2022年福建大學(xué)英語(yǔ)考試真題卷16測(cè)

2022年福建大學(xué)英語(yǔ)考試真題卷

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1.Questions1to5arebasedonaninterview.

WhatsubjectisMr.Pittgoodat

A.Art.

B.French.

C.German.

D.Chemistry.

2.Questions6and7arebasedonthefollowingnews.

Mostofthethirty-thousandpeopIewereaboutMr.Sarkozy1s

victory.

A.nervous

B.worried

C.optimistic

D.pessimistic

3.Questions1to5arebasedonaninterview.

WhatdoesMr.PittNOTdoinhissparetime

A.Doingabitofactingandphotography.

B.Goingtoconcertsfrequently.

C.Playingtraditionaljazzandfolkmusic.

D.TravellinginEuropebyhitch-hikin

4.Questions6and7arebasedonthefollowingnews.

Mr.Sarkozywonpercentofthevote,whichgavehimacomfortable

majorityoverhisopponent.

A.35

B.53

C.63

D.51

5.Question8isbasedonthefollowingnews.

A.Kabul

B.Arlington

C.Baghdad

D.Kandahar

6.Questions9and10arebasedonthefollowingnews.

WhatisthefeatureofTATP

A.Itisansimpleexplosive.

B.Itisamilitaryexplosive.

C.ItismadeinU.S.factories.

D.Itcanbeeasilymadeindoors.

7."Ido."ToAmericansthosetwowordscan-ygreatmeaning.Theycaneven

changeyourIife.EspeciaIIyifyousaythematyourownwedding.Making

weddingvowsisIikesigningacontract.NowAmericansdonJtrealIythink

marriageisabusinessdeal.Butmarriageisseriousbusiness.ItalI

beginswithengagement.Traditionally,ayoungmanasksthefatherof

hissweetheartforpermissiontomarryher.Ifthefatheragrees,the

manlaterproposestoher.Oftenhetriestosurpriseherby"popping

thequestion"inaromanticway.SometimesthecoupIejustdecides

togetherthatthetimeisrighttogetmarried.Themanusuallygives

hisfiancdeadiamondringasasymboIoftheirengagement.Theymaybe

engagedforweeks,monthsorevenyears.Asthebigdayapproaches,bridal

showersandbachelor'spartiesprovidemanyusefuIgifts.Todaymany

coupIesalsoreceivecounseIingduringengagement.Thispreparesthem

forthecha11engesofmarriedIife.Atlastit'stimeforthewedding.

AIthoughmostweddingsfollowIong-heIdtraditions,there1sstillroom

forAmericanindividuaIism.ForexampIeftheusualplaceforawedding

isinachurch.ButsomepeopIegetmarriedoutdoorsinaseenicspot.

Afewevenhavetheceremonywhilesky-divingorridingonhorseback!

ThecoupIemayinvitehundredsofpeopIeorjustafewclosefriends.

Theychoosetheirownstyleofcolors,decorationsandmusicduringthe

ceremony.Butsomethingsrarelychange.Thebrideusuallywearsa

n

beautifuIvlongwhiteweddingdress.Shetraditionallywearssomething

old,somethingnew,somethingborrowedandsomethingblue".Thegroom

wearsaformalsuitortuxedo.Severalclosefriendsparticipateinthe

ceremonyasattendants,includingthebestmanandthemaidofhonor.

Astheceremonybegins,thegroomandhisattendantsstandwiththe

minister,facingtheaudience.Musicsignalstheentranceofthebride9

sattendants,followedbythebeautifuIbride.Nervously,theyoung

coupIerepeatstheirvows.Traditiona11y,theypromisetoIoveeachother

Hforbetter,forworse,forricher,forpoorer,insicknessandinhealth".

