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1、附件1:外文資料翻譯譯文自然簡(jiǎn)約對(duì)室內(nèi)設(shè)計(jì)現(xiàn)象分析摘 要:自然簡(jiǎn)約的室內(nèi)設(shè)計(jì)展現(xiàn)的是一種生活方式,它讓我們更接近自然,更強(qiáng)調(diào)功能,更關(guān)注生活本身營(yíng)造的是一種詩意的空間 關(guān)鍵詞: 簡(jiǎn)約;空間;品位;室內(nèi)設(shè)計(jì);感覺 遠(yuǎn)古時(shí)期,中國(guó)的木構(gòu)架建筑東方古印度的石窟建筑歐洲古希臘古羅馬的石砌建筑等等裝飾與構(gòu)件緊密結(jié)合,與建筑主體溶為一體然而十七世紀(jì)初歐洲巴洛克時(shí)代和十八世紀(jì)中葉的洛可可時(shí)代,開始了室內(nèi)裝飾與建筑主體的別離,外部的建筑主體與內(nèi)部的裝修在使用年限上不匹配,因而導(dǎo)致建筑主體與室內(nèi)裝飾的別離,在營(yíng)造法國(guó)宮廷建筑和貴族宅邸時(shí),新的職業(yè)“裝飾工匠誕生了,對(duì)建筑物的內(nèi)部頻繁不斷地進(jìn)行改裝,不動(dòng)建筑主體,
2、更換建筑“服裝的時(shí)期已經(jīng)到來巴洛克式建筑的室內(nèi)設(shè)計(jì),一反文藝復(fù)興時(shí)期的嚴(yán)肅含蓄平衡,傾向于豪華浮夸在教堂及宮殿中把建筑雕塑繪畫結(jié)合成一個(gè)整體,追求動(dòng)勢(shì)與起伏,企圖造成幻象而洛可可式建筑室內(nèi)那么是皇宮貴族為了得到舒適的私密的室內(nèi)而追求優(yōu)雅的更為親切的室內(nèi)裝飾效果具有纖細(xì)輕巧華美和繁瑣的裝飾性;喜用C形S形或漩渦形的曲線和輕淡柔和的色彩,多以花鳥貝殼為題材,并為適應(yīng)宮廷的異國(guó)情趣要求,在室內(nèi)采用了許多中國(guó)式裝飾巴洛克和洛可可式的手工制作到達(dá)了裝飾的極致,被稱為“室內(nèi)裝飾的代表近代工業(yè)革命的大開展,出現(xiàn)了新型的混凝土建筑,它不僅使室內(nèi)裝飾從建筑主體中脫離,而且開展成為不依附于建筑主體而相對(duì)獨(dú)力的局部
3、別離派運(yùn)動(dòng)解開了單純裝飾部件與建筑主體相結(jié)合的矛盾,成為現(xiàn)代主義設(shè)計(jì)的先驅(qū)包豪斯學(xué)派強(qiáng)調(diào)功能決定形式,認(rèn)為空間是建筑的主角,提倡拋棄外表虛假的裝飾,一切圍繞著架構(gòu)合理的空間效勞要求排除裝飾,強(qiáng)調(diào)使用功能以及造型的簡(jiǎn)單化 自然風(fēng)格倡導(dǎo)設(shè)計(jì)自然空間,美學(xué)上推崇“自然美, 力求表現(xiàn)悠閑舒暢自然的田園生活情趣,也常運(yùn)用天然木石藤竹等材質(zhì)質(zhì)樸的紋理巧于設(shè)置室內(nèi)綠化,創(chuàng)造自然簡(jiǎn)樸清新淡雅的氣氛只有崇尚自然結(jié)合自然,才能在當(dāng)今高科技高節(jié)奏的社會(huì)生活中,使人們能取得生理和心理的平衡簡(jiǎn)約不等于簡(jiǎn)單,它是一種生活態(tài)度當(dāng)我們?cè)诂F(xiàn)代生活中,承受太多的壓力,我們開始渴望擁有自由的感覺優(yōu)雅的姿態(tài)和非凡的品位我們需要讓急躁
4、的心境趨向平和,于是我們呼喚簡(jiǎn)約從大的建筑空間到普通的居住空間,從職業(yè)設(shè)計(jì)師到普通公民,自然簡(jiǎn)約風(fēng)格開始成為室內(nèi)設(shè)計(jì)界非常流行的方向簡(jiǎn)約的精神起源主要源自于二十世紀(jì)初期的西方現(xiàn)代主義英國(guó)JOHNPawson與法國(guó)的ClaudioSilverstein兩位室內(nèi)設(shè)計(jì)師在80年代中期引領(lǐng)了簡(jiǎn)約主義的設(shè)計(jì)潮流當(dāng)時(shí)歐美的經(jīng)濟(jì)不景氣,藝?yán)壤习鍌冮_始在藝術(shù)品的展示空間上找出路,一些報(bào)費(fèi)的工廠車間簡(jiǎn)單布置,成為藝術(shù)展廳,目的是以最少的經(jīng)費(fèi)作出最好的展示空間,而這么做的結(jié)果就是簡(jiǎn)化空間,不裝飾多余的東西,實(shí)際上,這也反映了一種新審美的出現(xiàn)從設(shè)計(jì)居家引入到藝?yán)鹊脑O(shè)計(jì),使得展示空間與藝術(shù)品呈現(xiàn)出同一種美學(xué)特征簡(jiǎn)約藝
5、術(shù)也就在這個(gè)時(shí)候開始與室內(nèi)設(shè)計(jì)相吻合,并逐漸開始流行起來,到現(xiàn)在簡(jiǎn)約主義成了室內(nèi)設(shè)計(jì)追崇的風(fēng)格 回歸自然的簡(jiǎn)約主義是人類特有的勞動(dòng)成果其目的是以簡(jiǎn)潔的表現(xiàn)形式來滿足人們對(duì)空間環(huán)境那種感性的本能的和理性的需求從某種意義上說,簡(jiǎn)約主義的盛行是人類開展的必然趨勢(shì) 自然簡(jiǎn)約的室內(nèi)設(shè)計(jì)營(yíng)造的是一種詩意的空間我們知道,“詩的藝術(shù)特點(diǎn)就是用極其簡(jiǎn)潔的語匯,按照一定的規(guī)那么組合,形成“詩這樣一種語言,其字里行間包含了極大的空間,一種隱含的靜態(tài)的空間在設(shè)計(jì)中把人的思想情感,人生的向往注入到環(huán)境中去,通過“意境將其立體空間地再現(xiàn)于現(xiàn)實(shí)中,使人入其境,那么忘乎其身,這是一種超乎物質(zhì)感受的精神感受, “意境的創(chuàng)造,正
6、是通過氣氛的營(yíng)造來到達(dá)表達(dá)某種精神意義上的“親和力實(shí)際上,簡(jiǎn)約主義室內(nèi)設(shè)計(jì)就是這樣一種“詩意空間的營(yíng)造用極簡(jiǎn)的物體擺設(shè)產(chǎn)生想象使用空間,這個(gè)空間實(shí)際上是一種副空間,有各個(gè)家具組合產(chǎn)生的副空間,它往往給人視覺上“空的感覺,而“空猶如詩所產(chǎn)生的“意境,極大調(diào)動(dòng)著身處其中的人的情緒,激發(fā)人的聯(lián)想能力簡(jiǎn)約室內(nèi)設(shè)計(jì)強(qiáng)調(diào)形式美感如果說,一般的室內(nèi)設(shè)計(jì)把家具,諸如沙發(fā)桌子等物品稱為主體物的話,那么簡(jiǎn)約主義室內(nèi)設(shè)計(jì)是不存在這樣的區(qū)分的簡(jiǎn)約主義室內(nèi)設(shè)計(jì)認(rèn)為處在空間中的任何局部都分擔(dān)著同樣重要的作用,包括墻面地面頂面等空間中所有物體的協(xié)調(diào)組合具有很強(qiáng)的形式美感,這主要表達(dá)在點(diǎn)線面三個(gè)空間元素的表現(xiàn)上中國(guó)幾千年的文
