Impressionism獲獎科研報(bào)告

Impressionism獲獎科研報(bào)告

Abstract：Immersionmeanstoletthepublicforgettherealworldandfocusonlyonthesceneinfrontofthem.Immersivetheoryoriginallyoriginatedfromlanguageteachingpractices，suchasimmersiveforeignlanguagetraining.Today，immersiveexpressionandapplicationhavebeenextendedtomanyfieldssuchascontemporaryart，film，commerce，andgames.Itisscienceandtechnologythatrealizestheimmersivespaceandpromotesitsdevelopment.ThisarticlefocusesonthedesignofImpressionistsinimmersivespaces，andhowthelightandcolorofImpressionistsarepresentedtothepublicwiththehelpofimmersivespaces.

Keywords：Immersive;Impressionism;Technology

1.Theemergenceofimmersivespaces

"Immersion"meanstomakepeoplefeelasiftheyareinthatplace，bothphysicallyandmentally.SothatIforgetthethingsaroundme.Sowecanfurtherknowthat"immersiveexperience"actuallyreferstobeinginaspecificspace，Withthehelpofsound，light，electricityandotherelements，Usinghumansensoryandcognitiveexperience，Sothatparticipantshaveafeelingofbeinginthevirtualworld，Therebyprovidingparticipantswithafullyimmersiveexperience.Thebiggestfeatureofimmersivespaceisthesenseoftechnology，sensory，andfun.Itisalsoanimportantreasonwhyitismoreattractivetothepublicthanordinaryspaces.Itisalsoanimportantreasonwhyitismoreattractivetothepublicthanordinaryspaces.

2.HowtorealizeImpressionisminanimmersivespace

2.1Treatmentoflightinimmersivespace

The"MuseumofLight"inParis，Itspredecessorwasacastironworkshopbuiltinthe19thcentury.Andnow，Artistshavebuiltitintoaninteractiveandimmersivespace.Inthispavilion，F(xiàn)romtoptobottom，Itisabout3000squaremetersfromlefttoright，Thewholeistransformedintoa360-degreemagnificentsoundimagecanvaswithnodeadends.Sohowdoessuchalarge-scalevenuethatisnotpresentedthroughpaperpaintingsshowusthefeelingsthatthelightandshadowareintactorevenexceedthepaperpaintingsintheframe？

2.1.2Adjustmentofthebrightnessofthelightsinthehallandthearrangementoftheprojectionscreen

Althoughthiskindofprojectionequipmentprojectsthemaster'spaintings，thelightsinthevenuemustbematchedwiththeentirepaintingtoachieveunity.Inordertomaintainandhighlightthelightandshadowoftheproductitself，therearenottoomanylightsontheceilinginthemuseum，butsomesmallspotlightswithverylowbrightnessareusedatthetopoftheprojectionscreentofillinthelight.Thedarknessoftheceilingisjustcontrasted.Thelightperceptionofthepaintingitself.Tochangefromtwo-dimensionaltothree-dimensionalinanimmersivespace，acommonmethodistobreakthenotionthatonlythewallisthecarrierandturnboththeceilingandthegroundintoacarrier.Asthegroundisbelowpeople'ssight，itsbrightnesscannotexceedtheverticalwallasthecarrier.Ifthebrightnessofthegroundishigherthanthatofthewall，peoplewillfeelverydazzlingduetoreflections.

2.2Colorprocessinginimmersivespace

2.2.1Recompositionandsecondaryprocessing

Thework"TheStarryNight"doesnotappearonthescreeninasinglecycle，butratherblurstheentirepainting，whichseemsflat，butitisnot.Theprojectiontechnologyextendedthepaintingsintheframe，butthestarsandmoons，whichshouldhaveonlyexistedinthesky，appearedundertheirfeet.Itputsthevisualcenterofthepainting，thatis，thefocusoftheentirepictureontheverticalwallasthecarrierprojectionscreen;thebackgroundcolor，thatis，thesecondarypartoftheentirepicture，isplacedonthegroundasthecarrierprojectionscreen.Thisnotonlyensuresthatpeople'svisualcenterisnotchanged，butisstillnearthehorizontalline，butalsothecoloroftheentirepictureiscoveredonalltheprojectionscreensasthecarrier.Thiskindofprocessingwillnotdisturbpeople'sperception，andwillnotmakepeople'seyesfeeltiredvisually.Notonlymakesthewholepaintinghavethemainandsubordinates，butalsomakesthecolorsdistinct.Thevisualcenteroftheentireworkisthelocationofthebuilding.Thisparthasnotbeen"circulated"initsownpaintings，anditappearsasasingleindividual.Theskypartoftheworkappearsasa"cycle".

3.Themeaningofimmersivespace

Theemergenceofimmersiveexperiencehasmadegreatachievementsinmanyindustries.Itbringspeopleanewfeeling，whichalsoconfirmstheprogressofscienceandtechnology.Thismethodofusingprojectiontechnologytopresenttheworkitselfnotonlygreatlyreducestheamountofinformationmanagementsuchastheoriginalpaintings，culturalrelics，etc.，butalsosavesspace.Alltheworkscanberealizedthroughprojectiontechnology，sothereisnoneedtoreplaceandmovetheanimationframeitself.Thesimpledisplayoftextandpaintingsinatraditionalartgallerywouldseemverydullandboring.Thisnewimmersiveexperiencewillattracttheattentionofmoreyoungpeople，anditisatrendofthetimes.

reference

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