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廣西部分市2024屆高三下學(xué)期一??荚囉⒄Z試卷
學(xué)校:___________姓名:班級:___________考號:
一'閱讀理解
Volunteers:ToTheWar
Genres:Drama,History,War
Director:ChenKaige
Length:140Minutes
Thisisthefirstfilmofatrilogytocommemoratethe70thanniversaryofthevictoryof
theWartoResistU.S.AggressionandAidKorea(1950-1953).
IntheearlyyearsofthePeople'sRepublicofChina(PRC),foundedin1949,China
faceddomesticturmoilandforeignaggression.AfteracivilwarbrokeoutontheKorean
PeninsulainJune1950,theU.S.-led"UNforces"maderepeatedprovocations(.k釁)onthe
borderbetweenChinaandKorea,andcivilianswerebombed.FromOctober1950,the
ChinesePeople'sVolunteers(CPV)armyfoughtalongsidethearmyoftheDemocratic
People'sRepublicofKoreatobringaboutlong-termpeaceandstability.Onthebattlefield,
eventhoughtherewasagreatdisparityinmilitarystrength,theCPVarmyachievedvictory
throughheroicsacrifices.Onthediplomaticstage,thedelegationofthePRCmadeitsdebut
attheUnitedNations,gaininginternationalrespectwiththenewvoicesofChina.
Thefilmusesdynamicmontagestocombineeventsindifferenttimelinesandspacesto
createawonderfulartisticeffect.Itdescribestheoriginofthewarandtheintensityof
fightinginvariousbattlesacrossmountains,villages,rivers,andsnowfields,butalsoweaves
itwiththepictureofChineserepresentativeWuXiuquan'sspeechatthemeetingofthe
UnitedNationsSecurityCouncil,presentingaprofoundlyinsightfulexplorationand
understandingoftherelationshipbetweennationaldignityandindividuallives.
1.WhafsapurposeofthefilmVolunteers:ToTheWar?
A.TotellthebackgroundinformationoftheWar.
B.ToshowChenKaige'stalentformakingfilms.
C.Tocelebratethe70thanniversaryoftheWar'svictory.
D.Tohighlighttheimportanceofnationalpeaceanddignity.
2.Howdoesthefilmcreatetheartisticeffect?
A.ItintroducesaseriesofeventsoftheWar.
B.Itusesmontagestocreatedynamicimages.
C.ItincludesWuXiuquan'sspeechatthemeeting.
D.ItdescribestheoriginandtheintensityoftheWar.
3.Wherecanthetextbefound?
A.Inahistorytextbook.B.Inasciencereport.
C.Inamoviemagazine.D.Inapersonalresume.
JohannesFritz,abiologist,neededtocomeupwithaplan,again,ifhewasgoingto
preventhisrareandbelovedbirdsfromgoingextinct.
TosurvivetheEuropeanwinter,thenorthernbaldibis(朱鷺)一whichhadonce
disappearedentirelyfromthewildonthecontinent-needstomigratesouthforthewinter,
overtheAlps,beforethemountainsbecomeimpassable.Butshiftingclimatepatternshave
delayedwhenthebirdsbegintomigrate,andtheyarenowreachingthemountainstoolateto
makeitoverthepeaks,lockingtheminanicydeathtrap.Determinedtosavethem,Mr.Fritz
decidedhewouldteachthebirdsanew,safermigrationroutebyguidingthemhimselfina
tinyaircraft.Andhewasconfidenthecouldsucceedinthisdaring,unconventionalplan
becausehehaddoneitbefore.
Mr.Fritzwashisyoungpupils9soleprovideroffood,loveandcuddlessincethey'dbeen
justafewdaysold,andtheibiseseagerlyfollowedtheirteacher.Helearnedtofly,modifying
anultralightaircraftsoitwouldcruiseatspeedsslowenoughforhiswingedstudentstokeep
up.In2014,threeyearsaftersomeinitiallybumpyexperiments,Mr.Fritzledthefirstflock
fromAustriatoItaly,andhassinceled15suchmigrations.Overthattime,hehasrewilded
277youngibises,manyofwhichthenstartedtopasstherouteontotheirownyoung.For
now,however,themainworryisgettingthebirdstofollowtheaircraft."Whiletheyhavea
strongbondwiththeir"mothers9andfollowthemaroundontheground,flyingismore
difficult,9,Fritzsaid.