7、化,沉淀出多少恒世佳作,特別是中國(guó)漢代建筑更是集精華美妙之靈氣,以“簡(jiǎn)單厚實(shí)精準(zhǔn)雅致為原那么,將東方特有的審美觀念,獨(dú)立渾厚的氣質(zhì)凝練渺遠(yuǎn)的簡(jiǎn)約神韻,響絕于世它至今還影響著國(guó)際建筑的設(shè)計(jì)理念,也影響著室內(nèi)設(shè)計(jì)的美感 設(shè)計(jì)之所以能以盡量少的語言表達(dá)盡量多的信息,有賴于其將諸多設(shè)計(jì)表現(xiàn)形式要素科學(xué)的融合在一起,其中色彩的選擇和使用起了十分關(guān)鍵的作用我們知道色彩是不同波長(zhǎng)的光反射和吸收的結(jié)果,光的傳播速度比圖形文字的傳播速度快,這使得它讓人在第一時(shí)間感受到,所以對(duì)空間最先感受到的就是色彩,而不同色彩可以引起人們不同的心理反映和感受在自然簡(jiǎn)約的室內(nèi)設(shè)計(jì)中,黑色和白色以及材料的本色是它的代表色,也是常常
8、使用的顏色,這些顏色被認(rèn)為是最沒有傾向的顏色,對(duì)人的視覺干擾最小同時(shí)室內(nèi)設(shè)計(jì)也強(qiáng)調(diào)對(duì)光的使用,往往通過天窗等獲取自然光源,這對(duì)塑造一種輕淡整一的色彩空間起著相當(dāng)重要的作用,也表達(dá)了簡(jiǎn)約主義所宣揚(yáng)的簡(jiǎn)潔但不簡(jiǎn)單的風(fēng)格 每一個(gè)表現(xiàn)手段都以居住為目的,對(duì)每一個(gè)局部都強(qiáng)調(diào)其功能性和舒適性實(shí)際上,這種對(duì)功能的充分表述表達(dá)了設(shè)計(jì)的根本美學(xué)原理,也是很容易理解的,任何設(shè)計(jì)都是以人為效勞對(duì)象的,人在消費(fèi)設(shè)計(jì)的時(shí)候,最主要是消費(fèi)它的實(shí)用功能所以,當(dāng)我們看到一張看似堅(jiān)硬的座椅,不要馬上判斷它必然帶給你冰冷的感覺,坐上去的一剎那,也許正是它背上的那道不經(jīng)意的弧線帶給你恰倒好處的舒適體驗(yàn) 應(yīng)該說,自然簡(jiǎn)約的室內(nèi)設(shè)計(jì)展
9、現(xiàn)的是一種生活方式,它讓我們更接近自然,更強(qiáng)調(diào)功能,更關(guān)注生活本身 對(duì)簡(jiǎn)潔的理解因人而異,由于人們的年齡見識(shí)素養(yǎng)生活背景的不同,所產(chǎn)生的品味要求也就不同社會(huì)的開展,時(shí)代的進(jìn)步,新思維新結(jié)構(gòu)新材料的出現(xiàn)必定會(huì)產(chǎn)生與此適應(yīng)的裝飾新概念新形式新空間簡(jiǎn)潔這一現(xiàn)代的裝飾表現(xiàn)形式已經(jīng)深入影響到建筑產(chǎn)品工業(yè)產(chǎn)品生活產(chǎn)品等諸多領(lǐng)域幾根鋼管,一個(gè)木樁,一個(gè)布堆就能做出不同形式的現(xiàn)代家具它已悄然讓人們的生活方式和思想觀念產(chǎn)生質(zhì)的變化有人認(rèn)為簡(jiǎn)潔的設(shè)計(jì)風(fēng)格必然會(huì)一枝獨(dú)秀,成為21世紀(jì)人們生活追求的時(shí)尚 以簡(jiǎn)潔的表現(xiàn)形式來滿足人們對(duì)空間環(huán)境那種感性的本能的和理性的需求,這也是當(dāng)今國(guó)際社會(huì)流行的設(shè)計(jì)風(fēng)格而現(xiàn)代人快節(jié)奏高
10、頻率滿負(fù)荷,已讓人到了無可復(fù)加的接受地步人們?cè)谶@日趨繁忙的生活中,渴望得到一種能徹底放松以簡(jiǎn)潔和純潔來調(diào)節(jié)轉(zhuǎn)換精神的空間,這是人們?cè)诨パa(bǔ)意識(shí)支配下,所產(chǎn)生的亟欲擺脫繁瑣復(fù)雜追求簡(jiǎn)單和自然的心理在印尼巴里島旅館系列設(shè)計(jì)中,靈感來自巴里島上的民俗風(fēng)格,但在空間架構(gòu)及動(dòng)線安排上是延伸簡(jiǎn)約設(shè)計(jì)的精神在材料表現(xiàn)上,出現(xiàn)了自然原始的當(dāng)?shù)卦?草席及石板設(shè)計(jì)師將這些具有自然民俗的元素用精確及簡(jiǎn)潔的細(xì)部來處理以加強(qiáng)主題,同時(shí)也將裝飾的局部簡(jiǎn)單化,所呈現(xiàn)的空間可以說是現(xiàn)代巴里島風(fēng)格 縱觀世界建筑設(shè)計(jì)大師們無論是德國(guó)密斯凡德羅還是美國(guó)的理查德邁耶日本的安藤忠雄美籍華人貝聿銘,他們都以最純潔的形式,用相當(dāng)普通的材料
11、,使用最精簡(jiǎn)的手法,表現(xiàn)出非常深度的內(nèi)涵和崇高的空間氣質(zhì)他們一件件充滿靈性的作品有著無窮的生命力,他們的設(shè)計(jì)思想震撼著當(dāng)今時(shí)代也引領(lǐng)著時(shí)代潮流的開展 附件2:外文原文Natural simplicity - on interior design AnalysisAbstract: The natural, simple interior design show is a way of life, it allows us closer to nature, more emphasis on functionality, more concerned about life itself. cre
12、ate a poetic space.Keywords: minimalism; space; grade; interior design; feelingAncient times, Chinese wooden framework architecture of ancient India, the Orient, Europe, building caves in ancient Greece, ancient Rome and so on decorative stone building closely integrated with the components, with th
13、e main building, however. dissolved into Europe in the early seventeenth century Baroque times and the mid-eighteenth century the Rococo era, began with the interior decoration of the main building separated from the main building external and internal fitting-out period in the use of the mismatch,
