2022年《窈窕淑女的標(biāo)準(zhǔn)》讀后感

1、窈窕淑女的標(biāo)準(zhǔn)讀后感第一篇：做一個(gè)如水的女人做一個(gè)如水的女人 尚秋君 有幸看到窈窕淑女的標(biāo)準(zhǔn)這本書,感覺鐘茂森教授 把這個(gè)概念詮釋的很好,他打破了一般人僅以外表來定義“ 窈窕淑女” 的習(xí)慣思維定式,從一個(gè)女性的內(nèi)涵來衡量與 判定；“ 窈窕淑女,君子好逑” 是詩經(jīng)中最膾炙人口的名 句之一,然而,究竟什么樣的女人才算是淑女呢？看過這部窈窕淑女的標(biāo)準(zhǔn)才真正明白,何謂窈窕淑女的真正標(biāo) 準(zhǔn)？“ 窈窕” 是內(nèi)心有關(guān)德,外表也莊重美好,有其內(nèi)必有 其外；“ 淑” 是美善的意思；一個(gè)人美不美不是光看裝扮穿 著,那種美是假的,真正的美是內(nèi)心中有貞德,表現(xiàn)在外面的氣質(zhì)是賢淑安定,這一種氣質(zhì)就是窈窕淑女的美；“ 逑

2、”是伴侶,是配偶,這種淑女是君子的好伴侶、好配偶；古人云：“ 建國君民,教學(xué)為先；” 一個(gè)國家想要有好 的國民, 必需有良好的訓(xùn)練, 而家庭訓(xùn)練是一切訓(xùn)練的根本,也是最初的訓(xùn)練,因此母親的訓(xùn)練是至關(guān)重要的；然而良母 是來自賢良的媳婦,賢良的媳婦是來自受過倫理訓(xùn)練的女 子；因此,女子是世界的源頭,源頭不濁,水流自然清潔；所以,古人認(rèn)為：女子是齊家之本,清國之源；幾年來, 鐘茂森博士不負(fù)母志,以弘揚(yáng)中華文化為己任,講學(xué)腳印到過歐洲、澳洲以及馬來西亞、日本、新加坡等地,在各種傳統(tǒng)文化論壇中做過多次出色演講,在錄影棚也研習(xí) 講解了幾十部儒釋道三家經(jīng)典,時(shí)長(zhǎng)達(dá)到一千三百多個(gè)小 時(shí),本女論語研習(xí)報(bào)告,是他

3、最新的一部經(jīng)典研習(xí)心得 匯報(bào)；在報(bào)告中, 鐘茂森博士為我們闡明：家庭是社會(huì)的細(xì)胞,而家庭起源于夫婦；古來五倫關(guān)系之中,首重夫婦一倫；而 夫婦關(guān)系之中,女德為重；所以一個(gè)社會(huì)的興衰,女德關(guān)系 重大；所謂“ 治天下,首正人倫；正人倫,首正夫婦；正夫 婦,首重女德” ；這句話不僅概括了學(xué)習(xí)女德的意義,也是 鐘茂森博士此次開講女德的緣起；古德云：閨閫乃圣賢所出之地,母教為天下太平之源；近幾十年來,大家對(duì)女德訓(xùn)練有所忽視,時(shí)至今日,女 德訓(xùn)練可以說是極其缺乏；能夠熟悉、認(rèn)同傳統(tǒng)文化的人,現(xiàn)在已經(jīng)不多了,社會(huì)的亂象,正是由于缺乏了傳統(tǒng)倫理道 德訓(xùn)練,而道德當(dāng)中女德又是特別重要的一部分,所以,學(xué)習(xí)女德意義特

4、別重大；本書依據(jù) 女論語 編排, 共十二章；前四章：立身章、學(xué)作章、學(xué)禮章、早起章,主要寫女子個(gè) 人應(yīng)具備的言行舉止和道德情形,并且細(xì)膩描寫了假如做；中間六章：事舅姑章、事夫章、訓(xùn)男女章、管家章、待客章分別細(xì)致的寫賢內(nèi)助的分內(nèi)工作以及如何做好這些分內(nèi)工作,更好的、 在更廣意義上的相夫教子；最終兩章： 和柔章、守節(jié)章,再一次點(diǎn)題、總結(jié),提出窈窕淑女的要點(diǎn)是和柔,像水一樣；同時(shí),守德守節(jié)是特別重要的；鐘茂森教授特別 強(qiáng)調(diào)坤德,他說,“ 女德也叫坤德,坤是代表大地,大地厚 德載物,它包涵、撫育萬物；萬物離開了大地不能生長(zhǎng),所 以大地就像母親一樣孕育萬物,女子要效仿大地這種真正的 仁愛、坤德、母儀；”

5、 這本書上我最寵愛的一句就是女人如 水,不跟人爭(zhēng),只是讓,做人能柔順一切；在女強(qiáng)人備受追捧的今日,做一個(gè)柔女人、弱女人好像 并不讓人認(rèn)同；許多女性這樣想：至少“ 男女各頂半邊天”吧,何況,有些男人明明不如我,我何苦委曲求全,甘處低 位呢？于是,在許多家庭,顯現(xiàn)了夫妻之戰(zhàn)、婆媳之戰(zhàn),最 終導(dǎo)致裂痕難補(bǔ),敗局難挽,一個(gè)好端端的家庭就在接二連 三、不斷升級(jí)的爭(zhēng)端中瓦解；而那個(gè)在夾縫里靜靜成長(zhǎng)的孩 子的心靈誰去呵護(hù)？你留意到他的彷徨和驚恐了嗎？你想 到過自己對(duì)他的責(zé)任了嗎？事實(shí)上,真正的女強(qiáng)人不是持才傲物的強(qiáng)悍女人,而是 有才華卻沒把才放在心上,即使自己的才藝很高,也不覺得 自己有才,謙卑到極處的女性

