考研作文句型匯總

1、.強(qiáng)化寫作筆記補(bǔ)充句型（10 組）第一段描述圖畫一、第一句considered as one of the most famous spanish painters, picasso once said: “the inner world of us is reflected in our drawings ”, which is expressed in the picture mentioned above.claude monet, the well-known french impressionist, remarked in his speech: “a picture can be

2、 a whole impression of our life . ”,whose meaning is expressed in this picture.da vinci, the celebrated artist during the renaissance, mentioned in his article: “the depiction of our outer world is just the inner reflection of our heart and real life . ”,the meaning of which is expressed in this pic

3、ture.raphael, the famous italian artist in 15th century, once referred in his diary: ”what we leave on the picture goes far more than itself rather than its own appearance ”, while the picture here demonstrates his words.feng zikai, a cartoonist with great reputation in modern china, said in the int

4、roduction of his works: ”it is the reality that our pictures wish to convey ”, just as what the drawing above does.qi baishi, an excellent oriental painter being brilliant in his wash painting, stated when mentioning his works: ”where there is picture, there is reality ”, the implication of which is

5、 shown in the picture above.xu beihong, a successful painter with his famous works “a portrait of eight breed ”, once said: ”no portrayals, no hearts ”, while the picture here totally expresses his words.(照片 )man ray, the distinguished artist as well as a professional photographer, once said:”when i

6、mage is shown in the form of photos, so is the whole world. ”, and the sense of his sentence can be reflected in the picture.(照片 )edward weston, the american photographer with worldwide fame, once remarked: ”what i took into the photo just means leaving my thoughts here ”, and his words are perfectl

7、y expressed here.(照片 )sarah moon, the french artist with great reputation, mentioned in his speech: ”while taking photos, we are actually taking our thoughts in ”, while this photo completely shows his words.;.二、第二句 ( 五大分句 : 1, 2, 3, 4, 5)三、第三句it is no exaggeration to say that the drawer aims at mor

8、e than the scene itself.it is plain enough to show that the painting/photo reflects a deeper content at its back.it is undisputed that the picture embodies an inner meaning going beyond itself.through pondering over the appearance of it, the hidden theme can easily be drawn,the theme judged from all

9、 the scenes mentioned above emerges from the deep water.becoming visible, the topic about which the drawing discusses can be drawn from here.exceeding what the picture depicts, the theme is far from what we see.whatever we see in this drawing, it deserves our attention and deep thought.not only limi

10、ted to the outer appearance itself, the drawing stands for a profound issue.it is self-explanatory that the core issue lies not in the picture itself, but what it wishes to convey.第一段描述圖表一、第一句it is clearly depicted in the bar chart/line chart/statistics table/pie chart above that the current situati

11、on of 標(biāo)題 has presented a certain tendency of variation.what we can notice in the graph/table above is that the condition of主題詞 hasdiffered in various places/time/aspects.二、第二句動(dòng)態(tài)圖趨勢一the dataof主 題 項(xiàng)1has presentedanupward/downwardtrendinadramatic/low speed, starting from起點(diǎn)數(shù)據(jù) +時(shí)間and reaching 終點(diǎn)數(shù)據(jù) +時(shí)間 2,

12、(afterwards rising/falling to終點(diǎn)數(shù)據(jù) 2 in 時(shí)間 3).;.the data of 主題項(xiàng) 1 goes upward/downward substantially/slightly, whose figure of+時(shí)間 is+起點(diǎn)數(shù)據(jù) but reaches+終點(diǎn)數(shù)據(jù) +in+時(shí)間 2, (and then rising/falling to 終點(diǎn)數(shù)據(jù) 2 in 時(shí)間 3).showing an upward/downward tendency, the figure of 主題項(xiàng) 1 has risen/fallen sharply/slightly,

13、whose starting point is 起點(diǎn)數(shù)據(jù) +時(shí)間 1 and final point reaches 終點(diǎn)數(shù)據(jù) +時(shí)間 2, (subsequently growing/going down to 終點(diǎn)數(shù)據(jù) 2 in 時(shí)間 3).the data/ratio of 主題項(xiàng) 1 has gone up/declined in a quickening pace/in a moderate speed from 起點(diǎn)數(shù)據(jù) +時(shí)間 to 終點(diǎn)數(shù)據(jù) +時(shí)間 2, with a huge/small data gap of some+差額 , (rising/falling to 終點(diǎn)數(shù)

14、據(jù) 2 in 時(shí)間 3), which was the first information we figure out from the graph/table.the primary tendency that we first notice is about 分項(xiàng) 1, the figure of which in/on/at 起點(diǎn)時(shí)間 was originally 起點(diǎn)數(shù)據(jù) , going up/down dramatically/graduallyand reaching 終點(diǎn)數(shù)據(jù) in/on/at 終點(diǎn)時(shí)間 , (, shortly after this it grows/falls

