2017上半年教師資格證考試《英語(yǔ)學(xué)科知識(shí)與教學(xué)能力》(高級(jí)中學(xué))真題（原卷）

2017上半年教師資格證考試《英語(yǔ)學(xué)科知識(shí)與教學(xué)能力》(高級(jí)中學(xué))一、單項(xiàng)選擇題(本大題共30小題，每小題2分，共60分)在每小題列出的四個(gè)備選項(xiàng)中選擇一個(gè)最佳答案。請(qǐng)用2B鉛筆把答題卡上對(duì)應(yīng)題目的答案字母按要求涂黑。錯(cuò)選、多選或未選均無(wú)分。1WhichofthefollowingisthefeaturesharedbytheEnglishphonemes/m/and/p/?A、Voiced.B、Voiceless.C、Bilabial.D、Dental.2WhichofthefollowingistrueofEnglishsoundsystem?A、Aspirationisadistinctivefeature.B、Voicingisadistinctivephoneticfeature.C、Nasalizationofvowelsgivesrisetoanothervowel.D、Lengthofvowelsdifferentiatesonevowelfromtheother.3Thoughthegovernmentencouragesforeigninvestment,__________investorsarereluctantto

commitfimdsinthecurrentclimatesituationinthecountry.A、potentialB、affluentC、optimisticD、solid4

Theman__________thedarkglassesfledawayfromthespotveryrapidly.A、inB、atC、ofD、by5Themorpheme"-ceive"intheword"conceive"isa__________.A、stemB、rootC、allomorphD、suffix6Thereisnoneed__________toteachchildrenhowtobehave.A、howeverB、whatsoeverC、foreverD、whenever7__________advanceseemstobefollowingadvanceonalmostamonthlybasis.A、SorapidistherateofprogressthatB、RapidastherateofprogressisthatC、SorapidistherateofprogressasD、Rapidastherateofprogressas8Tom,seethatyoursistergetssafelyback,__________?A、canyouB、won'tweC、won'tyouD、shouldwe9Whatrhetoricdeviceisusedinthesentence"Thisisasuccessfulfailure"?A、SimileB、MetonymyC、MetaphorD、Oxymoron10Theexpression"AsfarasIknow..."suggeststhatpeopleusuallyobservetheMaxim

of__________intheirdailyconversations.A、QuantityB、QualityC、RelevanceD、Manner11Whentheteacherattemptstoelicitmoreinformationfromthestudentsbysaying"And...?","Good.Anythingelse?",etc,he/sheisplayingtheroleofa__________.A、prompterB、participantC、managerD、consultant12

Formoreadvancedlearners,groupworkmaybemoreappropriatethanpairworkfortasks

thatare__________.A、linguisticallysimpleB、structurallycontrolledC、cognitivelychallengingD、thematicallynon-demanding13Whenyoufocuson"utterancefunction"and"expectedresponse"byusingexampleslike"Hereyouare","Thanks",youareprobablyteachinglanguageatthe__________.A、lexicallevelB、sentencelevelC、grammaticallevelD、discourselevel14Whichofthefollowingtasksfailstoencourageactivelanguageuse?A、Recitingatext.B、Bargaininginashop.C、Writinganapplicationletter.D、Readingtogetamessage.15

Ateachermayencouragestudentsto__________whentheycomeacrossnewwordsinfast

reading.A、takenotesB、askforhelpC、guessmeaningfromcontextD、lookupthewordsinadictionary16Whichofthefollowingstatementsabouttaskdesignisincorrect?A、Activitiesmusthaveclearandattainableobjectives.B、Activitiesshouldbeconfinedtotheclassroomcontext.C、Activitiesmustberelevanttostudents'lifeexperiences.D、Activitiesshouldhelpdevelopstudents'languageability.17Ifsomeonesays"Iknowtheword",heshouldnotonlyunderstanditsmeaningbutalsobe

abletopronounce,spell,and__________it.A、explainB、recognizeC、memorizeD、use18Teacherscouldencouragestudentstouse__________togatherandorganizetheirideasfor

writing.A、elicitingB、mindmappingC、explainingD、brainstorming19

Whenstudentsareaskedtogotothelocalmuseum,libraries,etc.tofindoutinformationabout

endangeredanimalsandworkoutaplanforanexhibition,theyaredoinga(n)__________.A、surveyB、experimentC、projectD、presentation20