“FlyAwayHomewasahugehitwithusbiologists,"Mr.Fritzsaid,recallingthe1996
movieinwhichcharactersleadthemigrationoforphanedCanadageeseinahangglider.
WhenMr.Fritzproclaimedhe'ddothesamewiththeibises,hewasinitiallyridiculed.But
throughyearsoftrialanderror,hesucceeded.Heevenlearnedtoflylikeabird,hesaid,
soaringwithease.Mr.Fritz'stwosons,bothnowteenagers,followedtheirflyingfatherand
themigratingbirdsontheground,andhisfamilyandcolleagueswitnessedtheriskshewas
taking.Buttheinevitablerisksare"necessary",Mr.Fritzsaid.
"It'snotsomuchajob,“headded,“butmylife'spurpose."
4.Whydidthenorthernbaldibisfailtomigratesouthforthewinter?
A.Theimpassablemountains.B.ThelatearrivalofMr.Fritz.
C.Thedaringandunconventionalplan.D.Theshiftingclimatepatterns.
5.AccordingtoParagraph3,whatisFritz'spresentconcern?
A.Complicatedsituationsintheflying.B.Thefastspeedoftheaircraft.
C.Astrongattachmenttotheirmother.D.Limitedmigrationsupport.
6.Whatcanweknowfromparagraph4?
A.Mr.Fritzwasheavilyfavouredbythosearound.
B.Mr.Fritzwasgreatlyinspiredbythe1996movie.
C.Mr.Fritzsetaridiculousexampleforhistwosons.
D.Mr.Fritzconvincedpeoplearoundtowitnesstherisks.
7.HowdoestheauthorfeelaboutMr.Fritz?
A.Imaginativeandhonest.B.Strong-willedandpurposeful.
C.Generousandeasygoing.D.Energeticandopen-minded.
Speakinganativelanguagethatrequirestonesappearstoboostperception(感知)of
melody,butatthecostofrhythm,researchersreportApril26inCurrentBiology.The
massiveglobalstudyhintsathowlanguageskillsseepintootherareasofcognition.Tonal
(聲調(diào)的)languagesusepitchtodistinguishwordsthatotherwisemightsoundthesame.In
Mandarin,forinstance,miimeanshorsewhereasmameansmother.Nontonallanguageslike
Spanishsometimesincludepitchchangestosuggestemotion,forexample,butnottochange
aword'smeaning.
AsaMandarinspeakerandflutist,JingxuanLiuwonderedaboutthecrossoverbetween
languageandmusic.WhilestudyingpsychologyasanundergraduateatDukeUniversity,Liu
helpedanalyzethemusicalabilitiesofnearlyhalfamillionpeoplefrom203countries.Her
colleagueshadlaunchedanonlinegameinwhichparticipantscompletedseveralmusical
tasks,includingidentifyingmatchingmelodiesatdifferentpitchesandfindingbeattracks
thatfitsongs9rhythms.
Onaverage,nativespeakersofthe19representedtonallanguageswerebetteratthe
melodytaskcomparedwithspeakersof29nontonallanguages.Andtheeffectwasn'tsmall
——atonalfirstlanguageenhancedmelodicperceptionbyabouthalftheamountthatmusic
lessonsdid,whichwasalsosurveyed.Buttonallanguagespeakerstendedtobeworseatthe
rhythmtask.
Humansmustbechoosyaboutwhattheypayattentionto.Pitchpatternsarevitalintonal
languages,whichmightexplainthemusicaltrade-off."You'vegotafiniteresourceof
attention,andyou'vegottoallocatethatsomehow/9saysstudycoauthorCourtneyHilton,a
cognitivescientistattheUniversityofAucklandinNewZealand.
Priorresearchonlanguageandmusicoftencomparedjusttwotongues,usuallyEnglish
andCantoneseorMandarin.Butotherculturalinfluences,suchasEasternandWesternmusic
styles,couldhaveaffectedresults.Byexaminingawiderangeofpeople,thenewstudy
includedlanguagesneverassessedinthiswayandreachedmoregeneralconclusions."Our
resulthereisshowingthatthelanguagesomeonespeaks一whichisanimportantpartof
culture——alsoshapescognition,Hiltonsays.
