外國建筑史：作為一種生涯的建筑師2

1、 作為一種生涯的建筑師How an Architect was Shaped 三國殺！ 你喜歡的三國人物有什么本領(lǐng)？ 古埃及 Imhotpe,2655-2600BC Chancellor of the King of Egypt, Doctor, First in line after the King of Upper Egypt, Administrator of the Great Palace, Hereditary nobleman, High Priest of Heliopolis, Builder, Chief Carpenter, Chief Sculptor, and Ma

2、ker of Vases in Chief. 埃及王的大法官、御醫(yī),上埃及王的掌印大臣，太子，Heliopoli大祭司，建筑師，大木匠，大雕刻師，大窯師，一人之下萬人之上者。詩人、哲學(xué)家、醫(yī)學(xué)之父、寫作教育文學(xué)之神盜墓迷城Zoser金字塔（Djoser）第一個建造金字塔的建筑師（之前是Mastaba）。第一個使用柱子的建筑師。師法何處？建筑的經(jīng)驗如何積淀和被整理成知識體系？建筑乃治世之道伏羲蒼精，初造王業(yè)，畫卦結(jié)繩，以理海內(nèi)。武梁祠頌詞古者包犧氏之王天下也。仰則觀象于天，俯則觀法于地，觀鳥獸之文。與地之宜。近取諸身，遠(yuǎn)取諸物，于是始作八卦，以通神明之德，以類萬物之情，作結(jié)繩而為網(wǎng)罟，以佃以漁。

3、蓋取諸離。周易黃帝：多所改作，造兵井田，制衣裳，立宮宅。武梁祠頌詞黃帝始制冠冕，垂衣裳，上棟下宇，以避風(fēng)雨風(fēng)俗通黃帝、堯、舜垂衣裳而天下治，蓋取諸乾坤。上古穴居而野處，后世圣人易之以宮室，上棟下宇，以待風(fēng)雨，蓋取諸大壯。周易系辭古希臘Phidias, Iktinus, Callicrates 雕塑家、建筑師 雅典衛(wèi)城Phidias, circa 480 BC 430 BC 建筑、雕塑、神、人體、美1868 Lawrence Alma-Tadema ：Phidias Showing the Frieze of the Parthenon to his Friends Dancing Column

4、s古羅馬Virtuvius軍事工程師，建筑十書中世紀(jì)石匠MasonFreemasons 共濟(jì)會 哥特式大教堂文藝復(fù)興大師輩出的年代學(xué)者、畫家、雕塑家、建筑師現(xiàn)代主義以來先鋒派運(yùn)動中的藝術(shù)家、詩人與建筑師 Gedion所說的大師與世代第一代第二代大約十年一代建筑教育建筑師的煉成cole des Beaux-Art; Atelier; 讓-尼古拉路易迪朗(1760-1834) ；Gottfried Semper（1803-1879 ）；Crane Brook；Bauhaus ；Taliesin；Texas RangerCooper Union；AA SCUT？cole des Beaux-Art/

5、Atelier 1648 , Acadmie des Beaux-Arts , Cardinal Mazarin to educate the most talented students in drawing, painting, sculpture, engraving, architecture and other media. Louis XIV was known to select graduates from the school to decorate the royal apartments at Versailles, and in 1863 Napolon III gra

6、nted the school independence from the government, changing the name to LEcole des Beaux-Arts. Women were admitted beginning in 1897. 讓-尼古拉路易迪朗(1760-1834) Claude-NicolasLedoux （1736-1806）Eugene Viollet-le-Duc John RuskinGottfried Semper（1803-1879 ）Antonio Gaudi, 18521926 圣家族教堂the Cathedral of the Sag

7、rade FamiliaAntoni Gaudi 米拉公寓 圣家族教堂the Cathedral of the Sagrade Familia借鑒了哥特式教堂的平面和結(jié)構(gòu)技術(shù)、造型風(fēng)格。 高迪的職業(yè)精神。建筑師的典范？后現(xiàn)代的鼻祖？城市（巴塞羅那）的財富。 Peter Behrens（1868-1940 ）Cranebrook Academy（匡溪藝術(shù)學(xué)院）Eliel Saarinen/吳良鏞BauhausBauhausTaliesinTexas RangerCooper Union；AASCUT紐伊特拉Louis Kahn路易巴拉干 STEVEN HOLL 設(shè)計的開始 Holl的事兒，經(jīng)歷的

