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專題突破卷05閱讀理解之議論文
最新高考真題
1.(2024年全國甲卷D篇閱讀理解)“Ididn'tHketheending/51saidtomyfavoritecollegeprofessor.It
wasmyjunioryearofundergraduate,andIwasdoinganindependentstudyonVictorianliterature.Ihadjust
finishedreadingTheMillontheFlossbyGeorgeEliot,andIwasheartbrokenwiththeending.Prof.Gracie,with
allhispatience,askedmetothinkaboutitbeyondwhetherIlikeditornot.HesuggestedIthinkaboutthe
differencebetweenendingsthatIwantedforthecharactersandendingsthatwererightforthecharacters,endings
thatsatisfiedthestoryeveniftheydidn'thaveatraditionallypositiveoutcome.Ofcourse,Iwouldhavepreferred
adifferentendingforTomandMaggieTulliver,buttheendingtheygotdidmakethemostsenseforthem.
Thiswasanahamomentforme,andIneverthoughtaboutendingsthesamewayagain.Fromthenon,ifI
wantedtoreadanendingguaranteedtobehappy,I'dpickupaloveromance.IfIwantedanendingIcouldn't
guess,rdpickupamystery(懸疑4、說).OnewhereIkindofknewwhatwasgoingtohappen,historicalfiction.
Choosingwhattoreadbecameeasier.
Butwritingtheend-thafshard.Ifshardforwritersbecauseendingscarrysomuchweightwithreaders.
Youhavetobalancecreatinganendingthafsunpredictable,butdoesn'tseemtocomefromnowhere,onethatfits
whafsrightforthecharacters.
Thafswhythisissue(期)ofWriter'sDigestaimstohelpyoufigureouthowtowritethebestendingfor
whateverkindofwritingyou'redoing.Ifit'sshortstories,PeterMountfordbreaksdownsixtechniquesyoucan
trytoseewhichonehelpsyoustickthelanding.ElizabethSimsanalyzesthefinalchaptersoffivegreatnovelsto
seewhatkeypointstheyincludeandhowyoucanadaptthemforyourwork.
Thisissuewon'ttellyouwhatyourendingshouldbe-thafsuptoyouandthestoryyou,retelling一but
itmightprovidewhatyouneedtogetthere.
1.WhydidtheauthorgotoProf.Gracie?
A.Todiscussanovel.B.Tosubmitabookreport.
C.Toargueforawriter.D.Toaskforareadinglist.
2.WhatdidtheauthorrealizeafterseeingGracie?
A.Writingisamatterofpersonalpreferences.
B.Readersareoftencarriedawaybycharacter.
C.Eachtypeofliteraturehasitsuniqueend.
D.Astorywhichbeginswellwillendwell.
3.Whatisexpectedofagoodending?
A.Itsatisfiesreaders9taste.B.Itfitswiththestorydevelopment.
C.Itisusuallypositive.D.Itisopenforimagination.
4.WhydoestheauthormentionPeterMountfordandElizabethSims?
A.Togiveexamplesofgreatnovelists.B.Tostressthethemeofthisissue.
C.Toencouragewritingfbrthemagazine.D.Torecommendtheirnewbooks.
【答案】LA2.C3.B4.B
【導(dǎo)語】本文是一篇議論文。文章首先通過作者與教授關(guān)于小說結(jié)局的討論引發(fā)了對結(jié)局的思考,接著闡
述了不同類型的文學(xué)作品結(jié)局的特點(diǎn),最后提出了寫作好的結(jié)局的重要性并介紹了《Writer'sDigest》雜志
如何幫助作家寫出更好的結(jié)尾。
1.細(xì)節(jié)理解題。根據(jù)第一段“"Ididn'tliketheending,Isaidtomyfavoritecollegeprofessor.Itwasmyjunior
yearofundergraduate,andIwasdoinganindependentstudyonVictorianliterature.Ihadjustfinishedreading
TheMillontheFlossbyGeorgeEliot,andIwasheartbrokenwiththeending.Prof.Gracie,withallhispatience,
askedmetothinkaboutitbeyondwhetherIlikeditornot.("我不喜歡這個結(jié)局,“我對我最喜歡的大學(xué)教授說。
那是我大三的時候,我正在做一項關(guān)于維多利亞文學(xué)的獨(dú)立研究。我剛剛讀完喬治?艾略特的《弗洛斯河上
的磨坊》,讀到結(jié)尾我很傷心。格雷西教授耐心地讓我考慮一下,不要只看我喜不喜歡)”可知,作者去找格
雷西教授是為了討論小說。故選A項。
2.推理判斷題o本艮據(jù)第二段"Thiswasanahamomentforme,andIneverthoughtaboutendingsthesameway