8.Whatdotheunderlinedwords"seepinto“inthefirstparagraphmean?
A.Entergradually.B.Controlconstantly
C.Damageslightly.D.Understandcompletely.
9.WhatinformationcanwegetfromthemusicaltasksofJingxuanLiu'scolleagues?
A.Tonallanguagesdetermineourmusicabilities.
B.Tonalfirstlanguagescantaketheplaceofmusiclessons.
C.Tonallanguagespeakersperformbetterintherhythmtasks.
D.Tonallanguageshelpnativespeakerstobetteracquiremelody.
10.WhichofthefollowingstatementsdoesCourtneyHiltonmostagreewith?
A.Themusicaltrade-offenhanceshumancognition.
B.Themusicalabilitiesboosthumanperceptionofmelody.
C.Alimitedspanofattentionaccountsforhumanmusicaltrade-off.
D.EnglishandCantoneseorMandarinaffecthumanmusicalabilities.
11.Whatisthetextmainlyabout?
A.Nativelanguageinfluenceshumanculture.
B.Nativelanguagemightshapemusicalability.
C.Nativelanguageisanimportantpartofculture.
D.Nativelanguageenhanceshumanmelodicperception.
Lefssayyou'reinthefarfutureandyou'relookingforevidenceofprevious
civilizations.Wherewouldyoulook?Thefirstplacewouldbeintherocks.Rockskeeptime.
Recently,thediscoveryofrocksmadefromplasticdebris(碎片)inBrazil'svolcanic
TrindadeIslandissparkingalarm.Meltedplastichasbecometwistedwithrocksontheisland,
whichresearcherssayisevidenceofhumansgrowinginfluenceovertheEarth'sgeological
cycles.
Plasticrockshavebeenpreviouslyfoundinvariouspartsoftheworld.Researchers
documentedplastiglomerates-rock,sandandotherdebrisfusedtogetherbymeltedplastic-in
Hawaiiin2014,forinstance.Anotherhuman-madeandplastic-basedrockispyroplastics.
Describedin2019fromtheshoresofCornwallinsouthwestBritain,pyroplasticsformfrom
burnedplasticwaste.Inlaboratoryexperimentswithwhiteorcoloredplasticpieces,ifburned,
theplasticmeltsandformsagrayorblackmass,resemblingatfirstglancearockypebble.
AccordingtogeophysicistDouglasJerolmack,“allaroundtheworldwherethere9strash
beingopenlyburnedinmassquantities,youcanimaginethereareevenlargermeltedplastic
deposits"whereplastiglomeratecouldform.
Plasticpollutionmakingitswayintotheformationofrockssuggestshumansarehaving
aneffectonwhatwaspreviouslyconsideredanaturaloccurrence,saidSantos,whoalong
withothersiscontinuingresearchintoplasticpollutiononTrindadeIsland."Thisisnewand
terrifyingatthesametime,becausepollutionhasreachedgeology,^SantostoldReuters.The
findingofplasticrocksalsosuggests,someexpertssay,thatanewgeologicalepochhas
begun:TheAnthropoceneepoch.Regardlessofwhetherthisrepresentsanewepoch,Santos
said,“thepollution,thegarbageintheseaandtheplasticdumpedincorrectlyintheoceans
arebecominggeologicalmaterialpreservedintheEarth'sgeologicalrecords/9
Theresearchersareyetunsureoftheenvironmentalimpactsofplasticrocks.Burned
plasticcancontainhighconcentrationsofpotentiallytoxicelements,likeleadandchromium,
derivedfromthepigmentsusedtodyetheplasticmaterial.Buriedintheground,plastichas
thepotentialtosurvivemillionsofyearsandevenenterthegeologicalrecord.
12.Whydoesthewriterraiseaquestioninthefirstparagraph?
A.Tointroducethetexttopic.B.Totestthereaders9knowledge.
C.Topresentastudyfinding.D.Toraisethereaders9awareness.
