好萊塢電影發(fā)展史及美國電影概述課件

Americanfilmculture好萊塢電影發(fā)展史及美國電影概述TheformationofHollywood

好萊塢電影發(fā)展史及美國電影概述HollywoodThereareseveralwaystodefinethe“Hollywood”thebroadestistheAmericanfilmindustry,includingdifferentcitiesanddifferentscalefilmproductionanddistributioncompanies.Italsoreferstothesevenbiggestfilmcompanies,includingMGM，ParamountPicture，ColumbiaPictures,WarnerBrothersPictures,WaltDisneyCompany,20thCenturyFoxCorporation,UniversalPictures.好萊塢電影發(fā)展史及美國電影概述HollywoodliesonthewestcoastoftheUnitedStates,outsideLosangeles,California.好萊塢電影發(fā)展史及美國電影概述TheformationofHollywoodmovieindustry1907,becauseofsomebadweather,thecountofMonteCristocameheretomakesomeshots.1911,agroupoffilmworkersfromNewJerseycreatedHollywood'sfirstfilmstudio,NestorFilms.Inthesameyear,15otherstudioshavesettledhere.1913,Daimlercompletedthefirstfilm"IndianWoman'sWhiteHusband"filmedinHollywood.1923,thewhitecharacterHOLLYWOOD,oneofHollywoodsymbols,waserectedonthehillsidebehindHollywood.1929,theAcademyAwardswereawardedforthefirsttime.好萊塢電影發(fā)展史及美國電影概述TheSilentFilmsTheEarly20thCentury好萊塢電影發(fā)展史及美國電影概述

In1915,TheBirthofANationwasfirstreleased.ItwasthebeginningofHollywood'sdominationoftheworld.

好萊塢電影發(fā)展史及美國電影概述CharlieChaplin1889-1977好萊塢電影發(fā)展史及美國電影概述Chaplinisaworld-famouscomedian.withrichlifeexperience,profoundsocialinsight,hecreatedhighestachievementsofsilentfilmformankind.好萊塢電影發(fā)展史及美國電影概述

TheFirstGoldenPeriodofHollywood

1930sto1950s好萊塢電影發(fā)展史及美國電影概述好萊塢電影發(fā)展史及美國電影概述NewHollywood1970sto1980s好萊塢電影發(fā)展史及美國電影概述NewHollywood

Inthe1960s,theUnitedStateshadaserioussocialcrisis,Theoldmovieproductionsystemhasbeenshakenforhalfacentury,Therehavebeenmanynewmovies.TheGodfatherOneFlewOvertheCuckoo'sNestJaws好萊塢電影發(fā)展史及美國電影概述NowHollywood好萊塢電影發(fā)展史及美國電影概述好萊塢電影發(fā)展史及美國電影概述Aftermorethan100yearsofdevelopment,Hollywoodhasamaturebusinessculturemodelformovies.ThemovieisalreadyamatureculturallineinHollywood好萊塢電影發(fā)展史及美國電影概述Thankyou好萊塢電影發(fā)展史及美國電影概述I'llshareitwithyoutodayMyfavoriteAmericarepresentativeDirectorandactor!今天和大家分享我喜歡的美國有代表性的導(dǎo)演與演員！好萊塢電影發(fā)展史及美國電影概述StevenAllanSpielberg史蒂文·斯皮爾伯格01VinDiesel范·迪塞爾02LeonardoDiCaprio萊昂納多·迪卡普里奧03JamesCameron詹姆斯·卡梅隆04catalogue好萊塢電影發(fā)展史及美國電影概述HavetomentionThe2018empirefilmawardforlifetimeachievement——StevenAllanSpielberg好萊塢電影發(fā)展史及美國電影概述Abouthisunderstanding,let'sbaidu好萊塢電影發(fā)展史及美國電影概述史蒂文·斯皮爾伯格為“電影織夢者”一點(diǎn)也不為過，他是以影片《辛德勒名單》和《拯救大兵瑞恩》而兩次榮獲奧斯卡金像獎(jiǎng)的大導(dǎo)演，他的《大白鯊》、《E.T.》、《侏羅紀(jì)公園》等著名的商業(yè)片也為全球廣大影迷們所熟知，當(dāng)人們帶著這種印象涌向電影院去欣賞那部黑白電影《辛德勒名單》時(shí)，卻發(fā)現(xiàn)了斯皮爾伯格的另一個(gè)世界，一個(gè)充滿智慧和理性的世界，一個(gè)真正斯皮爾伯格可以將電影的深刻思想性與商業(yè)元素完美的結(jié)合在一起，讓觀眾們體驗(yàn)震撼壯美的畫面效果同時(shí)，感受到其影片中所傳達(dá)出的深刻內(nèi)涵，讓人意猶未盡，回味無窮。這在整個(gè)美國電影界乃至全球電影界都是非常稀有的.StevenAllanSpielberg史蒂文·斯皮爾伯格01Stevenspielbergfilmweavethedreamer"alittletoomuch,heisamovie"schindler'slist"and"savingprivateRyan"andthedirectortwicewontheOscar,hisjaws,"E.T.","Jurassicpark"andotherfamouscommercialalsoknownbytheglobalfanswhenpeopleflockingtothecinemawiththisimpressiontoappreciatetheblackandwhitemovie"schindler'slist",onlytofindthatthespielberg'sanotherworld,aworldfullofwisdomandreason,arealmovieartoftheworld.Spielbergfilmcanbeaprofoundideologicalcontentandcommercialelementsperfectunifiesintogether,lettheaudienceexperienceshockmagnificentpictureatthesametime,tofeelthefilmconveysprofoundconnotation,letapersonwantingmore,endlessaftertaste.ThisisveryrareintheentireAmericanfilmindustryandintheglobalfilmindustry好萊塢電影發(fā)展史及美國電影概述

