詩歌介紹與賞析公開課一等獎?wù)n件省賽課獲獎?wù)n件

Beautifulpoerty第1頁ClassificationofEnglishpoetry第2頁1、十四行詩(Sonnet)源于中世紀(jì)民間抒情短詩，十三、十四世紀(jì)流行于意大利，意大利彼特拉克（Petrarch）為代表人物，每行十一種音節(jié)，全詩一節(jié)八行，加一節(jié)六行，韻腳用abba,abba,cdcdcd(cdecde)。前八行提問，后六行回答。

后來，懷亞特（ThomasWyatt,1503-1542）將十四行詩引人英國，五音步抑揚格，全詩三個四行一種二行,前三節(jié)提問，后二句結(jié)論。斯賓塞（EdmundSpenser,1552-1599）用韻腳abab,bcbc,cdcd,ee。莎士比亞（WilliamShakespeare,1564-1616）用韻腳abab,cdcd,efef,gg，稱英國式或莎士比亞式。第3頁2、打油詩（Limericks）：一般是小笑話甚至是胡謅，一般沒有標(biāo)題也無作者姓名，具有風(fēng)趣諷刺性，常利用雙關(guān)，內(nèi)韻等手法。每首詩五個詩行，押韻為aabba，格律以抑揚格和抑抑揚格為主。1)TherewasayoungladyofNigger

Whosmiledassherodeonatiger;

Theyreturnedfromtheride

Withtheladyinside,

Andthesmileonthefaceofthetiger.

2)Atutorwhotaughtontheflute

Triedtoteachtwotooterstotoot,

“Isithardertotoot,or

Saidthetwotothetutor,

Totutortwotooterstotoot?”

第4頁3、素體詩(無韻體詩)（BlankVerse）：五音步抑揚格，不押韻詩體。Theunrhymediambicpentameterline

WilliamWordsworth:ThereWasaBoy

TherewasaBoy;yeknewhimwell,yecliffs

AndislandsofWinander!manyatime,

Atevening,whentheearlieststarsbegan

Tomovealongtheedgesofthehills,

Risingorsetting,wouldhestandalone,

Beneaththetrees,orbytheglimmeringlake;

Andthere,withfingersinterwoven,bothhands

Pressedcloselypalmtopalmandtohismouth

Uplifted,he,asthroughaninstrument,

Blewmimichootingstothesilentowls

Thattheymightanswerhim.—Andtheywouldshout

Acrossthewateryvale,andshoutagain,

Responsivetohiscall,—withquiveringpeals,

Andlonghalloos,andscreams,andechoesloud

Redoubledandredoubled;concoursewild

Ofjocunddin!And,whentherecameapause

第5頁Ofsilencesuchasbaffledhisbestskill:

Then,sometimes,inthatsilence,whilehehung

Listening,agentleshockofmildsurprise

Hascarriedfarintohisheartthevoice

Ofmountain-torrents;orthevisiblescene

Wouldenterunawaresintohismind

Withallitssolemnimagery,itsrocks,

Itswoods,andthatuncertainheavenreceived

Intothebosomofthesteadylake.

Thisboywastakenfromhismates,anddied

Inchildhood,erehewasfulltwelveyearsold.

Pre-eminentinbeautyisthevale

Wherehewasbornandbred:thechurchyardhangs

Uponaslopeabovethevillage-school;

Andthroughthatchurchyardwhenmywayhasled

Onsummer-evenings,Ibelievethatthere

Alonghalf-hourtogetherIhavestood

Mute—lookingatthegraveinwhichhelies!第6頁4、自由詩（Freeverse）自由詩（FreeVerse）:當(dāng)代詩中常見體式，長短不一樣詩行存在于同一首詩中，不講究押韻與格律，只重視詩歌所體現(xiàn)意象和傳遞情感。美國詩人WaltWhitman<<草葉集>>（LeavesofGrass）中，就采取此格式。第7頁

SongofMyself

Icelebratemyself,andsingmyself,

AndwhatIassumeyoushallassume,

Foreveryatombelongingtomeasgoodbelongstoyou.

Iloafeandinvitemysoul,

Ilearnandloafeatmyeaseobservingaspearofsummergrass.

Mytongue,everyatomofmyblood,form’dfromthissoil,thisair,

Bornhereofparentsbornherefromparentsthesame,andtheirparentsthesame,

I,nowthirtysevenyearsoldinperfecthealthbegin,

Hopingtoceasenottilldeath.