Whichofthefollowingtasksfailstodevelopstudents′skillofrecognizingdiscourse

patterns?A、Analyzingthestructureofdifficultsentences.B、Checkingthelogicoftheauthor'sarguments.C、Gettingthescrambledsentencesintoaparagraph.D、Markingoutcommonopenerstostoriesandjokes.21請(qǐng)閱讀Passagel，完成{TSE}小題。

Passage1

Inthefieldofpsychology,therehaslongbeenacertainhazinesssurroundingthedefinitionof

creativity,anI-know-it-when-I-see-itattitudethathaseludedapreciseformulation.Duringour

conversation,MarkBeeman,acognitiveneuroscientistatNorthwesternUniversity,toldmethathe

usedtobereluctanttotellpeoplewhathisareaofstudywas,forfearofbeingdismissedor

misunderstood.What,forinstance,crossesyourmindwhenyouthinkofcreativity?Well,weknow

thatsomeoneiscreativeifheproducesnewthingsorhasnewideas.Andyet,asJohnKounios,a

psychologistatDrexelUniversitywhocollaboratesfrequentlywithBeeman,pointsout,thatviewis

wrong,oratleastnotentirelyright."Creativityistheprocess,nottheproduct,"hesays.

Toillustrate,Beemanoffersanexample.Imaginesomeonewhohasneverusedorseena

paperclipandisstrugglingtokeepabunchofpaperstogether.Thenthepersoncomesupwithanew

wayofbendingastiffwiretoholdthepapersinplace."Thatwasverycreative,"Beemansays.On

theflipside,ifsomeoneworksinanewfield--Beemangivestheexampleofnanotechnology--anythingthatheproducesmaybeconsideredinherently"creative."Butwastheactofproducingit

actuallycreative?AsBeemanputit,"Notallartistsarecreative.Andsomeaccountantsarevery

creative."

Insight,however,hasprovedlessdifficulttodefineandtostudy.Becauseitarrivesataspecific

momentintime,youcanisolateit,examineit,andanalyzeitscharacteristics."Insightisonlyone

partofcreativity,"Beemansays."Butwecanmeasureit.Wehaveatemporalmarkerthat

somethingjusthappenedinthebrain.I′dneversaythat′sallofcreativity,butit′sacentral,identifiablecomponent."Whenscientistsexamineinsightinthelab,theyarelookingatwhattypes

ofattentionandthoughtprocessesleadtothatmomentofsynthesis:Ifyouaretryingtofacilitatea

breakthrough,aretheremethodsyoucanusethathelp?Ifyoufeelstuckonaproblem,arethere

trickstogetyouthrough?

Inarecentstudy,BeemanandKouniosfollowedpeople′sgazesastheyattemptedtosolve

what′scalledtheremote-associatestest,inwhichthesubjectisgivenaseriesofwords,like"pine,""crab,"and"sauce,"andhastothinkofasinglewordthatcanlogicallybepairedwithallofthem.

Theywantedtoseeifthedirectionofaperson′seyesandherrateofblinkingcouldshedlighton

herapproachandonherlikelihoodofsuccess.Itturnedoutthatifthesubjectlookeddirectlyata

wordandfocusedonit--thatis,blinkedlessfrequently,signalingahigherdegreeofclose

attention--shewasmorelikelytobethinkinginananalytical,convergentfashion,goingthrough

possibilitiesthatmadesenseandsystematicallydiscardingthosethatdidn′t.Ifshelookedat"pine,"say,shemightbethinkingofwordslike"tree,""cone,"and"needle,"thentestingeachoptionto

seeifitfitwiththeotherwords.Whenthesubjectstoppedlookingatanyspecificword,eitherby

movinghereyesorbyblinking,shewasmorelikelytothinkofbroader,moreabstractassociations.

