Unit6TheMediaLesson1FromPagetoScreen課件高中英語(yǔ)北師大版選擇性

Unit6TheMediaLesson1FromPagetoScreen

第一課時(shí)Lead-in（3mins）內(nèi)容：?jiǎn)卧~短語(yǔ)檢測(cè)要求：積極主動(dòng)勇于挑戰(zhàn)

Showtime！

Step1expectation_____pessimistic_______optimistic_____

adaptation____proof_____generate_________technical______critical____________經(jīng)典的_______definitely____________version______appropriate________符合某人的預(yù)期_____________________對(duì)...感到悲觀______________適應(yīng)于...__________

改編自______________

被改編成______________向某人證明某事__________________某人做某事是適合的________________________________________期待悲觀的樂(lè)觀的改編，適應(yīng)證明產(chǎn)生,創(chuàng)造技術(shù)的批評(píng)的,重要的classic肯定地,明確地版本合適的meetone’sexpectationsbepessimisticaboutadapttobeadaptedfrombeadaptedforprovesthtosbItisappropriateforsbtodosth

Step2Pre-reading“Page”referstotheoriginalbook.“Screen”referstothefilm.Thefilmcanbeadaptedfromthebook.Whatdoes“page”refertoWhatdoes“screen”refertoHowdoessomethinggofrompagetoscreen思&議12minsStep2Pre-readingWhatdoesthetitle“FromPagetoScreen”meanReadparagraph1.Whatisthewriter’sattitudetowardsit“FromPagetoScreen”meansadaptingbookstomakefilmsorTVseries.Hehasbeendisappointedmanytimesbyafilmofabook.思&議12minsReadthewholearticleandcompletethediagram.Step3While-reading議3minsTheoriginalVSthefilm________________________________________________________________________________________________Thecast________________________________________________Technicalreasons________________________________________________________________________________Thescreenwriter____________________________________________________________________________________________________________________________________________________________________booksfilms議5minsclassicnovelsshortstoriescomicbooksstageplaysthosewrittenbyghostwritersnon-fictionTheSourceMaterialsbooksfilmsStep3While-reading（Task1）展&評(píng)10minsTheoriginalVSthefilm________________________________________________________________________________________________Thecast________________________________________________Technicalreasons________________________________________________________________________________Thescreenwriter____________________________________________________________________________________________________________________________________________________________________booksfilmsItbecomesaquestionforscreenwriterstodecidewhatisappropriateforthescreenandwhattoleaveout.It’sdifficulttofindactorsacceptabletofilmaudiences.Somebooksarejusttoodifficulttobeadaptedfortechnicalreasons.Ifthewritersarethescreenwriters,theymaybetooclosetothematerialandfinditdifficulttoadapttoanewform;iftheyarenot,theymaybeveryunsatisfiedwiththefilmversionsofthebook.Task2:Howmanypartscanthepassagebedividedinto

Para.1-2introducetheproblemAfilmhasmanysourcematerials,butmanyadaptationsarenotsatisfactory.Para.3-6analyzetheproblemThereasonsforthefailureofmanyadaptations.Para.7givesomeexceptionsTherearesomehighlysuccessfulfilmsmadefrompopularbooksdespiteallkindsofchallenges.1234567Post-reading1.Whydoaudiencesalwayshavethefeelingof“thefilmisnotlikethebook”2.Whatfactorsshouldbetakenintoconsiderationwhenadaptingbooksintofilms3.Whatistheauthor’sopinionattheendaboutadaptedfilmsHighlighttheevidenceinthearticle.Doyouagreewiththeauthor’spointofviewWhyorwhynotThink&share&comment.思&展&評(píng)4mins1.Whydoaudiencesalwayshavethefeelingof“thefilmisnotlikethebook”Becausethefilm’slengthisabouttwohours.Screenwriterstakecreativelibertyandsometimestheremaybechangestotheplot,additions,andevendifferentendingstopleaseproducers,directorsandtestaudiences.2.WhatfactorsshouldbetakenintoconsiderationwhenadaptingbooksintofilmsTheselectionofcasts,theuseoftechnologyandthescreenwritersshouldbeconsideredwhenadaptingfilmsfrombooks.Step4Post-reading思&展&評(píng)4mins3.Whatistheauthor’sopinionattheendaboutadaptedfilmsHighlighttheevidenceinthearticle.Doyouagreewiththeauthor’spointofviewWhyorwhynotTheauthorisnegativeaboutit,becausehesaysthat“itisalwaysabadideatowatchafilmofabookyoulove”.Step4Post-reading1.Somefilm____________getlower____________

