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1、A Brief Discussion on the Influence of Chinese and Western Cultural Differences on ClothingA Brief Discussion on the Influence of Chinese and Western Cultural Differences On ClothingAbstractClothing is closely related to human life and civilization. It is called the vane of the times and is a mirror
2、 of social development. Like social development, it also grows from ignorance to gradual development. If you want to trace the historical reasons implied under the characteristics of Chinese and Western costumes, and gain a deeper understanding of the aesthetic culture of costumes, you have to follo
3、w the historical development and go on a cultural exploration journey. Humans have entered a civilized society for thousands of years. There are many ways to divide history according to human activities that have emerged. This article analyzes the development of Chinese and Western costumes accordin
4、g to the evolution of social and political forms, and collects relevant materials through extensive reading to enrich the scope of this article. Different cultures learn from each other, imitate each other, and absorb rich nutrients into their respective cultural backgrounds during the development p
5、rocess, forming their own unique style. It is the differences in aesthetic culture that have led to different development directions. We need to take its essence and remove its dross.Keywords: cloth, national culture, difference, comparison分析東西方面飾之間的差異摘 要服飾與人類生活和文明緊密相關(guān),被稱作時(shí)代的風(fēng)向標(biāo),是社會發(fā)展的鏡子。與社會發(fā)展一樣也是從蒙
6、昧到逐漸發(fā)展壯大。要想追溯中西方服飾特征下面隱含的歷史原因,深入了解服飾審美文化,就得跟隨歷史發(fā)展的足跡,進(jìn)行文化探尋之旅。人類進(jìn)入文明社會,已有數(shù)千年的時(shí)間,根據(jù)已出現(xiàn)的人類實(shí)踐活動(dòng)來劃分歷史,有很多種方法。本文根據(jù)社會和政治形式的演變來分析中西服飾的發(fā)展,并通過大量閱讀收集相關(guān)資料,以充實(shí)本文的討論范圍。不同的文化相互借鑒,相互模仿,并在發(fā)展過程中將豐富的營養(yǎng)吸收到各自的文化背景中,形成了自己獨(dú)特的風(fēng)格特征。歸根結(jié)底,正是審美文化的差異導(dǎo)致了發(fā)展方向的不同。 我們需要“取其精華,去其糟粕”。 關(guān)鍵詞:服飾;民族文化;差異性;對比分析IIIContentsAbstractI摘 要IIIntr
7、oduction11 The Origin of Chinese and Western Clothing21.1 The Origin of Chinese Clothing21.2 The Origin of Western Clothing31.3 The Comparison of Chinese and Western Origins32 The Development of Chinese and Western Clothing52.1 The Development of Chinese Clothing52.2 The Development of Western Cloth
8、ing83 The Dress Concept of Modern Chinese and Western Dress Culture113.1 Color aesthetics113. 2 An Anlysis of the Cause of Chinese and Western Clothing Colors 113.2.1 Racial Factors123.2.2 Geograpgical Envoirnment Factors123.2.3 Culture and Customary Factors133.3 Color Difference between Chinese and
9、 Western Clothing134 The Comparison of Visual Features of Chinese and Western Clothing15Conclusion17References18Acknowledgments19IntroductionClothing is one of the material cultures that make up human daily life,as important as food and shelter. From the ancient Greece to the present, Clothing gener
10、ally meets human needs in three aspects: that is, it regulates body temperature to protect the bodys physical needs.; distinguish identity and express the social needs of faith; conceal weakness, highlight the aesthetic needs of personality. Both Chinese clothing and western clothing have acquired t
11、heir intrinsic civilization value in the process of satisfying these three needs. At the same time, due to the different cultural backgrounds of East and West, the cultural form of clothing is also different. After entering the civilized era, the social demand for clothing began to expand, even to s
12、ome extent higher than the physiological demand.1 The Origin of Chinese and Western ClothingClothes are closely related to human life and civilization, and the development of society is also from ignorance to gradually developed. China and the Western have two different cultural characteristics. The
13、 costume development of any nationality changes with the social form, regional characteristics and national habits. The progress of social civilization makes the costume close to the direction of global integration. At the same time, the inheritance and mutual learning of the traditional cultures of
14、 different nationalities are also the conditions for the modernization of costumes. 1.1 The Origin of Chinese Clothing Clothes reflect the stages reached by social-political, economic and technological development, are a symbol of culture and a true reaction to the spirit of the times and the aesthe
