專題13-閱讀理解新聞報(bào)道及其它(原卷版)-高考英語(yǔ)真題及模擬題英語(yǔ)分項(xiàng)匯編

專題13閱讀理解新聞報(bào)道及其它-2023年高考真題及模擬題匯編2023年高考真題Passage1更新中2023年名校模擬題Passage1（2023·廣東·廣州市第二中學(xué)校聯(lián)考模擬預(yù)測(cè)）ForLydiaKoniordou,afamousGreekactressandformerGreekministerofcultureandsports,culturalpreservationisessentialtohelppeopleknowwhotheyareandlearnwhattheyshoulddointhefuture.“Thetalleryouwanttogrow,thedeeperyourrootsmustbe.Ourculturalpastisourroots.Ifwedon’thavereallystrongrootsanddepthinourperception(認(rèn)識(shí))ofouridentity,wecannotgrow.Withouttheseroots,wewillbetornoutveryeasilywiththecurrents,”shetoldthejournalistinarecentinterview,addingculturalheritageisinfactverymuchaliveandrelevanttoday.Speakingofherteachingexperienceoverseas,KoniordousaidshewasverymuchimpressedbyherChinesestudentswhenshegaveseminarsonancientGreektragedyattheShanghaiTheatreAcademyin2014.WhenthestudentsworkedonAlcestis,anAtheniantragedybyancientGreekplaywrightEuripides,theythoroughlyresearchedthecostumestheywouldwear,theset,andthelights,amongothers,sherecalled.“IfeeltheyevolvedandweretransformedbythisexperienceasIwastransformed.Theydidnotjustplayarole,butcreatedawholeworldandthatiswhytheproductionhadsomuchinterestalsoforthespectators,”shesaid.KoniordouparticipatedintheproductionofEuripidesElectratogetherwithGreekdirectorKostasTsianos.“TsianosdidsomethingveryimportantforGreekculture.Heconnectedfolkformsofart,folkdances,songsandpoetrywithourclassicalpast.Wepresentedthisperformanceinmanyplacesaroundtheworld,andthefeelingthatitstirredintheaudiencewasquitesimilar,eventhoughtheydidn’talwaysunderstandthelanguage,”shesaid.TheChinesecivilizationisahugetreewithverydeeproots,andGreecealsohasarichancientcivilization,shesaid,addingshebelievesthatthetwocountriescouldpromotecooperationandexchangesinmanyfields,suchasinpreservationofantiques.1．Whatcanwelearnfromparagraph2?A．Theimportanceofculturalpreservation. B．Culturalheritageiseasilydamaged.C．Thetallergrowthwantsthedeeperroots. D．Weareeasilytornoutwiththecurrents.2．WhatdidKoniordoudoinShanghai?A．Sheplayedaroleandwaslovedbythespectators.B．Sheresearchedthecostumes,theset,andthelights.C．ShestudiedtheartofChineseperformanceasastudent.D．Shepromotedthestudents’understandingofGreekculture.3．WhydidKoniordoucooperatewithKostasTsianos?A．ToindicateherfriendshipwithTsianos.B．ToacknowledgeTsianosin’scontributions.C．TopopularizeandpromotetraditionalGreekculture.D．TointroducetheachievementofTsianosininpresentingclassics.4．Whatwillthetextprobablytalkaboutinthefollowingpart?A．CulturalpreservationinChina. B．Thewaytopreserveculturalheritage.C．TheintroductionofotherGreekartproductions. D．CooperationbetweenChineseandGreekculture.Passage2（2023·重慶·重慶一中?？寄M預(yù)測(cè)）Researchershavecreatedanoninvasive(無(wú)創(chuàng)的)braindecoderthatcantranslatestoriesheardbyparticipantsintoastringoftext,basedontheirMRIscans.Theteamsaysthistechnologycouldonedayaidcommunicationinpeoplewhoarementallyconsciousbutphysicallyunabletospeak,suchasstrokepatients.