Creedsandschoolsinabeyance,

Retiringbackawhilesufficedatwhattheyare,butneverforgotten.

Iharborforgoodorbad,Ipermittospeakateveryhazard.

Naturewithoutcheckwithoriginalenergy.

Notes:aspearof:apieceofschool:學(xué)說，流派hazard:chance

abeyance:theconditionofnotbeinginuseforacertaintime

惠特曼（WaltWhitman,1819-1892），美國詩人。此詩選自其巨著<<草葉集>>。本文是SongofMyself一詩第一部分，采取自由詩體，語言接近當(dāng)初美國口語。

第8頁5、Epicpoetryitisalongversenarrativeonaserioussubject,toldinaformalandelevatedstyle,andcenteredonaheroicorquasi-divinefigureonwhoseactionsdependsthefateofatribe,anation,orthehumanrace.史詩是論述英雄傳說和重大歷史事件敘事長詩。一種莊嚴(yán)文學(xué)體裁，內(nèi)容為民間傳說或歌頌英雄功勞長篇敘事詩，它包括主題能夠包括歷史事件、民族、宗教或傳說第9頁史詩史詩一般分作兩種，一種為“傳統(tǒng)史詩”或“原始史詩”，主要是以口頭流傳形式世代相傳，伴隨時間而增添情節(jié)，最后被整頓、加工，以文字記載成為一部統(tǒng)一作品。此類史詩代表有荷馬史詩作品《伊利亞特》和《奧德賽》。另一種為文學(xué)作家以特定觀念目標(biāo)故意識地編寫而成“文學(xué)史詩”，此類史詩代表有維吉爾《埃涅阿斯紀(jì)》和約翰·彌爾頓《失樂園》。第10頁6、英雄雙韻體(HeroicCouplet),

therhymedcoupletofiambicpentameter

是一種英國古典詩體，由喬叟首創(chuàng)。由十音節(jié)雙韻詩體演化而來，每行五個音步,每個音步有兩個音節(jié),第一種是輕音,第二個是重音.句式均衡、整潔、精確、簡潔、講究。舉例拿四行詩押韻方式為例，有abab型，有abcb型，有abba型，有aabb型，尚有aaab型。第四種（aabb型）事實上是雙行押韻，英語稱之為couplet,假如每行五音步，則稱之為“英雄雙押韻”(heroiccouplet)；第11頁Thecanterburytales---generalprologueAssoonasAprilpiercestotherootThedroughtofMarch,andbatheseachbudandshootThrougheveryveinofsapwithgentleshowersFromwhoseengenderingliquorspringtheflowers;WhenzephyrshavebreathedsoftlyallaboutInspiringeverywoodandfieldtosprout,AndinthezodiactheyouthfulsunHisjourneyhalfwaythroughtheRamhasrun;WhenlittlebirdsarebusywiththeirsongWhosleepwithopeneyesthewholenightlongLifestirstheirheartsandtingleinthemso,Thenoffaspilgrimspeoplelongtogo,AndpalmerstosetoutfordistantstrandsAndforeignshrinesrenownedinmanylands.AndspeciallyinEnglandpeoplerideToCanterburyfromeverycountrysideTovisittheretheblessedmartyredsaintWhogavethemstrengthwhentheyweresickandfaint.第12頁7、Balladsandpopularballads大眾民謠Definitionoftheballad:Aballad,flourishedinthe15thcentury,isastorytoldinsong,usuallyin4-linestanzas,withthesecondandfourthlinesrhymed.PopularBalladsBalladsareanonymousnarrativesongsthathavebeenpreservedbyoraltransmission.Literatureofthecommonpeople.flourishedinthe15thcentury,printeduntilthe18thand19th.ThebestknownoftheearliestcollectionswasBishopThomasPercy’s“ReliquesofAncientEnglishPoetry”.英國民謠（EnglishBallad），起源于中世紀(jì)末期，即12、13世紀(jì)，興盛于14、15世紀(jì)，復(fù)興于18、19世紀(jì)，是英國最古老詩歌形式之一。它主要包括兩大部分，英格蘭民謠和蘇格蘭民謠。