again.Fromthenon,ifIwantedtoreadanendingguaranteedtobehappy,Tdpickupaloveromance.IfIwanted
anendingIcouldn'tguess,I'dpickupamystery(懸疑小說).OnewhereIkindofknewwhatwasgoingto
happen,historicalfiction.Choosingwhattoreadbecameeasier.(這對我來說是一個頓悟的時刻,我再也沒有
想過同樣的結(jié)局。從那時起,如果我想讀一個保證幸福的結(jié)局,我就會選一部愛情小說。如果我想要一個
我猜不到的結(jié)局,我會選一本神秘小說。一種是我知道會發(fā)生什么,歷史小說。選擇讀什么變得更容易了)”
可知,見過格雷西教授后,作者意識到了每種類型的文學(xué)都有其獨(dú)特的結(jié)局。故選C項。
3.推理判斷題。根據(jù)第三段“Butwritingtheend—thafshard.Ifshardforwritersbecauseendingscarrysomuch
weightwithreaders.Youhavetobalancecreatinganendingthafsunpredictable,butdoesn'tseemtocomefrom
nowhere,onethatfitswhafsrightfbrthecharacters.(但是寫出結(jié)局那很難。對作家來說很難,因為結(jié)局
對讀者來說意義重大。你必須平衡創(chuàng)造一個不可預(yù)測的結(jié)局,但這個結(jié)局又不能顯得憑空而來,要適合角
色的設(shè)定)”可知,人們對一個好結(jié)局的期望是結(jié)局又不能顯得憑空而來,要適合角色的設(shè)定,也就是符合
故事的發(fā)展。故選B項。
4.推理判斷題。根據(jù)倒數(shù)第二段"That'swhythisissue(期)ofWriter9sDigestaimstohelpyoufigureouthowto
writethebestendingforwhateverkindofwritingyou'redoing.Ifit'sshortstories,PeterMountfordbreaksdown
sixtechniquesyoucantrytoseewhichonehelpsyoustickthelanding.ElizabethSimsanalyzesthefinalchapters
offivegreatnovelstoseewhatkeypointstheyincludeandhowyoucanadaptthemforyourwork.(這就是為什
么這期《Writer'sDigest》旨在幫助你找出如何為你正在寫的任何類型的作品寫出最好的結(jié)局。如果是短篇
小說,彼得?蒙特福德分解了六種技巧,你可以嘗試看看哪一種能幫助你完美著陸。伊麗莎白?西姆斯分析
了五部偉大小說的最后幾章,看看它們包含了哪些關(guān)鍵點(diǎn),以及你如何將它們應(yīng)用到你的作品中)”可知,
作者提到彼得?蒙福德和伊麗莎白?西姆斯是為了強(qiáng)調(diào)這期《Writer'sDigest》的主題,即幫助讀者寫出更好
的結(jié)尾。故選B項。
2.(2024年新高考I卷C篇閱讀理解)Iscomprehensionthesamewhetherapersonreadsatextonscreen
oronpaper?Andarelisteningtoandviewingcontentaseffectiveasreadingthewrittenwordwhencoveringthe
samematerial?Theanswerstobothquestionsareoften"no”.Thereasonsrelatetoavarietyoffactors,including
reducedconcentration,anentertainmentmindset(心態(tài))andatendencytomultitaskwhileconsumingdigital
content.
Whenreadingtextsofseveralhundredwordsormore,learningisgenerallymoresuccessfulwhenit'son
paperthanonscreen.Alargeamountofresearchconfirmsthisfinding.Thebenefitsofprintreadingparticularly
shinethroughwhenexperimentersmovefromposingsimpletasks-likeidentifyingthemainideainareading
passage——toonesthatrequirementalabstraction——suchasdrawinginferencesfromatext.
Thedifferencesbetweenprintanddigitalreadingresultsarepartlyrelatedtopaper5sphysicalproperties.
Withpaper,thereisaliterallayingonofhands,alongwiththevisualgeographyofdistinctpages.Peopleoften
linktheirmemoryofwhatthey'vereadtohowfarintothebookitwasorwhereitwasonthepage.
Butequallyimportantisthementalaspect.Readingresearchershaveproposedatheorycalled“shallowing
hypothesis《發(fā)說)Accordingtothistheory,peopleapproachdigitaltextswithamindsetsuitedtosocialmedia,
whichareoftennotsoserious,anddevotelessmentaleffortthanwhentheyarereadingprint.
Audio(音頻)andvideocanfeelmoreengagingthantext,andsouniversityteachersincreasinglyturnto
thesetechnologies一say,assigninganonlinetalkinsteadofanarticlebythesameperson.However,
psychologistshavedemonstratedthatwhenadultsreadnewsstories,theyremembermoreofthecontentthanif
theylistentoorviewidenticalpieces.
