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文檔簡介
Ezra
Pound
(1885—1972)The
father
of
modern
poetryLife
Experience(1885-1972)Born
in
Hailey,Idoho
in
1885.Met
William
Carlos
Williams
andHilda
Dolittle
at
the
University
ofPennsylvaniaSailed
for
Europe
in
1908.Came
into
contact
with
Hulme
andhis
Poets’
Club.Appointed
himself
foreign
editor
ofPoetryMiddle
PeriodFrom
1913
began
his
study
of
theChinese
language
and
ancient
Chineseculture.In
1914,
abandoned
imagism
in
favorof
Vorticism;
got
married.During
W.W.
I,
assisted
youngwritersIn
1924
moved
to
Italy
and
becameinvolved
in
Fascist
politics,broadcastin er
Radio
Rome
againstallies.Later
LifeIn
1945,
returned
to
America
andwas
arrested
on
charge
of
treason.In
1946,
acquitted,
and
declaredinsane.In
1958,
released
from
St.
Elizabeth’sHospital
in
Washington.In
1972,
died
in
Venice
a
recluse.Points
of
Views(1)
The
artist
was
the
arbiter
and
the
“saviour”
ofthe
race
aiming
to
purify
the
arts
and
to
dumpthe
old
into
the
dustbin
and
bring
forthsomething
new.(2)
To
him
life
was
sordid al
crushingoppression,
and
culture
produced
nothing
but“intangible
bondage”.(3)
Chinese
history
and
the
doctrine
ofConfucius
are
a
source
of
strength
and
wisdomwith
which
to
counterpoint
Western
gloom
andconfusion.(4)
He
saw
a
chaotic
world
that
wanted
setting
torights,
and
a
humanity,
suffering
from
spiritualdeath
and
cosmic
injustice,
that
needed
saving.AlbaAs
cool
as
the
pale
wet
leavesof
lily-of-the-valleyShe
lay
beside
me
in
the
dawn晨曲像鈴蘭蒼白濕潤的葉子那樣涼爽黎明她躺在我身旁。Lily
of
the
ValleyRepresentative
WorksHugh
Selwyn
Mauberly
(1920)The
Cantos
(1917-1959)Cathay
華夏(1915)Translation
of
ancient
Chinese
poetryHomage
to
Sextus
Propertius
(1917)Sextus
Propertius
was
a
Latin
elegiac
poetwhowas
born
around
50–45
BC
and
died
shortlyafter
15
BC.Hugh
Selwyn
Mauberley
(1920)休·賽爾溫·莫伯利A
poem
about
the
commercializationand
debasement
of
art,
about
thefeeling
of
frustration
and
failure
onthe
part
of
the
artist,
and
about
thepoet
himself.Two
parts:
1---13
poems2---5
poemsHugh
Selwyn
Mauberley
(2)about
a
poet
whose
life,
like
Pound's,
hase
sterile
and
meaninglesspublished
in
June
1920,
marking
hisfarewell
to
London.
He
was
disgusted
bythe
lives
lost
during
the
war
and
could
notreconcile
himself
with
it.made
up
of
18
short
poems,
read
asautobiographical.begins
with
asatirical ysis
oftheLondon
literary
scene,
then
turns
to
socialcriticism
and
economics,
and
an
attack
onthe
causes
of
the
war.The
Cantos
詩章(1915-1962)Pound’s
“in lec
ual
diary
sin
15”.Pisan
Canto
is
the
best
one,
new
modelfor
contemporary
poets.Language:
intricate
and
obscureTheme:
complex
subject
mattersForm:
no
fixed
framework,
no
centraltheme,
no
attention
to
poetic
rulesThe
Cantos
(2)along, plete
poem
in
120sections,each
of
which
is
a
canto.
Most
of
itwaswritten
between
1915
and
1962,althoughmuch
of
the
early
work
was
abandoned
andthe
early
cantos,
as
finally
published,
datefrom
1922
onwards.
It
is
a
book-length
work,widely
considered
to
present
formidabledifficulties
to
the
reader.
Strong
claims
havebeen
made
for
it
as
the
most
significant
work
of
modernist
poetry
of
the20thcentury.
As
in
Pound's
prose
writing,
thethemes
of
economics, ernance,
andculture
are
integral
to
its
content.The
Cantos
(3)In
kaleidoscopic
manner,
lacking
anyevident
overall
plan
or
continuingnarrative,
the
cantos
move
with
very
freeassociation
over
diverse
aspects
and
erasof
history,
American,
European,
andOriental,
for
all
time
is
treated
ascontemporary.
(varied
subjects)Similarly,
there
is
no
distinction
made
inthe
use
of
diverse
languages,
andtheEnglish
is
often
peppered
with
Greek,Latin,
Provencal,
Italian,
and
Chinese,according
to
the
subject
of
the
passagesof
frequently
shifting
topics.
(variedlanguages)The
Cantos
(4)The
elliptical
style
ranges
from
laconic
andesoteric
juxtapositions
to
lengthy
allusiveassociations.
(varied
ellipsis)Among
all
this
variety
there
arerelationships
which
apparently
are
meantto
evaluate
history
by
comparison,
and
topresent
a
morality
for
the
individual
basedon
Confucian
thought
and
one
for
societydepending
upontheostensiblyhumanitarian
useof
state-controlledcredit
and
money.Evaluation
of
Pound[p.163]+[p.170]Influences
on
ImagismGreek
poetryProvencal
poetryJapanese
poetryChinese
poetry
[p.161]Pound
owes
heavily
to
HomerHis
major
poems
often
take
the
formof
voyageHis
hero
has
always
been
anOdysseus
figureThe
narrator
of
Hugh
SelwynMauberley
is
Odysseus-PoundThe
substructure
of
the
Cantos
isHomericThe
influence
of
DanteDante,
was
an
Italianpoet
of
the
MiddleAges.In
Italy
he
is
knownas
"the
SupremePoet"and
is
also
calledthe"Father
of
the
Italianlanguage".ProvenceAncient
ChinaThe
greatest
cultural
influence
overPound
came
perhaps
from
ancient
China,especially
Confucius.The
topic
of
a
haiku
poem
usually
dealswith
nature.The
leaves
fell
slowlyTo
the
unforgiving
ground.Too
soon
-
summer’s
gone!A
haiku
is
a
Japanese
poem
with
three
lines.Haikus
are
probably
the
shortest
poetic
forms
in
the
world.Each
line
of
a
haiku
has
a
certain
number
of
syllables.The line
of
a
haiku
contains
five
syllables.The
second
line
of
a
haiku
contains
seven
syllables.The
third
line
of
a
haiku
contains
five
syllables.Use
of
a
season
word
(kigo);Use
of
a
cut
or
kire
(sometimesindicated
by
a
punctuation
mark)
toimplicitly
compare
two
images.Examples
of
HaikuAn
oldsilentpond…A
frog
jumps
intothepond,Splash!
silence
again.TheRainRain
helps
your
flowersYou
can
see
your
reflectionItevaporatesI
walkedin
the
streetA
heavy
rain
sudden
pouredWet
from
top
to
toeIs
this
a
haiku?Drip
Drop
Drip
Drop
Drip
DropDrip
raining
in
the
springand
I'mSoaking
wetTeacher
on
the
stageAbove
the
other
studentsNobody
listensYou
Can
Try
one
of
your
own
!!!A
Chinese
imagistic
poetryAutumnEvening
crowsperch
on
old
trees
wreathed
with
withered
vine,Water
of
a
stream
flows
by
a
family
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