第13頁GetUpandBeartheDoorItfellabouttheMartinmastime,Andagaytimeitwasthen,Whenourgoodwifegotpuddingstomake,Andshe’sboiledtheminthepan.Thewindsocoldblewsouthandnorth,Andblewintothefloor;Quothourgoodmantoourgoodwife,“Gooutandbarthedoor.”“Myhandisinmyhussyfscap,Goodman,asyemaysee;Ifitshouldnotbebarr’dthishundredyear,It’snotbebarr’dbyme.”Theymadeapaction’tweenthemtwo,Theymadeitfirmandsure,Thatthefirstwordwhoe’ershouldspeak,Shouldriseandbarthedoor.第14頁Thenbytherecametwogentlemen,Attwelveo’clockatnight,Andtheycouldneitherseehousenorhall,Norcoal,norcandlelight,“Nowwhetheristhisarichman’shouse,Orwhetherisitapoor?”Butne’erawordwouldoneofthemspeak,Forbarringofthedoor,Andfirsttheyatewhitepuddings,Andthentheyatetheblack:Tho’muchthoughtthegoodwifetoherself,Yetne’erawordshespake,Thensaidtheoneuntotheother,“Here,man,takeyemaknife;Doyoutakeofftheoldman’sbeard,AndI’llkissthegoodwife,”第15頁“Butthere’snowaterinthehouse,Andwhatshallwedothen?”“Whatailsyeatthepudding-broth,Thatboilsintothepan?”O(jiān),upthenstartedourgoodman,Anangrymanwashe;“Willyekissmywifebeforemyeye,Andscaldmewithpudding-broth?”O(jiān)’upthenstartedourgoodwife,Madethreeskipsonthefloor;“Goodman,you’vespokentheforemostword;Getupandbarthedoor.”第16頁Triplet/tercet(三韻句，三行押韻詩節(jié)):

Triplet:aunitorgroupofthreelines,usu.rhymed.三行詩節(jié)(three-linestanza，triplet)押韻形式多樣，如：aaa；aab，ccb；aba，bcb??

ODETOTHEWESTWIND(V)ShellyMakemethylyre,evenastheforestis:Whatifmyleavesarefallinglikeitsown!Thetumultofthymightyharmonies

Willtakefrombothadeep,autumnaltone,Sweetthoughinsadness.Bethou,Spiritfierce,Myspirit!Bethoume,impetuousone!

第17頁

DrivemydeadthoughtsovertheuniverseLikewitheredleavestoquickenanewbirth!And,bytheqofthisverse,Scatter,asfromanunextinguishedhearthAshesandsparks,mywordsamongmankind!BethroughmylipstounawakenedEarthThetrumpetofaprophecy!OWind,IfWintercomes,canSpringbefarbehind?第18頁四行詩節(jié)quatrain:astanzaoffourlines能夠押聯(lián)韻(coupletrhyme)aabb,也能夠押套韻(interlacedrhyme)即abab；還能夠押間韻(intermittentrhyme)即abcb；又可押抱韻(enclosingrhyme)即abba。Awake，awake，my1ittleboy!Thouwasthymothersonlyjoy；·Whydostthouweepinthygentlesleep?Awake!thyfatherdoestheekeep．WilliamBlake(聯(lián)韻)第19頁Sunsetandeveningstar，Andoneclearcallforme!Andmaytherebenomoaningofthebar，WhenIputouttosea．Tennyson，CrossingtheBar(套韻)Break，break，break，Onthycoldgreystones，OSea!And1wouldthatmytonguecouldutterThethoughtsthatariseinmeTennysonBreak，Break，Break(間韻)第20頁Iholdittrue．whateerbefall，IfeelitwhenIsorrowmost；Tisnevertohavelovedatal1．Thennevertohavelovedatal1．TennysonInMemoriam(抱韻)第21頁Omyluveislikeared,redrose,That’snewlysprunginJune;OmyluveislikethemelodieThat’ssweetlyplay’dintune.Asfairartthou,mybonielass,SodeepinluveamI;AndIwillluvetheestill,mydear,Tilla’theseasgangdry.第22頁HowToTranslatePoetry1、Loyaltotheoriginal（忠實原文）Isthemeaningoftranslationandtheoriginalmeaningisthesameasthewords,atthetimeoftranslation,cannotbeseparatedfromthemeaningoftheoriginalarticle也就是翻譯出來意思和本來文字體現(xiàn)意思差不多，在翻譯時候，不能脫離本來文章含義第23頁2、creativity（發(fā)明性）Whentranslationisnotcompletelyinaccordancewiththeoriginal,needpersonalimaginationandcreativityintofullplay當(dāng)翻譯時候，也不比完全按照原文，需要發(fā)揮個人想象力和發(fā)明力第24頁3、faithfulness,expressivenessandelegance（信、達(dá)、雅）Toexpressthesamemeaning,translationofthesentenceissmooth,andpoetrytoartisticallyelegant（體現(xiàn)含義相同，翻譯出來句子通順，并且詩歌要優(yōu)美高雅）第25頁4、三美標(biāo)準(zhǔn)：thebeautyinsense,soundandform（音美、形美，意美）目前詩歌英譯主要策略鑒于詩歌特殊性，譯學(xué)界翻譯理論家列夫維爾列舉出過七種譯詩模式:phonemictranslation(音位翻譯),literaltranslation(直譯),metricaltranslation(韻律翻譯),prosetranslation(散文體翻譯),rhymedtranslation(韻體翻譯),blankversetranslation(無韻體翻譯)andinterpretation(解釋性翻譯第26頁ChinesepoetryTranslationIntoEnglish