ButsometimesthecoupIehascomposedtheirownvows.Theygiveeachother

agoldringtosymboIizetheirmarriagecommitment.Finallytheminister

announcesthebigmoment:"Inowpronounceyoumanandwife.Youmaykiss

yourbride!"Attheweddingreception,thebrideandgroomgreettheir

guests.Thentheycuttheweddingcakeandfeedeachotherabite.Guests

mingIewhiIeenjoyingcake,punchandothertreats.Laterthebridethrows

herbouquetofflowerstoagroupofsinglegirls.Traditionsaysthat

theonewhocatchesthebouquetwi11bethenexttomarry.Duringthe

reception,pIayfuIfriends"decorate”thecouple'scarwithtissuepaper,

tincansanda"JustMarried"sign.Whenthereceptionisover,the

newIywedsruntotheir“decorated“carandspeedoff.ManycoupIestake

ahoneymoon,aone-to-two-weekvacationtrip,tocelebratetheirnew

marriage.AImosteverycuIturehasrituaIstosignaIachangeinone'

sIife.MarriageisoneofthemostbasicIifechangesforpeopIeofalI

cultures.Soit'snosurprisetofindmanytraditionsaboutgetting

married...eveninAmerica.YeteachcoupIefollowsthetraditionsina

waythatisuniquelytheirown.

Theword"business”occurstwiceinthefirstparagraph,whatdoesthe

second"business”mean

A.Trade.

B.Affair.

C.Duty.

D.Right.

8.Questions9and10arebasedonthefollowingnews.

RichardReidtriedtobombaplanewiththebomb.

A.providedbyterrorists

B.stolenfromthemilitary

C.madeaccordingtothemethodsshowninInternet

D.madeinhislab

9.Questions1to5arebasedonaninterview.

5

WhenaskedwhatamanagersroleistMr.Pittsounds.

A.confident

B.hesitant

C.resolute

D.doubtful

10.MAwriter1sjobistotelIthetruth,saidHemingwayin1942.No

otherwriterofourtimehadsofiercelyasserted,sopugnaciously

defendedorsoconsistentIyexempIifiedthewriter*sobiigationtospeak

trulyHisstandardoftruth-telIingremained,moreover,sohighandso

rigorousthathewasordinarilyunwi11ingtoadmitsecondaryevidence,

whetherIiteraryevidenceorevidencepiekedupfromothersourcesthan

hisownexperience."IonlyknowwhatIhaveseen,“wasastatementwhich

cameoftentohisIipsandpen.Whathehadpersonallydone,orwhathe

knewunforgettablybyhavinggonethroughoneversionofit,waswhat

hewasinterestedintellingabout.Thisisnottosaythatherefused

toinventfreely.ButheaIwaysmadeitasacrosanctpointtoinventin

termsofwhatheactua11yknewfromhavingbeenthere.Theprimary

intentofhiswriting,fromfirsttolast,wastoseizeandprojectfor

thereaderwhatheoftencallednthewayit.was.nThisisa

characteristicallysimplephraseforaconceptofextraordinary

complexity,andHemingway9sconceptionofitsmeaningsubtIychanged

severaltimesinthecourseofhiscareer-aIwaysinthedirectionof

greatercompIexity.Atthecoreoftheconcept,however,onecan

invariablydiscerntheoperationofthreeaestheticinstruments;the

senseofplacethesenseoffactandthesenseofscene.Thefirst

ofthese,obviousIyastrongpassionwithHemingwayisthesenseofpIace.