領(lǐng)銜硬漢特工團(tuán)，用速度與激情征服觀眾1967年，他出生于美國紐約州紐約市，從小沒有見過自己的親生父親，而是由非洲裔美國人繼父歐文撫養(yǎng)大的，迪塞爾的童年一直在劇院工作。他想為他成為好萊塢演員夢想而放棄高中，高中畢業(yè)以后，他被亨特學(xué)院錄取，他在學(xué)校主修英語編劇在在學(xué)院學(xué)習(xí)三年后，他決定離開做電影，從1997年他自編、自導(dǎo)、自演了一部小投資影片《迷失》到2017年，主演《速度與激情8》中繼續(xù)飾演多姆，最終取得12億美元的全球票房，期間他一次又一次塑造了經(jīng)典形象。VinDiesel范·迪塞爾02

Leadthetoughguys,conquertheaudiencewithTheFastandtheFuriousIn1967,hewasborninNewYorkCity,NewYork,havenotseenhisfathersincechildhood,butbytheAfricanAmericanstepfatherraised,disel‘schildhoodhavebeenworkinginthetheatre.HewantstobeaHollywoodactorforhisdreamandgiveuphighschool,graduatedfromhighschool,hegothuntercollegeadmission,hemajoredinEnglishatschoolwritersintheschoolthreeyearslater,hedecidedtoleaveforthemovie,from1997,hewrote,directedandactedinasmallinvestmentfilm"lost"in2017,starringin"fastandfurious8"continuetoplaytheroleofdaum,winning$1.2billioninglobalbox-office,duringhisclassicimageagainandagain.好萊塢電影發(fā)展史及美國電影概述1974年11月11日出生于美國加利福尼亞州洛杉磯，美國影視演員、制作人。1990年，16歲的他參加了電視劇《成長的煩惱》，1997年，萊昂納多主演了《泰坦尼克號》。2010，他出演了《盜夢空間》，2016年，憑借電影《荒野獵人》獲得第73屆金球獎(jiǎng)最佳男主角獎(jiǎng)和第88屆奧斯卡金像獎(jiǎng)最佳男主角獎(jiǎng)。萊昂納多保持著前進(jìn)的動(dòng)力，他做到了角色在情感和心理上的真實(shí)化表演，無論它是如何的丑陋，幼稚或是令人費(fèi)解。通過他的臉龐，他的眼睛，他占據(jù)了整個(gè)屏幕，就像一個(gè)默片演員，他知道如何運(yùn)用它們，也知道如何運(yùn)用他的身體；他對于表演的收放有著天生的感悟。LeonardoDiCaprio萊昂納多·迪卡普里奧03返回目錄BorninLosAngeles,CaliforniaonNovember11,1974,heisanAmericanfilmactorandproducer.In1990,attheageof16,heappearedingrowingpains,andin1997,leonardostarredinTitanic.In2010,hestarredininception,andin2016,hewonthegoldenglobeawardforbestactoratthe73rdgoldenglobeawardsandbestactoratthe88thAcademyAwardsforhisfilmtherevenant.Leonardokepthismomentumgoing,andhemadehischaracteremotionallyandpsychologicallyrealistic,nomatterhowugly,childishorincomprehensibleitwas.Throughhisface,hiseyes,hetakesoverthescreen,likeasilentactor,heknowshowtousethem,heknowshowtousehisbody;Hehasanaturalappreciationofthewaytheshowisplayed.好萊塢電影發(fā)展史及美國電影概述

