取材于原著的高考試卷語(yǔ)篇之三

1、取材于原著的高考試卷語(yǔ)篇之三張鐵城 2016、2、發(fā)送簡(jiǎn)介下面選擇上傳是：（一）2006年全國(guó)卷I（含聽(tīng)力）的“完形填空”、（二）2006年全國(guó)卷I（含聽(tīng)力）的閱讀D篇。這兩個(gè)語(yǔ)篇“在文字方面保持原貌的程度較高”。如果你，不僅細(xì)讀了這兩個(gè)語(yǔ)篇及其原著，而且下功夫背誦默寫(xiě)一番，你的受益會(huì)遠(yuǎn)遠(yuǎn)超過(guò)背誦那些英漢對(duì)照詞匯表，你會(huì)無(wú)暇顧及那些用漢語(yǔ)講解的語(yǔ)法規(guī)則，那么，這樣做做就對(duì)了。（一）2006年全國(guó)卷I（含聽(tīng)力） 的“完形填空”這篇試題直接取材于：原著Crossing the line of convention（這篇320個(gè)單詞的文章，是摘錄自美國(guó)作家Robert Fulghum的散文集&quo

2、t;Maybe (Maybe Not)"；該書(shū)是1995年前后美國(guó)暢銷(xiāo)書(shū)，甚至在2006年還有人將該選段Crossing the line of convention選貼網(wǎng)上。如：Other Issues, posted by Llib Brunyar, a resident of the Menlo Park: Central Menlo Park neighborhood, on Dec 20, 2006 at 2:32 pm From a wonderful book by Robert Fulghum. The book is titled "Maybe (Mayb

3、e Not)"Crossing the line of convention by Robert Fulghum（原著全文320個(gè)英語(yǔ)單詞經(jīng)命題人員改編后，成為完形填空語(yǔ)篇，全文填滿后：301 個(gè)英語(yǔ)單詞。綠色粗體部分為命題人員保留的原文的詞匯，共計(jì)215個(gè)。）（黑色粗體部分為命題人員改動(dòng)/添加的詞匯）On a hot summer's day（a hot summer day）late in August（in late August）, I sought shade and a cool drink under the canvas awning（布篷） of a wat

4、erfront cafe in the old harbor of the town of Chania, on the Greek island of Crete. More than 100 degrees in still air. Crowded. Tempers of both the tourists and waiters had risen to meet the circumstances（situation）, creating（making it） a tensely（rather） quarrelsome environment. At the table next t

5、o mine sat an attractive young （,well-dressed）couple. Well dressed in summer fashions of rumpled linen and fine leather sandals. The man: stocky, olive-complexioned, black hair, and mustache. The woman: lanky, fair, blond. Waiting（,waiting） for service, they（They） held hands, whispered affections, k

6、issed, giggled, and laughed.Suddenly, they stood, picked up their metal table, and, carrying it with them, stepped together off the edge of the quay（where they were sitting ） to place the table in the shallow（sea） water of the harbor. The man waded（stepped） back for two chairs. He gallantly（politely

7、） seated his lady in the waist-high（*knee-deep） water and sat down himself. The onlookers（All people around）laughed, applauded, and cheered.A sour-faced waiter appeared. He paused for the briefest moment（just a second）. Raised his eyebrows. Picked up a table cloth, napkins and silverware. Waded （,wa

8、lked）into the water to set the table and take their order. Waded（,and then walked） back ashore to the ongoing （loud）cheers and applause of the rest of his customers. Minutes later he returned with a tray carrying a bucket（bottle）of iced champagne（wine）and two glasses. Without pausing, he waded（went）

9、 once more into the water to serve the champagne（wine）. The couple toasted（祝酒）each other, the waiter, and the crowd. And the crowd replied by cheering and throwing flowers from the table decorations（to them）.Three other tables joined in to have lunch in the sea（water）. The atmosphere shifted from fr

10、ustration to festival（The place was now filled with laughter）. One does not wade（step） into（the）water in one's best summer outfit（clothes）. Why not?Customers are not served in the sea. Why not?Sometimes one should consider crossing the line of convention（and enjoy life to the fullest）.Author ：Ro

11、bert FulghumAuthor Robert Fulghum has published seven best-selling books: All I Really Need to Know I Learned in Kindergarten, It Was on Fire When I Lay Down on It, Uh-Oh, Maybe (Maybe Not), From Beginning to EndThe Rituals of Our Lives, True Love and Words I Wish I Wrote. There are currently more t

12、han 16 million copies of his books in print, published in 27 languages in 103 countries. （二）2006年全國(guó)卷I（含聽(tīng)力） 的閱讀D篇全國(guó)卷I閱讀D篇 “Life after retirement”（共計(jì)1,479個(gè)英語(yǔ)單詞）取材于：其中876個(gè)英語(yǔ)單詞的原文The Collageskl: kl: （拼圖）of David Arthur Adams July 30, 2004 （試卷文章全長(zhǎng)只有239個(gè)英語(yǔ)單詞）（綠色粗體部分為命題人員保留的原著的詞匯，黑色粗體部分為命題人員改動(dòng)/添加的詞匯。）