8、和關(guān)心的 Holl的說，寫，畫，和做1947BremertonUniversity of WashingtonHerman Pundt19671970Rome不知道Le Corbusier是誰Brunelleschi / Schinkel / Louis Sullivan / Wright對Venturi和the Five徹底沒興趣，走向PM的反方向沒有窗戶的房間，到Pantheon看Oculus重復(fù)了六個月 朝圣 孔洞光 1973Louis Kahn1976AA1976San FrancescoNew York, New York游歷美國東岸，放棄研究生資格Architect and thi

9、nkernot his style, but the intellectual clarity,simplicity and forthrightnessAlvin Boyarski/Peter Cook/Charles Jencks/Rem Koolhaas/Elia Zenghelis/Leon KrierLawrence HarprinPA Award, Richard Meier作評委到Syracuse任教return to the physical qualities of architecture遠(yuǎn)離了美國建筑界197080年代關(guān)于形式和語言學(xué)的爭論，而轉(zhuǎn)向了追尋建筑的哲學(xué)品質(zhì)展覽

10、1989 MOMA講演Pro KyotoCompressionPorosityUrbanisms競賽從未間斷著作ANCHORINGQUESTIONS OF PERCEPTION PHONOMENOLOGY OF ARCHITECTUREPARALLAXLUMINOSITY/POROSITYURBANISMSARCHITECTURE SPOKENto be continued設(shè)計JapanKoreaChinaUKFranceItalyGermanyAustriaFinlandNorwayDenmarkSwitaerlandLuxembourgBelgiumNertherlandsMexicoSp

11、ainLebanonAustraliano NY nowFootprintsClimatePerception 身體的感知建筑現(xiàn)象學(xué)Museum,MOMA/KIASMA 詩性Edge of A City 都市性House/Housing 有孔洞的社會concept/idea 概念的力量Hybrid 雜交混雜關(guān)心的事兒 設(shè)計的開始 Holl的事兒，經(jīng)歷的和關(guān)心的 Holl的說，寫，畫，和做 不間斷的繪畫、寫作和演說，始終是建筑學(xué)的一部分不停地審視和懷疑自己Holl的畫/圖解/模型Word CavesSpeech WallsCaves of GodWheatly Water Purificatio

12、n Facility and ParkPro KyotoCompressionPorosityUrbanismsARCHITECTURE SPOKENthe essence of poetry: the compression of a manifold of things into a few wordsCompression , or densification, is one of my aspirations in architecture: the condensation of a manifold of requirements: program, site, space, de

13、tails via a single concept that yields exhilarating, experiential phenomena.For me, architecture is cogitation via concept into a meaning, inseparable from its space and form.從東方開始孫子兵法龍安寺Karesansui現(xiàn)象學(xué)：空間的直覺Spatial InstuitionWeak ArchitectureHoll的寫作關(guān)于別人關(guān)于自己ANCHORINGQUESTIONS OF PERCEPTION PHONOMENOLO

14、GY OF ARCHITECTURE With Pallasmaa & Alberto Perez-GomezPARALLAXLUMINOSITY/POROSITYURBANISMSARCHITECTURE SPOKENALVAR AALTO Villa Mairea,Noormaukku/ Porosity to FusionUSSR IN THE USATEETER TOTTER PRINCIPLESTHIN ICEAnchoringAn architecture is unique to site and situation.Tension, a kind of elasticity,

15、is the essence of the thought.I want to boil everything down into the one word.This is an interesting philosophy, but does it mean that there is nothing in general that wecan say about architecture?Oceanic Retreat3.5inch.流淌著的空間從屋頂平臺傾瀉而下Parallax 視差from to Porosity: from typological to topological 孔洞：

16、從類型的到地形的The stone and the feather: landscape into architecture 石頭和羽毛：進(jìn)入建筑的景觀Hinged space: from autonomous to interactive 鉸接的空間：從自在到交互Duration: the not yet meets the already gone 持久：未到來的與已消逝的Questions of Perception建筑現(xiàn)象學(xué)Depth of our beingThe architecture of silenceMerge 天、地、神、人融為一體空間的直覺感知，而非規(guī)則概念，而非風(fēng)格梅洛龐蒂 Horizon of ThingsLUMINOSITY/POROSITYPorosi