“Comparedtowhat’sbeendonebeforeusingthesamenoninvasivemethod,whichtypicallydealswithsinglewordsorshortsentences,thisnewtechnologyisarealleapforward,”AlexHuth,aprofessorofneuroscienceandcomputerscienceattheUniversityofTexasatAustin,saysinastatement.“We’regettingthemodeltodecodecontinuouslanguageforextendedperiodsoftimewithcomplicatedideas.”Huthandhiscolleaguescollectedhoursofdatafromthreeparticipantslisteningtothepodcasts“ModernLove”and“TheMothRadioHour”whileconnectedtoafunctionalMRI(fMRI)scanner,whichrecordedtheparticipants’bloodoxygenlevelsinpartsoftheirbrains.ThisdatawasusedtotrainanA．I.modeltomatchspecificbrainactivitypatternswithstringsofwords,theteamreportsinanewstudypublishedMondayinNatureNeuroscience.ThedecoderusedGPT-1,anearlierversionofthetechnologythatpowersChatGPT.Whentheparticipantslistenedtonewstories,thetoolcouldn’tspitbacktheexactwords,butitcouldconveythemainidea.Forexample,aparticipanthearing“Idon’thavemydriver’slicenseyet”hadtheirthoughtstranslatedto:“Shehasnotevenstartedtolearntodriveyet.”Theresearchersalsohadparticipantswatchmutedanimatedshortfilms.Thoughthemodelwastrainedonlyonspokenwords,itcouldstillgeneratealanguagedescriptionofwhatwashappening.Readingmindsraisesamultitudeofethicalquestionsaboutbrainprivacy,buttheresearcherssaytheirtooldoesn’tworkwithoutwillingcooperation.“Thisisallabouttheuserhavinganewwayofcommunicating,anewtoolthatistotallyintheircontrol,”DavidMoses,aresearcherofautomaticspeechrecognitionattheUniversityofCalifornia,SanFrancisco,whowasnotinvolvedinthestudy,said.“Thatisthegoal,andwehavetomakesurethatstaysthegoal.”5．Inwhataspecthasthenewtechnologymadeprogress?A．Theageoftargetusers. B．Thecomplexityoflisteningmaterials.C．Theincomeofresearchteams. D．Theeffectivenessofnoninvasivemethods.6．Whichofthefollowinggeneratesthetranslatedtext?A．Theresearchers. B．AfMR/scanner. C．AnA．I.decoder. D．ChatGPT.7．Whatcanbethedisadvantageofthenewtechnology?A．Aviolationtopersonalprivacy. B．Achallengetotraditionalculture.C．Aprejudiceagainstthementallydisabled. D．Abarrieragainsthumancommunication.8．Whichwouldbethebesttitleforthepassage?A．A．I.HelpsStrokePatientstoSpeakWithComputersB．ANewTechnologyMakesPeopleReadOthers’MindC．ChatGPTVoicesWhatYouthinkIntoaStringofwordsD．ResearchersUseA．I.toDecodeWordsFromBrainScansPassage3（2023·山東淄博·統(tǒng)考三模）WhenZhiYueying,then19,wenttotheremoteNiyangvillageinYichuncity,Jiangxiprovince,toworkasavillageteacherin1980,villagersweredoubtfulifshewasgoingtostaylong.Overthepastfourdecades,Zhihasdevotedherselftoruraleducation.SheisarecipientofTouchingChinaawardsthatrecognizethemostinspiringrolemodelsin2016.Shewasalsoawardedasamodelpovertyfighterbythegovernment.Zhihasaprofoundunderstandingoftheimportanceofeducationinthemountains.Overtheyears,shehastaughtthestudentsandcaredforthem,sincemanyofthemwere“l(fā)eft-behind”childrenwhoseparentsmigratedtootherplacestowork.Morethan1,000studentsofhershaveleftthemountainarea,andcreatedabetterlifeforthemselves.Locatedamidthemountains,thevillagewasverypoorandfarfromanytown.Villagershadtohikeinthemountains.“Iarrivedattheschoolinanearlyevening,andwasshocked.Ihadknowntheconditionswerepoor,buttherealitywasworse.”Moreover,localpeopleneededtogodownhilltobuydailynecessities,andtransportthembackintheirhandsorbalancedacrosstheirshoulders.