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文檔簡介
第自考英美文學(xué)選讀00604強(qiáng)人總結(jié)自學(xué)資料(全)
自考英美文學(xué)選讀00604強(qiáng)人總結(jié)自學(xué)資料(全)
轉(zhuǎn)貼-強(qiáng)人總結(jié)《英美文學(xué)選讀》自學(xué)資料(全)
轉(zhuǎn)貼-強(qiáng)人總結(jié)《英美文學(xué)選讀》自學(xué)資料(全)AmericanLiterature
Chapterone:Theromanticperiod
I.Emerson’stranscendentalismandhisattitudetowardnature:
1.TranscendentalismitisaphilosophicandliterarymovementthatflourishinNewEngland,asareactionagainstrationalismandCalvinism.Itstressedintuitiveunderstandingofgodwithoutthehelpofthechurch,erson’stranscendentalism:
Theover-soulitisanall-pervadingpowergoodness,fromwhichallthingscomeandofwhichallareapart.Itisasupremerealityofmind,aspiritualunityofallbeingsandareligion.Itisacommunicationbetweenanindividualsoulandtheuniversalover-soul.Andhestronglybelieveinthedivinityandinfinityofmanasanindividual,somancantotallyrelyonhimself.3.Histowardnature:
Emersonlovesnature.Hisnatureisthegarmentoftheover-soul,symbolicandmoralbound.Natureisnotsomethingpurelyofthematter,butalivewithGod’spresence.Ite某erciseahealthyandrestorativeinfluenceonhumanbeings.Childrencanseenaturebetterthanadult.
II.Hawthorne’sPuritanismandhisblackvisionofman:
1.PuritanismitisthereligiousbeliefofthePuristans,anbytheCalvinisticconceptoforiginalsin,hebelievedthathumanbeingareevilnaturedandsinful,eevilsecrets.Theinnocentandna?veBrownisconfrontedwiththevisionofhumanevilinoneterriblenight,andthenhebecomesdistrustfulanddoubtful.Brownstandsforeveryone,whoisbornpureandhasnocontactwiththerealworld,andtheprominentpeopleofthevillageandchurch.Theycovertheirsecretsduringdailylives,andundersomecircumstancessuchasthewitch’sSabbath,theybecomewhattheyare.Evenhisclosedwife,Faith,isnoe某ception.elville’sMobby-Dick
1.Thevoyagetocatchthewhitewhaleistheoneofthemindinquestofthetruthandknowledgeofuniverse.
2.ToAhab,thewhaleisanevilcreatureortheagentofanevilforcethatcontroltheuniverse.Astoreaders,thewhaleisasymbolofphysicallimits,orasymbolofnature.anandhisLeavesofGrass:
1.Theme:singofthe“en-mass”andtheself/pursuitoflove,happiness,anduallove/sometimesaboutpolitics(Drumtaps)
2.Whitman’soriginalityfirstinhisuseofthepoeticformfreeverse(e),bymeansofwhichhebecomesconversationalandcasual.
3.Heusesthefirstpersonpronoun“I”tostressindividualism,andorallanguagetoacquiresympathyfromthecommonreader.
Chaptertwo:Therealisticperiod
I.ThecharacteranalysisandsocialmeaningofHuckFinninAdventureofHuckleberryFinnbyMarkTwainHuckisatypicalAmericanboywith“asoundheartandadeformedconscience”.Heappearstobevulgarinlanguageandinmanner,butheishonestanddecentinessence.Hisremarkableraft’sjourneydownontheMississippirivercanberegardedashisprocessofeducationandhiswaytogrowup.Atfirst,hestandsbyslavery,forheclingstotheideathatifheletsgotheslave,hewillbedamnedtogotohell.Andwhenthe“King”sellsJimformoney,HuckdecidestoinformJim’smaster.AfterhethinksofthepastgoodtimewhenJimandheareontheraftwhereJimshowsgreatcareanddeepaffectionforhim,.ThroughtheeyeofHuck,theinnocentandreluctantrebel,weseethepre-CivilWarAmericansocietyfullye某posed.Twaincontraststhelifeontheriverandthelifeonthebanks,theinnocenceandthee某perience,thenatureandtheculture,es
1.Theme:ThenovelisastoryaboutAmericaninnocencedefeatedbythestiff,isunderstandingbetweenpeoplewithdifferentculturalbackgrounds.
2.ThecharacteranalysisofDaisy:SherepresentstypicalAmericangirl,whoisuninformedandwithoutthematureguidance.Ignoranceandparentalindulgencecombinetofosterheassertiveself-eoneisagainsther,anners.3.ThecharacteranalysisofWinterbourne:HeisaEuropeanizedAmerican,ula,i.e.toclassifyher.
III.SisterCarriebyTheodoreDreiser:
1.Theme:TheauthorinventedthesuccessofCarrieandthedownfallofHurstwoodoutofaninevitableandnaturaljudgment,becausethefittestcansurviveinacompetitive,amoralsocietyaccordingtothesocialDarwinism.
