們關(guān)注和采用，創(chuàng)新不斷。材質(zhì)上也有纖維、金屬、石膏、板材等等開展的越來(lái)越豐富。外墻裝飾還與遮陽(yáng)通風(fēng)結(jié)合了起來(lái)，內(nèi)墻裝飾也注重了吸音防火等功能。?Jakob + Macfarlane sOrange Cube in Lyon is covered in a perforated steel mesh;photo: Roland Halbe-優(yōu)選.?-優(yōu)選The perforated steel fa ?ade of Piercy Conner Arch

2、itects Restello apartment buildingprovides natural ventilation and shade; image ? Piercy Conner Architects.?The etched pattern displays clear Eastern influences; image ? Piercy ConnerArchitects-優(yōu)選.?The screens cast a dappled pattern of light and shade on the interior surfaces; image ? Piercy Conner

3、Architects-優(yōu)選.?Two huge voids in the Orange Cube help provide light, ventilation and views of thecity; photo: Roland Halbe-優(yōu)選.?The entire building is covered in a random pixellated pattern; photo: Roland Halbe-優(yōu)選.?One of the large voids cuts a section through the floors, creating balconies andmunal

4、areas; photo: Roland Halbe-優(yōu)選.?Polygonal apertures in the display wall mirror the form of the holes in the fa ?ade;photo: Nicolas Borel?Traditional Polish folk art inspired the perforated pattern applied to the surfaces ofthe Polish Pavilion at last year sShanghai Expo by WWAA Architects; photo ?WWA

5、A-優(yōu)選.? ?.*世博會(huì)波蘭館也是這方面的代表作，外墻使用的膠合板裝飾木板造型，配以剪紙圖案立體墻面。白天和夜晚的效果非常獨(dú)特。Internally, the patterns changed as the visitor moved through the exhibition; photo? WWAA?At night, the pavilion was lit from within, with multi-coloured lighting emanatingfrom the perforations; photo ? WWAA-優(yōu)選.?6,000 holes allow light

6、 to enter the Umimirai Library by Coelacanth K&H Architects;photo: Satoshi Asakawa日本早川設(shè)計(jì)的圖書館?-優(yōu)選.The holes provide soft, natural light to the cavernous interior; photo: SatoshiAsakawa?The reading room features 12-metre-high ceilings, supported by 25 slender pillars;photo: Satoshi Asakawa?-優(yōu)選.Openness and light are the key characteristics of DGJ+NAU sbank building forRaiffeisen; photo: Jan Bitter瑞士蘇黎世銀行，利用室內(nèi)墻面立體裝飾板，打破傳統(tǒng)的銀行室內(nèi)設(shè)計(jì)理念。開放空間 ,流動(dòng)的墻壁 ,淡淡的窗簾 ,一個(gè)穿孔的屏風(fēng)上。屏風(fēng)是用來(lái)控制的私密區(qū)和開放區(qū)域光線變化的室內(nèi)裝飾。屏外表裝飾的抽象與具象結(jié)合的當(dāng)?shù)匚幕恼故?。展示的圖像是一個(gè)白色的 Hi-Macs 研磨成復(fù)合外表處理的工藝。?The detailed pattern was created using digital processes