14、thus leading to the main building and interior decoration of the separation, in the construction of the French court architecture and aristocratic mansion, the new occupation "decorative artisan" was born, the building's internal frequency continuous modification, fixed the main buildi
15、ng, the replacement building, "clothing" the time has come. Baroque-style architecture of the interior design, one anti-Renaissance solemn, subtle, balanced, tend to exaggerate. luxury, in churches and palaces in the architecture, sculpture, painting into a whole, the pursuit of momentum w
16、ith the ups and downs, but an attempt to cause the illusion. Rococo interior architecture is the palace of nobility in order to be intimate and comfortable, elegant interior and the pursuit of a more intimate interior decorative effect. with thin, lightweight, beautiful and complex decorative; hi-sh
17、aped, with C-shaped or S-shaped curve of the vortex and soft pastel colors with flowers and birds, many shells as a theme, and the court order to meet the requirements of the exotic, much used in interior decoration. Chinese-style Baroque and Rococo-style hand-made decoration reached perfection, ref
18、erred to as "interior decoration". modern representatives of the great development of the industrial revolution, there has been a new type of concrete building, its interior decoration not only from the main building from the Medium, and developed into the main building and not attached to
19、 the sole part of the relative separation. Sports camp solved simply decorative building components with a combination of the main contradictions in modernist design become a pioneer in the Bauhaus school of thought. decision to emphasize the functional form, consider the space of the building are t
20、he protagonist, advocate discarding false surface decoration, all around the architecture reasonable space requirements Services. exclude decoration, emphasis on the use of functions and simplified shapes.Advocate the design of the natural style of natural space, aesthetic promoted the idea that &qu
21、ot;natural beauty" to the performance of relaxed, comfortable, natural pastoral life, and is often the use of natural wood, stone, rattan, bamboo and other materials rustic texture. clever in interior settings greening, create a natural, simple, fresh and elegant atmosphere. only upholds nature
22、, combined with the natural order in today's high-tech, high-paced social life, so that people can achieve physical and psychological balance.Simple does not mean easy, it is an attitude towards life. when we are in modern life, to bear too much pressure, we began to look for the feeling of free
23、dom, graceful posture and extraordinary taste. we need to tend to a peaceful state of mind impetuous, So we call for simplicity. from the building space to the general living space, from designers to the ordinary citizen vocational naturally simple style - interior design has become very popular dir
24、ection.The spirit of simplicity is mainly derived from the origin to the early twentieth century Western Modernism. Britain and France JOHNPawson two ClaudioSilverstein interior designers in the mid 80s to lead the trend of minimalism design. Europe and the United States at the time of economic down