13.Whatcanweknowaboutplastiglomerates?
A.Theyarerarelyseenintherocks.
B.Theylooklikerockypebblesifburned.
C.Theyarewhiteorcolouredplasticpieces.
D.Themoretrashisburnt,themoretheywillbe.
14.Whatcanweinferfromthelasttwoparagraphs?
A.Plasticpollutionhasgreatlychangedtheformationofrocks.
B.Theimpactsthatplasticrocksbringstillneedsomefurtherstudy.
C.Geologicalmaterialspreservehuman'sirresponsiblebehaviourtoenvironment.
D.Buriedplasticinthegroundisunlikelytosurviveafterenteringthegeologicalrecord.
15.Whatcanbeasuitabletitleforthetext?
A.PlasticRocks:TheRootoftheEnvironmentalImpacts
B.PlasticRocks:TheGeologicalRecordofHumanDevelopment
C.PlasticRocks:TheMarkersWe'reLayingDowninDeepTime
D.PlasticRocks:TheNewGeologicalMaterialsWe'reUnsureof
二,七選五
16.Ifyou'reanaspiringdirectorthatwantstostartasuccessfulfilmcareer,youshould
startbycreatingyourfirstshortfilm.Whileitcanseemlikeadauntingtaskatfirst,withthe
properstrategies,creatingashortmovieisjustamatterofhavinggoodideasandutilizing
commonfilmingtechniques.
Thinkofanideaforashortfilm.①Focusononecoreideasothattheshortstory
isn'toverlycomplicated.Considerwhatkindoftoneyouwantforthefilmandwhetherit
willbeahorror,drama,orexperimentalmovie.
②Ifyoudon'twanttowriteyourownscript,youcansearchonlineforscripts
thatotherpeoplehavealreadywritten.Ifyouplanonshootingyourshortfilmtomakea
profit,makesuretoreachouttothescreenwritertogettheirpermissiontouseit.Some
screenwriterswillsellyoutheirscriptforafee.
Lookforlocations.Findlocationstomatchthescript.Asksmallbusinessesandshopsif
youcanusetheirlocationsforashortfilm.Ifthefilmtakesplaceindoors,youmaybeableto
useyourownapartmentorhouse.Iftheshootishappeningoutdoors,findasafeandlegal
placetofilm.(3)
Rehearsethescene.Oncetheactorsgetontotheset,havethemgothroughabasic
readingofthescript.Then,havetheactorsactoutthescene.Astheygothroughthescene,
telltheactorswhatyouwantthemtodo,howtointeractwiththeenvironment,andletthem
knowofanymodificationsthatyouwanttoseeintheiracting.④Thereadthroughof
thescriptcanbedoneanywhere,butyoushouldtrytodotheblockingonset.
Inaddition,iftheactorshavetowearaculturalorreligiouspiece,besuretostudyit.
Don9tjustthrowthepieceon.⑤Ifyouareonatightbudget,youcanhavetheactors
provideoutfitsfromtheirownwardrobe,butmakesurethatwhattheyfindmeetsyourvision.
A.Searchforscriptsonline.
B.Beasaccurateaspossible.
C.Doaroughcutofthescenes.
D.Thisprocessisknownas"blockingthescene”.
E.Selectfilmingequipmentthatmeetsyourneeds.
F.Thinkofashortstorythatyouwanttotellinunder10minutes.
G.Gettingpermitstoshootonprivateorpublicpropertycansometimesbeveryexpensive.
三、完形填空(15空)
IarrivedinLunenburgthreeweeksago.Ittookawhiletoget]tothedifferent
wayoflifehere.Themainreasonforcominghereistocollectsomeofthe2folk
songsofCanada,butoneoftheotherreasonswhyIcomehere3isthatLunenburg
hasbeengivenaprotectedstatusinCanada.Thismeansthatitsbuildings,thedesignofthe
town,andevencertainindustries,havetobe4.Eventhoughthatisthecase,thereare
stillmanyexamplesof5life,includingtheabilitytosendemails.
