時尚潮流變化fashion

1、時尚與潮流 fashion and variationthe european idea of fashion as a personal statement rather than a cultural expression begins in the 16th century: ten portraits of german or italian gentlemen may show ten entirely different hats. but the local culture still set the bounds, as albrecht drer recorded in hi

2、s actual or composite contrast of nuremberg and venetian fashions at the close of the 15th century (illustration, right).fashions among upper-class europeans began to move in synchronicity in the 18th century; though colors and patterns of textiles changed from year to year, (thornton), the cut of a

3、 gentlemans coat and the length of his waistcoat, or the pattern to which a ladys dress was cut changed more slowly. mens fashions derived from military models, and changes in a european male silhouette are galvanized in theatres of european war, where gentleman officers had opportunities to make no

4、tes of foreign styles: an example is the “steinkirk” cravat (a necktie) (see cravat). the pace of change picked up in the 1780s with the publication of french engravings that showed the latest paris styles. by 1800, all western europeans were dressing alike: local variation became first a sign of pr

5、ovincial culture, and then a badge of the conservative peasant (james laver; fernand braudel). fashion in clothes has allowed wearers to express emotion or solidarity with other people for millennia.modern westerners have a wide choice available in the selection of their clothes. what a person choos

6、es to wear can reflect that persons personality or likes. when people who have cultural status start to wear new or different clothes a fashion trend may start. people who like or respect them may start to wear clothes of a similar style. fashions may vary significantly within a society according to

7、 age, social class, generation, occupation and geography as well as over time. if, for example, an older person dresses according to the fashion of young people, he or she may look ridiculous in the eyes of both young and older people. the term “fashion victim” refers to someone who slavishly follow

8、s the current fashions (implementations of fashion).one can regard the system of sporting various fashions as a fashion language incorporating various fashion statements using a grammar of fashion. (compare some of the work of roland barthes.) thornton, peter. baroque and rococo silks. this is an ex

9、ample list of some of the fads and trends of the 21st century: capri pants, handbags, sport suits and sports jackets, ripped jeans, designer jeans, blazer jackets, and high-heeled shoes. 我對趕時髦的看法(my view on following the fashion) nowadays more and more young people prefer to follow the fashion. on t

10、his phenomenon, different people have different views.it is held that one should follow the fashion so as not to be despised or considered eccentric. but it is also held that one should have ones own judgment. those who hold the first opinion think that society is progressing and one should adapt on

11、eself to the constant change. in their opinion, if everyone always sticks to the old fashion, there wont be any change and naturally there wont be progress. in contrast, those who hold the second view think that one shouldnt follow the fashion without discrimination and one should have ones own judg

12、ment and characteristics. as for me, i agree with the latter opinion. admittedly, one should be flexible and adapt himself to the situation, but this is not to say that one should follow the fashion without discrimination because the fashion may not be beneficial.we should consider whether the fashi

13、on is favorable or unfavorable. moreover, one should have ones own characteristics.if everyone follows the same fashion, there will not be variety and the whole society will be monotonous.時尚和潮流(fashion and variation) fashion in clothes has allowed wearers to express emotion or solidarity with other

14、people for millennia. modern westerners have a wide choice available in the selection of their clothes. what a person chooses to wear can reflect that persons personality or likes. when people who have cultural status start to wear new or different clothes a fashion trend may start. people who like

15、or respect them may start to wear clothes of a similar style.fashions may vary significantly within a society according to age, social class, generation, occupation and geography as well as over time. if, for example, an older person dresses according to the fashion of young people, he or she may lo

16、ok ridiculous in the eyes of both young and older people. the term fashion victim refers to someone who slavishly follows the current fashions (implementations of fashion). one can regard the system of sporting various fashions as a fashion language incorporating various fashion statements using a g

17、rammar of fashion.花費太多在時裝上(too much expenditure on fashion)nowadays, fashion has become the hot topic among people, especially young people.however, too much expenditure on fashion is good or not at all? maybe, the answer is obivious.people are born with a sense of beauty.it is nature of human being

18、,which can be understood. but we shold make ourselves beauty moderately instead of too much expenditure. the reason is as follows.first, we cant form this concious that fashion is everything.seeking fashion with our purpose will take up your mind,especially for young girls. they will lost their hear

19、t on study and think what they should be all day long. second,as for the poor family, seeking fashion is a luxurious thing.if they always see beatiful clothes are on others bodies. they will be too eager to get money, which maybe cause society unstable.to sum up, i think too much expenditure on fash

20、ion is bad for both you and me. i dont mean fashion is not bad. but i think if everyone can control them in a moderate way.everything can be widely accept. the european idea of fashion as a personal statement rather than a cultural expression begins in the 16th century: ten portraits of german or it

21、alian gentlemen may show ten entirely different hats. but the local culture still set the bounds, as albrecht drer recorded in his actual or composite contrast of nuremberg and venetian fashions at the close of the 15th century (illustration, right). fashions among upper-class europeans began to mov

22、e in synchronicity in the 18th century; though colors and patterns of textiles changed from year to year, (thornton), the cut of a gentlemans coat and the length of his waistcoat, or the pattern to which a ladys dress was cut changed more slowly. mens fashions derived from military models, and chang

23、es in a european male silhouette are galvanized in theatres of european war, where gentleman officers had opportunities to make notes of foreign styles: an example is the steinkirk cravat (a necktie) (see cravat). the pace of change picked up in the 1780s with the publication of french engravings th

24、at showed the latest paris styles. by 1800, all western europeans were dressing alike: local variation became first a sign of provincial culture, and then a badge of the conservative peasant (james laver; fernand braudel).fashion in clothes has allowed wearers to express emotion or solidarity with o

25、ther people for millennia. modern westerners have a wide choice available in the selection of their clothes. what a person chooses to wear can reflect that persons personality or likes. when people who have cultural status start to wear new or different clothes a fashion trend may start. people who like or respect them may start to wear clothes of a similar style. fash