2019高考英語閱讀理解---代詞指代

1、精選優(yōu)質(zhì)文檔-傾情為你奉上高考英語 閱讀理解-代詞指代 1. Despite the celebrations, though, in the U.S. the jazz audience continues to shrink and grow older, and the music has failed to connect with younger generations.Its Jason Morans job to help change that. As the Kennedy Centers artistic adviser for jazz, Moran hopes to w

2、iden the audience for jazz, make the music more accessible, and preserve its history and culture.What does the underlined word “that” refer to?AJazz becoming more accessible.BThe production of jazz growing faster.CJazz being less popular with the young.DThe jazz audience becoming larger.2. There are

3、 many places to go on safari（觀賞野生動(dòng)物）in Africa，but riding a horse through the flooded waters of Botswana's Okavango Delta must rank as one of the world's most exciting wildlife journeysSeveral safari camps operate as the base for this adventure，providing unique rides twice a day to explore de

4、ep into the deltaThe camps have excellent horses，professional guides and lots of support workersThey have a reputation for providing a great riding experienceWhat does the underlined word “They” refer to?_AFlooded waters BWildlife journey CSafari camps DUnique rides3. When Masqsood and Iftekhar bega

5、n to study the problem of all the uncollected rubbish that lay in Dhakas streets,Attracting tats and disease , they discovered that 80% of it was natural waste . So they educated the poor people in the city to compost (把制成堆糞)this waste . They knew that they would have a market for the end product be

6、cause local farmers were struggling with chemical ferntilisers (化肥) which were expensive and had reduced the natural minerals in the soil over the years . At first , they were refused ,but once they were able to persuade them that there was money to be made , the project took off. In 2009 sales were

7、 $14,000.The underlined word "them" in Paragraph 3 probably refers to"_"Athe local farmers BMasqsood and IftekharCDrayton and his teamDthe poor people in Dhaka4. For most city people, the elevator is an unremarkable machine that inspires none of the enthusiasm or interest that Am

8、ericans afford trains, jets，and even bicycles. Dr. Christopher Wilk is a member of a small group of elevator experts who consider this a misunderstanding. Without the elevator, they point out, there could be no downtown skyscrapers or tall buildings, and city life as we know it would be impossible.

9、In that sense, they argue，the elevators role in American history has been no less significant than that of cars. In fact, according to Wilk? the car and the elevator have been locked in a “secret war” for over a century, with cars making it possible for people to spread horizontally (水平地)，and elevat

10、ors pushing them toward life in close groups of towering vertical (垂直的)columns.What does the underlined word “this” in Paragraph 1 refer to?AThe general view of elevators.BThe particular interests of experts.CThe desire for a remarkable machine.DThe enthusiasm for transport vehicles.5. Walt Disney i

11、s credited for creating such wonderful things as Donald Duck and Mickey Mouse. However, he cannot take the credit for creating other well-loved characters, such as Cinderella and Snow White. They are almost automatically associated with Disney because Disney turned old fables(寓言) into cartoon movies

12、.The original Cinderella varies very much from the Disney version we know today. It started off with the girl mourning her mothers death and going to her tomb three times a day. In addition, there were only birds that helped Cinderella; there was no such thing as a fairy godmother or helpful mice, n

13、or was there mention of a horse and carriage. What dose the underlined word “They” in the first paragraph refer to?ASuch wonderful things.BOther well-loved characters.COld fables.DCartoon movies.6. You are given many opportunities in life to choose to be a victim or a creator. When you choose to be

14、a victim, the world is a cold and difficult place. “They” did things to you which caused all of your pain and suffering. “They” are wrong and bad, and life is terrible as long as “they” are around. Or you may blame yourself for all your problems, thus internalizing(內(nèi)化) your victimization. The truth

15、is, your life is likely to stay that way as long as you feel a need to blame yourself or others. Those who choose to be creators look at life quite differently. They know there are individuals who might like to control their lives, but they dont let this get in the way. They know they have their wea