25、turn, the Art Gallery bosses began to display works of art space to find a way out, some reported costs factory floor layout easy to become art exhibition hall, the purpose of funding is based on at least make the best display space, while the results of doing so is to simplify the space, not decora
26、tion superfluous things, in fact, this also reflects the emergence of a new aesthetic design. from home into the design of art galleries, the exhibition space with works of art showing the characteristics of the same type of aesthetic simplicity. art at this time it started with the interior coincid
27、e with the design and gradually began to slip to the present minimalism became the style of interior design and pursue careers.Return to nature of minimalism are human-specific labor. its purpose is to concise form of expression to meet the people's space environment, the kind of instinctive, em
28、otional and rational needs. In a sense, the prevalence of minimalism are the inevitable trend of human development.Natural, simple interior design to create a poetic space. We know that the "poem" The Art of the characteristics is to use very simple vocabulary, according to certain rules o
29、f composition, form a "poem" of such a language, its between the lines contains a great deal of space, a static implicit in the design space. people's ideological feelings, life, longing for injection into the environment through the "mood" to reproduce the three-dimensional
30、space, in reality, it means its habitat, then forgotten by his body, which is a spiritual experience beyond the physical experience, "mood" of creation, it is by creating an atmosphere to achieve a certain spiritual significance embodied the "affinity".In fact, the interior desig
31、n is minimalism such a "poetic" to create a space with minimalist objects. have to imagine the use of display space, this space is actually a vice-space, has generated various combinations of furniture, deputy space, it often gives a visual "empty" feeling, while "empty"
32、; like poetry generated by the "mood", a great mobilization of the person in which emotions, ability to inspire people association. Simple interior design aesthetic to emphasize the form. If Say, the general design of the interior furniture, such as sofas, tables and other items referred t
33、o as the main object, then minimalism interior design is there is no such distinction. Minimalism in interior design consider any part of space will share the same important role, including the walls, ground, and so on top of all the objects in space. coordination portfolio has a strong aesthetic fo
34、rm, which is mainly embodied in point Line, surface, the three elements of the performance space. China for thousands of culture, how much precipitation Heng Bank works, especially the Han Chinese are building a more beautiful set of Aura essence to "simple, solid, precise, elegant" as the