15、 to 終點(diǎn)數(shù)據(jù) 2 in/on/at 終點(diǎn)時(shí)間 2).趨勢二dissimilarly, 主題項(xiàng) 2stendency is quite different/opposite, which declined/wentup steadily/substantially, from起始數(shù)據(jù)to 終止數(shù)據(jù)， (then rising/falling in時(shí)間 3 to 終點(diǎn)數(shù)據(jù) 2).another opposite/dissimilar trend appears that 主 題 項(xiàng) 2s statistics ascended/dropped down markedly/moderately,

16、 from 起始數(shù)據(jù) to 終止數(shù)據(jù)， (soon afterwards increasing/declining in 時(shí)間 3 to 終點(diǎn)數(shù)據(jù) 2).presenting another opposite/dissimilar tendency of increasing/decreasing, the statistics of 主題項(xiàng) 2 dropped down/grew in a low speed/sharply, whose peak reached+最高值 , while it touched the lowest point of+ 最低值 , (rising/fallin

17、g to 終點(diǎn)數(shù)據(jù) 2 in 時(shí)間 3).distinctly, the statistics of 分項(xiàng) 2 keep increasing/ declining sharply/gently, from 起點(diǎn)數(shù)據(jù) in/on/at 起點(diǎn)時(shí)間 to 終點(diǎn)數(shù)據(jù) in/on/at 終點(diǎn)時(shí)間 , with a data difference of 差額 (, subsequently rising/falling to 終點(diǎn)數(shù)據(jù) 2 in/on/at 終點(diǎn)時(shí)間 2)dissimilarly, the statistics of 分項(xiàng) 2 rises/drops substantially/in a

18、 small extent, the original point of which stayed at 起點(diǎn)數(shù)據(jù) in/on/at 起點(diǎn)時(shí)間 , yet its direct ending was 終點(diǎn)數(shù)據(jù) in/on/at 終點(diǎn)時(shí)間 (, later rising/falling to 終點(diǎn)數(shù)據(jù) 2 in/on/at 終點(diǎn)時(shí)間 2)靜態(tài)圖;.the total part of the graph/table is composed of _ different parts, in which the first figure is about a and covers + 數(shù)據(jù) 1, co

19、mpared with that of b, whose ratio is 數(shù)據(jù) 2. meanwhile, c has about 數(shù)據(jù) 3, and the rest is 剩下的 和 .the total part of the graph/table of 主 +時(shí)間 / 地點(diǎn) is divided into _ shares, in which a 名 is , in comparison, the ratio of b covers , meanwhile, c consists the third part, whose figure is , and the rest is .

20、separated into/consisting of _ different shares, the whole part of the graph/tablehas its firstfigure of a, whose number is+數(shù)據(jù) 1, whereas b covers a smallerproportionof only+數(shù)據(jù) 2, simultaneously,c constitutes a relatively lowerratio,the number of which is just 數(shù)據(jù) 3, leaving the rest of 剩下的 和 .being

21、comprised of _ different shares, the graph/table contains the data of分 1, covering a ratio of數(shù)據(jù) 1, compared with分 2, whose proportion amounts to數(shù)據(jù) 2, while afterthese appears that of分 3, with roughly 數(shù)據(jù) 3, and insuccession remains the rest/d, accounting for 剩余的 和 .composed of _ totally different sha

22、res, the graph/table has the first part presenting the data of 分 1, accounting for approximately 數(shù)據(jù) 1, after which 分 2 has a ratio of 數(shù)據(jù) 2, whereas the statistics/percentage of 分 3 covers 數(shù)據(jù) 3, leaving the rest/ 分 4 following closely, which is 剩余的 和 .第二段分析 象一、第一句through judging and analyzing the pic

23、ture, we can easily draw a conclusion that 主 exerts great influence on us/our society.the intention of the drawing can be inferred from it that 主 plays a vital function in our modern society in recent years.with careful analysis and thinking about the picture, we reach a well-founded conclusion that

24、 主 , being extremely indispensable, play a necessary part in our life/country.merely a picture as the drawer/photographer portrays, the inherent meaning lies at its back that 主 scannot be emphasized too much.through the outer appearance displayed here, the inward thought could be concluded that 主 sh

25、ould be paid close attention to.the inward thought conveyed by the drawer, it is 主 that we should lay great emphasis on for the sake of its role exerted on our daily life/modern society.;.since the intrinsic meaning hidden behind the picture is quite evident, the drawer intends to appeal to us to co