Lunenburgonlyreallyhasonecommunity.Mostofthe6knoweachotherand
fewnewpeoplearemovingin.Actually,moreyoungpeopleareleavingthanarecomingin,
leavinga(n)7population.ThepeopleIwanttospeaktothemostarethose8
thefishingindustry.
Sofar,IhavemadefriendswithacouplecalledJohnandMary.Theybothhaverelatives
whoworkedonthefishingtrade,9overahundredyears.
FishingbecameakeypartofLunenburginthemid-19thcentury.Becauseit10
theAtlantic,itwasanimportantportforthewholeofNovaScotia.Inthe1920s,itbecamean
importantplaceforshipbuilding.Then,duringtheFirstandSecondWorldWars,itwasused
to11shipsandsubmarines.Asaresult,alotofdifferent12stayedthere
forawhile.
Johntoldmethatmanyofthefolksongshelearntasa13werefromallover
Europebecausesoldierswouldsingtheminthepublichousewherehisparentsentertained
them.Luckilyforme,bothJohnandMaryalsohaveaverygood14fortheold
songsthattheirgrandparentstaughtthem.Someofthesefolksongsarereckonedtobeover
onehundredandfiftyyearsold.Besides,Iwenttoa15yesterdaywhereIhearda
localsingersingnewsongsaboutthedangersoffishing.
Thereisplentymorehistorytolearnaboutthisuniquetown.
17.A.subjectedB.accustomedC.connectedD.devoted
18.A.traditionalB.fashionableC.internationalD.reasonable
19.A.seriouslyB.accidentallyC.specificallyD.temporarily
20.A.preservedB.persuadedC.securedD.selected
21.A.carefreeB.relaxingC.outdatedD.modern
22.A.residentsB.citizensC.fishermenD.singers
23.A.workingB.agingC.fishingD.rising
24.A.submittedtoB.satisfiedwithC.separatedfromD.involvedin
25.A.keepingupwithB.goingawayfrom
C.tracingbacktoD.livingupto
26.A.followsB.blocksC.facesD.guides
27.A.controlB.overseeC.undergoD.mend
28.A.nationalitiesB.soldiersC.artistsD.tourists
29.A.studentB.soloistC.composerD.child
30.A.senseB.tasteC.memoryD.luck
31.A.festivalB.concertC.counterD.court
四、短文填空
32.PekingOperaactressDongYuanyuanproposedintegratingtheartofPekingOpera
withdigitaltechnologytocompeteformoreyoungaudiences.①anationaltreasurein
Chinatheartformisbecomingmoreandmorealienated,especiallybyyoungergenerations.
Her②(propose)mightbeoneofthemosteffectivewaystohelpresolvetheproblem.
InNovember2021,the“DigitalMeiLanfang^^project(3)(launch)inBeijing.The
lateMeiLanfang(1894-1961)now,isonceagainableto“appear“infrontofaudiences
thankstodigitaltechnology.Donggotveryexcitedandemotional(4)shesawthat
MasterMeiwas"reallytalking“onstage.
Sincethen,she⑤(work)hardtodeeplyintegratethetraditionalChineseartwith
modemtechnology.Inaddition,Donghasadoptedmoreflexiblemeans⑥(promote)
PekingOperaandsuggeststhattraditionalartisticelements,suchastunesfromPekingOpera,
couldalsobeusedinpopsongsinanancientChinesestyle.Sofar,adozensuchsongshave
beenverywell-receivedbyaudiences,⑦(include)youngpeople.However,thereare
manyobstaclestoovercome.
AtechexpertmentioneditwasverydifficulttoimitateMasterMei'sfacialexpressions
andvoiceaswellasthematerialsofhiscostumes.Thisprojectwasnotonlyaprocessof
technologicalimplementation,butalsoone(8)integratedtechnologywithtraditional
culture.Sothereisa⑨(true)longwaytogobeforeadigitalPekingOperahuman
withreal-timeinteractioncapabilityiscreated.
AdigitalMeiLanfangisagoodbeginning,abreakthroughinpromotingPekingOpera
⑩othertraditionalartforms.Therefore,alllevelsofsocietyshouldpayattention
andlendtheirsupporttothisendeavor.
