解析《仲夏夜之夢》中的狂歡化特征說明書

XXX學(xué)院專業(yè)導(dǎo)師學(xué)生學(xué)號20XX年11月10日論文題目AnAnalysisofCarnivalFeaturesinMidsummerNight'sDream解析《仲夏夜之夢》中的狂歡化特征一、論文研究目的及意義巴赫金是世紀(jì)最重要的思想家之一。他構(gòu)筑的狂歡化詩學(xué)理論體系博大精深,涵蓋神話學(xué)、民俗學(xué)、文化人類學(xué)、語言學(xué)、文藝學(xué)等眾多學(xué)科,在世界范圍內(nèi)產(chǎn)生了深遠(yuǎn)的影響。本文擬運(yùn)用巴赫金的狂歡化理論,對莎士比亞喜劇《仲夏夜之夢》進(jìn)行深入細(xì)致的文本分析,期望能全面揭示其情節(jié)、具有代表性的人物、語言等方面的狂歡化特征。莎士比亞戲劇由于這種深刻的狂歡化特點(diǎn)而成為文學(xué)狂歡化歷史上一個里程碑,并以莎士比亞戲劇檢視了巴赫金的狂歡化理論可用于戲劇分析的可行性。二、論文提綱1.Introduction2.CarnivalPlot2.1TheContentofTypicalCarnivalRituals2.2TheLoveEntanglementbetweenCharacters3.CarnivalCharacters3.1NickBottom－AWittyClown3.2Punk－ANaughtyCupid3.3OberonandTitania－BraveLovePursuers4.CarnivalLanguage4.1ApplicationofRhetoricDevices4.2TwoTypesofDialogueModeConclusion三、論文研究思路、方法及進(jìn)度安排研究思路：調(diào)查語篇，利用多種途徑查閱資料，如互聯(lián)網(wǎng)、圖書館等。分析文獻(xiàn)，根據(jù)導(dǎo)師的指導(dǎo)，從查閱到的大量資料中篩選精品來重點(diǎn)分析。在初稿的書寫以及多次修改當(dāng)中深化對題目意義理解。通過導(dǎo)師的指導(dǎo)和一系列的分析得出結(jié)論，并通過答辯來檢驗(yàn)工作的成果。研究方法：第一步：查找資料，確定論文選題。第二步：完成關(guān)于論文的調(diào)研，取得相關(guān)資料。第三步：根據(jù)掌握的調(diào)研資料，進(jìn)行系統(tǒng)地分析、整理，找到問題切入點(diǎn)。第四步：閱讀與論文相關(guān)的書刊，以及國家的各種統(tǒng)計(jì)數(shù)據(jù)，從理性上加以分析。第五步：組織、整理相關(guān)資料，準(zhǔn)備論文撰寫。第六步：完成論文寫作提綱。第七步：開始論文寫作，形成初稿。第八步：根據(jù)導(dǎo)師提出的論文修改意見，完成論文寫作。第九步：論文定稿、打印、裝訂、準(zhǔn)備答辯。第十步：畢業(yè)論文答辯。進(jìn)度安排：1.12月13日前擬定出具體論文題目，與指導(dǎo)教師見面商議定題。2.12月20日將詳細(xì)提綱交送到導(dǎo)師處。3.1月20日—4月初，收集資料，提交完整的初稿。4.4月15日—5月與導(dǎo)師取得聯(lián)系，修改論文。5.6月上旬，定稿，打印裝訂。四、論文參考文獻(xiàn)[1]Bakhtin,Mikhail.RabelaisandHisWorld.Bloomington:IndianaUniversityPress,1984[2]Bakhtin,Mikhail.ProblemsofDostoevsky’sPoetics.Minneapolis:UniversityofMinnesotaPress,1984[3]Bevington,David.Shakespeare:Script,Stage,Screen.NewYork:Pearson/Longman,2006[4]Bloom,Harold(Ed.withIntrod.).WilliamShakespeare:ComediesandRomances.NY:ChelseaHousePublishers.1986.[5]Kottman,PaulA.PhilosophersonShakespeare.California:StanfordUniversityPress,2009．[6]Clemen,Wolfgang.Shakespeare’sDramaticArt.London:Routledeg,2005[7]Vickers,Brian.‘Shakespeare’suseofrhetoric’.ANewCompaniontoShakespeareStudies.Cambridge:CambridgeUniversityPress,1971.[8]Bloom,Harold(Ed.&Introd.).WilliamShakespeare’sAMidsummerNight’sDream–NewEdition.NY:InfobasePublishing,2010.[9]Slights,CamilleWells.Shakespeare’sComicCommonwealths.London:UniversityofTorontoPress,1993.[10]Short,Mick.ExploringtheLanguageofPoems,PlaysandProse.LondonandNewYork:Longman,1996.[11]Salmon,Vivian.‘SomefunctionsofShakespearianword-formation’.ShakespeareandLanguage.Ed.CatherineAlexander.Cambridge:CambridgeUniversityPress,2004.[12]巴赫金.《巴赫金全集·第六卷拉伯雷研究》.石家莊：河北教育出版社，1998[13]巴赫金.《巴赫金全集·第五卷詩學(xué)與訪談》.石家莊：河北教育出版社，1998[14]胡江波.

《仲夏夜之夢》的語言特色分析[J].短篇小說(原創(chuàng)版).2013(30)[15]熊俊杰.