26、ncentrate more on 主題詞 , whose importance we should never turn a blind eye to.however complex the picture is, what the drawer/photographer really wishes to show is his emphasis on the significance of 主題詞 being an essential part of our daily life/modern society.whatever the picture tries to convey or

27、however varied its form is, the essence lies in it that we should never turn a deaf ear to the extreme importance of 主題詞 .whatever appearance the picture wishes to show, its real aim is to convey the weight of 主題詞 to which we should attach great importance.二、第二句 +第三句萬能理由 1：經(jīng)濟(jì)發(fā)展with the economic grow

28、th and boom, and hence the fierce competitions in their wake, 主題詞 gives impetus to the progress of a nation/an individual.owing to the prosperity of economy, as well as the flourishing of our society,主題詞 , which promotes one individual s/nation s progress, plays an active role.along with the economi

29、c progress and boom, as well as relentless competitions that follows, 主題詞 exerts profound and lasting influence on the growth of a nation/an individual.with the flourishing economy, accompanied by life changes in every area, which caused fierce and endless competitions, 主題詞 , providing powers for th

30、e development of an individual/a nation, is of paramount importancewith economy flourishing constantly and bringing about life changes in every area, the ceaseless competitions makes 主題詞 the driving force to promote the development of an individual/a nation, whose importance can never be ignored.wit

31、h economy development, social progress and life changes being increasingly widespread, 主題詞 acts as a driving force for whoever wishes to live in such a competitive society/for whatever countries to survive in such a competitive world.due to rapid economy development along with social progress, follo

32、wed by life changes which get more and more popularized, 主題詞 has brought power for the growth of a nation/an individual.with economy development, social progress and life changes being increasingly;.frequent, 主題詞 plays a key role for an individual/a nation to survive and develop in such fierce compe

33、titions that we must face bravely.with the rapid economy development followed by globalization and modernization, which gives rise to life changes in all fields, 主題詞 , whatever circumstance we may face, facilitates the growth and progress of an individual/a nation.with unprecedented economy developm

34、ent, rapid social progress, it is 主題詞 that can boost the development of an individual/a nation, whereby one/it can have a growth sharper than expected.萬能理由 2：社會(huì)變化huge changes emerge constantly in our modern society, every part of which are thus modified, such as 現(xiàn)象 , resulting in positive/negative c

35、onsequence.in present age emerge transformation of society, leading to the change of every field in our daily life, hence 現(xiàn)象 follows this while bringing benefits/doing harm.the transformation occurring in our society has brought further changes taking place in every relevant part of our life, showin

36、g the reason why 現(xiàn)象 arose.with the reform and opening-up policy, chinese society has encountered deep transformation during these years, thus every related field is affected with 現(xiàn)象 emerging here, working positively/negatively.the transformation of society occurring in the wake of reform and opening

37、-up policy results in changes in the chain in various areas, such as 現(xiàn)象 , exerting positive/negative influence.the surrounding environment of our society has changed a lot since reform and opening-up policy, after which some aspects areour living environment is confronted with diverse changes, while

38、 simultaneously, every section of our society is also affected in their wake, such as 現(xiàn)象 , which brings favorable/unfavorable effect.sharp changes have gone deep into every corner of our society, giving rise to the chain reactions in our surroundings, with 現(xiàn)象 taking place and resulting in positive/n

39、egative effect.the reform and opening-up policy has hugely modified the outer and inner environment of china and its relations to the world, thus corresponding phenomena related to every area of society emerged, such as 現(xiàn)象 , with its;.positive/negative results.many issues are involved during the tra

40、nsformation of society in the outer and inner environment, where huge changes take place in every corner, such as 現(xiàn)象 , leading to positive/negative consequence.萬能理由 3：傳統(tǒng)教育traditional education, with its own advantages, also has some serious drawbacks, leading to lack of notion of 主題詞 , which knowled

41、ge education could not reach.traditional education focuses too much on basic knowledge, whereas it failing in taking every aspect into consideration, thus 主題詞 is lacked in individual s notions.the limitation of traditional education constrains overall development of individuals while affecting their

42、 notions in particular, hence the lack of 主題詞 .traditional education attaches importance to basic knowledge and test scores, with its serious drawbacks of ignoring overall education, especially in spiritual or thinking fields, causing the lack of notion of 主題詞 .due to the imperfectness and some draw

43、backs of traditional education, the training and education of individuals are lopsided, thus, individuals are facing the absence of 主題詞 .the education system being imperfect, individuals would not develop themselvesin a reasonable mode, while the formation of drawbacks affects them in somecertain fields, particularly the lack of notion of主題詞 .the deformity o