15、tics of the nation. In the context of this era, the evolution and development of clothing must be influenced and limited by many factors such as sociopolitics, economics, science, technology and culture. Traditional clothing has developed with the long history of China. During this period, the costu
16、me changed with the passing of several dynasties.The search for the clothing of primitive Chinese society can only be verified by the contents recorded sportily in archaeological relics. Primitive society is the early stage of clothing, and its development goes through two stages. The hazy stage: In
17、 the middle and late paleolithic period, the Peking people had a hazy behavior of dress. To the caveman period, there appeared the important original sewing tools and original decorative articles. The Germination stage: When humans entered the neolithic age, they had the ability to make full use of
18、plant and animal fibers and invented textile tools. Among textiles, China created the worlds unique silk fabric, which greatly changed the clothing condition of our ancestors. Primitive clothing with a variety of deep imprint, with the human civilization into the era. Since then, clothing and access
19、ories have been the overall rapid development.China has long been known as 衣冠之國 and has a long history of clothing culture. Starting from the primitive society, Xia,Shang, Zhou, Qin, Han, Wei, Jin, Sui, Tang, Song, Yuan, Ming, Qing. The Chinese clothing system has received worldwide attention due to
20、 its unique characteristics. In the long feudal society, the class status of dress, as a kind of culture, added feudal politics, ethics and other contents, and became the symbol of the feudal hierarchy. Clothing appearance is divided into 貴 and 賤. Chinese royalty and officials had strict dress codes
21、, forming the most rigid part of a feudal autocratic culture. It also contributed to the general conservative attitude of the whole Chinese nation towards clothing, which has been influencing the modern clothing culture of China.1.2 The Origin of Western Clothing Western clothing is an integral part
22、 of western culture, tracing its origins back to ancient Asia and Africa. In the ancient slave society, the early forms of clothing were simple, and the gender distinction was not obvious. Its origin after thousands of years of evolution to Europe migration, gradually formed the western native cloth
23、ing style. Regarding the Heaton costume represented by Greek culture, it exudes a pure beauty, and shows the purest beauty of the human body with its simplicity. Reflecting the ancient Greeks love for nature and attention to the beauty of human body, they played an important role in the development
24、of western clothing. 1.3 The Comparison of Chinese and Western OriginsWe compare the origins of Chinese and western clothing from the perspective of geographical environment. Chinese culture originated from the Yellow River civilization and developed in a relatively fixed and closed environment. Wes
25、tern culture is dominated by the Mesopotamian civilization and the Nile civilization. The former is located in West Asia, and the latter is located in North Africa, with an ocean-like openness. The different origins of Chinese and western regional cultures affect and determine the different aestheti
26、c connotations of costume culture. In China, the Yellow River civilization contains the clothing civilization. Since ancient times, the Chinese peoples character is as broad and gentle as the earth, and they have an eclectic attitude towards foreign cultures. The Chinese culture, characterized by im
27、plicature and tolerance, and the long feudal political system built its own developed cultural system.In contrast, the western was formed by the great migration of Germanic peoples from the north on the basis of ancient Greek and Roman civilization. This evidence of migration can be seen in the cour
28、se of the study. With the gradual spread of civilization, clothing was also influenced by the natural and social environment of different regions. The origin and development of Chinese dress culture are developed in a relatively fixed regional environment, and are unique. Western clothing originated
29、 from its vast geographical environment, and various civilizations interlaced and influenced each other. With the migration and movement of ethnic groups, it was formed with open characteristics. Although located in different regions, there are many similarities between China and the West. Clothing