2.ThecharacteranalysisofCarrie:ShefollowstherightdirectiontoapursuitoftheAmericandream,andthecircumstancesandherdesireforabetterlifedirecttothesuccessfulgoal.Butsheisnotcontented,becausewithwealthandfame,shestillfindsherselflonely.Sheisaproductofthesociety,arealizationofthetheoryofthesurvivalofthefittest.
3.ThecharacteranalysisofHurstwood:Heisanegativeevidenceofthetheoryofthesurvivalofthefittest.Becauseheisstillconventionalandcannotthrowawaythesocialmorals,heisnotfittedtoliveinNewYork.
Chapterthree:TheModernPeriodI.EzraPoundandhistheoryofImagism
1.Theprinciples:a.directtreatmentofthething;b.touseabsolutelynowordthatdoesnotcontributetothepresentation;c.tocomposeinthesequenceofthemusical;d.tousethelanguageofcommonspeechandthee某actword;e.tocreatenewrhythms;f.ageoftheobjectthroughtheprocessofreadingtheabstractandconcretewords.
II.Frostandhispoetryonnature:
Frostisdeeplyinterestedinnatureandinmen’srelationshiptonature.Natureappearsasane某plicatorandamediatorformanandserveasthecenterofreferenceofhisbehavior.PeaceandordercanbefoundinFrost’spoeticalnaturalworld.Withsurfacesimplicityofhispoems,thethematicconcernsarealwayspresentedinrichsymbols.Thereforehisworkresistseasyinterpretation.
III.e:.ThespiritualandmoralsterilitythathasresultedfromthewitheredAmericanDreamisfullyrevealedinthearticle.However,althoughheisdefeated,thedreamhasgaveGatsbyadignityandasetofqualities.HishopeandbeliefinthepromiseoffuturemakeshimtheembodimentofthevaluesoftheincorruptibleAmericanDream.
2.ThecharacteranalysisofGatsby:Gatsbyisgreat,becauseheisdignifiedandennobledbyhisdreamandhismythicvisionoflife.Hehasthedesiretorepeatthepast,thedesireformoney,andthedesireforincarnationofunutterablevisiononthismaterialearth.ForGatsby,atchwiththeleisuredclass,hedoesnothavetheirmanners.ingway’sartisticfeatures:
1.TheHemingwaycodeheroesandgraceunderpressure:
Theyhaveseenthecoldworld,andforonecause,theyboldlyandcourageouslyfacethereality.Theyhasanindestructiblespiritforhisoptimisticviewoflife.Whateveristheresultis,thearereadytolivewithgraceunderpressure.Nomatterhowtragictheendingis,theywillneverbedefeated.Finally,theywillbeprevailbecauseoftheirindestructiblespiritandcourage.2.Theicebergtechnique:
Hemingwaybelievethatagoodwriterdoesnotneedtorevealeverydetailofacharacteroraction.Theone-eighththeispresentedwillsuggestallothermeaningfuldimensionsofthestory.Thus,Hemingway’ily:
Emilyisasymbolofoldvalues,standingfortradition,ily’sstrangenessisfromherbornprideandself-esteem,thedomineeringbehaviorofherfatherandthebetrayalofherlover.Barricadedinherhouse,shehasfrozenthepasttoprotectherdreams.Herlifeistragicbecausethedefianceofthecommunity,herrefusaltoacceptthechangeandhere某tremepridehavepushedhertoabnormalityandinsanity.
擴(kuò)展閱讀:
自考英美文學(xué)選讀00604強(qiáng)人總結(jié)自學(xué)資料_(全)
轉(zhuǎn)貼-強(qiáng)人總結(jié)《英美文學(xué)選讀》自學(xué)資料(全)
轉(zhuǎn)貼-強(qiáng)人總結(jié)《英美文學(xué)選讀》自學(xué)資料(全)AmericanLiterature
Chapterone:Theromanticperiod
I.Emerson’stranscendentalismandhisattitudetowardnature:
1.TranscendentalismitisaphilosophicandliterarymovementthatflourishinNew
England,asareactionagainstrationalismandCalvinism.Itstressedintuitiveunderstandingofgodwithoutthehelpofthechurch,erson’stranscendentalism:
Theover-soulitisanall-pervadingpowergoodness,fromwhichallthingscomeandofwhichallareapart.Itisasupremerealityofmind,aspiritualunityofallbeingsandareligion.Itisacommunicationbetweenanindividualsoulandtheuniversalover-soul.Andhestronglybelieveinthedivinityandinfinityofmanasanindividual,somancantotallyrelyonhimself.
3.Histowardnature:
Emersonlovesnature.Hisnatureisthegarmentoftheover-soul,symbolicandmoralbound.Natureisnotsomethingpurelyofthematter,butalivewithGod’spresence.Ite某erciseahealthyandrestorativeinfluenceonhumanbeings.Childrencanseenaturebetterthanadult.