“Ihadneverwalkeduphillonamountainroadbefore,soIwalkedmuchmoreslowlythanothers,sometimesIwalkedslowlybehindtoomuchandwasscaredtotears,”saysZhi.Sometimesshehadtowalkuphillbyherselfwithaflashlightatnight.Thewildboarsandrabbitssometimesfrightenedherandsheenhancedhercouragebysingingloudly.Butshegraduallygotusedtoherlifethere.Atthebeginning,shefoundmanylocalpeoplevaluedtheirsonsfarmorethantheirdaughters,andwouldnotliketoletthemattendschool.Zhiwenttotheirhomesrepeatedlyandgraduallypersuadedthemtosendalltheirchildrentoschool.Forthosewhocouldnotaffordthetuition,shesparedherownmoneytohelp.Zhisaysseeingherstudentsdowellbeyondthemountainsisdeeplyrewarding.“Mydream,thesameasbefore,istostaybythesideofmorechildren.Iknowpovertywillforeversaygoodbyetothemountainousvillages,tomystudents,andtomyself,”saysZhi.9．WhydidZhichoosetostaylonginthemountains?A．Shewasavillageteacher.B．ShewasaTouchingChinaawardsrecipient.C．Shewasshockedbythepoorlivingconditions.D．Shewasawareofthesignificanceofruraleducation.10．WhatisParagraph3mainlyabout?A．Thereasonsfortheirpoverty.B．Thewaysofbuyingdailynecessities.C．Thetoughsituationsinthemountains.D．ThedescriptionofZhi’steachingexperience.11．WhatcanwelearnaboutZhiYueying?A．Shehasasenseofachievement. B．Sheenjoyslivinginmountains.C．Shehaschangedthelocallife. D．Shelikeschallengesinteaching.12．Whatisasuitabletitleforthetext?A．ALife-changingLesson B．AContributortoRuralEducationC．TheTeachingExperienceinMountains D．TheCurrentSituationofRuralEducationPassage4（2023·廣東·校聯(lián)考三模）Diplomacy(外交)isanart.Itrequiresnotonlystrategy,butalsootheraspects,includingintuition,persuasion,andeventricks,humanskillsthathavelongbeenunreachabletoeventhemostpowerfulartificialintelligence(AI)approaches.Now,anAIalgorithm(算法)fromahigh-techcompanyhasshownitcanbeatmanyhumansinagameofdiplomacy,whichrequiredbothstrategicplanningandnegotiationswithotherplayers.Thework,researcherssaid,couldpointthewaytowardvirtualexercisecoachesandconflictmediators(調(diào)解員).AIhasalreadybeatenhumansinsomegamesofstrategy.Itisalsoprovingpowerfulatnatural-languageprocessing,inwhichitcangeneratehumanliketextandcarryonconversations.Inthegameofdiplomacy,sevenplayersviedforcontrolofEurope.Oneachturn,playersissuedordersregardingthemovementofarmyandnavalunits,followingdiscussionwithotherplayers,whomtheycouldattackorsupport.TherearetwotechnicalinnovationsnotedbyJonathanGratch,acomputerscientistattheUniversityofSouthernCaliforniawhostudiesnegotiationagents.First,theAlagent’scom-municationisgroundedinmultistepplanning.Second.theAlagentkeepsitsremarksandgameplaywithintherangeofhumancommonpractice.Totestitsskill,theresearchershadtheAlagentplay40onlinegamesagainsthumans.Itplacedinthetop10%ofplayerswho’dplayedatleasttwogames.“Inagamethatinvolveslanguageandnegotiation,thatagentscanreachhumanequallevelisveryexciting,”saidYu,acomputerscientistatColumbiaUniversity.AccordingtoBrown,acomputerscientistatthecompanywhoco-authoredthepaper,theworkcouldleadtopracticalapplicationsinfieldsthatnowrequireahumantouch.Onespecificexampleisthatvirtualpersonalassistantsmighthelpconsumersnegotiateforbetterpricesonplanetickets.GratchandYubothseeopportunitiesforagentsthatpersuadepeopletomakehealthychoicesoropenupduringtherapy.13．