川劇變臉英文介紹

1、【精品文檔】如有侵權，請聯(lián)系網(wǎng)站刪除，僅供學習與交流川劇變臉英文介紹.精品文檔.川劇變臉英文介紹提起變臉，我們先要說說川劇。川劇是中國地方戲之一，流行于四川、云南、貴州等地。變臉可不是隨便化化妝，改變一下自己的臉譜。它是川劇中的一種特殊技法，在幾秒鐘內可以多次變換臉部妝容，表演時常常用它來表達劇中人物的不同的思想感情。We cannot talk about face changing without mentioning Sichuan opera. Sichuan Opera is one of many local operas in China, popular in the prov

2、inces of Sichuan, Yunnan and Guizhou. Face changing is not simply changing ones facial makeup in a casual way, but is a special technique in the performance of Sichuan Opera. It refers to the changing of masks in quick succession to show different emotions and feelings of the character in the play.相

3、傳“變臉”的由來與古代人們應對野獸侵犯有關。以前，古人在遇到兇猛的野獸時，就在自己臉上勾畫出不同的圖案，這樣做就可以嚇唬野獸、保護自己。后來，川劇就把這種方法搬上舞臺，也就有了后來“變臉”這一門獨特的藝術。It is said the origin of face changing has something to do with the resistance of wild beasts. In ancient times, when coming across a ferocious animal, people used to draw different patterns on the

4、ir faces to scare the animal away and keep themselves safe. Later on, such trick was applied to the stage performance of Sichuan Opera, and the unique art of face changing has thus come into being.變臉也有很多種方法，大體上可以分為三種： “抹臉”、“吹臉”和“扯臉”。Face-changing techniques generally fall into three categories, “wip

5、ing”, “blowing” and “pulling”.“抹臉”是將化妝油彩涂在臉的某一部位上，到時用手往臉上一抹，便可變成另外一種臉色。 “吹臉”只適合于粉末狀的化妝品。表演時，會在舞臺的地面上擺一個很小的盒子，里面裝粉末，演員到時做一個伏地的舞蹈動作，趁機將臉貼近盒子一吹，粉末撲在臉上，立即就能變成另一種顏色的臉?！俺赌槨笔鞘虑皩⒛樧V畫在一張一張的綢子上，剪好，每張臉譜上都系一把絲線，再一張一張地貼在臉上。絲線則系在衣服的某個地方，但不能讓別人看出來，很多人常常把它系在腰帶上。表演時，在舞蹈動作的掩護下，再一張一張地將它扯下來?！癢iping” is to spread the pai

6、nt over the face while performing. The paint is put on a certain part of the face in advance. “Blowing” is only employed when powder cosmetics are used. On the stage, a tiny box with powder cosmetics in it is placed before hand. A movement of prostration near the box will enable the performer to blo

7、w the powder onto his face. When one is going to use the “pulling” technique he has to draw facial masks on fine pieces of silk cloth, cut them into the right size, tie a thin thread to each mask and stick them onto his face before the performance. The threads are fastened to somewhere hidden in his

8、 costumes. Many performers prefer to tie them onto their waistbands. When performing, the artist would pull the mask off one after another under the cover of various dancing movements.其實，三種方法中第一種最常用也最簡單，而吹臉則相對麻煩了點。因為在吹的過程中要閉眼，閉氣，否則，粉末進到眼里或者嘴里，就沒有辦法繼續(xù)表演了。扯臉是最麻煩的。因為舞蹈動作既要自然，還要做好掩護，要不然就會被觀眾看破，那樣的話，觀眾一生

9、氣，恐怕也要“變臉”了。In practice, the first method of the three is most employed because it is the simplest, while “blowing” is relatively more complicated since one has to close his eyes and shut up his mouth when blowing in case the powder would fly into his eyes and mouth so the performance would not be continued. However, “pulling” is the most troublesome among the three skills. The dancing movements have to be natural and the action of pulling sh