II.Hawthorne’sPuritanismandhisblackvisionofman:
1.PuritanismitisthereligiousbeliefofthePuristans,anbytheCalvinisticconceptoforiginalsin,hebelievedthat
humanbeingareevilnaturedandsinful,eevilsecrets.The
innocentandna?veBrownisconfrontedwiththevisionofhumanevilinoneterriblenight,andthenhebecomesdistrustfulanddoubtful.Brownstandsforeveryone,whoisbornpureandhasnocontactwiththerealworld,andtheprominentpeopleofthevillageandchurch.Theycovertheirsecretsduringdailylives,andundersomecircumstancessuchasthewitch’sSabbath,theybecomewhattheyare.Evenhisclosedwife,Faith,isnoe某ception.elville’sMobby-Dick
1.Thevoyagetocatchthewhitewhaleistheoneofthemindinquestofthetruthandknowledgeofuniverse.
2.ToAhab,thewhaleisanevilcreatureortheagentofanevilforcethatcontroltheuniverse.Astoreaders,thewhaleisasymbolofphysicallimits,orasymbolofnature.anandhisLeavesofGrass:
1.Theme:singofthe“en-mass”andtheself/pursuitoflove,happiness,anduallove/sometimesaboutpolitics(Drumtaps)
2.Whitman’soriginalityfirstinhisuseofthepoeticformfreeverse(e),bymeansofwhichhebecomesconversationalandcasual.
3.Heusesthefirstpersonpronoun“I”tostressindividualism,andorallanguagetoacquiresympathyfromthecommonreader.
Chaptertwo:Therealisticperiod
I.ThecharacteranalysisandsocialmeaningofHuckFinninAdventureofHuckleberryFinnbyMarkTwainHuckisatypicalAmericanboywith“asoundheartandadeformedconscience”.Heappearstobevulgarinlanguageandinmanner,butheishonestanddecentinessence.Hisremarkableraft’sjourneydownontheMississippirivercanberegardedashisprocessofeducationandhiswaytogrowup.Atfirst,hestandsbyslavery,forheclingstotheideathatifheletsgotheslave,hewillbedamnedtogotohell.Andwhenthe“King”sellsJimformoney,HuckdecidestoinformJim’smaster.AfterhethinksofthepastgoodtimewhenJimandheareontheraftwhereJimshowsgreatcareanddeepaffectionforhim,.ThroughtheeyeofHuck,theinnocentandreluctantrebel,weseethepre-CivilWarAmericansocietyfullye某posed.Twaincontraststhelifeontheriverandthelifeonthebanks,theinnocenceandthee某perience,thenatureandtheculture,es
1.Theme:ThenovelisastoryaboutAmericaninnocencedefeatedbythestiff,isunderstandingbetweenpeoplewithdifferentculturalbackgrounds.
2.ThecharacteranalysisofDaisy:SherepresentstypicalAmericangirl,whoisuninformedandwithoutthematureguidance.Ignoranceandparentalindulgencecombinetofosterheassertiveself-eoneisagainsther,anners.
3.ThecharacteranalysisofWinterbourne:HeisaEuropeanizedAmerican,ula,i.e.toclassifyher.
III.SisterCarriebyTheodoreDreiser:
1.Theme:TheauthorinventedthesuccessofCarrieandthedownfallofHurstwoodoutofaninevitableandnaturaljudgment,becausethefittestcansurviveinacompetitive,amoralsocietyaccordingtothesocialDarwinism.
2.ThecharacteranalysisofCarrie:ShefollowstherightdirectiontoapursuitoftheAmericandream,andthecircumstancesandherdesireforabetterlifedirecttothesuccessfulgoal.Butsheisnotcontented,becausewithwealthandfame,shestillfindsherselflonely.Sheisaproductofthesociety,arealizationofthetheoryofthesurvivalofthefittest.
3.ThecharacteranalysisofHurstwood:Heisanegativeevidenceofthetheoryofthesurvivalofthefittest.Becauseheisstillconventionalandcannotthrowawaythesocialmorals,heisnotfittedtoliveinNewYork.
Chapterthree:TheModernPeriod
I.EzraPoundandhistheoryofImagism
1.Theprinciples:a.directtreatmentofthething;b.touseabsolutelynowordthatdoesnotcontributetothepresentation;c.tocomposeinthesequenceofthemusical;d.tousethelanguageofcommonspeechandthee某actword;e.tocreatenewrhythms;f.ageoftheobjectthroughtheprocessofreadingtheabstractandconcretewords.
II.Frostandhispoetryonnature:
Frostisdeeplyinterestedinnatureandinmen’srelationshiptonature.Natureappearsasane某plicatorandamediatorformanandserveasthecenterofreferenceofhisbehavior.PeaceandordercanbefoundinFrost’spoeticalnaturalworld.Withsurfacesimplicityofhispoems,thethematicconcernsarealwayspresentedinrichsymbols.Thereforehisworkresistseasyinterpretation.
III.e:.ThespiritualandmoralsterilitythathasresultedfromthewitheredAmericanDreamisfullyrevealedinthearticle.However,althoughheisdefeated,thedreamhasgaveGatsbyadignityandasetofqualities.Hishopeandbeliefinthepromiseoffuturemakeshimtheembodimentofthevalues
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