Digitaltexts,audioandvideoallhaveeducationalroles,especiallywhenprovidingresourcesnotavailable
inprint.However,formaximizinglearningwherementalfocusandreflectionarecalledfor,educatorsshouldn't
assumeallmediaarethesame,evenwhentheycontainidenticalwords.
5.Whatdoestheunderlinedphrase"shinethrough^^inparagraph2mean?
A.Seemunlikelytolast.B.Seemhardtoexplain.
C.Becomereadytouse.D.Becomeeasytonotice.
6.Whatdoestheshallowinghypothesisassume?
A.Readerstreatdigitaltextslightly.B.Digitaltextsaresimplertounderstand.
C.Peopleselectdigitaltextsrandomly.D.Digitaltextsaresuitableforsocialmedia.
7.Whyareaudioandvideoincreasinglyusedbyuniversityteachers?
A.Theycanholdstudents*attention.B.Theyaremoreconvenienttoprepare.
C.Theyhelpdevelopadvancedskills.D.Theyaremoreinformativethantext.
8.Whatdoestheauthorimplyinthelastparagraph?
A.Studentsshouldapplymultiplelearningtechniques.
B.Teachersshouldproducetheirownteachingmaterial.
C.Printtextscannotbeentirelyreplacedineducation.
D.Educationoutsidetheclassroomcannotbeignored.
【答案】5.D6.A7.A8.C
【導(dǎo)語】本文是議論文。主要討論了紙質(zhì)閱讀與數(shù)字閱讀、音頻和視頻學(xué)習(xí)方式的差異和效果。
5.詞句猜測題。根據(jù)前文“Whenreadingtextsofseveralhundredwordsormore,learningisgenerallymore
successfulwhenit'sonpaperthanonscreen.Alargeamountofresearchconfirmsthisfinding.(當(dāng)閱讀幾百字或
更多的文本時,在紙上學(xué)習(xí)通常比在屏幕上學(xué)習(xí)更成功。大量的研究證實(shí)了這一發(fā)現(xiàn))”可知,在紙上學(xué)習(xí)
更有成效,以及后文“whenexperimentersmovefromposingsimpletasks-likeidentifyingthemainideaina
readingpassage-toonesthatrequirementalabstraction-suchasdrawinginferencesfromatext.(當(dāng)實(shí)驗人員
從提出簡單的任務(wù)(如識別閱讀文章的主旨)轉(zhuǎn)移到需要思維抽象的任務(wù)(如從文本中推斷)時)”推知,此處應(yīng)
是表達(dá)“當(dāng)實(shí)驗者從簡單的任務(wù)轉(zhuǎn)向需要精神抽象的任務(wù)時,紙質(zhì)閱讀的益處就變得顯而易見”之意,所以
shinethrough應(yīng)是“顯而易見”之意,和D項意思相近。故選D項。
6.推理判斷題o根據(jù)第四段“Butequallyimportantisthementalaspect.Readingresearchershaveproposeda
theorycalled“shallowinghypothesis(假說)Accordingtothistheory,peopleapproachdigitaltextswitha
mindsetsuitedtosocialmedia,whichareoftennotsoserious,anddevotelessmentaleffortthanwhentheyare
readingprint.(但同樣重要的是精神層面。閱讀研究人員提出了一個名為“shallowinghypothesis”的理論。根
據(jù)這一理論,人們以適合社交媒體的心態(tài)接觸數(shù)字文本,這些文本通常不那么嚴(yán)肅,與閱讀印刷品時相比,
投入的精神努力也更少)”可知,shallowinghypothesis假設(shè)讀者在閱讀數(shù)字文本時會持有一種輕松的心態(tài),
不會像閱讀紙質(zhì)書籍那樣投入太多的心理努力。故選A項。
7.細(xì)節(jié)理解題。根據(jù)第五段“Audio(音頻)andvideocanfeelmoreengagingthantext,andsouniversityteachers
increasinglyturntothesetechnologies一say,assigninganonlinetalkinsteadofanarticlebythesameperson.(音
頻和視頻可能比文本更具吸引力,因此大學(xué)教師越來越多地轉(zhuǎn)向這些技術(shù),例如分配在線講座而不是同一
作者的文章)“可知,音頻和視頻比文本更能吸引學(xué)生的注意力,所以大學(xué)教師越來越多地使用這些技術(shù)。
故選A項。
8.推理判斷題。根據(jù)最后——段“Digitaltexts,audioandvideoallhaveeducationalroles,especiallywhen
providingresourcesnotavailableinprint.However,formaximizinglearningwherementalfocusandreflection
arecalledfor,educatorsshouldn'tassumeallmediaarethesame,evenwhentheycontainidenticalwords.(數(shù)字
文本、音頻和視頻都具有教育作用,尤其是在提供印刷品中無法獲得的資源時。然而,為了在需要精神集
中和反思的情況下最大限度地學(xué)習(xí),教育工作者不應(yīng)假定所有媒體都是相同的,即使它們包含相同的單詞)”
可知,盡管數(shù)字文本、音頻和視頻在教育中有一定作用,但當(dāng)需要精神集中和反思以最大化學(xué)習(xí)時,教育
者不應(yīng)假定所有媒體都是相同的,即使它們包含相同的單詞。這表明作者認(rèn)為紙質(zhì)文本在教育中的作用仍
然不可替代,因此暗示紙質(zhì)文本在教育中的重要性。故選C項。
3.(2023年全國乙卷D篇閱讀理解)Ifyouwanttotellthehistoryofthewholeworld,ahistorythatdoesnot
privilegeonepartofhumanity,youcannotdoitthroughtextsalone,becauseonlysomeoftheworldhaseverhad
texts,whilemostoftheworld,formostofthetime,hasnot.Writingisoneofhumanity'slaterachievements,and
untilfairlyrecentlyevenmanyliterate(有文字的)societiesrecordedtheirconcernsnotonlyinwritingbutin
things.