詹姆斯·卡梅隆1954年8月16日出生于加拿大安大略省，好萊塢電影導(dǎo)演、編劇。他12歲時(shí)所寫的一部科幻小說是他的科幻影片《深淵》故事的原型。1980年，他獲得了在影壇的第一份正式工作，在羅杰·考執(zhí)導(dǎo)的影片《世紀(jì)爭霸戰(zhàn)》中任藝術(shù)總監(jiān)，制作特效模型。1981年，詹姆斯·卡梅隆執(zhí)導(dǎo)了第一部作品《食人魚2》。1997年，詹姆斯·卡梅隆執(zhí)導(dǎo)了電影《泰坦尼克號》，上映后，在美國的票房達(dá)到了4億7千萬美元；全球票房超過18億美元，打破影史票房紀(jì)錄。2010年1月，詹姆斯·卡梅隆憑借《阿凡達(dá)》獲得第67屆金球獎(jiǎng)最佳導(dǎo)演獎(jiǎng)。詹姆斯·卡梅隆的影片體現(xiàn)了成人化的幻想，但他的為人卻非常地孩子氣。這種“孩子氣”更多體現(xiàn)在不顧任何世俗的限制，一心追求自己心目中的完美目標(biāo)。JamesCameron詹姆斯·卡梅隆04返回目錄JamesCameronwasborninOntario,CanadaonAugust16,1954.Hewroteasciencefictionnovelwhenhewas12yearsold,whichwasthebasisofhissciencefictionfilmtheabyss.In1980,hegothisfirstofficialjobinthefilmindustry,workingasartisticdirectorandmakingspecialeffectsmodelsintheRogercoveyfilm"thecenturyisafighter."JamesCamerondirectedthefirstfilm,piranhaii,in1981.In1997,JamesCamerondirectedthefilmTitanic.Worldwideboxofficereceiptsexceeded$1.8billion,breakingabox-officerecordinfilmhistory.InJanuary2010,JamesCameronwonthegoldenglobeawardforbestdirectorfor"avatar."JamesCameron'sfilmsembodyadultfantasies,butheisverychildish.Thiskindof"childish"ismorereflectedinthedisregardofanysecularrestrictions,thepursuitoftheirownidealgoal.好萊塢電影發(fā)展史及美國電影概述THAT,SALLTHANKYOUManymore,tobecontinued······SUCHAS：The12directorsbehindthemarvelmoviesThenext好萊塢電影發(fā)展史及美國電影概述FeatureofAmericanfilmsThroughtheunderstandingofthecharacteristicsofAmericanfilms,wecandiscoverthecharacteristicsofAmericanculture好萊塢電影發(fā)展史及美國電影概述TherelationshipbetweenAmericanmoviesandAmericancultureAmericanmoviesareamajorpartofAmericanculture.ItgrowsanddevelopswiththegrowthanddevelopmentofAmericanculture.ItvividlyembodiesmanyfeaturesofAmericanthoughtandtheAmericannationandculture.ItconformstothelivelynatureandactivepersonalityoftheAmericans.Atthesametime,italsoreflectstheoptimisticspiritandhumannatureoftheAmericans.Americanmoviesfocusoncommercialityandboxofficevalue,buttheyarestillveryconcernedaboutsocietyandrealitywhilepursuingpopulartaste,beingapproachableandaccessible.ItmakesapoeticdescriptionofAmericanlife.好萊塢電影發(fā)展史及美國電影概述FeatureofAmericanfilmsAmericanmoviesarefullofheroismAmericanmoviesarefullofeternalaffectionandloveAmericanmovieshaveastrongscienceandtechnologyculture好萊塢電影發(fā)展史及美國電影概述"nineeleven"attacksTheSeptember11,2001,attacks(oftenreferredtoas9/11—pronounced"nineeleven")consistedofaseriesofcoordinatedsuicideterrorist[1]attacksupontheUnitedStates,predominantlytargetingcivilians,carriedoutonTuesday,September11,2001.Thatmorning,19terrorists[2]affiliatedwithal-Qaeda[3]hijackedfourcommercialpassengerjetairliners.Eachteamofhijackersincludedatrainedpilot.Twoplanes(UnitedAirlinesFlight175andAmericanAirlinesFlight11)crashedintotheWorldTradeCenterinNewYorkCity,oneplaneintoeachtower(OneandTwo).Bothtowerscollapsedwithintwohours.ThepilotofthethirdteamcrashedAmericanAirlinesFlight77intothePentagoninArlingtonCounty,Virginia.Passengersandmembersoftheflightcrewonthefourthaircraft(UnitedAirlinesFlight93)attemptedtoretakecontroloftheirplanefromthehijackers;thatplanecrashedintoafieldnearthetownofShanksvilleinruralSomersetCounty,Pennsylvania.Aswellasthe19hijackers,aconfirmed2,973peoplediedandanother24aremissingbutpresumedkilledasaresultoftheseattacks.好萊塢電影發(fā)展史及美國電影概述Americanmoviesarefullofheroism

