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Unit4StageandScreenUnderstandingIdeasWhenHAMLETmeetsPEKINGOPERAOrchestra(管弦樂隊(duì))Costumesandmasks
(服裝和臉譜)Stageset
(舞臺(tái)布景)Performers’movements(演員的動(dòng)作)Whatarethedifferencesandsimilaritiesbetweenthetwoperformances.1.Itcombinesmusic,vocal(歌唱的)performance,mime(啞劇),danceandacrobatics(雜技);theinstrumentsincludejinghuanderhu.2.Maskisveryimportant;thecostumesaregraceful(優(yōu)雅的),elegant(優(yōu)雅的)andbrilliantincoloranddesign.Theybothtellacharacter’ssex(性別)andstatus(身份地位)atfirstglance(初看).3.Stagesaresquareplatformsexposedtotheaudienceonthreesideswithveryfewprops(道具)onthestage.4.Dancemovementsandacrobatic(雜技的)movementsarebasicskills.PekingOpera:1.Everythingissunginsteadofbeingspoken.2.Itcombinesanumberofperformingarts,suchasacting,scenery,costume,andsometimesdanceorballet.3.Thesingersareonthestage.Theorchestra(管弦樂隊(duì))isinfrontofthestagebutlowerdowninthepit(凹陷處).Opera(歌劇表演)intheWest:CostumesinPekingOperaTotellacharacter'ssexandstatusOperainthewestWilliamShakespeareisregardedasEngland’snationalpoetandthegreatestplaywright(劇作家)ofalltime.Hamletisatragedy(悲?。﹚rittenbyWilliamShakespeare.PrinceHamletiscalleduponbythesupernaturaltotakerevengeupon(向....復(fù)仇)hisuncle,Claudius,whohasmurdered(謀殺)Hamlet’sfather,theking,whoseizedthethrone
(王位)andmarriedGertrude,Hamlet’smother.“Tobe,ornottobe”istheopeningphrasespokenbyPrinceHamletinplayHamlet.ThesearepossiblythemostfamouswordsinEnglishliteratureandintroduceHamlet’smeditationsuponlife–“Tobeornottobe”referstothechoicetobemadebetweendyingorcontinuingtolive.openingphrase開篇語literaturen.文學(xué)meditationn.冥想;沉思HamletPekingOperaWhenmeets
TheRevengeofPrinceZidan王子復(fù)仇記Unit4StageandscreenUnderstandingideasA.TheperformanceofTheRevengeofPrinceZidanwaswonderful.B.
IwasconfidentIknewalotaboutHamlet.C.Ifeltthestrongemotionsoftheperformance.D.IwenttoseeTheRevengeofPrinceZidan—thePeking
OperaversionofHallet.E.Myfavoritepartoftheshowwasthemovementsofthecharacters.Para.1Para.2Para.3Para.4Para.5
Skimthepassageandmatcheachparagraphwithitsmainidea.Activity1
Choosetheauthor’spurposeinwritingthepassage.1.ToprovethatPekingOperaisabetterwaytoperformHamlet.2.ToinformthereadershowtoperformHamletthroughPekingOpera.3.TosharetheuniqueexperienceofseeingaPekingOperaversionofHamlet.4.TomakeacomparisonbetweenEasterandWesterncultures.Activity2P52
Readthepassageanddividethepassageinto3parts.Part1BeforetheperformancePara.1-2Part2DuringtheperformancePara.3-4Part3AftertheperformancePara.5Activity3fullofconfidenceheknewalotaboutHamletsurprisedThecostumesandmaskssoundeduniquewassimpleincrediblethestrongemotionsoflove,anger,fearandgriefActivity3Activity41.Whattypeoftextisthispassage?A.Narration(記敘文).B.Argumentation(議論文).C.Exposition(說明文).D.Prose(散文).2.Theauthorwritesthispassageby______
A.spaceorderB.timeorder
C.logicorderD.causeandeffect
3.What’sthemainideaofthepassage?A.HamletisthemostimportantplaybyShakespeare.B.PekingOperaisanartformthathasalonghistory.C.AbriefintroductiontothecontentofTheRevengeofPrinceZidan.D.PekingOperausesdifferentformstoconvey(傳達(dá))thesamethemeasWesternOpera.4.Whereisthetextprobablytakenfrom?A.anovel B.anmagazine C.anacademic D.atravelbrochureWhatshouldwedotospreadnationaltreasure(瑰寶)andpassitdowntolatergeneration?WhydoChineseperformerstrythiskindofperformances?Think&ShareWhydoChineseperformerstrythiskindofperformances?Arthasnoborders(國(guó)界);spreadanddeveloptraditionalChineseculture;buildabridgeofculturalintegrationintheworld.HameltisaclassicEnglishliterature,itdeservestobeappreciated;文化融合Think&ShareWhatshouldwedotospreadnationaltreasureandpassitdowntolatergeneration?RegardEnglishnotonlyasasubject,butalsoatooltospreadChineseculture;EnrichourknolwedgeofChineseculture;Improveourselves,workhardertobuildastrongChina!Developastrongsenseofnationalprideandculturalconfidence;Think&ShareAsteenagers,weareexpectedtorespectculturaldiversity(多樣性),befullofconfidenceinChinesetra
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