13、Tarzan's DreamSince my retirement from teaching music in 2001, I have spent a good deal of time（painting） working on mysecond career" as an artist. I have two brothers who are professional artists, and my son was trained by the Minneapolis College of Art & Design. Yes, art is in the fam

14、ily, led by my father, "Art," Arthur Adams, who was a talented sketch artist who kept us children entertained during the long sermons of his beloved Missouri Synod Lutheran Church by drawing animals for us on a little pad. We were amazed that a mere human being could bring so many creature

15、s to life with the stub of an ordinary pencil.  I actually began drawing again in the summer of 1995 when my father, Art, died, so perhaps I was trying to recover my lost father, or maybe it was just that it brought back memories of him. In any case, I drew pen and ink animals and landscapes mu

16、ch influenced by Krenkel（見(jiàn)：注釋?zhuān)?and St. John（見(jiàn)：注釋?zhuān)?for five years. For some strange reason, I had been waiting until my retirement to start doing watercolors again, but as soon as I walked out the school door for the last time I picked up my brushes and rediscovered Andrew Wyeth, who quickly became m

17、y favorite artist. I had looked through all the art books I had on my shelves and found his watercolors to be the closest to how I thought good watercolors should look. And so I painted landscapes around Minnesota for three years and tried out many other media, including pencils, charcoal, pastels（蠟

18、筆畫(huà)）, and acrylics（丙烯酸畫(huà)）（types of painting）. However, watercolors remained my（first）media of choice, and I think I did my best work there, showing my paintings in（at）a number of local galleries and events（art exhibitions）. Way back in 1969, I started doing a set of small 4x6 inch collages on note car

19、ds. I was living at home with my parents during the summer before I went back to the University of Minnesota for my Masters Degree in Music. My little brother was in his senior year in high school and headed toward his career as an artist. We worked in the basement, the coolest place during that hot

20、 summer (our parents did not believe in air conditioning) I worked on ideas for a thesis, and my brother on large acrylic paintings（丙烯酸畫(huà)）. The small collages were just a whim（心血來(lái)潮之作）, based upon my reading of Dada（達(dá)達(dá)派1916-1922西方怪誕象征藝術(shù)/虛無(wú)主義流派） and the Surrealists（超現(xiàn)實(shí)主義者）. I tried my hand at a dozen,

21、then forgot about them for about 35 years. Sometime during the past couple of years while organizing my notebooks, photographs, and writing (the thing one does during retirement) I came across those old collages and found them to be very powerful. They inspired me to take up collaging again, and I h

22、ave done little else with art since March of this year. I now have over a hundred small pieces on various size cards and a number of larger ones, which I showed at a recent gallery exhibit in Bird Island of regional Minnesota artists. My collages are all surreal（超現(xiàn)實(shí)的） and deal with archetypal（原形/典型）

23、 images based upon my interest in the writings of Carl Jung（= Carl Gustav Jung 1875-1961 Swiss psychologist & psychiatrist）. Most of them so far start with backgrounds upon which I build up images, however, recently I have started combining colored and black and white pictures with watercolor, g

24、ouache（水粉畫(huà)）and drawing.  My new interest in collaging began with a series of pictures for Bruce Bozarth（= David Bruce Bozarth, author of“Exploring Barsoom With Ras Thavas and the Calot見(jiàn) 注釋?zhuān)ゝor one of his Ras Thavas（= master scientist and physician）short stories and the ones displayed on th

25、is site based upon the Tarzan stories. After this I seem to have worked in the direction of shamanism（西伯利亞的薩滿教） with images of animals and people combined. I started a series on the 12 labors of Hercules（大力神）, doing a number of 11x14 pictures and have recently begun working with 8x11 stock. I have a

26、 great, large Noahs Ark（諾亞方舟）, 14x20, which is my usual large watercolor size. I guess collaging is in my blood, at least, Im still up for them after 4 months.  Like all of art, collaging is a method of seeing rather than just something placed on paper or canvas. For me, it more about doing tha

27、n the product you get by doing. I do these things to see the world better and to see myself with more clarity. I have found that collaging teaches one to see images in relation to the things around them and how they lie upon backgrounds.I do some collaging every day in my garage studio. I cut and gl

28、ue while I smoke my pipe. Art is（now） expansive and works together with my piano playing and reading. There is a time for everything in my world, and it is wonderful to portion out（= divide into parts and give to some people）my（have some）time doing what I want to do. As Kung Chiu wrote（Confucius onc

29、e said）: "At fifteen I thought only of study; at thirty I began playing my role; at forty I was sure of myself; at fifty I was conscious of my position in the universe; at sixty I was no longer argumentative; and now at seventy I can follow my hearts desire without violating custom." （子曰：吾

30、十有五而志于學(xué)，三十而立，四十而不惑，五十而知天命，六十而耳順，七十而從心所欲不踰矩。） July 30, 2004   注釋?zhuān)海?）Carlot：A calot? Think of a beast with a body about the size of a Shetland pony with ten legs, a gaping maw （= a widely open mouth）filled with three rows of very sharp teeth, a short bristle（= short stiff wire-like hair） of mane（= 鬃毛/鬣毛the long hair of the neck of a