35、 principles unique to Oriental aesthetic ideas, independent and vigorous temperament, concise vague distant charm of simplicity, the world should ring. it has also affected the international building design concepts, but also affect the interior design aesthetic.Design is able to express the languag
36、e as little as possible as much information as possible, depends on its design will be many manifestations of the combined elements of science, in which the choice and use of color plays a very crucial role. We know colors are different wavelengths Light reflection and absorption of the result of th
37、e spread of light faster than the spread of graphic language faster, which makes it the first time people feel, so the first sense of space is the color, and different colors can cause different and feelings of psychological reflect. Natural, simple interior design, black and white and color materia
38、ls are representative of its color, is often used in color, these colors were not inclined to think most are the colors of the visual interference of the smallest personInterior design at the same time also emphasized the use of light, often through access to natural light source, such as skylights,
39、 which create a pastel color space of one whole plays a very important role, but also embodies the minimalism advocated by the simple but not simple Style.The performance of every means to live for the purpose of, for each partial emphasized its functionality and comfort In fact, such a full express
40、ion of functional design embodies the basic aesthetic principle, is also very easy to understand, any design Service is based on man-made object, person in the consumer design, are the most important consumer of its practical function so, when we see a seemingly hard seat, do not immediately judge i
41、t is bound to bring you the feeling of cold, go get the moment, perhaps it is that it backs the arc Road inadvertently bring you down just to experience the benefits of comfort.It should be said that natural, simple interior design show is a way of life, it allows us closer to nature, more emphasis
42、on functionality, more concerned about life itself.Concise understanding of the person to person, because of people's age, knowledge, quality of life, different backgrounds, and the taste will be different requirements. social development, the progress of the times, new thinking, new structure,
43、the emergence of new materials will have to adapt to this new concept of decoration, new forms, new space. decorative simplicity of this modern form of expression has depth affect the building products, industrial products, in many fields such as Living Products. several pipe, a timber, a reactor cl
44、oth can make different forms of modern furniture. it has quietly let people's way of life and ideas have been a qualitative change. think concise design style is bound to outshine others, to become people's lives, the pursuit of 21st century fashion.A concise form of expression to meet the people's space environment, the kind of instinctive, emotional and rational needs, this
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