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2023屆河北省部分市高三英語(yǔ)一模試題分類(lèi)匯編
閱讀理解
2023屆河北省邯鄲市高三一模英語(yǔ)試題
第一節(jié)(共15小題;每小題2.5分,滿分37.5分)
閱讀下列短文,從每題所給的A、B、C、D四個(gè)選項(xiàng)中選出最佳選項(xiàng)。
A
TheBestHighSchoolStudyAbroadProgramsFor2023
Areyouinterestedinstudyingabroadwhileinhighschoolbuthavenoideawheretostart?
Hereisourguidetochoosingtherighthighschoolabroadprogramforyou.
BestProgramForSeniors:TravelForTeens
Location:MultipleCountries
Achievingindependenceisakeypartofgrowingup,butitdoesn,thappenovernight.
Teenagersneedtimetoexploretheiroptionsandfigureoutwhattheywantfromlife.Thisprogram
isdesignedtohelpstudentsmakethemostoftheirsummervacation,whetherthey,relookingfora
multiculturalexperienceorwanttoaddsomeadventurestotheirtrip.
BestProgramForLanguageLearning:CIEE
Location:Spain
CIEEallowsstudentstolearnSpanishcultureandlanguagethrougheducationalactivities.
Studentswilllearnaboutthehistory,architecture,andartofSpainthroughvisitstomuseumsand
culturalsites.Moreover,thecertificateoflearningyoureceivecanbeusedincollegeapplications.
BestProgramForSoutheastAsia:TravelForTeensInThailand
Location:Thailand
Thailandhassomethingforeveryone.Ifyouwanttoexplorethelocalcultures,youcanvisit
thefloatingmarketsortakeanelephantridethroughthejungle.Ifrelaxationismoreyourscene,
thenthereareplentyofbeachesjustwaitingforyoutospendadaythere!
BestProgramForConservation:GlobalWorks
Location:CostaRica
HaveyoueverdreamedoftravelingthroughthecanalsofCostaRica,spottingvariouswild
animalsalongtheway?Doeshikingtowaterfallsandactivevolcanoes,allwhilehelpingsupport
conservationeffortssoundlikeyourdreamstudyabroadexperience?Ifso,GlobalWorkshas
createdanexperiencethatwillblowyouaway.
I.Whichprogramsuitsthoseintendingtoappreciatediversecultures?
A.CIEE.B.GlobalWorks.
C.TravelForTeens.D.TravelForTeensInThailand.
2.WhatisanadvantageofparticipatinginCIEE?
A.ItallowsyoutoseelargepartsofSpain.
B.Itmotivatesyoutosocializewithlocalpeople.
C.Itconnectsyouwithstudentsfromallovertheworld.
D.Itmayenableyoutostandoutinapplyingtoacollege.
3.WhatspecialexperiencecanyouexpectinGlobalWorks?
A.Catchingsightofvolcanoeruption.
B.Payingvisitstosomefamoustemples.
C.Ridinganelephantthroughthejungle.
DExploringtheissueofecosystemrestoration.
B
Therehavebeenafewtimesinmylifewhen?feltverylonely,?particularlyremembermy
lonelinesswhenImovedtoNewYorkCity.Ihadacoupleoffriendsinthecity,still,itwasatimein
mylifewhenIneededtoputforthsomeefforttoformmoremeaningfulrelationships.Butthemore
Iwentouttoparties,themoredisconnectedandlonelyIfelt.Feelinglonelyinaroomfullofpeople,
orinmycase,awholecitypackedwithpeopleeverywhere,wastheloneliestIhaveeverfelt.
So,ratherthantryinganewwaytomakefriends,Iwasmorelikelytoignorephonecallsfrom
friends,andIlookedatsocialinvitationsandopportunitiestomeetnewpeopleasdrudgery.
Lookingbackonthisperiodofloneliness,IwonderatthewayIisolatedmyselfinsteadofreaching
outtothosewhowerewillingtokeepmecompanyandofferfriendship.
WhatIhavelearnedfrommyownexperienceandtheexperienceofmanyofmyfriendsisthat
moreoftenthannot,thosewhofeellonelychooseisolation.Indeedmanyofmyownfriends
describeavoidingsociallifeasawayofdealingwithfeelingsofloneliness.