"Unlessyouhavegeography,background,"heoncetoldGeorgeAnteiI,"You

havenothing.MYouhave,thatistosay,adramaticvacuum.Fewwriters

havebeenmorepIace-conscious.Fewhavescarefullychartedoutshe

geographicalgroundworkoftheirnoveIswhilemanagingtokeep

backgroundsoconspicuousIyunobtrusive.Few,accordingly,havebeen

abletorecordmoreeconomicallyandgraphicallythewayitiswhenyou

walkthroughthestreetsofParisinsearchofbreakfastatcornercaf

6???Orwhen,ataroundsixo5clockofaSpanishdawn,youwatchthe

bullsrunningfromthecorralsatthePuertaRochapeathroughthestreets

ofPampIonatowardsthebulIring."WhenIwokeitwasthesoundof

therocketexpIodingthatannouncedthereleaseofthebullsfromthe

corralsattheedgeoftown.Downbelowthenarrowstreetwasempty.AlI

thebalconieswerecrowdedwithpeopIe.SuddenIyacrowdcamedownthe

street.TheywerealIrunning,packedclosetogether.Theypassedalong

andupstreettowardthebu11ringandbehindthemcamemoremenrunning

faster,andthensomestragglerswhoerereallyrunning.Behindthemwas

alittlebarespace,andthenthebulls,ga11oping,tossingtheirheads

upanddown.ItalIwentoutofsightaroundthecorner.Onemanfell,

rolledtothegutter,andlayquiet.Butthebullswentrightonanddid

notnoticehim.TheywerealIrunningtogether.MThisIandscapeis

asmorning-freshasadesigninIndiainkoncleanwhitepaper.First

isthebarewhitestreet,seemfromabove,quietandempty.Thenonesees

thefirstpackedclotofrunners.Behindthesearethethinnerranksof

thosewhomovefasterbecausetheyareclosertobulls.Thenthealmost

comicstragglers,whoare"reallyrunning.nBrilliantlybehindthese

shinesthe"littlebarespace,Madesperatemarginforerror.Thenthe

clotofrunningbu11s-closingthedesign,exceptofcoursefortheman

intheguttermakinghimself,Iikethedesigner5sinitials,as

inconspicuousaspossible.

Accordingtotheauthor,Hemingway'sprimarypurposeinte11ingastory

was.

A.toconstructawell-toldstorythatthereaderwouldthoroughlyenjoy.

B.Toconstructastorythatwouldreflecttruthsthatwerenotparticular

toaspecifichistoricalperiod

C.Tobeginfromrealitybuttoallowhisimaginationtoroamfrom"the

wayitwas"to"thewayitmighthavebeen”

D.ToreportfaithfullyrealityasHemingwayhadexperiencedit.

11.Cancunmeans"snakepit”inthelocalMayanIanguage,anditIivedup

toitsnameasthehostofanimportantWorldTradeOrganizationmeeting

thatbeganlastweek.RatherthantackIingtheproblemoftheirhigh

agriculturaltariffsandlavishfarmsubsidies,whichvictimizefarmers

inpoorernations,anumberofrichnationsderailedthetalks.The

failureby146tradedeIegatestoreachanagreementinMexicoisaserious

blowtothegIobaIeconomy.Andcontrarytothemindlesscheeringwith

whichthebreakdownwasgreetedbyantigIobaIizationprotestersatCancun,

theworld5spoorestandmostvulnerablenationswiIIsuffermost.It

isabitterironythatthechiefarchitectsofthisfailurewerenations

IikeJapan,KoreaandEuropeanUnionmembers,themseIvesadsforthe

prosperityaffordedbyincreasedgIobaItrade.TheGancunmeeting

cameatthemidpointoftheW.T.0.1s"developmentround",oftrade

Iiberalizationtalks,onethatbegantwoyearsagowithaneyetoward

extendingthebenefitsoffreertradeandmarketstopoorercountries.