五、書面表達
33.假如你是李華,你校外教Robert打算開設(shè)擊劍運動作為選修課,現(xiàn)征求同學(xué)們意
見,你認(rèn)為擊劍課不符合你校目前實際情況。請你給外教寫一封郵件。內(nèi)容包括:
1.你的觀點與理由;2.提出建議。
注意:1.寫作詞數(shù)應(yīng)為80左右;2.請按如下格式在答題卡上的相應(yīng)位置作答。
參考詞匯:擊劍運動fencing
DearRobert,
Yourssincerely,
LiHua
六、讀后續(xù)寫
34.閱讀下面材料,根據(jù)其內(nèi)容和所給段落開頭語續(xù)寫兩段,使之構(gòu)成一篇完整的短
文。
Awarm,sunnydayinearlyNovember,especiallyintheSierras,wasanicesurprise.One
lookatthecloudlessblueskywasallittooktoconvincemetodrivetwentymilesintothe
valleytodoearlyChristmasshopping.
Temperaturesinthevalleyarebetweeneightandtendegreeshigherthanthoseinthe
foothillswherewelive,soIenjoyedthewarmthandsunshineasIwalkedfromstoretostore.
Aroundsunset,Isearchedthroughmypurseformycellphone,onlytodiscoveritwasn't
there.AfterafrustratingsearchIfinallyfounditunderthecarseatandsighedwithrelief.
Icalledmyhusbandandheardthepanicinhisvoice.'Tvebeentryingtocallyou.It
startedsnowingupherehalfanhourago,“heshoutedintothephone.
“Well,rilstopandputthechainsonwhenIgetuptheresoIcanmakeithome,“Isighed.
Myhusbandcoughednervouslyandclearedhisthroat."Uh,Iforgottoputthechainsbackin
thetrunkwhenIcleanedthecaroutyesterday/9hesaid.Iresistedtheurgetoscream.66Ithink
youcanmakeithomeifyouleavenowanddriveslowlyfollowingthetiretracksintheroad
whenyougettothesnow,“myhusbandsaidbeforeIhungup.
Idroveslowlytowardthe2600-footelevation(高地)wherewelived.Mybiggest
challengewouldbetogetoverthebridge,thenupthehillontheotherside.Thesnowwas
fallingharderwhenIreachedthebridge.Iblinkedbacktears.
AtruckwasdrivingacrossthebridgeaheadofmeMyhopessoared.Thosebigtires
wouldmakeagoodpaththroughthesnow.ThepathfromthetrucktireshelpeduntilI
reachedtheendofthebridgeandstartedupthehill.Thetiresstartedspinningandthecar
startedtoslidebackdownthehill.
注意:1.續(xù)寫詞數(shù)應(yīng)為150左右;
2.請按如下格式在答題卡的相應(yīng)位置作答。
Whenmycarfinallystopped,Iheardsomeonerappingonthewindow.
Istartedwalkinghome,hopingtogettoaplacewhereIcouldusemyphoneontheway.
參考答案
1.答案:c
解析:推理判斷題。根據(jù)第一段“Thisisthefirstfilmofatrilogytocommemoratethe70th
anniversaryofthevictoryoftheWartoResistU.S.AggressionandAidKorea(1950-
1953).(這是紀(jì)念抗美援朝戰(zhàn)爭(1950-1953)勝利70周年三部曲中的第一部。)”可知,這
部電影的目的是慶祝戰(zhàn)爭勝利70周年。故選C項。
2.答案:B
解析:細節(jié)理解題。根據(jù)第三段中“Thefilmusesdynamicmontagestocombineeventsin