30、from the beginning with physiological protection function, but also has a strong social identity function. This social function includes the symbolic recognition function, which is characteristics of certain signs. From the perspective of clothing, people can know a lot of information about the iden
31、tity, status, class and the rank of the wearer . In this sense, clothing is a non-linguistic information communication medium. Regarding the social function of clothing, the content and form are difference between China and the West, but the essence is the same. Just as the twelve chapters could onl
32、y be worn on the sacrificial garments of the Chinese emperors, the fuchsia ”toga”, with its gold embroidery, could only be worn by the Roman emperors. Although the feudal officials in the west did not have the details and completeness of the feudal hierarchy in China, there was still a clear distinc
33、tion between the nobility and the common people. In modern clothing, such identity characteristics are still in our life, such as: military grade, corporate uniforms, school uniforms and so on. 2 The Development of Chinese and Western ClothingHuman civilization has been around for thousands of years
34、, and there are many ways to divide the history of human practice. This chapter analyzes the development course of Chinese and western clothing with the change of social and political forms.2.1 The Development of Chinese ClothingChina is one of the earliest countries to enter the human civilization
35、and has almost never stopped the historical process in the process of development. From the perspective of Chinas overall social and historical background, Chinese clothing mainly forms the basic form of Chinese clothing from feudal society. In a flat, two-dimensional and non-architectural way, it f
36、orms the overall shape of the clothing that has been used in China for thousands years. Reflected in the gender characteristics of mens and womens clothing, is not too much regional appearance characteristics. After the last feudal dynasty was completely overthrown in the early 20th century, Chinese
37、 costume also underwent a drastic change. The aspects that are inconsistent with the times and social development are gradually disappearing, while those energetic clothing contents and deep culture are retained and absorbed by the new way of life, which have become the theme of todays Chinese cloth
38、ing forms.At the foundation stage of Chinese costume, pre-qin costume was influenced by sacrificial activities. Thus has the solemn, the massiness feeling. The Han dynasty was politically stable, and its clothes were comfortable, convenient and beautiful. During the period of wei, jin dynasties, peo
39、ples life was unstable due to the fragmentation and wars. Therefore, their clothing was relatively simplified, with wide belts and wide sleeves. In the Sui and Tang dynasties, the economy was prosperous, the country was prosperous and the people were safe. The clothes are rich in style, rich in patt
40、erns, well made and the craftsmanship is very special. Under the influence of the neo-confucianism of cheng and zhu, the clothing of the song dynasties began to decline. During the Yuan and Ming Dynasty, costumes consisted mainly of ethnic minority costumes. During the Qing dynasty, the manchu peopl
41、e entered the customs, which was dominated by manchu costumes. At the end of the Qing Dynasty, a large number of foreign commodities were imported into China, causing the natural economy to gradually disintegrate. The transition from Chinas traditional natural economy to a commodity economy took onl
42、y a few decades. In the second half of the 19th century, Chinas national bourgeoisie gradually rose, and the textile industry realized industrialization and developed rapidly. Western countries are gradually increasing the number of factories in China, which need a large number of female workers. Ho
43、wever, women s status in society is relatively low , the concept of female professionalism starts to arouse womens thinking. At the same time, the world feminist movement is gradually rising, the movement for womens liberation is also spread to China. With the progress of feminist ideology, a large
44、number of media began to set up womens columns or directly launched womens newspapers. Such as Womens Journal, Womens World, China Womens Daily and so on all advocate gender equality. Qiu jin said in the first issue of the dialect of ushu(A newspaper) (1906) : To respect womens rights, we must first