Whoislikelytobenefitfromtheresearchwork?A．Afamouscyberathlete. B．Aprofessorofcivillaw.C．Aprofessionalaccountant. D．Avirtualfitnessinstructor.14．Whatdoestheunderlinedword“vied”meaninparagraph2?A．Accounted. B．Apologized. C．Searched. D．Competed.15．WhydoestheauthormentionAIagent?A．TounderstandthethoughtofAI. B．ToillustratetheadvantagesofAI.C．TodescribetheimportanceofAI. D．TointroducethestrategyofAI.16．Whatisthebesttitleforthetext?A．Diplomacy,aPopularGame B．AILearnstheArtofDiplomacyC．AlWillBecomeaPerfectDiplomat D．AnExcellentGamePlayerPassage5（2023·河南鄭州·統(tǒng)考模擬預(yù)測(cè)）Accordingtostatistics,358beespeciesliveintheNetherlands,butmorethanhalfofthemarepartoftheDutchredlist—acataloglistingendangeredspecies.Tosupporttheinsects,thecityofUtrechtCouncil,togetherwithadvertisingagencyClearChannel,hastransformed316busstopsacrossthecityinto“beebusstops”.Theyarelikeordinarybusshelters,butsmallgardenshavebeenaddedtotheroofs.Thegardensarefilledwithgrassandwildflowerschosentoattractbees.Thecityauthoritiesputtheprojectouttotender(投標(biāo)).Inthetender,theyoutlinedtherequirementsandencouragedapplicantstodevelopanature-inclusivedesignthatoffersecologicalbenefitstothecity.Finally,theysignedanagreementwithClearChannel,whowonthetenderandsetup316busshelters.Theprojectdidn’tcostthecitygovernmentanything.Theoperatorsareresponsiblefortheupkeepofthestopscitywide,usingincomefromadvertising.Thebussheltershavebroughtaboutgreatchangesinthecity.Greenroofscatchfinedust,storerainwaterandprovidecoolingintheheat.Theyalsoensurebiodiversityinthecity.Therearealso96busstopsfittedoutwithLEDlightingandbamboobenches.Thebaseplateisalsomadefromrecycledconcrete.Theadvantagesofthebusstopshavenotgoneunnoticedbythemedia.Butwhatparticularlyhascaughtthemedia’sattentionisthattheseeco-friendlysheltersmakepeoplehappyandenthusiastic,andencouragethemtodosomethingfornature.ThisuniqueDutchcityevenhasaprogramforresidentswhocantransformtheirownroofsintogreenroofsforbees.Residentsinterestedinthiscanapplyforgovernmentallowances.Clickhereformoreinformationanddetails.17．WhydidtheUtrechtCounciladdgreenroofstoitsbusshelters?A．Tobeautifytheurbanspace. B．Topromotepublictransport.C．Tooffercomforttotravellers. D．Tostopthebeepopulationdecline.18．Whatisparagraph2mainlyabout?A．Howthecostswereshared. B．Howtheprojectwasoperated.C．Whatwasineludedinthetender. D．Whytheagreementwasreached.19．Whatimpressesthemediamostaboutthebusshelters?A．Thevarietyofthechosenplants.B．Theirroleinreducingairpollution.C．Theuseofenergy-savingLEDlights.D．Theireffectonpeople’senvironmentalawareness.20．Whoisthetextmainlyintendedfor?A．Localtourists. B．Newsreporters.C．Utrechtcitizens. D．