16、knesses, yet they dont blame themselves when they fail. Whatever happens, they have choice in the matter. They believe their dance with each sacred(神圣的) moment of life is a gift and that storms are a natural part of life which can bring the rain needed for emotional and spiritual growth.What does th

17、e word “they” in Paragraph 1 probably refer to?APeople and things around you.BOpportunities and problems.CCreators and their choices.DVictims and their sufferings.7. Sparrow is a fastfood chain with 200 restaurants. Some years ago，the group to which Sparrow belonged was taken over by another company

18、. Although Sparrow showed no sign of declining，the chain was generally in an unhealthy state. With more and more fastfood concepts reaching the market，the Sparrow menu had to struggle for attention. And to make matters worse，its new owner had no plans to give it the funds it required.Sparrow failed

19、to grow for another two years until a new CEO，Carl Pearson，decided to build up its market share. He did a survey，which showed that consumers who already used Sparrow restaurants were extremely positive about the chain，while customers of other fastfood chains were unwilling to turn away from them. Sp

20、arrow had to develop a new promotional campaign.What does the underlined word “them” in Paragraph 2 refer to?ACustomers of Sparrow restaurants.BSparrow restaurants.CCustomers of other fastfood chains.DOther fastfood chains.高考英語閱讀理解 代詞指代 參考答案1. Despite the celebrations, though, in the U.S. the jazz a

21、udience continues to shrink and grow older, and the music has failed to connect with younger generations.Its Jason Morans job to help change that. As the Kennedy Centers artistic adviser for jazz, Moran hopes to widen the audience for jazz, make the music more accessible, and preserve its history an

22、d culture.What does the underlined word “that” refer to?AJazz becoming more accessible.BThe production of jazz growing faster.CJazz being less popular with the young.DThe jazz audience becoming larger.完整文章Some of the worlds most famous musicians recently gathered in Paris and New Orleans to celebrat

23、e the first annual International Jazz Day. UNESCO( United Nations Educational, Scientific and Cultural Organization) recently set April 30 as a day to raise awareness of jazz music, its significance, and its potential as a unifying(聯(lián)合) voice across cultures.一些世界上最著名的音樂家近來聚集在巴黎和新奧爾良為了慶祝第一屆國(guó)際爵士音樂節(jié)。聯(lián)合國(guó)

24、教科文組織近來設(shè)定4月30日作為提升人們對(duì)于爵士樂的意識(shí)（認(rèn)識(shí)），同時(shí)提升其重要性及其作為一個(gè)連接各文化紐帶之聲的潛在可能性的一個(gè)日子。Despite the celebrations, though, in theU.S.the jazz audience continues to shrink and grow older, and the music has failed to connect with younger generations.盡管有這次慶祝，在美國(guó)，爵士樂欣賞的觀眾繼續(xù)減少，而且觀眾年齡變大（老齡化），這種音樂形式?jīng)]能夠與年輕一代人聯(lián)系起來。Its Jason Mora

25、ns job to help change that. As the Kennedy Centers artistic adviser for jazz, Moran hopes to widen the audience for jazz, make the music more accessible, and preserve its history and culture.這是Jason Moran的工作去改變這一點(diǎn)（爵士樂不受年輕人的歡迎）。作為肯尼迪藝術(shù)中心爵士樂的顧問，Moran希望去增加喜愛爵士樂聽眾的群體，使得這種音樂能夠更多為人們所接近，進(jìn)而保存爵士樂的歷史和文化?！癑azz

26、 seems like its not really a part of the American appetite,” Moran tells National Public Radios reporter Neal Conan. “What Im hoping to accomplish is that my generation and younger start to reconsider and understand that jazz is not black and white anymore. Its actually color, and its actually digit