Thisbehaviorissomewhatcommon,andnewresearchtakesabigsteptowardsexplainingthis
behavior.Accordingtoleadingexpertsontheloneliness,StephanieandJohnCacioppo,thereisan
evolutionaryexplanationforthistendencytoisolatewhenwearefeelinglonely.Bymonitoring
lonelypeople,sbrainwaves,theyfoundthatlonelypeopletendtorespondnegativelytosociallife.
"4Lonelinesscausessomebrain-relatedchangesthatputusintoasociallynervousmode,"Dr.
ChristianJarrettexplains.
Makingourselvesawareofthisevolutionarynaturaltendencycouldactuallybethefirststepin
fightingloneliness.OnceweknowthatWearemoresensitivetonegativityduringlonelyspells,we
canfocusourenergyonresistingthedesiretoputupwalls.
4.WhathappenedtotheauthoraftershemovedtoNewYorkCity?
A.Shehadnofriendsthere.B.Shelackedconfidencethere.
C.Sheneededopportunitiesforparties.D.Shefeltlonelyevenwithpeoplepresent.
5.Howdidtheauthortrytodealwithhersituation?
A.Byrefusingtogoouttomeetothers.B.BylookingforsolutionsontheInternet.
C.Bytryingvariousmethodstomakefriends.D.Bydoingsomedrudgerytoforgether
problem.
6WhatdidStephanieandJohnCacioppofindintheirresearch?
A.Lonelypeopletendtodisgustsociallife.
B.Peoplerespondnegativelytolonelypeople.
C.Lonelinesscandogreatharmtopeople,shealth.
D.Lonelinesscanbecausedbyasociallynervousmode.
7.Whatdoestheauthormostprobablywanttoshowinthetext?
A.Weshouldn'tbeinfluencedbynegativity.
B.Weshouldn,tchooseisolationwhenwefeellonely.
CWeshouldmakefriendsbasedonscientificfindings.
D.Weshouldspendmoretimewithfriendsthanrelatives.
C
BeeprotectionisabigissuethesedaysinAmerica,withpeopleplantingnativepollinator
gardens,settingupbeehouses,andtakingpartinscientificactivitiestomonitorlocalbee
populations.Andthisisforgoodreason—inNorthAmerica,aquarterofnativebeespeciesareat
riskofextinction.Beespollinate35percentofourglobalfoodsupplyandmanyofthewildplants
ourecosystemsdependon.
NoMowMay,amovementthatbeganintheUK,isnowrapidlyspreadingthroughouttheUS.
Itspopularityliesinitsbeingsimple:Justgivebeesahelpduringthecrucialspringtimeby
removingachorefromyourlistandlettingyourlawngrowforthemonthofMay.Thislets44Iawn
flowers"suchasdandelionsgrowatatimewhenbeefoodisrare.
Dandelions,despitebeingprettyanduseful,arenon-native.Thenwhydowepromotea
movementthatencouragestheirgrowth?Here,sthebasicanswerdon,tletuperfecf,betheenemyof
"good”.Sure,it,dbegreattoturnyourentireneighborhoodintoabeekingdomofnativeplants,but
thatcantakelotsoftimeandmoney.
WhiledandelionshavebecometheDOSterChiIdforNoMowMay,otherplants-including
nativespecies-mayalsoappearinyourlawn.uBesidesdandelions,therearemanyotherplants
thataregoingtobethere,,,saysDi*.ClaudioGrattonattheUniversityofWisconsin-Madison.
InMassachusetts,scientistsfound63speciesofplantsinlawns,30percentofwhichwere
nativetothestate.MostoftheAmericansprobablyloveddandelionsaschildrenbuthavetendedto
hatethemasadultsbecauseofAmericanlawnculture,whichallowsnoflowers.t?NoMowMay
forcesustothinkaboutourrelationshipwithnature.Weshouldreflectonthewaywehavemade
naturesuitourneeds,andrealizeflowersplayreallyimportantroles,,,saysDr.ClaudioGratton.
8.WhatisthebackgroundtoNoMowMayintheUS?
A.Nativebeespeciesareincreasing.B.Thereisatendencytoprotectbees.