Ideallyahistorywouldbringtogethertextsandobjects,andsomechaptersofthisbookareabletodojust
that,butinmanycaseswesimplycan't.Theclearestexampleofthisbetweenliterateandnon-literatehistoryis
perhapsthefirstconflict,atBotanyBay,betweenCaptainCook'svoyageandtheAustralianAboriginals.From
theEnglishside,wehavescientificreportsandthecaptain'srecordofthatterribleday.FromtheAustralianside,
wehaveonlyawoodenshield(盾)droppedbyamaninflightafterhisfirstexperienceofgunshot.Ifwewantto
reconstructwhatwasactuallygoingonthatday,theshieldmustbequestionedandinterpretedasdeeplyand
strictlyasthewrittenreports.
Inadditiontotheproblemofmiscomprehensionfrombothsides,therearevictoriesaccidentallyor
deliberatelytwisted,especiallywhenonlythevictorsknowhowtowrite.Thosewhoareonthelosingsideoften
haveonlytheirthingstotelltheirstories.TheCaribbeanTaino,theAustralianAboriginals,theAfricanpeopleof
BeninandtheIncas,allofwhomappearinthisbook,canspeaktousnowoftheirpastachievementsmost
powerfullythroughtheobjectstheymade:ahistorytoldthroughthingsgivesthembackavoice.Whenwe
considercontact(聯(lián)系)betweenliterateandnon-literatesocietiessuchasthese,allourfirst-handaccountsare
necessarilytwisted,onlyonehalfofadialogue.Ifwearetofindtheotherhalfofthatconversation,wehaveto
readnotjustthetexts,buttheobjects.
9.Whatisthefirstparagraphmainlyabout?
A.Howpasteventsshouldbepresented.B.Whathumanityisconcernedabout.
C.Whetherfactsspeaklouderthanwords.D.Whywrittenlanguageisreliable.
10.WhatdoestheauthorindicatebymentioningCaptainCookinparagraph2?
A.Hisreportwasscientific.B.Herepresentedthelocalpeople.
C.HeruledoverBotanyBay.D.Hisrecordwasone-sided.
11.Whatdoestheunderlinedword"conversation“inparagraph3referto?
A.Problem.B.History.C.Voice.D.Society.
12.Whichofthefollowingbooksisthetextmostlikelyselectedfrom?