27、al.”“爵士樂似乎不是美國(guó)人口味（胃口）的一部分”，Moran告訴National Public Radio記者Neal Conan。 “我希望實(shí)現(xiàn)的是我這一代人和年輕一代重新考慮和理解爵士樂不再是黑與白的特點(diǎn)，而實(shí)際上是色彩（豐富多彩的），實(shí)際上數(shù)碼的?！?Moran says one of the problems with jazz today is that the entertainment aspect of the music has been lost. “The music cant be presented today the way it was in 1908 or

28、1958. It has to continue to move, because the way the world works is not the same,” says Moran.Moran 說今天的爵士樂的一個(gè)問題是這種音樂娛樂方面的特點(diǎn)在喪失。 Moran 說“這種音樂無法再以1908或者1958年的方式被呈現(xiàn)出來。它必須要繼續(xù)前進(jìn)，因?yàn)檫@個(gè)世界運(yùn)作的方式不再是一樣的了?！盠ast year, Moran worked on a project that arranged Fats Wallers music for a dance party, “just to kind of

29、 put it back in the mind that Waller is dance music as much as it is concert music,” says Moran. “For me, its the recontextualization. In music, where does the emotion(情感) lie? Are we, as humans, gaining any insight(感悟) on how talk about ourselves and how something as abstract as a Charlie Parker re

30、cord gets us into a dialogue about our emotions and our thoughts? Sometimes we lose sight that the music has a wider context,” says Moran, “so I want to continue those dialogues. Those are the things I want to foster.”去年，Moran致力于一個(gè)項(xiàng)目，安排了Fats Waller的音樂參加一個(gè)舞蹈聚會(huì)，Moran 說“只是有點(diǎn)想讓讓人們重新恢復(fù)那種思維，Waller音樂既是舞曲音樂

31、也是音樂會(huì)音樂?！薄皩?duì)我來說，這是一種語境重構(gòu)。在音樂里，我們的情感存在于哪里？在就如何談?wù)撐覀冏约海谙馛harlie Parker的唱片中那樣抽象的某種東西讓我們談?wù)撐覀兊那楦泻退枷?，我們?nèi)祟愂欠衲軌蛟谶@樣的過程中得到一些感悟呢？有的時(shí)候我們失去了一些視野，那就是音樂擁有更廣泛的語境，所以我想把這些談話繼續(xù)下去，這些事情是我想加強(qiáng)的事情。” Moran說到。28. Why did UNESCO set April 30 as International Jazz Day?A. To remember the birth of jazz.B. To protect cultural dive

32、rsity.C. To encourage people to study music.D. To recognize the value of jazz.29. What does the underlined word “that” in paragraph 3 refer to?A. Jazz becoming more accessible.B. The production of jazz growing faster.C. Jazz being less popular with the young.D. The jazz audience becoming larger.30.

33、What can we infer about Morans opinion on jazz?A. It will disappear gradually.B. It remains black and white.C. It should keep up with the times.D. It changes every 50 years.31. Which of the following can be the best title for the text?A. Exploring the Future of JazzB. The Rise and Fall of JazzC. The

34、 Story of a Jazz MusicianD. Celebrating the Jazz Day參考答案 DCCA2. There are many places to go on safari（觀賞野生動(dòng)物）in Africa，but riding a horse through the flooded waters of Botswana's Okavango Delta must rank as one of the world's most exciting wildlife journeysSeveral safari camps operate as the

35、 base for this adventure，providing unique rides twice a day to explore deep into the deltaThe camps have excellent horses，professional guides and lots of support workersThey have a reputation for providing a great riding experienceWhat does the underlined word “They” refer to?_AFlooded waters BWildl

36、ife journey CSafari camps DUnique rides答案C，考查代詞指代?！窘忸}思路】上兩句中談到了"Several safari camps"給游客提供的服務(wù)以及它們的特點(diǎn),本句又說明它們因?yàn)榻o游客提供美妙的騎馬的經(jīng)歷而聞名,因此They指的是上文提到的"Several safari camps"。3. When Masqsood and Iftekhar began to study the problem of all the uncollected rubbish that lay in Dhakas streets,A