C.Beesmainlydependongardenplants.D.Morepeoplehavenotimetocutlawns.
9.WhatdoweknowabouttheNoMowMay?
A.Itneedsalmostnocost.B.FewAmericanssupportit.
C.Itisaimedatgrowingdandelions.D.Itappealsforcarefulattentiontothelawns.
10.Whatdoestheunderlinedpart4?posterChild''inparagraph4probablymean?
A.Slightelement.B.Rareexception.
C.Typicalexample.D.Difficultproblem.
11.WhichofthefollowingagreeswithAmericanlawnculture?
A.Abee-friendlylawn.B.Aregularlycutlawn.
C.Alawngrowingnaturally.D.Alawnwithnativeflowers.
D
Schoolisimportantforchildrenandparentseverywhere,andtherearealotwhotakethe
educationofyouthveryseriously.Parentswanttheirchildrentosucceed,andalotofchildrenwant
todowellinschool.Anewstudy,whichwasdonebyBrighamYoungUniversity,hasfoundthat
studentsperformbetterinschooliftheygoonmoreculturalfieldtrips.
Fieldtripshavealwaysbeenseenasfunforstudents,andtheylookforwardtotheirchancesto
getoutoftheclassroomandgosomewherefun.Butfieldtripscanbedifficultforteacherstoplan,
becausetheyneedtomakesurethatthereislearningandvalueincluded.Somehavearguedabout
theworthoffieldtrips,andwhethertheyareworthastudentmissingawholedayoutofschool.
However,HeidiErickson,oneoftheresearchersinthestudy,statedthatthereisnoharmin
takingstudentsoutoftheciassroom,evenfbrmultipledaysthroughouttheyear,aslongastheyare
learningandinanappropriatespace.Thestudyhad4th-and5th-gradestudentsfrom15schools
takepartinthisstudy.Theywentonthreeculturalfieldtripsduringtheschoolyear,toanart
museum,alivetheaterperformance,andaclassicalconcert.Thentheresearcherslookedattheir
schoolyearcomparedtostudentswhodidnottakepartandthisiswheretheysawthedifference.
Thestudyfoundthatstudentswhowentonmultiplefieldtripsayearhadhighertestscores,
performedbetterinclassandhadagreaterculturalresponsibilityovertimewhencomparedto
studentswhodidnotgoonasmanyfieldtrips.
Althoughtherehasbeenaremarkabledecreaseinthenumberoffieldtripsduetovarious
reasons,thisnewstudyisshowingthetruevalueoffieldtrips,especiallywhentheyareconsidered
“cultural”.
12.Whyisithardfbrteacherstoplanfieldtrips?
A.Teachersareconcernedabouttheprice
B.Teachersdon,tbelieveintheworthoffieldtrips.
C.Studentshavetomissawholedayoutofschool.
DTeachershavetoensurestudents5meaningfulexperiences.
13.WhatisHeidiErickson,sattitudetoculturalfieldtrips?
A.Skeptical.B.Favorable.C.Concerned.D.Tolerant.
14.Howdidtheresearchersdrawtheconclusion?
A.Byaskingstudentsquestions.B.Bytakingfieldtripsthemselves.
C.Bydoingsurveysamongteachers.D.Bycomparingdifferentgroupsofstudents.
15.Whatisthemainideaofthetext?
A.Culturalfieldtripsimprovestudents,grades.
B.Studentsperformbetterinanappropriatespace.
C.Whyculturalfieldtripsarepopularwithstudents.
D.Whythenumberofstudents,fieldtripsisdropping.
2023屆河北省石家莊市高中畢業(yè)年級(jí)教學(xué)質(zhì)量檢測(cè)(一)英語(yǔ)試題
第一節(jié)(共15小題;每小題2.5分,滿分37.5分)
閱讀下列短文,從每題所給的A、B、C、D四個(gè)選項(xiàng)中選出最佳選項(xiàng)。
A
OutdoorFootball@Braywick
Tue,Mar8,9:00P.M.
Afriendlykickabout,opentoalllevels.Differentplayerseachweek.Newcomerswelcome.
Webookthepitch(球場(chǎng))whenwehittheminimumof8"yes”RSVPS(回復(fù)),whichWeneed
todobythedaybefore.