45、 cultivate womens learning. A large number of womens rights advocates have realized that the main reason why womens status is in danger is that for thousands of years, the feudal ideology of 三綱五常 shackled women, resulting in the low educational level of the whole female population. At the end of the
46、 Qing dynasty and the early China, under the influence of western learning, the spread of paper media, and the great improvement of social productivity, girls schools sprang up in large Numbers. This greatly promoted the liberation movement of Chinese women. At this time, the rights Chinese women pu
47、rsue are mainly manifested as: receiving education; Participate in the review and management of national politics; Marriage autonomy; Economic independence; Womens rights, etc. It is because of the awakening of these consciousness, women dare to speak, make women bold. These consciousness expression
48、 is in dress fashion, the western fabrics that pursues trendy namely, western clothing. Of course, these trends are controversial in the public. There was an article in Womans Time no. 1 (1911) which wrote :今日之女子,喜徘徊洋貨鋪內(nèi) ,購買洋貨,余試談洋貨好處。余十三歲時(shí),余母親賜我杜布衫一件,此衫乃外祖母十七歲時(shí)所制,余今年三十有七矣,此衫尚未破,洋布則為何?東鄰某婦喜穿洋布衫,但每年必
49、 新制一件,蓋至第二年必破碎而不能穿矣,余則喜穿紡綢衫 ,非欲其美觀,不過求其經(jīng)濟(jì)上略合算耳。聞?dòng)嘌哉?,必笑曰:豈有紡綢之價(jià)廉千洋布乎。“ The article expounds the reason that home-made fabric is superior to calico. It can be seen from her attitude towards the cotton cloth that she is a middle-aged woman with traditional ideas, and it is hard to understand the social
50、 atmosphere of young women chasing foreign objects at that time. In the late 19th and the early 20th centuries, there was a nationwide boycott of foreign goods. But it cannot resist the appeal to its countrymen, especially women, of the novelty of machine-made goods. The width of calico is no longer
51、 limited by the loom. There were also defects in the production of machines, which were not as dense as the cloth woven by traditional machines, so the fastness and wear resistance were not as good. Due to its richly colored carico and variety of designs, many women will accelerate the dress update
52、rate. What used to be a few years worth of clothes has become a few seasons at most.Another prominent phenomenon is that the concept of clothing hierarchy is gradually vague, and the demand for clothing is increasing. China is known as ”衣冠之國“. In different occasions, different classes of clothing ar
53、e very particular, especially in the Qing dynasty, clothing hierarchy is very rigid. After the collapse of the Qing dynasty, traditional ways of dressing still existed. However, influenced by western ceremonial clothing and popular ideas, ordinary people also began to pay attention to the clothing t
54、hat should be changed at different times of the day and on different occasions. To sum up, there are four reasons for the rapid and varied development of womens wear. First of all, changes in the times, the change of social status makes womens dress get rid of the development of clothing based on sy
55、mbolic characteristics. Second, western culture and goods poured into China. Domestic fabrics are cotton,linen and silk, cotton and linen fabric is too simple, silk fabric is too expensive, and gradually can not meet the needs of women in clothing. As a result, many people are focusing on affordable
56、, fresh and diverse types of foreign fabrics. Thirdly, newspapers, periodicals, films and other media enrich peoples spiritual and cultural life, thus promoting the spread of fashion. Finally, it is reflected in the awakening of womens consciousness. When the commodity economy occupies a dominant po
57、sition in the social economy, the relevant media, commodity subject composition and consumer purchasing decision all determine the development direction of the social nature. At this time, clothing has become a form of external expression of catharsis of old social emotions, which is changed quietly
58、 in a subtle way. Chinese clothing before the first world war still has the element of clear late Qing dynasty relic. During the war, people began to consciously give up the complicated decoration of the late Qing Dynasty, and the trend of clothing became simple. After the war, the early republic of China introduced western fabric. This has a lot to do with its own culture and cultural exchanges during the war. 2.2 The Development of Western ClothingWestern clothing has a great range of changes in shape and system. From the ancient Greece, the anc
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