TheprincipaldemandofthesedevelopingnationstIedatCancunbyBraziI,

hasbeenanendtohightariffsandagriculturalsubsidiesinthe

deveIopedworIdvandrightIyso.Poornationsfindithardtocompete

againstrichnationsfarmers,whogetmorethan$300billioningovernment

handoutseachyear.Thetalksappearedtobreakdownsuddenlyonthe

issueofwhethertheW.T.0.shouIdextenditsrulemakingjurisdiction

intosuchnewareasasforeigninvestment.Butintruth,therewasnothing

abruptabouttheCancunmeltdown.TheJapaneseandEuropeanshaddevised

thisdemandforanunwieIdyandunnecessaryexpansionoftheW.T.0.,

smandateasapoisonpill-todefIectanyattemptstogetthemtoturn

theirbacksontheirpowerfulfarmlobbies.Theirplanworked.The

AmericanroleatGancunwasdisappointingIymuted.TheBush

administrationhadlittleinterestintheproposaItoexpandtheW.T.0.,

sauthority,buttheAmericanfarmlobbyissplitbetweenthosewhowant

toprofitfromgreateraccesstoforeignmarketsandlessefficient

sectorsthatdemandcontinuedcoddIingfromWashington.Thatisone

reasontheUnitedStatesmadetheunfortunatedecisiontosidewiththe

moreprotectionistEuropeansinCancun,apositionthatleftAmerican

traderepresentativesplayingdefenseonsubsidiesratherthantaking

acreativestance,aIongsideBraziltonloweringtradebarriers.This

wasanunfortunatesubjectonwhichtoshowsomeraretrans-Atlantic

solidarity.Theresulting'-coaIitionoftheunwi11ingnlentthetalks

anunfortunatenorth-versus-southcast.AnyhopethattheUnited

StateswouldtakethemoralhighgroundatCancun,andreclaimits

historicleadershipinpressingforfreertrade,wasfurtherdashedby

thedisgracefuImannerinwhichtheAmericannegotiatorsrebuffedthe

rightfuIdemandsofWestAfricannationsthattheUnitedStatescommit

itselftoaclearphasingoutOfitsharmfulcottonsubsidies.American

businessandlaborgroups,nottomentiontaxpayers,shouIdbeenraged

thattheadministrationseemsmoresolicitousofprotectingthemost

indefensibIesegmentofUnitedStatesprotectionismratherthanof

protectingthenationaIinterestbypromotingeconomicgrowththrough

trade.ForstruggIingcottonfarmersinsub-SaharanAfrica,andfor

miIIionsofothersinthedevelopingworldwhoseIiveswouldbenefitfrom

thefurtherloweringoftradebarriers,thefailureofGancunamounts

toacrushingmessagefromthedeveIopedworld——oneofcallous

indifference.

TheauthormentionsthatCancunmeans"snakepit"inthelocalMayan

Ianguage.Snakepitpossiblymeans.

A.aplaceorstateofchaoticdisorderanddistress

B.snakehole

C.snaketrap

D.aplaceorsituationofpotentialdanger

12.InitsmodernformtheconceptofMIiterature"dienotemergeearIier

thaneighteenthcenturyandwasnotfullydeveIopeduntiIthenineteenth

century.Yetheconditionsforitsemergencehadbeendevelopingsince

theRenaissance.TheworditselfcameintoEngIishuseinthefourteenth

century,followingFrenchandLatinprecedents;itsrootwasLatinIitter,

aletteroftheaIphabet.Litterature,inthecommonearlyspe11ingywas

thenineffectaconditionofreading:ofbeingabIetoreadandofhaving

read.ItwasoftenclosetothesenseofmodernIiteracy,whichwasnot

intheIanguageuntiIthelatenineteenthcentury,itsintroductionin

partmadenecessarybthemovementofIiteraturetoadifferentsense.

ThenormaladjectiveassociatedwithIiteraturewasIiterate.Literary

appearedinthesenseofreadingabiIityandexperienceintheseventeenth

century,anddidnotacquireitsspeciaIizedmodernmeaninguntiIthe

eighteenthcentury.Literatureasanewcategorywastena

speciaIizationoftheareaformerlycategorizedasrhetoricandgrammar:

aspeciaIizationtoreadingand,inthematerialcontextofthe

deveIopmentofprinting,totheprintedwordandespecia11ythebook,

Itwaseventua11ytobecomeamoregeneralcategorythanpoetryorthe

earIierpoesy,whichhadbeengeneraltermsforimaginativecomposition,

butwhichinrelationtothedeveIopmentofIiteraturebecame

predominantlyspecialized,fromtheseventeenthcentury,tometrical

compositionandespeciallywrittenandprintedmetricaIcomposition.But

Iiteraturewasneverprimarilytheactivecomposition-the

“making”一whichpoetryhaddescribed.Asreadingratherthanwriting,

itwasacategoryofdifferentkind.Thecharacteristicusecanbeseen

inBaconn.learnedinalIIiteratureanderudition,divineand

humane"-andaslateasJohnsonMhehadprobablymorethancommon

Iiterature,ashissonaddresseshiminoneofhismostelaborateLatin

poems."Literature,thatistosay,wasacategoryofuseancondition

ratherthanofproduction.ItwasaparticularspeciaIizationofwhat

hadhithertobeenseenasanactivityorpractice,andaspeciaIization,

inthecircumstances,whichwasinevitabIymadeintermsofsocialclass.

Initsfirstextendedsense,beyondthebaresenseof"literacy"itwas

adefinitionof"polite"ornhumaneMlearning,andthusspecifiedapart

interactedwithapersistendemphasisonHIiterature1'asreadinginhe

"classical"languages.Butstill,inhisfirststage,intotheeighteenth

century,IiteraturewasprimarilyageneralizedsociaIconcept,

expressingacertain(minority)levelofeducationaIachievement.This

cardedwithitapotentiaIandeventua11yreaIizedaIternativedefinition

ofIiteratureas"printedbooks:"theobjectsinandthroughwhichthis

achievementwasdemonstrated.Itisimportantthat,withintheterms

ofthisdevelopment,Iiteraturenorma11yincIudedalIprintedbooks.

TherewasnotnecessaryspeciaIizationtoMimaginative"works.