Projectmanagers.Passage6（2023·廣東·統(tǒng)考二模）CouldthenextErnestHemingwayorJaneAustenbeawell-engineeredAIsoftwareprogram?It’saquestionbecomingincreasinglypressingasmachinelanguage-learningsoftwarecontinuestoevolve.Muchofthisisjustnerves.Today’sAIcreativewritingprogramsarenotyetatastageofdevelopmentwheretheyposeaseriousthreattoColleenHooverorCharlesDickens.ButwhileattentioncontinuestofocusonthepossibilityofablankettakeoverofhumanliteraturebyAI,farlessconsiderationhasbeengiventotheprospectofAIco-workingwithhumans.Earlierthismonth,Americansci-fiwriterKenLiu,whohadbeenawardedHugoandNebulatohisname,joined12otherprofessionalauthorsforawritingworkshoponGoogle’sWordcraft.ThisAItool,alanguagegeneratingmodel,isnotyetpubliclyavailablebutisadvertisedasanAI-poweredwritingassistantthatcan,whengiventherightinstructionfromthewriter,providehelpfuldescriptions,createlistsofobjectsoremotionalstates,andevenbrainstormideas.Thewritersattheworkshop,however,emergedwithmixedreports.“Wordcraftistoosensible.Wow!”RobinSloanwrote.“But‘sensible’isanotherwordforpredictable,overusedandboring.Myintentionhereistoproducesomethingunexpected.”I’munconvincedthatwritersawardedtheNobelPrizehavemuchtofearfromAI.Theirwork,andthatofcountlessothernovelists,shortstorywriters,dramatistsandpoets,istooparticular,toobeautifullyunique.Evenifamodellearnedwhattheyhaddoneinthepast,itwouldnotbeabletopredictwheretheircreativitymighttaketheminthefuture.Butforauthorswhowritefollowingapattern,AImightstepin,firstasassistantsbeforesomedaytoauthorship.Production-linenovelsarenothingnew.Inthe1970s,BarbaraCartland,whowrotemorethan723booksinherlifetime,manyofwhichareromancebestsellers,wouldreadhernovelsforhersecretarytotypeupattheremarkablerateofroughlysevenchaptersaweek.Butalreadymachinehasreplacedthesecretary’srole.Perhapscreativewritingsoftwareisn’tthatfarfromreplacingtheMrs.Cartlandsoftoday.21．WhichaspectofAIcallsformoreattention?A．Itsdamagetoournerves.B．Itsprogressinliterarystudies.C．Itscooperationwithhumans.D．Itsinfluenceonhumanliterature.22．WhatcanwelearnaboutWordcraftfromthetext?A．Itgeneratesnovelsautomatically.B．Itoutperformsprofessionalwriters.C．Itsworksreceivepraisesfromthepublic.D．Itsworksbearsimilaritytoexistingones.23．WhatcanwritersdotoavoidthethreatfromAI?A．Increasewritingspeed.B．Usediverseresources.C．Producecreativeworks.D．Followthelatestpatterns.24．Whichofthefollowingisthebesttitleforthetext?A．WillAIReplaceHumanWriters?B．AIWarnsMrs.CartlandsofTodayC．IsWritingRunningintoaNewEra?D．WordcraftLiesattheCenterofDebatePassage7（2023·北京西城·二模）Facedwithanattemptbyanewchatbottoimitate(模仿)hisownsongs,themusicianNickCavedeliveredastrongresponse:itwas“anabsolutelyhorribleattempt”.HeunderstoodthatAIwasinitsbabyhood,butcouldonlyconcludethatthetruehorrormightbethat“itwillforeverbeinitsbabyhood”.Whilearobotmightonedaybeabletocreateasong,hewrote,itwouldnevergrowbeyond“akindofburlesque(滑稽的模仿)”,becauserobots-beingcomposedofdata-areunabletosuffer,whilesongsariseoutofsuffering.FansofCaveandhisbandwillagreethathismusicisinimitable,butthatdoesn’tmeantheywouldnecessarilybeabletotellthedifference.AfewdaysbeforeCave’sremarks,expertswereaskedtodistinguishbetweenfourgenuineartworksandtheirAIimitations.Theirconclusionswerewrongfivetimesoutof12,andtheywereonlyunitedlyrightinoneofthefourpicturecomparisons.