thantheoriginalbooksbecause

theyoftenfailwithbothcinemaaudiencesand____________.2.Arts____________JamesHopehasoftenbeen____________aboutafilmofa

bookheloves.3._____________havedifficultydecidingwhatis_____________forthescreenand

takecreative_____________bychangingtheplotandmakingadditions.Usethecorrectformofthewordsbelowtocompletethesentences.PracticecriticsadaptationsratingsjournalistpessimisticScreenwritersappropriateliberty檢3mins第二課時(shí)P1.（Line1）Readingabookandwatchingafilmaretwoverydifferentexperiences,butit'snormaltohavehighexpectationswhenafilmofafavouritebookismade.讀書(shū)和看電影是兩種截然不同的體驗(yàn)。如果人們最喜歡的書(shū)籍被翻拍成電影，他們對(duì)電影的期待值自然更高，這種現(xiàn)象很正常。議&展&評(píng)35mins(Readingabookandwatchingafilm)are(twoverydifferentexperiences,)butit'snormal(tohavehigh

expectations)

whenafilmofafavouritebookismade.主語(yǔ)系表語(yǔ)itis+adj+todosth

bedone被動(dòng)語(yǔ)態(tài)兩個(gè)并列的動(dòng)名詞V-ing做主語(yǔ)讀書(shū)和看電影是兩種截然不同的體驗(yàn)。如果人們最喜歡的書(shū)籍被翻拍成電影，他們對(duì)電影的期待自然更高，這種現(xiàn)象很正常。形式主語(yǔ)真正主語(yǔ)TherearemanytimesIhavebeenpessimisticaboutorevendisappointedbyafilmofabookIlove.

不止一次，我喜歡的書(shū)籍拍成電影，我都不看好，甚至很失望。bepessimisticabout對(duì)悲觀

pringstomind想到①it指代Althoughhighlyregarded

booksdonotalwaysmakegoodfilms,itissafe

tosaythatgreatfilmsmaybemadefromnotparticularlygoodbooks.(TheGodfatherimmediatelyspringstomind.)盡管高質(zhì)量的書(shū)并不總是能拍出好看的電影，優(yōu)秀的電影也可能來(lái)自不是那么好的書(shū)，說(shuō)的倒是沒(méi)錯(cuò)。（這讓我馬上想到《教父》。）Althoughhighlyregarded

booksdonotalwaysmakegoodfilms,itissafetosay(thatgreatfilmsmaybemadefromnotparticularlygoodbooks.)TheGodfatherimmediatelyspringstomind.盡管高度評(píng)價(jià)的書(shū)并不總是能拍出好看的電影，優(yōu)秀的電影也可能來(lái)自不是那么好的書(shū)，說(shuō)的倒是沒(méi)錯(cuò)。（這讓我馬上想到《教父》。）高度評(píng)價(jià)的形式主語(yǔ)真正主語(yǔ)有把握地說(shuō)賓語(yǔ)從句突然想到P2.（Line7）Thesourcematerialforafilmmaybetakenfromclassicnovels,shortstories,comicbooksandstageplays,aswellas

non-fictionsuchasbiographiesandautobiographies,eventhosewrittenbyghostwriters.一部電影可以取材自經(jīng)典小說(shuō)、短篇小說(shuō)、漫畫(huà)書(shū)、舞臺(tái)劇，也可以取自傳記、自傳等非小說(shuō)作品，甚至是代筆人寫(xiě)的作品。aswellas也,又;和……一樣好，通常連接兩個(gè)并列成分,而且強(qiáng)調(diào)前者；連接兩個(gè)并列主語(yǔ)時(shí),句中謂語(yǔ)動(dòng)詞遵循就前原則。

Thesourcematerialforafilmmaybetakenfromclassicnovels,shortstories,comicbooksandstageplays,

aswellas

non-fictionsuchasbiographiesandautobiographies,eventhose

(writtenbyghostwriters.)