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淺談莎士比亞戲劇的人文思想和語言特色[J].齊齊哈爾大學(xué)學(xué)報(bào)(哲學(xué)社會科學(xué)版).2001(04)[19]張靜.莎士比亞與世界文學(xué)歷史意義與現(xiàn)代闡釋—王忠樣教授訪談錄.外國文學(xué)研究.2006(04)[20]麥克利什.莎士比亞戲劇指南.上海：百家出版社，2008[21]冉東平.論達(dá)里奧·福的狂歡化戲劇.外國文學(xué)研究.2005(04)指導(dǎo)教師意見指導(dǎo)教師簽字年月日教研室審查意見教研室主任簽字年月日學(xué)院意見教學(xué)院長簽字年月日XXXXX解析《仲夏夜之夢》中的狂歡化特征學(xué)生姓名××指導(dǎo)教師××專業(yè)學(xué)院20XX年3月17日

XXXXXXXXAnAnalysisofCarnivalFeaturesinMidsummerNight'sDreamStudentSupervisorSpecialtySchoolJune3,20XX摘要巴赫金是世紀(jì)最重要的思想家之一。他構(gòu)筑的狂歡化詩學(xué)理論體系博大精深,涵蓋神話學(xué)、民俗學(xué)、文化人類學(xué)、語言學(xué)、文藝學(xué)等眾多學(xué)科,在世界范圍內(nèi)產(chǎn)生了深遠(yuǎn)的影響。本文擬運(yùn)用巴赫金的狂歡化理論,對莎士比亞喜劇《仲夏夜之夢》進(jìn)行深入細(xì)致的文本分析,期望能全面揭示其情節(jié)、具有代表性的人物、語言等方面的狂歡化特征。莎士比亞戲劇由于這種深刻的狂歡化特點(diǎn)而成為文學(xué)狂歡化歷史上一個里程碑,并以莎士比亞戲劇檢視了巴赫金的狂歡化理論可用于戲劇分析的可行性。本次論文的題目是解析《仲夏夜之夢》中的狂歡化特征，通過對莎士比亞戲劇《仲夏夜之夢》進(jìn)行深入研究，進(jìn)而來檢視巴赫金的狂歡化理論可用于戲劇分析以及場景安排的方面。關(guān)鍵詞:狂歡化詩學(xué)；理論；里程碑；戲劇分析AbstractBakhtinisoneofthemostimportantthinkersofthecentury.HebuilttheCarnivalPoeticsTheorysystemisbroadandprofound,encompassingmythology,folklore,culturalanthropology,linguistics,literatureandsoonmanysubjects.Intheworldproducedafar-reachingimpact.ThispaperintendstoapplyBakhtin'scarnivaltheory,ofShakespeare'scomedy,"AMidsummerNight'sdream",weredetailedtextanalysis,expecttofullyrevealtheplot,withtheCarnivalfeaturesofrepresentativefiguresandlanguage.Shakespeare'sdramahasbecomeamilestoneinthehistoryofliteraryCarnivalduetotheprofoundcarnival,andShakespeare'sDramaViewofBakhtin'scarnivaltheorycanbeusedtoanalyzethefeasibilityofthedrama.Thetopicofthisthesisisanalysis,"AMidsummerNight'sdream",theCarnivalfeatures,throughin-depthstudyofShakespeare's"AMidsummerNight'sdream",andthentoexamineBakhtin'scarnivaltheorycanbeusedintheatricalanalysisandscenearrangement.Keywords:CarnivalPoetics;theory;milestone;dramaanalysisContents摘要…………………………1Abstract…………………………11Introduction…………………………...32CarnivalPlot……………………42.1TheContentofTypicalCarnivalRituals………………52.2TheLoveEntanglementbetweenCharacters………………73CarnivalCharacters………………93.1NickBottom－AWittyClown……103.2Punk－ANaughtyCupid………………113.3OberonandTitania－BraveLovePursuers……134CarnivalLanguage………………154.1ApplicationofRhetoricDevices…………174.2TwoTypesofDialogueMode………………20Conclusion………………21Bibliography………………22Acknowledgements………………23哈爾濱商業(yè)大學(xué)畢業(yè)論文Introduction"AMidsummerNight'sDream"isoneofthemostpopularShakespeare'scomedy.AlotofpeoplebegintocomeintocontactwiththeotherworksofShakespeare'sthroughit.Inrecentdecades,alotofpsychologicalanalysismastersresearhit,becauseithasanelementofadream.ThecomedytellsaboutacoupleloversnamedHermiaandLysanderinAthens.Hermia'sfatherdisagreethatHermiaistogetherwithLysander.Hedemandsthatthedukeorders,ifHermiadoesn'tmarryDemetrius,shewillbekilled.HermiafallsinlovewithLysanderdeeply,ontheotherhand,DemetriuslovesherfriendHelena.Soshefightsagaintherfather'smind.HemiaandLysanderdecidetoescapefromAthens.DemetriusandHelenafollowthecoupleintotheforst.ThefairykingOberonintheforestwanttohelpHelenagetDemetrius'slove.HeorderthePuckputthelovewaterintoDemetrius'seyelidwhenhefallsintodeepsleeping.Whilehewakesupandopenhiseyes,hewillfallinlovewiththewomanwhoheseesfirstly.ButPuckmakesamistake,hemakesawrongman.ThelovewaterdropletsinLysander'seyelid,whichmakesLysanderfallinlovewithHelena,andthenPuckdropletsantidoteinDemetrius'seyelid,soDemetriusalsofallinlovewithHelena.ThefairykingdropletsantidoteinLysander'seyelid.Themagicisdispelled.Hermia'sfatherfindthatHermiaandDemetriuslovetheirownlovers.SoheagreesthemarriagebetweenHermiaandLysander.Finally,thetwocoupleloversholdtheweddingonthesameday.Theplayfeaturesthreeinterlockingplots,connectedbyacelebrationOftheweddingofDukeTheseusofAthensandtheAmazonianqueenHippolyta.Intheopeningscene,HermiarefusestocomplywithherfatherEgeus'swishforhertomarryhischosenman,Demetrius.Inresponse,EgeusquotesbeforeTheseusanancientAthenianlawwherebyadaughtermustmarrythesuitorchosenbyherfather,orelsefacedeathorlifelongchastityworshippingDianaasanun.Thewordinthissenseisananachronism.HermiaandherloverLysanderthereforedecidetoelopebyescapingthroughtheforestatnight.HermiainformsherbestfriendHelena,butHelenahasrecentlybeenrejectedbyDemetriusanddecidestowinbackhisfavorbyrevealingtheplantohim.Demetrius,followeddoggedlybyHelena,chasesHermia,who,inturn,chasesLysander,fromwhomshebecomesseparated.Meanwhile,Oberon,kingofthefairies,andhisqueen,Titania,arriveinthesameforesttoattendTheseusandHippolyta'swedding.OberonandTitaniaareestrangedbecauseTitaniarefusestogiveherIndianboytoOberonforuseashis"knight"or"henchman,"sincethechild'smotherwasoneofTitania'sworshippers.OberonseekstopunishTitania'sdisobedienceandrecruitsthemischievousPuck(alsocalledHobgoblinandRobinGoodfellow)tohelphimapplyamagicaljuicefromaflowercalled"love-in-idleness,"whichmakesthevictimfallinlovewiththefirstlivingthingheseeswhenheawakens.OberonappliesthejuicetoTitaniainordertodistractherandforcehertogiveuptheboy.HavingseenDemetriusactcruellytowardHelena,OberonordersPucktospreadsomeofthejuiceontheeyelidsoftheyoungAthenianman.Instead,PuckputsthejuiceontheeyesofLysander,whothenfallsinlovewithHelena.WhenOberonfindsthisout,hemakesPuckapplythejuicetoDemetrius.DuetoPuck'serrors,Hermia'stwoloverstemporarilyturnagainstherinfavorofHelena.Helena,however,isconvincedthathertwosuitorsaremockingher,asneitherlovedheroriginally.Thefourpursueandquarrelwitheachotherallnight,losingthemselvesinthedarkandinthemazeoftheirromanticentanglements.Meanwhile,abandof"rudemechanicals"(lower-classlabourers)havearrangedtoperformacrudeplayaboutPyramusandThisbeforTheseus'wedding,andventureintotheforest,nearTitania'sbower,fortheirrehearsal.NickBottom,astage-struckweaver,isspottedbyPuck,whotransformshisheadintothatofanass(donkey).TitaniaisawokenbyBottom'ssinging,andsheimmediatelyfallsinlovewithhim.Shetreatshimasifheisanoblemanandlavishesattentionuponhim.Whileinthisstateofdevotion,sheencountersOberonandcasuallygiveshimtheIndianboy.Havingachievedhisgoals,OberonreleasesTitaniaandordersPucktoremovetheass'sheadfromBottom.ThemagicalenchantmentisremovedfromLysanderbutisallowedtoremainonDemetrius,sothathemayreciprocateHelena'slove.Thefairiesthendisappear,andTheseusandHippolytaarriveonthescene,duringanearlymorninghunt.Theywaketheloversand,sinceDemetriusdoesn'tloveHermiaanymore,Theseusover-rulesEgeus'sdemandsandarrangesagroupwedding.Theloversdecidethatthenight'seventsmusthavebeenadream.Aftertheyallexit,Bottomawakes,andhetoodecidesthathemusthaveexperiencedadream"pastthewitofman."InAthens,Theseus,Hippolytaandtheloverswatchthemechanicalsperform"PyramusandThisbe."Itisridiculousandbadlyperformedbutgiveseveryonepleasureregardless,andafterthemechanicalsdanceaBergomask(rusticdance),everyoneretirestobed.Finally,asnightfalls,OberonandTitaniablessthehouse,itsoccupants,andthefuturechildrenofthenewlyweds,andPuckdeliversanepiloguetotheaudienceaskingforapplause.Throughouttheplayintermsofplotdeduction,itcanbedividedintothreeparts:thefirstisastatusbutridiculouslaw;second,aftertheyhadfledtotheforest,theinvolvementoftheelvesconfuseloveeachother,anditmakesmisunderstandingandconflict;finally,afterachaotic,itreturnstoharmonious.Thestoryhappensinthemidsummer'snight,theheroofthestoryoncelostthemselves.Infact,itiscalledmidsummermadnessandmoonstrukinwesternculture.Itpresentchaoscanchangeintoharmoniousandconflictcanbesolvedwhenthedawncomes.2CarnivalPlot2.1TheContentofTypicalCarnivalRitualsBakhtincalledthesumofallthecarnivalcelebrationstothecarnival.In"AMidsummerNight'sdream"alsohasavarietyofcarnivalcelebrations,suchasMayday,MidsummerFestival,weddingactivitiesetc.."AMidsummerNight'sdream"inthecarnivalisnotonlycommonfeaturesofcarnival,alsohasitsownunique.Abouttheoriginofthecarnival,generallyderivedfromtheancientGreekDionysusritualcelebration.WecanalsoconfirmthisviewbyexaminingtheDionysiancelebrationsandlatercarnivalcelebrationceremonyandconsistencyinthespiritofthe.AboutDionysianmythhasalotofkinds,"astatement,DionysussaidbecomeZeusandDemeter'sson,mothertosonthepiecesofabrokenbodiestogetherandrestoredhisyounglife.Variousotherargumentjustsimplymentionedhewasburiedafterrevived,ascendedintoheaven,alsosaidhereceivedafatalwoundlyingontheground,Zeustorevivehim,saidZeusswallowedtheheartofDionysus,andlaterbySemeletohisrebirth.Owhichismorerepresentativeofthelegend:"heisthesonofZeusandSemeleWhenDiRussianNiSoSswasstillinthewombHeraoutofjealousy,urgedSemeleaskedZeustothegreatGodoriginallymajesticappearance.Toseeherwiththunderandlightning.TheJoseappeared,lightningDayton,Semeleimmediatelytoashes.ZeusimmediatelyrescuedinthewombofDionysus,cutthethigh,puthiminthethighgrow,andthesecondbirth."OBritishadultHeraDionysusstillrefusestolethim,makehimmadBaidian,wandering.HetraveledthroughoutGreece,Syria,AsiaMinor,inthecourseofwanderingontheearth,hetaughtthefarmersgrapegrowingandwinemakingtechniques,thusbecomingaDionysian.Becauseheisinchargeofthelifecycleandtheseasonschange,sobecomeoneofthemostfavoriteofancientGreekfarmers.Inordertoprayforagoodharvestyear,peopleheldagrandfestivalofdionysus.DionysusinRomealsocalledBacchus,Godplants,grapeplantingandbrewingleopardprotectiongod.TherearemanykindsofGod'smyth.Havesuffereddifferentdegreesofmodificationintheprocessofthespread,buttheyretainaacommonplot-deathandrebirthofDionysus.2.2TheLoveEntanglementbetweenCharactersSpeak."Demetriusimmediatelyquipped,"Sir,thisiswithoutadoubt,ifagroupofdonkeyswillspeakinwords,thelion,ofcoursewillalsospeak."Bothmockqueensandhiscompanionslike"ass",andwilllosepointstoBurtonthescenedarkdonkeywit.Insnugplayedthelionsplayaboutapassthathewasnotreallyalion,Lysander,TheseusandDemetriustothelionandridiculed.Lysanderatthelion"couragehadconsideredisafox",Theseussayhecarefullylook"Daoxiangisagoose",Demetrius"disagree"metaphorforhim"becauseofhis'courage'alsoenemybuthis'caution',butafoxcanputagoosedraggedaway."MrBolton'sdramatheloverPiramoandfeelingtheyoungersisterSesibei--longdesperately,bitterdieshortcomedyshow"isafamouslovetragedy.Plotand"RomeoandJuliet"issimilar,thedramaof"RomeoandJuliet"lettheaudienceseeagutwrenching,tearswelledupinhiseyes,andMrBolton'stragedybutletpeoplelaugh.TheloverPiramoandfeelingtheyoungersisterSesibei--longdesperately,bitterdeadshortcomedy"PiramoreminiscentofLysanderandDemetrius,theyarethesameasloveswear,sightears.Onlythese,weeptakethenameofGodinvainbyBurtonandhiscompanionsdidsofunny.Here,Burton'sromanticcomedyconstituteaparodyofloveandironyatLamountain.WhatBurtonmanagepeopleXunlanguagecannotunderstandandmanagetopullmountainGermannoblelanguage,resultinginimproperexpression,causedacertainextent"saidnopoint".Bythesametoken,Burton'sunderstandingofloveandpullmountainGermannoblesunderstandingofloveisalsoagap.Whentheyusecivilianidentityattitudetoshowthattheycouldnotunderstandthelovealsoduetocannotaccuratelyexpresstheperformancewiththeironyoftaste.Sotheyshowitasagroupofnoblesinthecomedyclownisaworthlesspersoninimposingattire.Thecrowninganddecrowningritualin"AMidsummerNight'sdream"isreflectedintheartof.Bolton,anordinaryAtheniancraftsmen,"thestupidestidiotsina"no,byaquirkofELFParker,fittedwithaadeaddonkeyskull.WhentheeyelidsarewipedoutlovelazyflowerjuiceCassiopeiaTeTaiNiajustwokeup,immediatelyfellmadlyinlovewithhim.Shenotonlypraisetheearsarelong,hairy,foolishlookingmonster"andclever,andbeautiful,"saidthat"whenmeetingforthefirsttime,thebeautyofyourattitudehasmademecan'thelpbutsayandswearthatIloveyou."Andtoldherattendants"respectfullytoattendtothisgentleman","thefragranceofflowersintowreath,surroundedbyhishairyforehead",forhimtopickwildfruit,stealwildhoney,forhis"cutbeesbeeswaxcandles",givehimappealingtoeat,butalsoforhisplayingxianle.Atthistimethesetofadonkey'sfoolseemstohavebecomekingofCassiopeiaaround,enjoyingthehonortofavor.InOberonprivetflowersliftedtheThierryMuglerYaeyesspendlazythemagicoflove,thecarnivalKingBoltonalsoinstantlyistotakeoffthecrown,hewentbacktothe"sillyman",beforetheeyesoftheFaerieQueene"lover"nowlookslikeishowexasperate!"Similarly,twopairsofloversskelterhasmeantdecrowningandcrowningthe.Inthebeginningofthecomedy,butalsoloveHemiaandDimitliJ,HelenawithpoorDimitliJofunrequitedlove.TheOblongoutofcompassion,inordertosaveHelena'sunrequitedlove,smallwizardParkeIcametolovealazyflower.Thisisthemagicflowerjuice,withwhoseeyelids,he/shewillstronglyloveatthefirstsightofthings,whetheritishumanoranimal.WhenusingLigustrumflowereyesandtouchhim/toliftthemagicoflovealazyflower.IsParkermistakenlycastaflowerjuiceLysanderwakeupseeHelenawaspassionatelyinlovewithher,sotheformersweariswillingtogiveHermia'slifeasshebecomes"nigger"and"niubangzi","snake".AndthelawofDemeter,initiallytoHelenaentanglementhateunceasingly,threatenedtobullyher,theoneshelostintheforest,butbecastflowerjuice,Helenainhiseyesimmediatelybecomethe"goddess","Fairy","crystal".Intheforest,lovethecrowninganddecrowningonlyinaninstant.3CarnivalCharacters3.1NickBottom－AWittyClownThese171actionsremindimpressivelywakeupHelena,thequalityofherloverstain,herloveisblind.Thenshesaid:"loveisnotwiththeeyes,butwiththemindwatching,andthereforeiswingedmoundPideoftenpaintedblind.Candthejudgmentofloveisnotcompletelyrational,lightwings,noeyeeye,Yimeisaidarashimpatience;andthereforeisloveanditissaidthatisachild,becausethechoiceheoftengetitwrong."InthispassageinLinawillreturntohisnaughtyblindloveinlove,fortheirblindtofindacanconvincemyself."Asthenaughtychildrenusedtoloveafalseoath,ourloveofchildreneverywherewiththecurseoffalsegambling.DemetriusbeforeseenHermia,haslikehailastovow,andsaidheiscompletelybelongstome,butthisarrayhailafeelonthetraceoftheheat,andthenimmediatelydissolved,innumerablevowsarenaught."AndDemetriustheheartofblamesmallCupid,findanexcuseforDemetriuschange,alsoinhisdefense.Finally,Helenamadehisdecision:"I'mgoingtotellhisbeautifulHermia'sescapade,heknow,tomorrownightwillbetothewoodstofollowher.Ifnotificationforthisnews,Icangetsomereward,myexpenseisnotasmall;butmypurposeistoenrichmypain,sothatIcanlistentoagainafterhislikenessofthedeceased."Inthiswholesectionaloneinside,wecanseethemicrodialogueinHelena'sheart"".HerfanaticalloveDemetrius,alsoveryclearalltheweaknessesofDemetriusandinlovehalfhearted,DemetriusthesemisdeedsthatHelenatohisloveseemstohavethehesitation,doubtDemetriusisworthofyourownlove,suspecttheirloveistooblind,inloveornotlovebetweenherhesitate.Inordertoeliminatehishesitation,sheaskedtheGodoflove.BecauseGodhasanonrationalcharacteristicofchildren,lovethelackofrationaljudgment,is"reckless","impatient".Thatistosay,allthisisthenatureoflove,sincetheloveofnature,itcanonlybeaccepted,nodoubt.Eveniftheloveofthepeoplehavesuchdisadvantages,duetothenatureofloveisnotrationalanalysisisblind,soeverythingshouldbeenablinglovetraction.Afterthedebate,sheonceagainconfirmedtoDemetriouslove.Then,HelenaandDimitliJhadnocreditfalselyfoundexcuses--becausethesamenaughtycupid.Sinceitis"ourloveofchildreneverywheregamblingduplicityspell",sotheresponsibilityofafalseoathshouldnotblametoDemetrius,andshouldbeblamedonlove.ItseemsthatDemetriuschangewasnotaquestionofquality,butthenatureofloveso.Likethisandalotofdialogue,andunraveltheownanotherknot,moredeterminedtheirloveofDemetrius.Wecansee,inthisparagraphofword,Helenaatfirsttotheirloveisstillaslighthesitation,butaftertheinnerdialogue,IconvincedmyselfthatfirmtoDemetriouslove,finallydecidedtoDemetriustoldthewhereaboutsofHermia.Fromtheaboveanalysis,wecanseethat,fromthetheoreticalperspective,thedramaisnotasBakhtinsaid,itdoesnothaveadialogue.Dialogueanddramaarenotcontradictory,andthecharactersinthedramacanbefullyindependentofthevalueofideology.Fromthegreatdialogueandmicrodialogueillustrates"AMidsummerNight'sdream"intheview,Thereisadialoguebetweenthecharactersinthedrama,andtherearetwoopposingideasinthecharacters.Therefore,sincethe"midsummernight'sdream"withthedialogue,thenthedramaisdialogueisentirelypossible3.2Punk－ANaughtyCupidSquarelanguageisanimportantpart,cryingsquare(boast)includesthemostimportantfeaturesofalmostallsquarelanguage,itwillbeawiderangeofboast,abuse,swear,puns,jargonfinancialfurnace.Theseconflictingideasofspeech,inanironicwaycombinedtogether,so"folkboastalwaysironyof,alwaysmoreorlessselfridicule(boastofourcountry'soldpeddler,peddler,too):infolksquareevenavariceandMongolianpeoplewithironyandsemipublicnature.Inthemedievalsquareandthestreetsof"crying"(CRI),regardlessofthesizeoftheefforts,oftenfulloflaughter."Oasarhetoricalironyisthatcontrarytotheoriginalintention,"said,"speakthisandintendedtoPeter,"blameandpraise,ortocomplimentsurfaceblame"and"andteasing".@in"AMidsummerNight'sdream"intheformoflanguageispermeatedwithlaughtereverywhere.Inthefirstscene2Boltonboastedofhisactinghowsuperb"ifthespeechwasmettlesome,itwillhavetodropafewdropsoftears.IfZaplay,letspectatorseveryonepayattentiontotheireyes.;Iwanttocalltheaudienceburstintotears,mysituationeclipsed.Therestofthepeoplecalledit.Butaverysuitableforourappetiteoverlord.Wewillplayverywellwiththatofthorns,orwhatarole,thenfrightenedthehumanbile."HeclaimedthathisplayPyramuswilllettheaudienceburstintotears",fromtheperformancepointofview,theaudiencereallyflowtears,justthetearsislaughing.InthefourthactinthefirstfieldTeTaiNiaCassiopeiathepraiseofBurtonandhisactualmorphologyalsoconstitutesawonderfulirony.Sheisrightintheeyesofloverssaidsoftly:"come,sitdowninthebed.Iwanttotouchyourlovelycheek:Iwanttoputthemuskroseinyoursilkenhead;Iwanttokissyourbeautifulbigears,mygentlebabyl"butweseethelovelycheek"isalongnarrowface;softandsmoothheadisanuglydonkey."Beautifulbigears"istheabsurddonkeyears.Fromthepointofviewofthemeaningof"andteasing",watchingtheloverPiramoandfeelingtheyoungersisterSesibei--longdesperately,bitterdeadshortcomedy"inActV,theironybringslaughteranorthanplatformperformancelesscauselaughter.Whenopening,Theseussawlionstoodwondering"Idon'tknowwhatowouldyoulikealion3.3OberonandTitania－BraveLovePursuersMrBoltonhasalwaysbeenconsideredtobeafool,evenParkersaid"inthemiddleoftheidiots,amoststupidfoolplayPyramus",althoughthekidmaynotbeabletoentirelyseriously,butalsorepresentsthemostpeople'sideaofBolton.Hedoesindeedlookabitsilly,spokediansandaosi,isoftenillogicalnonsense,evenmoreridiculous.Helookedasifhewastohis"eloquence"smug,fromtimetotimewillbemouthtorunthehorseliketopasslongwinded.Healsolikessuchastheirnobleslikeshowingrhetoric,butoftenpicktheexactmeaningofwordsarenotallowed,canputasentencetosay"butIcanthesoundpressureishigher,no,providedlow;I'llranglikeasuckingpigeonsosweet,ranglikeanightingale."Heoftendoesthingsistoavarietyofsensoryandsensoryorgansniutoubuduimazuimoredisorderlycollocationtogether,saysomethingstupidandsilly.Hewillsay"Iseeavoice:letmegoup,Icanhearthisby'sface.""Wouldyouliketoseetheepiloguetoapoem,orthetwoofusguysBeigemodance?"Butheseemstobethemostintelligentoneamonghiscompanions.Inthethirdactoftherehearsal,wediscusstoPyramussuicideshouldnotbeperformingonthestageisBoltonproposedsolutionsaboutaprologue,PyramusinterpretationisplayedbytheweaverBolden,andnotreallycommittedsuicide.Thensnoutthatlioncametopowerwillcausepanicfortheladies,andBurton'sidea,thelionwantsplayssnug"facehalfdewinthelion'sheadandneckoutside",andthentheirstatementslionisnotreallyalion,butcabinetmakersnug.Thenencounteredtheproblemofthewall,dramatoawall,butnottherealwalltomoveon;stage,thensnugonethenaskedRipoton(visible,thenBolton's"wisdom"hasbeenacknowledged)andBurtonletotherpeopleposingasthewalltosolvetheproblem.WillBurton's"silly"and"wisdom"controlwecanfind:his"stupid"isherhetoricallyspeakinguglyweather,itseemsfromhimtosolvetheproblemofwit,healittleisnotstupid.Oryoucansayso,MrBolton's"foolish"isheimitatedthenobleparadedrhetoric,exaggeratedpretenseandspeakthelanguage,thistime,saidhewouldhavemadealotofmistakes,stupid,steaming.Whenhespeaksinhisownmoreusedlanguage,hecansay,"theworldistoday.[method]Bergsont(laugh-onthesignificanceoffunny),XuJicengtranslated.Beijing:ChineseDramaPress,1980edition,thirdpages.Reallyrareandlovemeet;noristhereanyhonestneighboruncletogivetheymatchmatchfriends"sentencewise.Thisword,andHelena's"loveisnottheeyesandwiththeheartofthe"Thisperiodofgracegorgeouslongalo