Thesearepartygames,buttheypointtoanunfoldingchallengethatmustbemanagedasamatterofurgencybecause,likeitornot,AIartisuponus.Thearrivalofthehuman-impersonatingChatGPTmighthaveincreasedgeneralawareness,butartistsacrossawiderangeofdisciplinesarealreadyexploringitspotential,withthedancerWayneMcGregorandLondon’sYoungVicTheatreamongthosewhohavecreatedAI-basedworks.Astrongly-wordedreportfromCommunicationsandDigitalCommittee(CDC)issuedawake-upcalltothegovernment,urgingittoraiseitsgameineducatingfuturegenerationsoftech-savvyprofessionals,andtacklingkeyregulatorychallenges.Theseincludedreviewingreformstointellectualpropertylaw,strengtheningtherightsofperformersandartists,andtakingactiontosupportthecreativesectorinadaptingtothedisturbancescausedbyswiftandstormytechnologicalchange.WhiledevelopingAIisimportant,itshouldnotbepursuedatallcosts,theCDCstressed.ItdeploredthefailureoftheDepartmentforDigital,Culture,andMediatoofferadefenceagainstproposedchangestointellectualpropertylawthatwouldgivecopyrightexemption(版權(quán)豁免)toanywork,anywhereintheworld,involvingAItextanddatamining.ThechallengesofAIarebothphilosophical,asCavesuggested,andpractical.Theywillunfoldovertheshortandlongterm.State-of-the-artcreativeindustrieshaveakeyroletoplayinshapingandexploringthephilosophicalones,buttheymusthavethepracticalhelptheyrequiretosurviveandbesuccessful.Theyneeditnow.25．WhydoestheauthormentionthefourpicturecomparisonsinParagraph2?A．TostressthesimilaritiesbetweenAIartandhumanart.B．ToarguethathumanartwillbereplacedbyAIart.C．ToproveAIisstretchingtheboundariesofart.D．ToimplyAIartcannotbeunderestimated.26．Whatdoestheunderlinedword“deplored”inParagraph5probablymean?A．Clearlyanalyzed. B．Bravelysuffered.C．Stronglycriticized. D．Accuratelyperceived.27．Whatcanbeinferredfromthepassage?A．SomeartistsseeAIasatooleventhoughitisathreat.B．CreativeindustriesareresponsibleforcausingtheAIproblem.C．TechprofessionalsneedmoretrainingtobetterunderstandAIart.D．ThequalityofAIartdismissesconcernsaboutintellectualproperty.28．Whichwouldbethebesttitleforthepassage?A．TheCreativeThief:AIMakesPerfectArtB．AIinArt:ABattleThatMustBeFoughtC．ThreatorOpportunity:TheImpactofAIonArtD．TheRiseofAIArt:WhatItMeanstoHumanArtistsPassage8（2023·四川成都·統(tǒng)考三模）Whatisthebiggestbonyfishintheworld?Thattitlebelongstosunfish,whichcanreachuptoovertwotons.Arecently-discoveredspeciesofthisfishisMolatecta,whichwasdiscoveredbyNyegaard,aPhDstudentinAustralia,aftera4-yearsearch.AspartofherPhDresearch,sheanalyzed150DNAsamplesfromsunfishoffthecoastofAustraliaandfoundthat,besides3existingspecies,thereisanotherthatdidn’tfitwithanyknownspecies.Actually,thismysteriouscreaturewasnotoutofthinair.Itwasfirstputontheradar(雷達(dá))inAustralianwaterabout10yearsago.Theresearchersatthetimehadfoundgeneticevidenceofafourthspecies,butthecreaturehadnotyetbeenfound.Sheandateamofresearchersbegantheirsearches.Theyestablishedanetworkofpeoplewhocouldinformthemwheneverasunfishwasfound.Finally,inoneluckyinstancetheyweremadeawareoffoursunfishthathadbeenwasheduponthebeachinNewZealand.Theyimmediatelyflewtotakesamples.Whattheyconfirmedisthatthesesunfishwereindeedmembersofthespeciestheyhadbeensearchingfor.