37、ttracting tats and disease , they discovered that 80% of it was natural waste . So they educated the poor people in the city to compost (把制成堆糞)this waste . They knew that they would have a market for the end product because local farmers were struggling with chemical ferntilisers (化肥) which were exp

38、ensive and had reduced the natural minerals in the soil over the years . At first , they were refused ,but once they were able to persuade them that there was money to be made , the project took off. In 2009 sales were $14,000.The underlined word "them" in Paragraph 3 probably refers to&qu

39、ot;_"Athe local farmers BMasqsood and IftekharCDrayton and his teamDthe poor people in Dhaka3. 根據(jù)第三段的內(nèi)容：So they educated the poor people in the city to compost (把制成堆糞)this waste .可知Ashoka鼓勵(lì)當(dāng)?shù)氐母F人將垃圾變成堆肥，可以賣給購(gòu)買昂貴的化肥當(dāng)?shù)剞r(nóng)民，有人接受，但是有人拒絕，所以這里they指的是“當(dāng)?shù)氐母F人”。所以選D。4. For most city people, the elevator is

40、an unremarkable machine that inspires none of the enthusiasm or interest that Americans afford trains, jets，and even bicycles. Dr. Christopher Wilk is a member of a small group of elevator experts who consider this a misunderstanding. Without the elevator, they point out, there could be no downtown

41、skyscrapers or tall buildings, and city life as we know it would be impossible. In that sense, they argue，the elevators role in American history has been no less significant than that of cars. In fact, according to Wilk? the car and the elevator have been locked in a “secret war” for over a century,

42、 with cars making it possible for people to spread horizontally (水平地)，and elevators pushing them toward life in close groups of towering vertical (垂直的)columns.What does the underlined word “this” in Paragraph 1 refer to?AThe general view of elevators.BThe particular interests of experts.CThe desire

43、for a remarkable machine.DThe enthusiasm for transport vehicles.4. 小題1:A考查判斷推理。根據(jù)劃線內(nèi)容推斷應(yīng)該指代的是文章第一段的“For most city people, the elevator is an unremarkable machine that inspires none of the enthusiasm or interest that Americans afford trains, jets，and even bicycles ”即大眾對(duì)于電梯的看法，故A正確。5. Walt Disney is c

44、redited for creating such wonderful things as Donald Duck and Mickey Mouse. However, he cannot take the credit for creating other well-loved characters, such as Cinderella and Snow White. They are almost automatically associated with Disney because Disney turned old fables(寓言) into cartoon movies.Th

45、e original Cinderella varies very much from the Disney version we know today. It started off with the girl mourning her mothers death and going to her tomb three times a day. In addition, there were only birds that helped Cinderella; there was no such thing as a fairy godmother or helpful mice, nor

46、was there mention of a horse and carriage. What dose the underlined word “They” in the first paragraph refer to?ASuch wonderful things. BOther well-loved characters.COld fables. DCartoon movies.5. 前一句提到其他一些深受喜愛的角色不能歸功于迪斯尼。所以“they”指的是其他一些深受喜愛的角色，故選B。6. You are given many opportunities in life to choo

47、se to be a victim or a creator. When you choose to be a victim, the world is a cold and difficult place. “They” did things to you which caused all of your pain and suffering. “They” are wrong and bad, and life is terrible as long as “they” are around. Or you may blame yourself for all your problems,

48、 thus internalizing(內(nèi)化) your victimization. The truth is, your life is likely to stay that way as long as you feel a need to blame yourself or others. Those who choose to be creators look at life quite differently. They know there are individuals who might like to control their lives, but they dont let this get in the way. They know they have their weaknesses, yet they dont blame themselves when they fail. Whatever happens, they have choice in the matter. They believe their dance with each sacred(神圣的) moment of life is