一部電影可以取材自經(jīng)典小說(shuō)、短篇小說(shuō)、漫畫(huà)書(shū)、舞臺(tái)劇，也可以取自傳記、自傳等非小說(shuō)作品，甚至是代筆人寫(xiě)的作品。素材以及,和,也“就遠(yuǎn)原則”過(guò)去分詞做后置定語(yǔ)Allcanworkwell,butwhydomanyadaptationsandindeedremakesfailbothcinemaaudiencesandcriticsAndwhydosomeadaptationsgetlowerratingsthanothers這些素材都可以拍出很棒的作品，但為什么許多改編、翻拍的電影沒(méi)能受到電影觀眾與評(píng)論家的好評(píng)呢？為什么有些改編作品的評(píng)分比其他作品低呢？P3.（Line12）Akeyquestionisobviouslyhowclosetotheoriginalthefilmis.Sinceatypicalfilmisonlyaroundtwohourslong,itbecomesaquestionforscreenwriterstodecidewhatisappropriateforthescreenandwhattoleaveout.

顯而易見(jiàn)，一個(gè)關(guān)鍵的問(wèn)題在于這部電影與原作接近程度如何。電影通常只有兩小時(shí)左右，在有限的時(shí)間里，編劇要決定書(shū)中哪部分適合銀幕，哪部分不適合。beappropriateto/for...適合遺漏,不包括

Akeyquestion

isobviously(howclosetotheoriginalthefilm

is.)

Sinceatypicalfilmisonlyaroundtwohourslong,itbecomesaquestionforscreenwriters(todecidewhatisappropriatefor

thescreenandwhattoleaveout.

becloseto

與…接近Itbecomesaquestionforsbtodosth對(duì)某人來(lái)說(shuō)，做某事成為了一個(gè)問(wèn)題。

關(guān)鍵的

主系表語(yǔ)(從句)主系因?yàn)?/p>

形式主語(yǔ)

真正主語(yǔ)

beappropriatefor適合...省略，刪除Screenwriterstakecreativelibertyandsometimestheremaybechangestotheplot,additions,andevendifferentendingstopleaseproducers,directorsandtestaudiences.對(duì)此編劇有一定的創(chuàng)作自由度，有時(shí)為了迎合制片人、導(dǎo)演、觀眾，會(huì)改動(dòng)部分情節(jié)，甚至演繹不同結(jié)局。I,likemanypeople,haveoftenleftthecinemafeeling“thefilmisnotlikethebook".像很多人一樣，我也經(jīng)常在看完電影后感嘆“這部電影和原作不一樣”。Screenwriterstakecreative

liberty

andsometimestheremaybechangestotheplot,additions,andevendifferentendingstopleaseproducers,directorsandtestaudiences的有創(chuàng)作自由為了取悅、迎合編劇有一定的創(chuàng)作自由，有時(shí)為了迎合制片人、導(dǎo)演、觀眾，會(huì)改動(dòng)部分情節(jié)，有添加，甚至演繹不同結(jié)局。

I,

likemanypeople,haveoftenleftthecinemafeeling“thefilmisnotlikethebook".leave-left-leftv.離開(kāi)現(xiàn)在分詞做伴隨狀語(yǔ)像很多人一樣，我也經(jīng)常在看完電影后感嘆“這部電影和原作不一樣”P(pán)4.（Line19）Anotherproblemareaisthecast.Findingactorsacceptabletofilmaudiencescanmeanthedifferencebetweensuccessandfailure.另一個(gè)問(wèn)題是演員陣容。找到電影觀眾所接受的演員，有時(shí)決定著電影的成敗。Anotherproblemareaisthecast.Findingactorsacceptabletofilmaudiences

canmeanthedifferencebetweensuccessandfailure.另一個(gè)問(wèn)題是演員陣容。找到電影觀眾所接受的演員，有時(shí)決定著電影的成敗。謂be

acceptableto使…可接受

between...and...在...和...之間Thereportnotonlydescribestheusers’behaviorandtrendsbutalsoillustratestheculturaldifference