differenttimelinesandspacestocreateawonderfulartisticeffect.(影片運用動態(tài)蒙太奇手
法,將不同時間線和空間的事件組合在一起,創(chuàng)造出奇妙的藝術(shù)效果。)”可知,這部
影片使用蒙太奇創(chuàng)建動態(tài)圖像,來創(chuàng)造它的藝術(shù)效果。故選B項。
3.答案:C
解析:推理判斷題。通讀全文,根據(jù)文章開頭部分“Vblunteers:ToTheWarGenres:
Drama,History,WarDirector:ChenKaigeLength:140Minutes(《志愿軍:雄兵出擊》類
型:劇情、歷史、戰(zhàn)爭導(dǎo)演:陳凱歌片長:140分鐘)”可知,在電影雜志上可以找到這
篇文章。故選C項。
4.答案:D
解析:細節(jié)理解題。由文章第二段中"TosurvivetheEuropeanwinter,thenorthernbald
ibis—whichhadoncedisappearedentirelyfromthewildonthecontinent-needstomigrate
southforthewinter,overtheAlps,beforethemountainsbecomeimpassable.Butshifting
climatepatternshavedelayedwhenthebirdsbegintomigrate,andtheyarenowreachingthe
mountainstoolatetomakeitoverthepeaks,lockingtheminanicydeathtrap.(為了度過歐
洲的冬天,曾經(jīng)在歐洲大陸上完全消失的北方禿頭鷺需要在阿爾卑斯山變得無法通行
之前向南遷移過冬。但是不斷變化的氣候模式推遲了鳥類開始遷徙的時間,它們現(xiàn)在
到達山脈的時間太晚了,無法越過山峰,這使它們陷入了一個冰冷的死亡陷阱。)”可
知,不斷變化的氣候模式,導(dǎo)致北方的禿鷹沒有遷徙到南方過冬。故選D。
5.答案:A
解析:細節(jié)理解題。根據(jù)第三段中“Fornow,however,themainworryisgettingthebirds
tofollowtheaircraft."'Whiletheyhaveastrongbondwiththeir"mothers5andfollowthem
aroundontheground,flyingismoredifficult,5,Fritzsaid.(然而,目前主要的擔(dān)憂是如何
讓鳥類跟隨飛機飛行。弗里茨說:“雖然它們與‘母親’有著密切的聯(lián)系,并在地面上跟
隨母親,但飛行卻更加困難?!睉艨芍?,F(xiàn)ritz現(xiàn)在的主要擔(dān)憂是讓鳥兒跟隨飛機飛行,
即飛行中的復(fù)雜情況。故選A項。
6.答案:B
解析:推理判斷題。根據(jù)第四段‘"'FlyAwayHomewasahugehitwithusbiologists,Mr.
Fritzsaid,recallingthe1996movieinwhichaCanadageesewasledtomigratebyanaircraft.
WhenMr.Fritzclaimedhe'ddothesamewiththeibises,hewasinitiallylaughedat.But
throughyearsoftrialanderror,hesucceeded.Heevenlearnedtoflylikeabird,hesaid,
laughingwithease.Mr.Fritz'stwosons,bothnowteenagers,followedtheirflyingfatherand
themigratingbirdsontheground,andhisfamilyandcolleagueswitnessedtheriskshewas
taking.Buttheunexpectedrisksare"necessary”,Mr.Fritzsaid,f4《飛回家》對我們生物學(xué)
家來說是一部巨大的成功,"Fritz回憶起1996年的一部電影,其中一只加拿大鵝被一
架飛機引導(dǎo)著遷徙。當(dāng)Fritz聲稱他也會對朱鷺做同樣的事情時,他最初遭到了嘲笑。
但經(jīng)過多年的反復(fù)試驗,他成功了。他甚至學(xué)會了像鳥一樣飛翔,他輕松地笑著說。
Fritz的兩個兒子現(xiàn)在都已經(jīng)十幾歲了,他們跟隨飛翔的父親和地面上的候鳥,他的家
人和同事目睹了他所冒的風(fēng)險。但Fritz表示,這些意外風(fēng)險是“必要的”。廣可知,弗
里茨深受1996年這部電影的啟發(fā)。故選B項。
7.答案:B
解析:推理判斷題。根據(jù)第四段‘"'FlyAwayHomewasahugehitwithusbiologists,,,Mr.
Fritzsaid,recallingthe1996movieinwhichaCanadageesewasledtomigratebyanaircraft.