Literaturewasstillprimarilyreadingabilityandexperience,andthis

incIudedphilosophy,history,andessaysasweIIaspoems.Werethenew

eighteenthcenturynoveIsIiteratureThatquestionwasfirstapproached,

notbydefinitionoftheirmodeorcontent,butbyreferencetothe

standardsof"polite”or"humane"learning.WasdramaIiteratureThis

questionwastoexercisesuccessivegenerations,notbecauseofany

substantialdifficultybutbecauseofthepracticalIimitsofhecategory.

IfIiteraturewasreading,couldamodewrittenforspokenperformance

besaidtobeIiterature,,andifnot,wherewasShakespeareAtone

levelthedefinitionindicatedbythisdevelopmenthas

persisted.LiteraturelostitsearIiestsenseofreadingabilityand

readingexperience,andbecameanapparentlyobjectivecategory,of

printedworksofacertainquaIity.TheconcernsofaHIiteraryeditor"

anIiterarysupplement"wouldstillbedefinedinthisway.Butthree

compIicatingtendenciescanthenbedistinguished:first,ashiftfrom

"learning"to"taste"or“sensibility"asacriteriondefiningIiterary

quaIity;second,anincreasingspecializationofIiteratureto

"creative"orHimaginative"works;third,adeveIopmentoftheconcept

of"tradition1'withinnationaIterms,resultinginthemoreeffective

definitionofManationaIIiterature.HThesourceofeachofthese

tendenciescanbediscernedfromtheRenaissance,butitwasinthe

eighteenthandnineteenthcenturiesthattheycamethroughmost

powerfully,untiItheybecame,inthetwentiethcentury,ineffect

receiveassumptions.

Whendidthemodernconceptof"literature"emerge

A.Intheseventeenthcentury.

B.Intheeighteenthcentury.

C.Inthenineteenthcentury.

D.Inthetwentiethcentury.

13.Questions1to5arebasedonaninterview.

WhatdoesMr.PittsayhewouldIiketobe

A.Anexportsalesmanworkingoverseas.

B.Anaccountantworkinginthecompany.

C.Aproductionmanagerinabranch.

D.Apolicymakerinthecompany.

14.MIdo.MToAmericansthosetwowordscan-ygreatmeaning.Theycan

evenchangeyourIife.Especia11yifyousaythematyourownwedding.

MakingweddingvowsisIikesigningacontract.NowAmericansdon'trea11y

thinkmarriageisabusinessdeal.Butmarriageisseriousbusiness.

ItalIbeginswithengagement.Traditionally,ayoungmanasksthefather

ofhissweetheartforpermissiontomarryher.Ifthefatheragrees,the

manlaterproposestoher.Oftenhetriestosurpriseherby"popping

thequestion"inaromanticway.SometimesthecoupIejustdecides

togetherthatthetimeisrighttogetmarried.Themanusuallygives

hisfiancdeadiamondringasasymboIoftheirengagement.Theymaybe

engagedforweeks,monthsorevenyears.Asthebigdayapproaches,bridal

showersandbachelor1spartiesprovidemanyusefuIgifts.Todaymany

coupIesalsoreceivecounseIingduringengagement.Thispreparesthem

forthechaIIengesofmarriedIife.AtIastit'stimeforthewedding.

AIthoughmostweddingsfollowIong-heIdtraditions,there1sstillroom

forAmericanindividuaIism.ForexampIeftheusualplaceforawedding

isinachurch.ButsomepeopIegetmarriedoutdoorsinaseenicspot.

Afewevenhavetheceremonywhilesky-divingorridingonhorseback!

ThecoupIemayinvitehundredsofpeopIeorjustafewclosefriends.

Theychoosetheirownstyleofcolors,decorationsandmusicduringthe

ceremony.Butsomethingsrarelychange.Thebrideusuallywearsa

beautiful,Iongwhiteweddingdress.Shetraditiona11ywearsMsomething

old,somethingnew,somethingborrowedandsomethingblue".Thegroom

wearsaformalsuitortuxedo.Severalclosefriendsparticipateinthe

ceremonyasattendants,includingthebestmanandthemaidofhonor.

Astheceremonybegins,thegroomandhisattendantsstandwiththe

minister,facingtheaudience.Musicsignalstheentranceofthebride5

sattendants,followedbythebeautifuIbride.Nervously,theyoung

coupIerepeatstheirvows.Traditiona11y,theypromisetoIoveeachother

"forbetter,forworse,forricher,forpoorer,insicknessandinhealth".