ChinaandtheUS.betweenReadersofthebookusetheirimaginationstovisualisecharactersandhaveverydefiniteideasabouthowcharactersshouldlookandsound.讀者會(huì)通過(guò)自己的想象，將書(shū)中的人物形象化，對(duì)角色的外貌、聲音他們都有明確的想法。ThisiswhereIthinkmanyfilmadaptations

falldown.我認(rèn)為選擇的演員不符合他們的想象，成為很多電影改編失敗的原因。摔倒;不能令人滿(mǎn)意,不夠好Readersofthebookusetheirimaginationstovisualisecharactersandhaveverydefiniteideasabouthow

charactersshouldlookandsound.讀者會(huì)通過(guò)自己的想象，將書(shū)中的人物形象化，對(duì)角色的外貌、聲音他們都有明確的想法。ThisiswhereIthinkmanyfilmadaptations

falldown.我認(rèn)為選擇的演員不符合他們的想象，成為很多電影改編失敗的原因。失?。凰さ?/p>

賓語(yǔ)從句

表語(yǔ)從句“所在之處”

P5.（Line24）Somebooksarejusttoodifficultto

beadaptedfortechnicalreasons,althoughfilmslikeTheLifeofPiarechangingthisidea.一些書(shū)由于技術(shù)原因很難拍成電影，雖然《少年派的奇幻漂流》等電影的出現(xiàn)正在改變這一問(wèn)題。Somebooksarejusttoodifficultto

beadapted

fortechnicalreasons,althoughfilmslikeTheLifeofPiarechangingthisidea.一些書(shū)由于技術(shù)原因很難拍成電影，雖然《少年派的奇幻漂流》等電影的出現(xiàn)正在改變這一問(wèn)題。too...to...太...而不能...

由于

②it指代CGI(ComputerGeneratedImage)technologyhashadahugeimpactonthefilmindustry.Itallowedthepreviouslyunfilmabletobecomeareality.電腦生成動(dòng)畫(huà)技術(shù)對(duì)電影產(chǎn)業(yè)有重大影響，讓以前無(wú)法拍攝的內(nèi)容成為現(xiàn)實(shí)。haveanimpacton對(duì)……有影響haveaneffect/influenceon對(duì)……有影響CGI(Computer

GeneratedImage)technologyhashadahugeimpactonthefilmindustry.It

allowedthepreviouslyunfilmabletobecomeareality.haveanimpact/effect/influenceon...對(duì)…有影響計(jì)算機(jī)成像allow...todosth允許...做某事

代詞：指代CGI

無(wú)法拍攝的P6.（Line30）Onemaythinkthatit

isthebookwriterwhoisinthebestpositiontodofilmadaptations.Infact,sometimesauthorsareveryinvolvedintheprocessandmayevenbethescreenwriter.人們可能會(huì)認(rèn)為，最適合改編電影的人應(yīng)該是書(shū)籍作者本人。事實(shí)上，作者有時(shí)的確會(huì)參與改編，甚至可能擔(dān)任電影編劇。③it指代beinvolvedin卷入;參與involvesbin(doing)sth使某人參與(做)某事

involveoneselfinsth參與/熱衷于/沉迷于某事強(qiáng)調(diào)的是人時(shí),可用itis/was...who/that...強(qiáng)調(diào)句型。④it指代toadapttoanewformThiscanactuallybeadisadvantagebecausetheymaybetooclosetothematerialandfinditdifficulttoadapttoanewform.但這其實(shí)是一個(gè)弊端，因?yàn)樽髡弑救丝赡苓^(guò)于忠于書(shū)中內(nèi)容，很難將其改編成一種新的形式。Thiscanactuallybeadisadvantagebecausetheymaybe