Chinesecivilizationhasalonghistory.ancientChinesepoetryisoneoftheimmortal(不朽)chapters.Experiencedthebaptism洗禮andsedimentation沉淀offivethousandyears,Chinesepoetryhasbeenthepeakoftheworld.第27頁Withthousandsofyearspast,emperorsburiedinthedustofhistory,onlythepoet'snamealsoshine第28頁Chinaisapoetryofthecountryanditiswellknownwithitsgracefulartisticconception(意境)andrichphilosophy(哲理).Becauseofthis,

itmadeyouintoxicated（迷醉）

fortoolong，anditleftdeepfootprintinhistory.第29頁Chineseancientpoetryiswonderful,

nowordtoexpress.第30頁游子吟

孟郊

慈母手中線

游子身上衣

臨行密密縫

意恐遲遲歸

誰言寸草心

報得三春輝ATRAVELLER'SSONGThethreadinthehandsofafond-heartedmotherMakesclothesforthebodyofherwaywardboy;CarefullyshesewsandthoroughlyshemendsDreadingthedelaysthatwillkeephimlatefromhome.Buthowmuchlovehasthe

inch-longgrassForthreespringmonthsofthelightofthesun?古詩英譯觀賞：第31頁ATranquilNightAbed,Iseeasilverlight,Iwonderifit'sfrostaground.Lookingup,Ifindthemoonbright;Bowing,inhomesicknessI'mdrowned.第32頁登樂游原

OnthePlainofTombs

李商隱LiShangyin

向晚意不適，Atduskmyheartisfilledwithglooms;驅(qū)車登古原。

Idrivemycabtoancienttomb.夕陽無限好，

Thesettingsunseemssosublime.只是近黃昏。

Butitisnearitsdyingtime.

第33頁春曉

SpringMorning

孟浩然MengHaoran

春眠不覺曉，

ThisspringmorninginbedI’mlying,

到處聞啼鳥。

Nottoawaketillbirdsarecrying.夜來風(fēng)雨聲，

Afteronenightofwindandshowers,花落知多少。

Howmanyarethefallenflowers?登鸛雀樓

OnTheStockTower

王之渙

WangZhihuan白日依山盡，

Thesunbeyondthemountainglows;黃河入海流。TheYellowRiverseawardsflows.欲窮千里目，

Youcanenjoyagreatsight;更上一層樓。

Byclimbingtoagreaterheight.