Thecostis£4to£6each,dependingonhowmanysignup(£50forthepitch,dividedbythe
numberofplayers)
DONTBELATE!Weneedtobethere,changedandreadyforkick-offat9:00P.M.Ifthe
gameisevercancelled,wewillletthosewhohavealreadyRSVP"yes"know.
LOCATION:TobyCarveryStaffertonLodge
PLEASEBRING:
?Suitablebootsfortheoutdoor3Gpitches.Artificialgrass(AG)footballbootsarestrongly
recommendedasthebestoptionforthesurface.
?Somecash-upto£6,asexplainedabove.
RSVPTERMSANDCONDITIONS!
?WhenyouRSVP"Yes”,webookaspotonthepitchforyou.Theorganizerischargedforthe
pitchunlesstheycancelitatleast48hoursbeforethegame.
?IfyouchangeyourRSVPto"No"lessthan48hoursbeforeplayoryouarea“NoShow”and
nobodyisabletotakeyourspot,youwillbeaskedtopaythepriceasifyoutookpart.
BRINGINGGUESTS:
Youaremorethanwelcometobring1or2friendstoplay(butonlyifyouadd"+1"or"+2''to
yourRSVP,sothatwedon,tendupwithtoomanyplayers).
1.Whatisthedeadlineforthebookingofthepitch?
A.Mar5.B.Mar6.C.Mar7.D.Mar8.
2.Whatareyourequiredtodoasaplayer?
A.Arriveatthepitchat9:00P.M.B.Wearfirm-groundbootswhenplaying.
C.Bringatleast£6tothepitch.D.Informcancellation48hoursahead.
3.Whatwillhappenifyoufailtoturnup?
A.Youstilineedtopay.B.Youcanjointhenextgameforfree.
C.Youwillbefinedforit.D.Youwillbebannedfromthegames.
Throughoutalltheeventsinmylife,oneinparticularsticksoutmorethantheothers.AsI
reflectonthissignificantevent,asmilespreadsacrossmyface.AsIthinkofShanda,Ifeelloved
andgrateful.
Itwasmytwelfthyearofdancing,Ithoughtitwouldenduplikeanyotheryear:stuckin
emptiness,forgottenandwithoutthebeliefofanyteacherorfriendthatIreallyhadthepotentialto
achievegreatness.
However,?metShanda,ayoung,talentedchoreographer(編舞者).Sheinfluencedmetowork
tothebestofmyability,pushedmetokeepgoingwhenIwantedtogiveup,encouragedmeand
showedmetherealimportanceofdancing.Throughoutourhardwork,notonlydidmyabilityto
dancegrow,butmyfriendshipwithShandagrewaswell.
Withtheendoftheyearcameourshowtime.AsIwalkedtoabackstagefilledwithother
dancers,Ihopedforagoodperformancethatwouldprovemyimprovement.Iwaitedanxiouslyfor
myturn.Finally,afterwhatseemedlikedays,theloudspeakerannouncedmyname.Butterflies
filledmystomachasItooktremblingstepsontothebiglightedstage.But,withthedeterminationto
succeedandeagernesstoliveuptoShanda,expectationsforme,Ibegantodance.Allmytroubles
andnerveswentawayasIdancedmywholeheartout.
AsIwalkeduptothejudgetoreceivemyfirstplaceshining,goldtrophy(獎(jiǎng)杯),Irealizedthat
danceisnotaboutbecomingthebest.Itwasaboutlovingdancefordanceitself,agetawayfromall
myproblemsintheworld.Shandashowedmethatyoucouldleteverythinggoandjustdancewhat
youfeelatthatmoment,Afterailthedoubtsthatpeoplehadinme,?believedinmyselfanddidnot
carewhatothersthought.ThankstoShanda,dancebecamemorethanaloveofmine,butapassion.
4.Whatdidtheauthorthinkherdancingwouldbeforthetwelfthyear?
A.Achangeforthebetter.B.Adisappointmentasbefore.
C.Aproofofherpotential.D.Aprideofherteachersandfriends.
5.HowdidShandahelptheauthor?
A.Byofferingherfinancialhelp.B.Byenteringherinacompetition.