Thatisamoreinsight-orientedapproach."Youneedtolearnnotjusttostarebuttolookoutside

yourfocus,"Beemansays.(Thesolutiontothisremote-associatestest:"apple.")

Asitturnsout,bysimplefollowingsomeone′seyesandmeasuringherblinksandfixation

times,Beeman′sgroupcanpredicthowsomeonewilllikelysolveaproblemandwhensheis

nearingthatsolution.That′sanimportantconsiderationforwould-becreativeminds:ithelpsus

understandhowdistinctpatternsofattentionmaycontributetocertainkindsofinsights.

{TS}Whichofthefollowingisclosestinmeaningtotheunderlinedword"haziness"in

PARAGRAPHONE?A、Arbitrariness.B、Vagueness.C、Misunderstanding.D、Controversy.22AccordingtoJohnKounios,whatdoestheunderlinedword"that"inPARAGRAPHtworeferto?A、Bendingthestiffwire.B、Holdingpapersinplace.C、Theideaofmakingapaperclip.D、Theprocessofmakingapaperclip.23InPARAGRAPHFOUR,whichofthefollowingshowsthepurposeofdescribingthe

experiment?A、Todiscernthelinkbetweenanalyticalthinkingandinsights.B、Todiscernconnectionbetweencloseattentionandinsights.C、Todiscernconnectionbetweencloseattentionandimagination.D、Totestpeople'scapacityforcloseattentionandabstractassociation.24Basedontheexperiment,whichofthefollowingmaysignalthatthesubjectisnearingthe

solution?A、Thesubjectisbeggingtowork.B、Thesubjectlooksawayatsomethingelse.C、Thesubjectisdistractedfromthegivenwords.D、Thesubjectconcentratesonthegivenwordsallthetime.25

Whatisthebesttitleforthispassage?A、Creativity.andInsightsB、InsightsandProblemSolvingC、WhereDoInsightMomentsCome?D、WhereDoCreativityMomentsCome?26請(qǐng)閱讀Passage2，完成{TSE}小題。

Passage2

TaylorSwift,theseven-timeGrammywinner,isknownforherarticulatelyrics,sotherewas

nothingsurprisingaboutherwritingalongcolumnforTheWallStreetJournalaboutthefutureof

themusicindustry.Yetthere′sreasontodoubttheoptimismofwhatshehadtosay"Thismomentinmusicissoexcitingbecausethecreativeavenuesanartistcanexploreare

limitless,"Swiftwrote."Inthismomentinmusic,steppingoutofyourcomfortzoneisrewarded,andsonicevolutionisnotonlyaccepted...itiscelebrated.Theonlyrealriskisbeingtooafraidto

takeariskatall."

That′shardtoreconcilewithNielsen′smid-yearU.S.musicreport,whichshoweda15

percentyear-on-yeardropinalbumsalesanda13percentdeclineindigitaltracksales.Thiscould

bethe2013storyalloveragain,inwhichstreamingservicescannibalizetheirgrowthfromdigital

downloads,whosenumbersdroppedforthefirsttimeeverlastyear,exceptthatevenincluding

streams,albumsalesaredown3.3percentsofarin2014.Streaminghasgrownevenmorethanitdid

lastyear,42percentcomparedto32percent,buthasfailedtomakeupforagenerallossofinterest

inmusic.

Considerthis:in2014todate,Americanspurchased593.6milliondigitaltracksandheard70.3

millionvideoandaudiostreamsforasumtotalof663.9million.Inthecomparableperiodof2013,thetotalcameto731.7million.

Swift,oneofthefewartistsabletopulloffstadiumtours,believesit′sallaboutquality.