tooclosetothematerialandfinditdifficult

(toadapttoanewform.)但這其實(shí)是一個(gè)弊端，因?yàn)樽髡弑救丝赡苓^(guò)于忠于書(shū)中內(nèi)容，很難把它改編成一種新的形式。弊端，缺點(diǎn)接近...形式賓語(yǔ)真正賓語(yǔ)Atothertimestheyarenot,andthereareinstanceswherewritershavebeenveryunsatisfiedwiththefilmversionsoftheirwork;StephenKingisanexampleofthis.有時(shí)作者本人并不是電影編劇，于是出現(xiàn)了作者對(duì)自己作品所拍攝的電影版本非常不滿(mǎn)意的情況。史蒂芬?金就是這樣。Atothertimestheyarenot,andthereareinstances

(wherewritershavebeenveryunsatisfiedwiththefilmversionsoftheirwork;)StephenKingisanexampleofthis.有時(shí)作者本人并不是電影編劇，于是出現(xiàn)了作者對(duì)自己作品所拍攝的電影版本非常不滿(mǎn)意的情況。史蒂芬?金就是這樣。有時(shí)情況，例子引導(dǎo)定語(yǔ)從句對(duì)...非常不滿(mǎn)EvenmoreextremewasnovelistJ.D.Salinger,who

madesurenofilmversionsofhispopularnovelACatcherintheRyecouldeverbemade.小說(shuō)家杰羅姆?大衛(wèi)?塞林格更為極端，他永遠(yuǎn)不準(zhǔn)自己廣受歡迎的小說(shuō)《麥田里的守望者》被拍成電影版本。EvenmoreextremewasnovelistJ.D.Salinger,(who

madesurenofilmversionsofhispopularnovelACatcherintheRyecouldeverbemade.)小說(shuō)家杰羅姆?大衛(wèi)?塞林格更為極端，他永遠(yuǎn)不準(zhǔn)自己廣受歡迎的小說(shuō)《麥田里的守望者》被拍成電影版本。非限制性定語(yǔ)從句不準(zhǔn)At29,hefinishedthetranslation,

__________laidthefoundationfortheestablishmentoftheCommunistPartyofChinain1921whichInthissituation,itisclearthatviewerswillnotbedisappointed!Forme,anyway,itisalwaysabadideatowatchafilmofabookyoulove.如果是這樣，讀者就永遠(yuǎn)不會(huì)失望！不管怎樣，我認(rèn)為去看自己鐘愛(ài)的書(shū)籍翻拍成的電影不會(huì)是個(gè)好主意。⑤it指代viewerswillnotbedisappointedInthissituation,itisclear(thatviewerswillnotbedisappointed!)Forme,anyway,itisalwaysabadidea(towatchafilmofabook

youlove.)如果是這樣，讀者就永遠(yuǎn)不會(huì)失望！不管怎樣，我認(rèn)為去看自己鐘愛(ài)的書(shū)籍翻拍成的電影不會(huì)是個(gè)好主意。形式主語(yǔ)真正主語(yǔ)不管怎樣形式主語(yǔ)真正主語(yǔ)P7.（Line40）Despitethechallenges,therehavebeensomehighlysuccessfulfilmsmadefrompopularbooks.Forme,Jaws,HarryPotterandTheLordoftheRingsallfitthiscategory.

盡管挑戰(zhàn)重重，還是有一些改編自暢銷(xiāo)書(shū)的電影取得了極大成功，例如《大白鯊》，《哈利波特》和《指環(huán)王》都是成功的案例。Inthissituation,itisclear(thatviewerswillnotbedisappointed!)Forme,anyway,itisalwaysabadidea(towatchafilmofabook

youlove.)如果是這樣，讀者就永遠(yuǎn)不會(huì)失望！不管怎樣，我認(rèn)為去看自己鐘愛(ài)的書(shū)籍翻拍成的電影不會(huì)是個(gè)好主意。形式主語(yǔ)真正主語(yǔ)不管怎樣形式主語(yǔ)真正主語(yǔ)Andpossiblythebest