第34頁ATranquilNightAbed,Iseeasilverlight,Iwonderifit'sfrostaground.Lookingup,Ifindthemoonbright;Bowing,inhomesicknessI'mdrowned.第35頁TranslationofEnglishpoetryintoChinese第36頁1、Understandthemeaningofpoetryexpression（理解詩歌體現(xiàn)含義）2、Accuratetranslationofthepoetry（精確譯出）3、Learntousebeautifulstatementstogether，Andtheuseofsomeclassicalorpopularorelegantwords，dependingonthespecificsituation（學(xué)會用優(yōu)美語句組合起來，并且使用某些古典或者通俗或者優(yōu)雅詞句，視詳細(xì)情況而定）第37頁4、KnowsomecommonsenseofEnglishnationalcultureandcharacteristicofvocabulary懂得某些英語國家文化常識和特有詞匯5、Understandthetimebackgroundandtheauthor'slifeexperience理解時代背景和作者人生經(jīng)歷第38頁Chinesewordsoftenhavealotofexpression,goodderogatory,localization,theclassicalwords,idioms,theproverb,alsocantranslateEnglishpoetryintodifferentstylesandrefreshingpoetryinChinese（中國文字經(jīng)常有很多體現(xiàn)方式，褒義貶義，本土化，古典詞語，諺語成語，尚有能夠?qū)⒂⑽脑姼枳g成不一樣格調(diào)并且讓人耳目一新漢字詩歌）第39頁Concise（簡潔明了）LibertyandloveThesetwoImusthaveForlove,Iwillsacrificemylife;Forliberty,Iwillsacrificemylove譯生命誠可貴，愛情價更高。若為自由故，二者皆可拋。第40頁Makemethylyre,evenastheforestis:Whatifmyleavesarefallinglikeitsown!ThetumultofthymightyharmoniesWilltakefrombothadeep,autumnaltone,Sweetthoughinsadness.Bethou,Spiritfierce,Myspirit!Bethoume,impetuousone!DrivemydeadthoughtsovertheuniverseLikewither'dleavestoquickenanewbirth!And,bytheincantationofthisverse,Scatter,asfromanunextinguish'dhearthAshesandsparks,mywordsamongmankind!Bethroughmylipstounawaken'dearthThetrumpetofaprophecy!OhWind,IfWintercomes,canSpringbefarbehind?第五節(jié)把我當(dāng)作你豎琴吧，有如樹林：盡管我葉落了，那有什么關(guān)系！你巨大合奏所振起音樂將染有樹林和我深邃秋意：雖憂傷而甜蜜。呵，希望你給予我狂暴精神！奮勇者呵，讓我們合一！請把我枯死思想向世界吹落，讓它像枯葉同樣促成新生命！哦，請聽從這一篇符咒似詩歌，就把我話語，像是灰燼和火星從尚未熄滅爐火向人間播散！讓預(yù)言喇叭通過我嘴唇把昏睡大地喚醒吧！西風(fēng)啊，假如冬天來了,春天還會遠(yuǎn)嗎?第41頁

Yousaythatyouloverain,

butyouopenyourumbrellawhenitrains...

Yousaythatyoulovethesun,

butyoufindashadowspotwhenthesunshines...

Yousaythatyoulovethewind,

Butyoucloseyourwindowswhenwindblows...

ThisiswhyIamafraid;

Yousaythatyoulovemetoo...

第42頁

一般版：

你說你喜歡雨，不過下雨時候你卻撐開了傘;

你說你喜歡陽光，但當(dāng)陽光播撒時候，你卻躲在陰涼之地;

你說你喜歡風(fēng)，但清風(fēng)撲面時候，你卻關(guān)上了窗戶。

我膽怯你對我也是如此之愛。

第43頁文藝版：

你說煙雨微芒，蘭亭遠(yuǎn)望;

后來輕攬婆娑，深遮霓裳。

你說春光爛漫，綠袖紅香;

后來內(nèi)掩西樓，靜立卿旁。

你說軟風(fēng)輕拂，醉臥思量;

后來緊掩門窗，漫帳成殤。

你說情絲柔腸，如何相忘;