"Peoplearestillbuyingalbums,butnowthey′rebuyingjustafewofthem,"shewrote."Theyare

buyingonlytheonesthathitthemlikeanarrowthroughtheheart."

In2000,albumsalespeakedat785million.Lastyear,theyweredownto415.3million.Swift

isright,butformanyoftheartistswhosealbumspierceheartslikearrows,it′stoolate.Salesof

vinylalbumshaveincreased40.4percentsofarthisyear,accordingtoNielsen,andthetop-selling

onewasguitarheroJackWhite′sLazaretto.Thetop10alsoincludesrecordsbytheagingordead,suchastheBeatlesandBobMarley&theWailers.Moremodernentriesarenotexactlyteen

sensations,either:theBlackKeys,BeckandtheArcticMonkeys.Noneoftheseartistsispresenton

thedigitalsalescharts,includingorexcludingstreams.Thetop-sellingalbumsofarthisyear,bya

hugemargin,isthesaccharinesoundtracktotheDisneyanimatedhit,"Frozen".

When,likeme,you′reover40andyoubelievethemusicindustryhasbeenindeclinesincein

1993(theyearNirvanareleasedinUtero),it′seasytocriticizethemusictasteof"thekidsthese

days,"atermeventhe23-yearoldSwiftuses.Myfellowdinosaurswillunderstandiftheycompare

1993′stopalbumstoNielsen′s2014list.Butthesekidsdon′tjustliketolistentodifferentmusic

thanwedo,theynolongerfindmuchworthhearing.

Thewaythemusicindustryworksnowmayhavesomethingtodowiththat.Intheolddays,

musiciansshowedtheirworktoindustryexecutives,thewaymostbookauthorsstilldotopublishers

(althoughthattradition,too,iseroding).Theexecutivesmademistakesandwerecreditedwithbrilliant

finds.Sometimestheyfollowedthepublictaste,andsometimestheystrovetoshapeit,takingbig

financialandcareerrisksintheprocess.Thesedays,accordingtoSwift,it′sallaboutthesocial

networks."Afriendofmine,whoisanactress,toldmethatwhenthecastingforherrecentmoviecame

downtotwoactresses,thecastingdirectorchosetheactresswithmoreTwitterfollowers,"Swiftwrote.

"Inthefuture,artistswillgetrecorddealsbecausetheyhavefans--nottheotherwayaround."

Thesocialnetworksarefickleandself-consciouslysarcastic(seetherecentpotatosalad

phenomenon).Theyarenotaboutarrow-through-the-heartsincerity.That′swhyYouTubemadePsy

astar,butitcouldn′thavebeenthemediumforBeatlemania.JustinTimberlakehas32.9million

Twitterfollowers,buthe′snoJackWhite.

Inthemusicindustry′sheyday,itproducedalotofschlock.Butitgotgreatmusicouttothe

masses,too.Thesedays,itexpectsartiststodotheirownpromotionandforthosewholessgoodat

thatthanatmakingmusic,itmaymeannotgettingheard.Forfansitmeanslessgoodmusicto

streamanddownload.Well,there′salwaysthewarmandfuzzyworldofvinylnostalgia,Iguess.

{TS}HowdoesthewriterperceiveSwift′sattitudetowardsthefutureofthemusicindustry?A、Sheisnodoubtover-optimisticaboutit.B、Sheistooyoungtomakeareliablejudgment.C、Sheisprofessionalenoughtopredicateitwisely.D、Shedoesn'tfollowwhatothershavesaidaboutit.27

Whyismusicindustrydeclininginthewriter′sview?A、Themusicworldisincreasinglydominatedbyself-centeredpeople.B、Themusicindustryfavorsmusicianswhohavemoresocialnetworks.C、Modemmusiciansarenolongertakingriskswhencomposingmusic.D、ManymusiciansarenotwillingtopromotetheirmusicontheInteract.28

Whatdoes