WhenMr.Fritzclaimedhe5ddothesamewiththeibises,hewasinitiallylaughedat.But
throughyearsoftrialanderror,hesucceeded.Heevenlearnedtoflylikeabird,hesaid,
laughingwithease.Mr.Fritz'stwosons,bothnowteenagers,followedtheirflyingfatherand
themigratingbirdsontheground,andhisfamilyandcolleagueswitnessedtheriskshewas
taking.Buttheunexpectedrisksare"necessary”,Mr.Fritzsaid.(“《飛回家》對我們生物學(xué)
家來說是一部巨大的成功,"Fritz回憶起1996年的一部電影,其中一只加拿大鵝被一
架飛機引導(dǎo)著遷徙。當(dāng)Fritz聲稱他也會對朱鷺做同樣的事情時,他最初遭到了嘲笑。
但經(jīng)過多年的反復(fù)試驗,他成功了。他甚至學(xué)會了像鳥一樣飛翔,他輕松地笑著說。
Fritz的兩個兒子現(xiàn)在都已經(jīng)十幾歲了,他們跟隨飛翔的父親和地面上的候鳥,他的家
人和同事目睹了他所冒的風(fēng)險。但Fritz表示,這些意外風(fēng)險是“必要的”。)”以及第五
段‘"'It'snotsomuchajob,“headded,t€butmylife'spurpose."("與其說這是一份工作,”
他補充說,“不如說是我人生的目標(biāo)。”廣可知,F(xiàn)ritz表示他的工作不僅僅是他的工
作,而是他的生活目標(biāo)。這表明他非常有決心和意志力,對自己的目標(biāo)非常明確和堅
定。因此,可以推斷出Fritz是一個意志堅定,目標(biāo)明確的人。故選B項。
8.答案:A
解析:詞句猜測題。根據(jù)第一段"Speakinganativelanguagethatrequirestonesappearsto
boostperception(感知)ofmelody(說一門需要音調(diào)的母語似乎能提高對旋律的感知)”可
知,帶有音調(diào)的語言可以影響人們的旋律感,意思就是語言技能是會影響人們其它領(lǐng)
域的認(rèn)知能力的。由此猜測,seepinto的意思接近于“慢慢進入”,意思是語言的影響
會滲透,或進入其他領(lǐng)域,符合題意,故選A項。
9.答案:D
解析:細節(jié)理解題。根據(jù)第三段“Onaverage,nativespeakersofthe19representedtonal
languageswerebetteratthemelodytaskcomparedwithspeakersof29nontonallanguages.
(平均而言,19種聲調(diào)語言的母語使用者比29種非聲調(diào)語言的使用者在旋律任務(wù)上表
現(xiàn)更好)”可知,帶有音調(diào)的語言使用者在旋律感上更有優(yōu)勢。D選項(聲調(diào)語言幫助
母語者更好地掌握旋律)符合題意,故選D項。
10.答案:C
解析:推理判斷題。根據(jù)第四段"You'vegotafiniteresourceofattention,andyou'vegot
toallocatethatsomehow.(你的注意力是有限的,你必須合理分配它)”可知,人類的注意
力是有限的,而且很短暫,人們只能選擇自己感興趣的東西去關(guān)注,所以不是任何音
樂天賦都可以隨意獲得的,這和人類的注意力有關(guān)系。由此推知,CourtneyHiltonnJ
能會同意有限的注意力跨度解釋了人類在音樂上的取舍,故選C項。
11.答案:B
解析:主旨大意題。通讀全文,并根據(jù)文章第一句話“Speakinganativelanguagethat
requirestonesappearstoboostperception(感矢口)ofmelody,butatthecostofrhythm,
researchersreportApril26inCurrentBiology.(研究人員4月26日發(fā)表在《當(dāng)代生物
學(xué)》上的報告稱,說一門需要音調(diào)的母語似乎能提高對旋律的感知,但這是以節(jié)奏為
代價的)”可知,文章介紹了帶有音調(diào)的語言可以提高母語者的旋律感知能力,但是也
會在一定程度上降低他們的節(jié)奏感,即母語可能塑造音樂能力。故選B項。
12.答案:A
解析:推理判斷題。由文章第一段“Lefssayyou'reinthegrfiitureandyou'relooking
forevidenceofpreviouscivilizations.Wherewouldyoulook?Thefirstplacewouldbeinthe
rocks.Rockskeeptime.Recently,thediscoveryofrocksmadefromplasticdebris(碎片)in
Brazil'svolcanicTrindadeIslandis
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