C.Bycoachingherforlongerhours.D.Byawakeningherpassionfordancing.
6.HOWdidtheauthorfeelwhenshesteppedonthestage?
A.Proud.B.Nervous.C.Scared.D.Relieved.
7.WhatcanweIeamfromtheauthor,sstory?
A.Successliesinpatience.B.Fameisagreatthirstoftheyoung.
C.Agoodteachermatters.D.Ayouthistobetreatedwithrespect.
C
OnGrytvikenislandintheSouthAtlanticOceanliestheSouthGeorgiaMuseum,oneofthe
mostremotemuseumsintheworld.
SouthGeorgiaMuseumislocatedintheisland'soldwhalingstation.Whaling,orthehunting
ofwhalesfortheirusablenaturalproducts,suchasmeatandoil,ceasedtherein1964.Thebuilding
thatnowhousesthemuseumonceservedasthewhalingmanager,shomeandofficeandwent
unusedforover20yearsbeforeitopenedtothepublicasamuseumin1992.
TherearenopassengerflightstoorfromGrytviken,sothemajorityofvisitorsarriveonaship.
Theislanditselfonlyseesabout10,000visitorsayearandtherearenopermanentresidents,onlya
groupof20scientists,maintenanceStafGandmuseumworkerswhobravetheisland,scoldweather
conditions.Travelingtothemuseumrequiresadvanceplanning.SouthGeorgiaMuseumstaffall
traveltotheislandfromabroadforthesouthernhemisphere(半球)spring,ormid-October,and
mostcomefromtheUnitedKingdom,around8,000milesnorth.
Themuseum,whichoffersfreeadmission,?fcaimstomakethishistoryandheritageaccessible
bothtothevisitingpublicandtothoseunabletovisitthisremoteregionthrougheducation,
exhibitionsandoutreach,?accordingtoitswebsite.Ithousesanaturalhistorycollection,artifacts,
exhibitionsrelatedtotheearlyhistoryofsealingandwhalingaswellasAntarcticexplorer,Sir
ErnestShackleton,andmore.Themuseumroomsarenamedafterindividualswhocontributedto
thegrowthorconservationoftheislandinsomeway.
ThetemperatureisidealforvisitorsOctoberthroughDecember,butsill,daytimehighsdon,t
oftenreachabove40degreesFahrenheit.Forthosewhoworkthere,InternetaccessisPatChyand
freshfoodoptionsarerare.It,snotaplaceforeveryone,butforthestaffthatcallsithomeforparts
oftheyear,it,sauniqueformofparadise.''Steppingawayfromtheworldhasbeenatreat/5said
Pierce,oneofthestaff.
8.WhatcanWelearnabouttheSouthGeorgiaMuseum?
A.Itisaccessibletovisitorsbyair.B.Ithas20maintenanceworkers.
C.Itopenedtothepublicin1964.D.Itusedtobeawhalingstation.
9.Whoaretheroomsofthemuseumnamedafter?
A.Managersofthewhalingstation.
BAdventurersexploringtheAntarctic.
C.Thosewhomadecontributionstotheisland.
D.Individualswhoconservedwhalesfromextinction.
10.Whatdoestheunderlinedword"patchy”meaninthelastparagraph?
A.Poor.B.Easy.C.Free.D.Quick.
11.Inwhichcolumnofawebsitecanwefindthistext?
A.Animals.B.People.C.Travel.D.News.
D
Foodshighinsugarareunhealthy,buttheseadditivesaretoodeliciousformanyofustogive
uporreduceinaway.WhatifWecouldsomehowenjoytheirtastewithoutactuallyeatingthem?A
studentteamhasnowdesignedaspoonwithastructurethatstimulatestastebuds(味蕾)toproduce
asenseofsweetnesswithoutaddingcaloriesorchemicals.Theprojectfollowspreviouswork
involvingfavor-enhancingcutleιylikechopsticksthatincreasesweetnesswithamildelectric
current.
Thefiveundergraduateandgraduateresearchstudentswantedtocreateanewspooncalled
Sugarwareforpeoplewithsuchdisordersasdiabetes,withwhichsugarislargelyofftheirmenu.
Thenewspoonwouldhaveseveralbumps(凸起)onitsundersidetopressagainstthetongue.
Thebumpscanbecoveredwithapermanentlayerofmolecules(分子)calledligands.Theseligands
bondwithtaste-cellreceptorproteinsthattypicallyreacttosugarmoleculesorartificial
sweeteners.Thebondcanactivatenervesignals,causingthebraintoregisterasenseofsweetness.
Adinercouldthusstimulatesweetnessreceptorswithoutactualintakeofsugarorartificial
sweeteners.
Thisideaissimilartothepreviousworkinthattheyallusecutieιytoenhancetastewithouta
userhavingtoactuallyconsumeanysugar.??Butthemechanismforstimulatingthetastebudsis
completelydifferentJShiyuXu,oneofthestudentresearchers,says,ɑ?tusesbumpsandtaste-bud
-stimulatingmoleculesratherthanelectricity.^^
Theideais“verycreative/'saysPaolaAlmeida,whoistheglobaldirectorofcorporate
innovationatcandymakerMars.Buttheproduct,scommercialsuccesswouldrequireasignificant
behavioralshiftamongconsumers:insteadofaddingtheusualsugarorartificialsweeteners,?4now
we,resaying,?Usethiscutlery,,vAlmeidasays,uItremainstobeseenwhetherfavor-enhancing
CUtIerywillcatchon.”
12.Whatisparagraph3mainlyabout?
A.Howthenewinventionworks.B.Howadinerfeelsweetness.
C.Howligandsandproteinslink.D.Howsugarmoleculesfunction.
13.Inwhatwayisthepreviousflavor-enhancingcutlerydifferentfromSugarware?
A.Itmakesfoodmoredelicious.B.Itsendsoutsignalstothebrain.
C.Ituseselectricitytoenhancetaste.D.Itreducesusers,foodconsumption.
14.WhatisPaolaAlmeida,sattitudetothefutureofSugarware?
A.Positive.B.Uncertain.C.Critical.D.Worried.
15.What,sthebesttitleofthetext?
A.StrugglingforLowSugar?—TryThisSpoon
B.LookingforDeliciousFood?—ThisisHow
C.WorkingforCommercialSuccess?一BeCreative
D.DietingforBetterHealth?—MindSweeteners
2023屆河北省唐山市高三一模英語(yǔ)試題
第一節(jié)(共15小題;每小題2.5分,滿分37.5分)
閱讀下列短文,從每題所給的A、B、C、D四個(gè)選項(xiàng)中選出最佳選項(xiàng)。
Weareverypleasedtoannouncethe20thInternationalEAS(theEuropeanAssociationfor
MusicinSchools)StudentForum,whichwilltakeplaceonMay22—25,2023,priortothe30th
EASConferenceinLyon,France(May24-28,2023).
TheStudentForum(SF)hasbecomeanestablishedpartoftheannualEASconferenceandis
provingtobeverysuccessful—bothforthestudentsandtheconference.TheEASstudentforum
presentationattheEASconferencehasbecomeoneofthehighlights.
TheEASSFprogrammewillincludeworkshops,discussionsandmusicalpresentations.Its
aimistogivestudentteachersanopportunitytoshareandexchangetheirexperienceandviewsof
musicteaching.
ThethemeoftheStudentForum:
''InnovatingandInventingMusicintheClassroo?τ?^^
Threethreeelementstotheprogramme:
?Practicalandcreativemusicmakingthroughsharingexamplesofmusicalactivities,and
creatingnewmusictogether.
?Discussiononthethemeandsharingthestudents,differentexperiencesandperspectivesof
learningtobecomeateacherintheirownschoolsystem.
?Participationinselectedconferenceactivities,andgroupwork.
Selectioncriteria:
Theparticipatingstudentsshould:
?currentlybeinthefinalyearsoftheirmusicteachertrainingprogramme;
?beinterestedinEuropeanandinternationalperspectivesinmusiceducation;
?haveabasicknowledgeofEnglish;
?havetheabilitytoworkwithothersandcontributetodebate.
