17年托福試題指導(dǎo)模擬預(yù)測(cè)練習(xí)

本文格式為Word版，下載可任意編輯——17年托福試題指導(dǎo)模擬預(yù)測(cè)練習(xí)凡事豫預(yù)那么立，不豫預(yù)那么廢。以下是我為大家探尋整理的17年托福試題指導(dǎo)模擬預(yù)料練習(xí)，夢(mèng)想能給大家?guī)?lái)扶助!更多精彩內(nèi)容請(qǐng)實(shí)時(shí)關(guān)注我們我!

Thetermartdecohascometoencompassthreedistinctbutrelateddesigntrendsofthe1920sand1930s.ThefirstwaswhatisfrequentlyreferredtoaszigzagmodernetheexoticallyornamentalstyleofsuchskyscrapersastheChryslerBuildinginNewYorkCityandrelatedstructuressuchastheParamountTheaterinOakland,California.Thewordzigzagalludestothegeometricandstylizedornamentationofzigzags,angularpatterns,abstractedplantandanimalmotifs,sunbursts,astrologicalimagery,formalizedfountains,andrelatedthemesthatwereappliedinmosaicrelief,andmuralformtotheexteriorandinteriorofthebuildings.Manyofthesebuildingswereshapedinthezigguratform,adesignresemblinganancientMesopotamiantempletowerthatrecedesinprogressivelysmallerstagestothesummit,creatingastaircase-likeeffect.

Thesecondmanifestationofartdecowasthe1930sstreamlinedmodernestyleaFuturistic-lookingaerodynamicstyleofroundedcornersandhorizontalbandsknownasspeedstripes.Inarchitecture,theseelementswerefrequentlyaccompaniedbyroundwindows,extensiveuseofglassblock,andflatrooftops.

Thethirdstyle,referredtoaseitherinternationalstrippedclassicism,orsimplyclassicalmoderne,alsocametotheforefrontduringtheDepression,aperiodofsevereeconomicdifficultinthe1930s.Thiswasamoreconservativestyle,blendingasimplifiedmodernisticstylewithamoreaustereformofgeometricandstylizedreliefsculptureandotherornament,includinginteriormurals.ManybuildingsinthisstylewereerectednationwidethroughgovernmentprogramsduringtheDepression.

Althoughartdecoinitsmanyformswaslargelyperceivedasthoroughlymodern,itwasstronglyinfluencedbythedecorativeartsmovementsthatimmediatelyprecededit.Forexample,likeartnouveau1890-1910,artdecoalsousedplantmotifs,butregularizedtheformsintoabstractedrepetitivepatternsratherthanpresentingthemasflowing,asymmetricalfoliage,liketheViennesecraftspeopleoftheWienerWerkstatte,artdecodesignersworkedwithexoticmaterials,geometricizedshapes,andcolorfullyornatepatterns.Furthermore,liketheartisansoftheArtsandCraftsMovementinEnglandandtheUnitedStates,artdecopractitionersconsideredittheirmissiontotransformthedomesticenvironmentthroughwell-designedfurnitureandhouseholdaccessories.

1.Whataspectofartdecodoesthepassagemainlydiscuss?

ATheinfluenceofartdecoonthedesignoffurnitureandhouseholdaccessories

BWaysinwhichgovernmentprogramsencouragedthedevelopmentofartdeco

CArchitecturalmanifestationsofartdecoduringthe1920sand1930s

DReasonsforthepopularityofartdecoinNewYorkandCalifornia

2.Thewordencompass包含，包括inline1isclosestinmeaningto

Aseparate

Binclude

Creplace

Denhance提高，增加

3.ThephraseThefirstinline2refersto

Athetermartdeco

Bdesigntrends

Cthe1920sand1930s

Dskyscrapers

4.Inline9,theauthormentionsanancientMesopotamiantempletowerinorderto

Adescribetheexteriorshapeofcertainartdecobuildings

Bexplainthedifferencesbetweenancientandmodernarchitecturalsteles

Cemphasizetheextentofarchitecturaladvances

Dargueforareturntomoretraditionalarchitecturaldesign

5.ThestreamlinedmodernestyleischaracterizedbyallofthefollowingEXCEPT

Aanimalmotifs

Bflatroofs

Croundwindows

Dspeedstripes

6.Thephrasecametotheforefrontinline16isclosestinmeaningto

Agrewincomplexity

Bwentthroughaprocess

Cchangeditsapproach

Dbecameimportant

7.Accordingtothepassage,whichofthefollowingstatementsmostaccuratelydescribestherelationshipbetweenartdecoandartnouveau?

ATheywereartformsthatcompetedwitheachotherforgovernmentsupportduringtheDepressionera.

BTheywereessentiallythesameartform.

CArtnouveauprecededartdecoandinfluencedit.

DArtdecobecameimportantintheUnitedStateswhileartnouveaubecamepopularinEngland.

8.Accordingtothepassage,abuildinghavinganespeciallyornateappearancewouldmostprobablyhavebeendesignedinthestyleof

Azigzagmoderne

Bstreamlinedmoderne

Cclassicalmoderne

DtheArtsandCraftsMovement

9.Accordingtothepassage,whichofthefollowingdesigntrendsisknownbymorethanonename?

AZigzagmoderne

BStreamlinedmoderne

CInternationalstrippedclassicism

DArtsandCraftsMovement

10.Thepassageisprimarilydevelopedas

Athehistoricalchronol