我卻眼波微轉(zhuǎn)，兀自成霜。

第44頁詩經(jīng)版：

子言慕雨，啟傘避之。

子言好陽，尋蔭拒之。

子言喜風(fēng)，闔戶離之。

子言偕老，吾所畏之。

離騷版：

君樂雨兮啟傘枝，

君樂晝兮林蔽日，

君樂風(fēng)兮欄帳起，

君樂吾兮吾心噬。

第45頁五言詩版：

戀雨偏打傘，愛陽卻遮涼。

風(fēng)來掩窗扉，葉公驚龍王。

片言只語短，相思繾倦長。

郎君說愛我，不敢細(xì)思量。

第46頁七言絕句版：

戀雨卻怕繡衣濕，喜日偏向樹下倚。

欲風(fēng)總把綺窗關(guān)，叫奴如何心付伊。

七律壓軸版：

江南三月雨微茫，羅傘疊煙濕幽香。

夏日微醺正可人，卻傍佳木趁蔭涼。

霜風(fēng)清和更初霽，輕蹙蛾眉鎖朱窗。

憐卿一片相思意，猶恐流年拆鴛鴦。第47頁When

you

are

old

YeatsWhenyouareoldandgreyandfullofsleep，Andnoddingbythefire，takedownthisbook；Andslowlyread，anddreamofthesoftlookYoureyeshadonce，andoftheirshadowdeepHowmanylovedyourmomentsofgladgrace，Andloveyourbeautywithlovefalseortrue。Butonemanlovethepilgrimsoulinyou，AndlovedthesorrowofyourchangingfaceAndbendingdownbesidetheglowingbars，Murmur，alittlesadly，howlovefledAndpaceduponthemountainsoverhead，Andhidhisfaceamidacrowdofstars第48頁譯文1當(dāng)你年老時（傅浩譯）當(dāng)你年老，兩鬢斑白，睡意昏沉，在爐旁打盹時，取下這本書，慢慢誦讀，夢憶從前你雙眸神色柔和，眼波中倒影深深；多少人愛你風(fēng)韻嫵媚時光，愛你美麗出自假意或真情，但唯有一人愛你靈魂至誠，愛你漸衰臉上愁苦風(fēng)霜；彎下身子，在熾紅壁爐邊，憂傷地低訴，愛神如何逃走，在頭頂上群山巔漫步閑游，把他面孔隱沒在繁星中間。第49頁譯文2：當(dāng)你老了（袁可嘉譯）當(dāng)你老了，頭發(fā)白了，睡意昏沉，爐火旁打盹，請取下這部詩歌，慢慢讀，回憶你過去眼神柔和，回憶它們昔日濃重陰影；多少人愛你青春歡暢時辰，愛慕你美麗，假意或真心，只有一種人愛你那朝圣者靈魂，愛你衰老了臉上痛苦皺紋；垂下頭來，在紅光閃耀爐子旁，凄然地輕輕訴說那愛情消逝，在頭頂山上它緩緩踱著步子，在一群星星中間隱藏著臉龐。譯文3：當(dāng)你老了（戴玨譯）當(dāng)你老了，華發(fā)郁積，睡意縈縈，在爐火旁打盹時，取下這本書，慢慢地讀，夢想你雙眸當(dāng)初那柔和神色，和它們深邃陰影；多少人真情假意，愛慕你美麗，愛你雍容愉悅時刻，有一種人卻愛慕你朝圣者心，愛你變化面容所帶憂戚；俯身于紅光閃閃格柵邊，略帶傷感，喃喃細(xì)語，愛如何逸走，如何去了頭頂上高山閑蹓，在一大群星星間藏起了它臉。第50頁譯文4：當(dāng)你年老（陳黎譯）當(dāng)你年老，花白，睡意正濃，在火爐邊打盹，取下這本書，慢慢閱讀，夢見你眼中一度發(fā)出之柔光，以及深深暗影；多少人愛你愉悅豐采時光，愛你美，以或真或假之情，祇一種人愛你朝圣者心靈，愛你變化容顏蘊藏憂傷；并且俯身紅光閃閃欄柵邊，帶點哀傷，喃喃低語，愛如何逃逸，逡巡于頭頂高山上且將他臉隱匿于群星之間。譯文5：當(dāng)你老了（裘小龍譯）當(dāng)你老了，頭發(fā)灰白，滿是睡意，在爐火旁打盹，取下這一冊課本，緩緩地讀，夢到你眼睛曾經(jīng)有那種柔情，和它們深深影子；多少人愛你歡樂美好時光，愛你美貌，用或真或假愛情，但有一種人愛你那朝圣者靈魂，也愛你那衰老了臉上哀傷；在燃燒火爐旁邊俯下身，凄然地喃喃說，愛如何拜別了，在頭上山巒中間獨步踽踽，把他臉埋藏在一群星星中。第51頁譯文6：當(dāng)你年老（余光中譯）當(dāng)你年老，頭白，睡意正昏昏，在爐火邊打盹，請取下此書，慢慢閱讀，且夢見你美目往昔溫婉，眸影有多深；夢見多少人愛你優(yōu)雅韶光，愛你美貌，無論假意或真情，可是有一人愛你朝圣心靈，愛你臉上青春難駐哀傷；于是你俯身在熊熊爐邊，有點惘然，低訴愛情已飛揚，并且逡巡在群峰之上，把臉龐隱藏在星座之間。譯文7：當(dāng)你老了（飛白譯）當(dāng)你老了，白發(fā)蒼蒼，睡意朦朧，在爐前打盹，請取下這本詩篇，慢慢吟誦，夢見你當(dāng)年雙眼，那柔美光芒與青幽暈影；多少人曾愛過你美麗，愛過你歡樂而迷人青春，假意或者真情，唯獨一人愛你朝圣者靈魂，愛你衰老臉上痛苦皺紋；當(dāng)你佝僂著，在灼熱爐柵邊，你將輕輕訴說，帶著一絲傷感：逝去愛，如今已步上高山，在密密星群里埋藏著它赧