A.HowMapsTellStoriesoftheWorldB.AShortHistoryofAustralia
C.AHistoryoftheWorldin100ObjectsD.HowArtWorksTellStories
【答案】9.A10.D11.B12.C
【導(dǎo)語】本文是一篇議論文。本文討論了僅僅依靠書面文本來講述世界歷史的局限性,并強(qiáng)調(diào)了將物品納
入歷史敘事以更好地理解無文字社會的重要性。
9.主旨大意題。根據(jù)文章第一段"Ifyouwanttotellthehistoryofthewholeworld,ahistorythatdoesnot
privilegeonepartofhumanity,youcannotdoitthroughtextsalone,becauseonlysomeoftheworldhaseverhad
texts,whilemostoftheworld,formostofthetime,hasnot.Writingisoneofhumanity'slaterachievements,and
untilfairlyrecentlyevenmanyliterate(有文字的)societiesrecordedtheirconcernsnotonlyinwritingbutin
things.(如果你想講述整個世界的歷史,一段不以人類某一部分為特權(quán)的歷史,你不能僅僅通過文本來講述,
因為世界上只有一部分人曾經(jīng)有過文本,而世界上大多數(shù)人,在大多數(shù)時間里,都沒有。寫作是人類較晚
的成就之一,直到最近,甚至許多有文字的社會也不僅用文字,而且用物件來記錄他們所關(guān)心的事情。y
可推知,第一段主要講述的是歷史應(yīng)該如何呈現(xiàn)給我們。故選A。
10.推理判斷題。根據(jù)文章第二段首句"Ideallyahistorywouldbringtogethertextsandobjects,andsome
chaptersofthisbookareabletodojustthat,butinmanycaseswesimplycan5t.(理想情況下,歷史應(yīng)該將文本
和物品結(jié)合在一起,本書的某些章節(jié)能夠做到這一點(diǎn),但在許多情況下,我們根本做不到。)”可推斷,作
者認(rèn)為歷史應(yīng)該是文本和物品相結(jié)合的產(chǎn)物,但是很多情況下,我們做不到。再根據(jù)所舉例子的下文“From
theEnglishside,wehavescientificreportsandthecaptain'srecordofthatterribleday.FromtheAustralianside,
wehaveonlyawoodenshield(盾)droppedbyamaninflightafterhisfirstexperienceofgunshot.(在英國方面,
我們有科學(xué)報告和船長對那可怕的一天的記錄。從澳大利亞方面來看,我們只有一個木制盾牌,這是一名
男子在第一次經(jīng)歷槍擊后在飛行中扔下的。廠可知,作者舉這個例子是為了說明船長的記錄是片面的,只
從自己的角度描述了問題。故選D。
11.詞句猜測題。根據(jù)劃線單詞上文“TheCaribbeanTaino,theAustralianAboriginals,theAfricanpeopleof
BeninandtheIncas,allofwhomappearinthisbook,canspeaktousnowoftheirpastachievementsmost
powerfullythroughtheobjectstheymade:ahistorytoldthroughthingsgivesthembackavoice.Whenwe
considercontact(聯(lián)系)betweenliterateandnon-1iteratesocietiessuchasthese,allourfirst-handaccountsare
necessarilytwisted,onlyonehalfofadialogue.(力口勒比海的泰諾人、澳大利亞的土著人、貝寧的非洲人以及
印加人,所有這些人都出現(xiàn)在這本書中,他們現(xiàn)在都可以通過他們制造的物品向我們講述他們過去最強(qiáng)大
的成就:通過物品講述的歷史給了他們一個聲音。當(dāng)我們考慮諸如此類的有文化社會和無文化社會之間的
接觸時,我們所有的第一手資料都必然是扭曲的,只有對話的一半。)”結(jié)合劃線句“Ifwearetofindtheother
halfofthatconversation,wehavetoreadnotjustthetexts,buttheobjects.(如果我們要找至!J對話的另一半,我
們不僅要讀文本,還要讀物體。)”可知,我們對過去歷史的了解,只是書寫歷史的人所想要讓我們了解的
歷史,如果我們想要了解歷史的另一半,我們不僅僅要讀文本也要讀對象。所以conversation指的是“歷史”。
故選B。
12.推理判斷題。根據(jù)文章第一段“Ifyouwanttotellthehistoryofthewholeworld,ahistorythatdoesnot
privilegeonepartofhumanity,youcannotdoitthroughtextsalone,becauseonlysomeoftheworldhaseverhad
texts,whilemostoftheworld,formostofthetime,hasnot.(如果你想講述整個世界的歷史,一段不以人類某一
部分為特權(quán)的歷史,你不能僅僅通過文本來講述,因為世界上只有一部分人的歷史曾經(jīng)被文字記錄過,而
世界上大多數(shù)人,在大多數(shù)時間里,都沒有。廠結(jié)合最后一段的"IfwearetoEndtheotherhalfofthat
conversation,wehavetoreadnotjustthetexts,buttheobjects.(如果我們要找至U對話的另一半,我們不僅要讀
文本,還要讀物體。)”可知,本文講述僅僅依靠書面文本來講述世界歷史有局限性,想要更好的了解歷史
就要將文本和物品結(jié)合在一起。從而推斷文章最有可能選自《100件物品中的世界史》。故選C。
2024年高考模擬真題
(2024-四川達(dá)州?二模)"Ispilledsoupalloverthetable,butitwasn'tmyfault,?.<CIgotintotroubleat
school,butitwasn'tmyfault.^^Suchstatementsareoftenheard.t4Ifsnotmyfaulf9isactuallyacommonresponse
forsomanypeopleandespeciallyteenagers.Parentscomplainthatthey5retiredofthe"excuses”.
Thereasonwhyvariationsof"it'snotmyfaulf9aresopopularisthattheygetusoutofguilt,blameand
anger.Thoseemotionsmaycomefromothers'reactionsorourownself-talks.Inthecaseofadolescents,theyare
oftentryingtoescaperesponsibilityandpunishmentformistakes.