Afterthe9.11incident,Americancitizenshaveanunprecedentedsenseofcrisis.Theyareeagertohaveheroeswhocanstepforwardandsavethemwhentheyareindistress.Americanshaveastrongsenseofself-centeredness,believeinindividualism,andpursuepersonalhappinessasasocialconsensus.Americancitizensworshipindividualheroes.Theyadvocateindividualstruggleandtakerisks.Therefore,Americanmoviesstronglyadvocateself-centeredindividualismandheroism.Theyhopetoencouragetheirownpeopleandtaketheirownresponsibility.好萊塢電影發(fā)展史及美國電影概述Theblackpresidentoffilm“2012”,atthetimeofthehumandisaster,gaveuptheopportunitytoboardanescapeboatandlefttheline:“Ayoungscientistwantstoovercometwentyoldpoliticians.”ThisisAheroicrealmwiththehumanfutureasitsownresponsibility好萊塢電影發(fā)展史及美國電影概述Themaleprotagonistssavethesocietywiththeirownextraordinaryabilityandpunishevil.Andthistypeofloneheroisoftenjustanordinarypersonatthebeginningofthemovie,reflectingthatordinarycitizenscanalsofindtheirownresponsibilitiesinthissociety.Nomatterwhatkindofcrisesorhardshipstheyface,nomatterwhatfatalblowstheyreceive,theyneverbelieveinfailure.Theheroesalwaysusetheincomprehensiblerationalmindtoquicklymakeaperfectlayoutandinstantlymakeabsolutecorrectjudgments.Youcanalwayscatchonlyonepercentchanceofwinning好萊塢電影發(fā)展史及美國電影概述

Americanmoviesarefullofeternalaffectionandlove

Loveistheeternalthemeofthemovie.Ithasanirreplaceableposition.Nomatterwhichmovie,itdescribestheperfectionandeternityoflovemoreorless.ThefamilyisthemostimportantpartofAmericans.After9/11,theUnitedStatescompletelychangedtheconceptofpeople'slife:thefamily'swarmestaffectionisthemostvaluable.SoAmericanmoviesthatreflectloveandfamilyaffectionaregettingmoreandmore,anditcanbeseenthatAmericansattachimportancetoaffectionandlove.好萊塢電影發(fā)展史及美國電影概述Americanmovieshaveastrongscienceandtechnologyculture

ThehightechnologyintheUnitedStateshascontributedtotheglobalcompetitivenessofAmericanmovies,theluxuryofcinema,thespectacleandthedreaminess.Americanmovieshavecreatedauniquecultureofthefilmwithavarietyofvisualstylingandtechnologicalmeans,reflectingitsinfinitecreativity.Somemassivedisasterfilms,sciencefictionfilmsanddramafilmshaveemergedinlargenumbers,suchas"Jaws","Alien","JurassicPark","PearlHarbor","Avatar"andotherfilms,withhigh-techadvantages.Createdimpressivemovieeffects,好萊塢電影發(fā)展史及美國電影概述Americanmovieshavealwaysbuiltuptheimageofindividualheroisminthespiritofscienceandtechnology,andtheyhaveanultra-modernsenseofscienceandtechnology.AmericanmoviesareoneofthemostimportantexpressionsofAmericancultureonthescreen.AmericancinemaincorporatesthespiritualvisionofAmericanliteratepeople,implicatestheirdeepculturalvalues,propagatestheirculturalvalues,andinfluencestheformationofculturalvaluesforfilmloversaroundtheworld.Americanmoviesembodytheculturalcharacteristicsofself-centeredindividualismandheroism,eternalloveandaffection,andastrongscienceandtechnologyculture.ThereasonisthatinadditiontoHollywoodisgoodattellingstoriesandhasstrongcommercialoperations,thecompletenarrativestructureofAmericanmovieshasmaturelyreflectedthegeneraldemandforrationalorder.好萊塢電影發(fā)展史及美國電影概述Themovieasaworkofarthasdeeplyattractedourattention.Inthecourseofmanyyearsofwatchingthemovie,wehavealsoprogressedfromsimplyappreciatingthedirectionofthefilmtoexploringthefootprintsofitscreativebackground.AmericanmoviescontinuetoattractustolookbackandpayattentiontotherelationshipbetweenthehistoricalbackgroundoftheUnitedStatesandthecreationofamovie.好萊塢電影發(fā)展史及美國電影概述Thankyou!

好萊塢電影發(fā)展史及美國電影概述ThemeofAmericanmovies好萊塢電影發(fā)展史及美國電影概述1Manandnature3Heroism4Globalization2Fantasyofthefuture好萊塢電影發(fā)展史及美國電影概述1Manandnature

Themovietellsthestoryofthegreenhouseeffectcausingglobalclimatechange,andtheworldisabouttofallintothesecondglacialperiod.Thenorthernhemispherewasmeltedbythegreenhouseeffect,theearthenteredthesecondglacialperiod,tornadoes