EASStudentForumTeam2023:
SaraSavovic(FacultyofMusic,Belgrade,studentdelegate,Serbia)
mail:savovic.sara4@
Prof.Dr.BrankaRotarPance(UniversityOfLjubIjana,Slovenia)
mail:branka.rotar-pance@ag.uni-lj.si
TomRousselet(LeCentreFormationdesMusiciensIntervenants,deI,UniversiteLyon
France)
mail:tomrousselet@univ.lyon2.fr
Prof.Dr.OliverKramer(RostockUniversityofMusicandDrama,Germany)
mail:oliver.kraemer@hmt-rostock.de
ContactpersonoftheEASboardforfurtherquestions:Prof.AndreasBernhofer,
PhD:andreas.bernhofer@moz.ac.at
1.WhatdowelearnabouttheStudentForum?
A.Itusuallylastsfivedays.B.Itinvitesteachersasguides.
C.Itpresentsthehistoryofmusic.D.Itiswellrecognizedandacceptable.
2.WhichisarequirementfortheSFparticipants?
A.Beinggoodatcommunication.
B.BeingnativeEnglishspeakers.
C.Havingrichexperienceinmusiceducation.
D.SharingagoodopinionofEuropeaneducation.
3.WhoisfromGermany?
A.SaraSavovic.B.OliverKriimer.
C.AndreasBernhofer.D.BrankaRotarPance.
B
Yesterday,afterarrivinginMadrid,Iknockedonastranger,sdoor.uIsearchedonthewebsite.
Willyougivemelessons?^^Iasked.ThiswasthereasonI,dcometoSpain.BecauseIoncebelieved
Iwasmeanttobeafemaleflamenco(弗拉門(mén)戈)guitarist.
Forty-fiveyearsago,whenIwastwo,myfatheralsocametoMadridandknockedon
strangers,doors.Awell-knownclassicalguitarist,headmiredflamencoalot,andinSpainheIeamt
fromanyonewillingtoteachhim.Heapproachedperformersinbars,madefriendswithstreet
musiciansandmanagedtostudywithPacodeLucia,thegreatestflamencoguitaristofourtime.
IstartedplayingclassicalguitarwhenIwasfive.Myfather,shandsexplodedacrossthestrings
likefireworks.Ipractisedwhileheinstructedandcriticized.IplayedtillIhadsharppaininmy
fingertips.Byageseven,?wascalledachildgenius.
Then,at11,1quit.Heartbroken,myfatherdistancedhimself.Guiltily,Ifollowedsuit.Soonwe
spokeonlywhennecessary.Ourrelationshipdidn,trebounduntil,inmyearly20s,Ifoundmyself
pulledbacktoguitar.
WhenIwasinmyearly30s,hegotsick.Beforehediedafewyearslater,myfathertoldme
therewerealmostnofemaleflamencoguitaristsintheworld.IfIkeptpractising,Icouldbeoneof
thefirst.Ipromised,andheleftmehisguitar.Butafterhedied,Icouldn,tbeartoplayit.He,dspent
somuchtimewithhisarmsaroundthatinstrument,anditseemedanextensionofhisownbody.
Holdingitgavemygriefanunbearabletangibility(可觸知).Sofor13yearsitsatmostlyuntouched,
comingoutonlywhenmysonEllisbeggedtoseeit.Hewascarefulwithhisgrandfather's
instrumentinawaythatmademewanttopassitdowntohim-boththeguitarandthemusic.
Problemwas,Icouldn,treallyplayanymore.
Now,Antoniaissittingwithmeinherlivingroom,teachingmepatiently.Ihavebeenherefor
onlytwodays,andalreadymyfingershurt.It,sasharppain,likewhenafallen-asleeplimb(肢體)
returnstolife.Thefeelingdelightsme.ItmeansI,mdoingsomethingright.
4.Whichcanbestdescribethefatherwhenhewaslearningflamenco?
A.Cautious.B.Hopeless.C.Depressed.D.Devoted.
5.Whichhasthesimilarmeaningwiththeunderlinedword“rebound"inparagraph4?
A.Improve.B.Break.C.Suffer.D.Blossom.
6.Whydidtheauthorleavetheguitaruntouched?
A.Sheintendedtopassitdowntoherson.
B.Itremindedherofherunpleasantpast.
C.Deepsorrowdrownedheratt
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