“Thenewspeciesmanagedtoescapediscoveryforcenturiesby‘hiding’.ThatiswhywenameditMolatecta,meaning‘hidden’inLatin,”saidNyegaard.TheteamthenstudiedMolatectaandfoundthisnewspecieshasaslimmerandsmootherbodyshapethancommonsunfish,butcanstillgrowtobe2.5meterslong.Sunfisharen’trare,butit’strickytostudythem.Theytendtoliveonlyinareasthatmosthumansdon’tgoandtheydivehundredsofmetersjusttofeed.Whiletheydon’tneedairlikeseamammals,theyoftensurfacetosunbatheandinviteseabirdstopicktheparasitesofftheirbodies.Nowthatresearchershaveconfirmedtheexistenceofthefourthsunfish,theycanresteasyandexcitedlylearnevenmoreaboutthisfish.29．Whatdoestheunderlinedphrase“outofthinair”inParagraph2mean?A．Unknown. B．Rare. C．Active. D．Unpredictable.30．Whatcanweknowabouttheteam’ssearches?A．Theywereassmoothasexpected.B．Theirresultswereoutofexpectation.C．Theyweremainlydonethroughinterviews.D．Theyinvolvedeffortsfromnon-professionals.31．Whatmakesitdifficulttostudysunfish?A．Theirsizeandshape. B．Theireatinghabits.C．Theirdesireforsunshine. D．Theirhabitatandmovements.32．Whatisthistextmainlyabout?A．Theresearchofaseaanimal. B．Thediscoveryofanewspecies.C．ThecharacteristicsofMolatecta. D．Thedifficultyofstudyingseaanimals.Passage9（2023·湖南長(zhǎng)沙·長(zhǎng)沙市明德中學(xué)?？级＃㊣fEgyptiancomicsartistandwriterDeenaMohamedeverencounteredagenie(精靈),sheknowswhatshe’dwishfor.She’dwishforeveryoneshelovedtolivetoage120.Andshe’dwishforanybooksheeverwantedtoreadtoappearrightinfrontofhereyes.“IfIevercomeacrossagenie,Ihavetobeready,”shesays.“Theyhavetobesmartwishes.”Wishesarethethemeofherfirstgraphicfantasynovel,ShubeikLubeik,publishedthisweekbyPantheonBooks.ThebookfollowsShokry,agrocerinCairo,Egypt,ashetriestoselloffthreewishesheinheritedfromhisfather.HemeetsthreeEgyptianswhoselivescanberadicallytransformedbythepowerofawish.Thebookhighlightsthefantastical—therearedragons,talkingdonkeysandaridiculousscenewheresomeonewishesforaBMWandgetsatoycar.ButthestoryisalsoremarkablygroundedintherealitiesofmodernlifeinEgypt.Ittouchesonthelifeofthepoor,whomustnavigatecomplicatedprocessestogetwhattheyneed.Onecharacter,apoorwomannamedAziza,picksuptrash,scrubsfloorsandworksnumerousjobstobuyawish—onlytofindthatbeforeshecanuseit,shemustregisterherwishwithEgypt’sMinistryofWishes.Whenshefinallygetsinfrontofagovernmentworker,theyassumeshehasstolenthewishandconfiscate(沒(méi)收)it.Mohamedwrites,“Whatstandsbetweenyouandyourwishcouldbeagovernmentemployeewithpaperworkonthefourthfloor.”Mohamed,28,whowasbornandraisedinCairo,said,“It’sjustthewayI’veexperiencedtheworld.Soit’sthewayIbuiltmyownworld.”ThebookwonthetopprizeattheCairoComixFestival,anannualcomicsconventionforcartoonistsinEgyptandtheMiddleEast.33．WhatdoweknowaboutShubeikLubeik?A．Wishesarethethemeofthiscomicbook.B．Mohamedisthemaincharacterofthebook.C．ThebookwonthetopprizeawardedbyPantheonBooks.D．ThebookradicallytransformedthelivesofthreeEgyptians.34．Whatwordscanbeusedtodescribethebook?A．Ridiculousandappealing. B．Fantasticalandrealistic.C．Interestingandeducational. D．Touchingandcompl