Someteenswouldbenefitfromdecreasingtheirself^blame.Thosewhoblamethemselvesforthingsthat
theycan'tcontroltendtobehighlyself-criticalandaremorelikelytobeanxious.
Manyteensoverlyrelyon"it'snotmyfaulf5.However,overuseofthephrasecanresultinfeelingsof
helplessnesstocontroltheirownlives.Besides,66ifsnotmyfault^focusesateen'sattentiononwhatisdoneas
opposedtowhatneedstobedone.Intryingtogetthemtoassumeresponsibility,manyparentsattemptto
convincetheirchildrenthatsomethingistheirfault,buttheapproachtendstobeineffective.Amoreeffective
approachistofaceuptodrawbackstofindsolutionstothedrawbacksactively.
Peoplemaynothavecausedalltheirproblems,buttheyhavetosolvethemanyway.Gettingstuckin
sharingblameoftenkeepspeoplefrommovingforwardeffectively.Whatdoesonedoifheispushedintoadeep
lake?Onecouldcertainlystayinwater,yelling,4tIfsnotmyfault."However,thatisnotgoingtogethimoutof
water.Atsomepoint,heneedstoswimtoshore,regardlessofthefault.
Likemostthingsinlife,freeingourselvesfromblamehasitsadvantagesanddisadvantages.Thequestion
isn'twhatis"right”,butwhatismosteffectiveinmovingforward.
13.Whoislikelytorelyon"it'snotmyfault99?
A.Ahighlyself-criticalteenager.
B.Ateenagerunwillingtoadmitafault.
C.Ateenagerfacinguptohisresponsibilities.
D.Ateenageranxiousaboutuncontrollablethings.
14.Whatistheauthor'sadviceongettingteenstoassumeresponsibility?
A.Lettingthemfocusonwhatisdone.
B?Persuadingthemtoadmittheirfault.
C.Makingthemcorrectthemistakeactively.
D.Helpingthemanalyzethereasonforthemistake.
15.WhydoestheauthorraisesuchaquestioninParagraph5?
A.Toputforwardanewsolutiontodrawbacks.
B.Toshowhandlingproblemsshouldcomefirst.
C.Toexplainwhyteenagersgetstuckinsharingblame.
D.Toanalyzewhatkindofproblemiscausedbyothers.
16.Whatistheauthor'spurposeinwritingthistext?
A.Tohelpteenagersoutofself^blame.
B.Totellparentshowtoeducatechildren.
C.Tohelpteenagersfacemistakesproperly.
D.Totellchildrentodoself^talksconsciously.
【答案】13.B14.C15.B16.C
【導(dǎo)語】本文是一篇議論文。主要介紹的是許多家長對孩子“這不是我的過失”的陳述感到無奈,作者認(rèn)為
這種陳述有壞的一面也有好的一面,但重要的是讓孩子正確面對錯誤,不斷進(jìn)步。
13.細(xì)節(jié)理解題。根據(jù)第二段中的"Thereasonwhyvariationsof"it'snotmyfault,?aresopopularisthattheyget
usoutofguilt,blameandanger.(各種各樣的“這不是我的錯”之所以如此流行,是因為它們能讓我們擺脫內(nèi)疚、
責(zé)備和憤怒。)”可知,“這不是我的錯”能使我們擺脫內(nèi)疚、責(zé)備和憤怒,所以才會如此流行,結(jié)合下文中
的“Inthecaseofadolescents,theyareoftentryingtoescaperesponsibilityandpunishmentformistakes.(就青少
年而言,他們常常試圖逃避責(zé)任和對錯誤的懲罰。)”可知,青少年這樣做就是為了逃避責(zé)任和對錯誤的懲
罰,由此可知,那些不愿意承認(rèn)錯誤的人很可能依賴“這不是我的錯”。故選B項。
14.細(xì)節(jié)理解題。根據(jù)第四段中的"Intryingtogetthemtoassumeresponsibility,manyparentsattemptto
convincetheirchildrenthatsomethingistheirfault,buttheapproachtendstobeineffective.Amoreeffective
approachistofaceuptodrawbackstofindsolutionstothedrawbacksactively.(為了讓孩子承擔(dān)責(zé)任,許多父母
試圖讓孩子相信有些事情是他們的錯,但這種方法往往是無效的。更有效的方法是正視缺點(diǎn),積極尋找解
決辦法。戶可知,很多家長用各種方法讓孩子相信有些事情是他們的錯,但這些經(jīng)常是無效的,更有效的
方法是讓孩子正視缺點(diǎn),主動尋找解決的方法,由此可知,作者建議讓他們主動改正錯誤。故選C項。
15.推理判斷題o根據(jù)第五段中的"Peoplemaynothavecausedalltheirproblems,buttheyhavetosolvethem