ButscxnetimesthecoupIehascomposedtheirownvows.Theygiveeachother

agoldringtosymboIizetheirmarriagecommitment.Finallytheminister

announcesthebigmoment:"Inowpronounceyoumanandwife.Youmaykiss

yourbride!1'Attheweddingreception,thebrideandgroomgreettheir

guests.Thentheycuttheweddingcakeandfeedeachotherabite.Guests

mingIewhiIeenjoyingcake,punchandothertreats.Laterthebridethrows

herbouquetofflowerstoagroupofsinglegirls.Traditionsaysthat

theonewhocatchesthebouquetwi11bethenexttomarry.Duringthe

reception,pIayfuIfriends"decorate11thecouple1scarwithtissuepaper,

tincansanda"JustMarriednsign.Whenthereceptionisover,the

newIywedsruntotheir"decorated“carandspeedoff.ManycoupIestake

ahoneymoon,aone-to-two-weekvacationtrip,tocelebratetheirnew

marriage.AImosteverycuIturehasrituaIstosignaIachangeinone'

sIife.MarriageisoneofthemostbasicIifechangesforpeopIeofalI

cultures.Soit'snosurprisetofindmanytraditionsaboutgetting

married...eveninAmerica.YeteachcoupIefollowsthetraditionsina

waythatisuniquelytheirown.

Therearemanytraditionsaboutgettingmarried,whichofthefollowing

isNotmentionedinthispassage

A.Theengagement.

B.Theweddingceremony.

C.Thebridalparty.

D.Themarriageapplication.

15.nAwriter'sjobistotelIthetruth,nsaidHemingwayin1942.No

otherwriterofourtimehadsofiercelyasserted,sopugnaciously

defendedorsoconsistentIyexempIifiedthewriter1sobiigationtospeak

trulyHisstandardoftruth-telIingremained,moreover,sohighandso

rigorousthathewasordinarilyunwi11ingtoadmitsecondaryevidence,

whetherIiteraryevidenceorevidencepiekedupfromothersourcesthan

hisownexperience.nIonlyknowwhatIhaveseen,r,wasastatementwhich

cameoftentohisIipsandpen.Whathehadpersonallydone,orwhathe

knewunforgettabIybyhavinggonethroughoneversionofit,waswhat

hewasinterestedintellingabout.Thisisnottosaythatherefused

toinventfreely.ButheaIwaysmadeitasacrosanctpointtoinventin

termsofwhatheactua11yknewfromhavingbeenthere.Theprimary

intentofhiswriting,fromfirsttolast,wastoseizeandprojectfor

thereaderwhatheoftencalled"thewayit.was.nThisisa

characteristicallysimplephraseforaconceptofextraordinary

complexity,andHemingway5sconceptionofitsmeaningsubtIychanged

severaltimesinthecourseofhiscareer-aIwaysinthedirectionof

greatercompIexity.Atthecoreoftheconcept,however,onecan

invariablydiscerntheoperationofthreeaestheticinstruments;the

senseofplacethesenseoffactandthesenseofscene.Thefirst

ofthese,obviousIyastrongpassionwithHemingwayisthesenseofplace.

n

"Unlessyouhavegeography,background,heoncetoldGeorgeAnteiIr”You

havenothing."Youhave,thatistosay,adramaticvacuum.Fewwriters

havebeenmorepIace-conscious.Fewhavescarefullychartedoutshe

geographicalgroundworkoftheirnoveIswhilemanagingtokeep

backgroundsoconspicuousIyunobtrusive.Few,accordingly,havebeen

abletorecordmoreeconomicallyandgraphicallythewayitiswhenyou

walkthroughthestreetsofParisinsearchofbreakfastatcornercaf

6???Orwhen,ataroundsixo5clockofaSpanishdawn,youwatchthe

bullsrunningfromthecorralsatthePuertaRochapeathroughthestreets

ofPampIonatowardsthebu11ring."WhenIwokeitwasthesoundof

therocketexpIodingthatannouncedthereleaseofthebullsfromthe

corralsattheedgeoftown.Downbelowthenarrowstreetwasempty.AlI

thebaIconieswerecrowdedwithpeople.SuddenIyacrowdcamedownthe

street.TheywerealIrunning,packedclosetogether.Theypassedalong

andupstreettowardthebu11ringandbehindthemcamemoremenrunning

faster,andthensomestragglerswhoerereallyrunn