anyway.Gettingstuckinsharingblameoftenkeepspeoplefrommovingforwardeffectively.(人們可能不是所有
問題的始作俑者,但無論如何他們必須解決問題。陷入互相指責(zé)的困境往往會阻礙人們有效地向前發(fā)展。y
可知,作者認(rèn)為不論錯誤是誰的,都必須先要解決為題,否則會阻礙人們有效向前發(fā)展,進(jìn)而在下文中提
出問題“Whatdoesonedoifheispushedintoadeeplake?(如果一個人被推入深湖中,他會怎么做?)”并進(jìn)行分
析,結(jié)合下文中的"Atsomepoint,heneedstoswimtoshore,regardlessofthefault.(在某個時刻,他需要游到
岸邊,不管是誰的錯誤。廣可知,不管誰的錯都應(yīng)先游到岸邊,綜合以上信息可知,作者提及這個問題是
為了表明首先要解決問題,而不是追究誰的責(zé)任。故選B項。
16.推理判斷題。根據(jù)尾段“Likemostthingsinlife,freeingourselvesfromblamehasitsadvantagesand
disadvantages.Thequestionisn'twhatis“right”,butwhatismosteffectiveinmovingfbrward.(就像生活中的大
多數(shù)事情一樣,把自己從責(zé)備中解脫出來既有好處也有壞處。問題不在于什么是“正確的”,而在于什么是
最有效的前進(jìn)方式。)”可知,把自己從責(zé)備中解脫出來有好處也有壞處,但問題的根本不在于什么是正確
的,而是什么是最有效的前進(jìn)方式,結(jié)合上文中對“不是我的錯”這一流行陳述的好處和壞處的分析,并用
提問的方式表明無論誰的錯,都應(yīng)該先要解決問題,不斷前進(jìn),所以本文的寫作目的是幫助青少年如何正
確地面對錯誤。故選C項。
(2024-山東濰坊?二模)IhadtosaysomethingafterreadingTheAnxiousGeneration.Itisgoingtosell
well,becauseJonathanHaidtistellingascarystoryaboutchildren'sdevelopmentmanyparentsareledtobelieve.
However,thebook'srepeatedsuggestionthatdigitaltechnologiesarerewiringourchildren'sbrainsandcausing
theepidemic(流行?。﹐fmentalillnessisunsupportedbyscience.Worse,therudeproposalthatsocialmediais
toblamemightdistract(分心、)usfromeffectivelyrespondingtotherealcausesofthecurrentmental-healthcrisis
inyoungpeople.
ResearchershavesearchedfbrtheeffectssuggestedbyHaidt.Oureffortshaveproducedamixofno,small
andmixedassociations.Mostdataarecorrelative.Whenassociationsovertimearefound,theysuggestnotthat
social-mediausepredictsorcausesdepression,butthatyoungpeoplewhoalreadyhavemental-healthproblems
usesuchplatformsmoreoftenorindifferentwaysfromtheirhealthypeers.
Wearenotalonehere.Severalanalysesandsystematicreviewscentralizeonthesamemessage.An
analysisdonein72countriesshowsnoconsistentormeasurableassociationsbetweenwell-beingandsocial
mediaglobally.Moreover,studiesfromsomeauthoritiesfindsnoevidenceofintensechangesassociatedwith
digital-technologyuse.
Asapsychologiststudyingchildren'sandadolescents9mentalhealth,Iappreciateparents5frustration(沮
喪)anddesirefbrsimpleanswers.Asaparentofadolescents,Iwouldalsoliketoidentifyasimplesourceforthe
painthisgenerationisreporting.Thereare,however,nosimpleanswers.Thebeginninganddevelopmentof
mentaldisordersaredrivenbyacomplexsetofgeneticandenvironmentalfactors.
Moreyoungpeoplearetalkingopenlyabouttheirmental-healthstrugglesthaneverbefore.Butinsufficient
servicesareavailabletoaddresstheirneeds.IntheUnitedStates,thereis,onaverage,oneschoolpsychologistfbr
every1,119students.Wehaveagenerationincrisisandindesperateneedofthebestofwhatscienceand
evidence-basedsolutionscanoffer.Unfortunately,ourtimeisbeingspenttellingstoriesthatareunsupportedby
researchandthatdolittletosupportyoungpeoplewhoneed,anddeserve,more.
17.WhatispresentedinTheAnxiousGeneration?
A.Scarystoriesaffectchildren'sbrains.
B.Parentsareresponsibleforchildren'shealth.
C.Teen'smentalillnessresultsfromscreentime.
D.Theepidemicofmentalillnessisunavoidable.
18.Whatdoes"thesamemessage“underlinedinparagraph3referto?
A.Manycountriesdoresearchinmentalhealth.
B.Well-beingandsocialmediaarecloselyrelated.
C.Theyoungaretrappedinthemental-healthcrisis,
D.Socialmediadon'tnecessarilycausementalillness.
19.Whatisimpliedinthelastparagraph?
A.Effectiveactionsneedtobetaken.B.Positivestoriesshouldbeshared.
C.Financialsupportneedstobeprovided.D.Broaderresearchshouldbedone.
20.Whatistheauthor'spurposeinwritingthetext?
A.Tosuggestwaystohelpthoseinneed.
B.Toencourageparentstobravethecrisis.
C.Torecommendanewly-publishedbook.
D.Togiveavoicetochildren'smentalissues.
【答案】17.C18.D19.A20.D
【導(dǎo)語】本文是一篇議論文。本文是對《焦慮的一代》一書的評論,作者認(rèn)為該書提出的數(shù)字技術(shù)導(dǎo)致兒
童大腦重構(gòu)和精神健康危機(jī)的觀點(diǎn)缺乏科學(xué)依據(jù)。作者強(qiáng)調(diào),精神障礙的成因復(fù)雜,需要基于科學(xué)和證據(jù)
的解決方案,而不是簡單歸咎于社交媒體。
17.細(xì)節(jié)理解題。根據(jù)第一段中“However,thebook'srepeatedsuggestionthatdigitaltechnologiesarerewiring
ourchildren'sbrainsandcausingtheepidemic(流行?。﹐fmentalillnessisunsupportedbyscience.(然而,這本
書一再暗示數(shù)字技術(shù)正在重構(gòu)我們孩子的大腦,并導(dǎo)致精神健康問題的流行,這一觀點(diǎn)并沒有得到科學(xué)的
支持。)”可知,該書重復(fù)暗示數(shù)字技術(shù)正在重構(gòu)我們孩子的大腦,并導(dǎo)致精神健康問題的流行。C選項“Teen's
mentalillnessresultsfromscreentime.(青少年的精神疾病與看屏幕時間有關(guān)。)”與該描述相一致。故選C。
18.詞義猜測題。根據(jù)劃線詞前面的內(nèi)容“Whenassociationsovertimearefound,theysuggestnotthat
social-mediausepredictsorcausesdepression,butthatyoungpeoplewhoalreadyhavemental-healthproblems
usesuchplatformsmoreoftenorindifferentwaysfromtheirhealthypeers.(隨著時間的推移,他們發(fā)現(xiàn)社交媒
體的使用并不是預(yù)測或?qū)е乱钟舭Y,而是已經(jīng)有心理健康問題的年輕人比健康的同齡人更頻繁地或以不同
的方式使用這些平臺。)“以及劃線詞后面的內(nèi)容“Ananalysisdonein72countriesshowsnoconsistentor
measurableassociationsbetweenwell-beingandsocialmediaglobally.(在72個國家進(jìn)行的一項分析顯示,在
全球范圍內(nèi),幸福感和社交媒體之間沒有一致的或可衡量的聯(lián)系。戶可知,“同樣的信息”指的是社交媒體
并不一定導(dǎo)致心理健康問題。通過在72個國家進(jìn)行的一項分析顯示,在全球范圍內(nèi),幸福感和社交媒體
之間沒有一致的或可衡量的聯(lián)系。故劃線詞指代的是沒有一致或可測量的證據(jù)表明社交媒體與幸福感之間
有密切關(guān)系。故選D。
19.推理判斷題。根據(jù)最后一段中“Wehaveagenerationincrisisandindesperateneedofthebestofwhat
scienceandevidence-basedsolutionscanoffer.Unfortunately,ourtimeisbeingspenttellingstoriesthatare
unsupportedbyresearchandthatdolittletosupportyoungpeoplewhoneed,anddeserve,more.(我們這一代人
正處于危機(jī)之中,迫切需要科學(xué)和基于證據(jù)的解決方案所能提供的最好的東西。不幸的是,我們的時間花
在講述沒有研究支持的故事上,這些故事對那些需要、也應(yīng)該得到更多支持的年輕人幾乎沒有幫助。廠可
知,針對于年輕人的心理健康問題,我們正在浪費(fèi)時間講述沒有研究支持的故事,而這些故事對需要幫助
的年輕人并沒有幫助,這暗示我們需要采取有效的行動來解決這個問題。故選A。
20.推理判斷題。根據(jù)第一段中“IhadtosaysomethingafterreadingTheAnxiousGeneration.Itisgoingtosell
well,becauseJonathanHaidtistellingascarystoryaboutchildren'sdevelopmentmanyparentsareledtobelieve.
However,theb
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