6、；她的才藝是幫助丈夫興家的 資糧,她的才能是訓(xùn)練子女的基礎(chǔ)；她事事到處成全別人,并傻傻地等著別人的成全；而有朝一日別人的成全降落到她身上的時(shí)候,她遺忘了自己曾有的犧牲,只記住此時(shí)此刻的 恩典；一個(gè)女人能柔順到這種境域,仍有什么可以與其相爭(zhēng) 的？柔能勝強(qiáng),弱能勝剛,柔能勝剛,弱能勝強(qiáng)；女人如水,才是真正的女強(qiáng)人！其次篇：看窈窕淑女有感 all is decided by attitude _the report of as we all have seen, it is enriched with xxic scenes through this movie, and it makes us r

7、emember not only the actors exquisite performances ,but also many charming songs from the beginning to the end . but what impresses me most in this movie, are some inspirations that make me aftertaste a lot. the prideful linguistic professor in this movie thinks that ones way of speaking can decide

8、his status and his life in society.thus he not only distincts languages with the superior and the inferior ,and so with them toward people ,including his student, ilazer, a poverty-stricken flower girl. actually, it seems that he has obligated one important point, that is no matter what jobs people

9、are taking, the attitude of respect should go first, as any careers we choose have no differences between the superior and the inferior.they all have their own value of existences . thus,only when people treat each other respectfully enough , can there eliminate all kinds of discriminations in the w

10、orld.and the riots can reduce a lot ,while the society bexxe more harmonious and peaceful. however , i do not mean that one can reap where he has not sown. in this movie, the reason why ilazer can bexxe grace,gain othersrespect ,and then deal with the poverty and lead a ideal life, is not only her n

11、atured talent and a little good luck. only owing those inspectors is far more enough to succeed. what she must experience are great effort and pains,which is vital to her success. the professor and ilazer practice day and night and failure again and again. but where there is a well ,there is a way.

12、they still do not give up and still cherish their hope in their hearts. we must remember ilazers charming song when she was dressed in a shabby closes and lead a poor life. even in that case, she still paid a tribute to the spring ,the follows,and dreamt for chocolate and her future lover.that is al

13、l her hope, and hope will be a great motivation.so she never xxplained for her difficulties and under self-esteem,but still leaded a happy and confident life. thus in the process of we seeking for our aims ,as long as we pay enough efforts and take a positive attitude in the face of any difficulties

14、, our dream must xxe true one day. as a matter of fact, what kind of life we want to lead,and what kink of society we want to create ,is all decided by what kind of attitude,we are taking. that is what this movie is telling us. 英 0620XX652 李 浩第三篇：符號(hào)解讀窈窕淑女語言的魅力用符號(hào)學(xué)解讀窈窕淑女這部獲八項(xiàng)奧斯卡獎(jiǎng)的音樂劇形式的電影,憑借著其幽默詼諧的語言

15、及對(duì)當(dāng)時(shí)社會(huì)的映射獲得了許多受眾的熱捧,這部于 1964 年制作的電影,雖距今已有45 年之久,但影片所詮釋出的魅力依舊是經(jīng)久不衰；讓我們對(duì)傳播學(xué)、符號(hào)學(xué) 的學(xué)習(xí)有了另一個(gè)分析探討的領(lǐng)域；通過觀看電影,通過對(duì) 影片中人物、劇情、社會(huì)背景的明白,更加深了對(duì)人物所運(yùn)用的語言的剖析和鑒賞；我們知道,在傳播學(xué)中符號(hào)是信息的外在形式或物質(zhì)載 體,是信息表達(dá)和傳播中不行缺少的一種基本的要素；人類 是通過符號(hào)或符號(hào)體系來傳遞信息的,符號(hào)相伴著我們的生 活；在該影片中,人物的個(gè)性鮮明,語言富有特點(diǎn),豐富的 語言把每個(gè)角色表現(xiàn)得淋漓盡致,各具特色；由聞名演員奧黛麗赫本所扮演的女主角艾麗莎,從一個(gè) 講著一口粗俗語

16、言的賣花女蛻變成了一個(gè)操貴族腔調(diào)的出 入于上層社會(huì)的女公爵,這種龐大的轉(zhuǎn)變于席根斯教授的訓(xùn) 練,于她自身想要轉(zhuǎn)變命運(yùn)的意念；當(dāng)一個(gè)粗俗的賣花女遇 到一個(gè)博學(xué)多才的語音學(xué)家時(shí),故事便由此開頭了；對(duì)于艾 麗莎本人而言,依據(jù)她所處的環(huán)境,所處的社會(huì)位置,她那“ 粗俗” 的話并沒有影響到她的什么,然而當(dāng)一個(gè)薄情的語 音學(xué)家聽到她不入流的語言時(shí),她所使用的語言才顯得那么 粗俗,那么地與社會(huì)上層相悖；于此,充分可以看出,當(dāng)時(shí) 的英國是多么留意語言的運(yùn)用,正如劇中的席根斯教授所說 的“ 幾百年來,英國就是以語音來劃分等級(jí),假如你的發(fā)音 不正確,別人就會(huì)看不起你,一個(gè)英國人說英語的方式肯定 會(huì)影響到他的位置；

17、語言特別重要,它標(biāo)志著一個(gè)人的修 養(yǎng)；” 如此鮮明的臺(tái)詞,充分表達(dá)了講一口純正的英語在當(dāng) 時(shí)是多么重要,也表達(dá)出語言在社會(huì)分層中所占的比重；而 貫穿這語言的便是符號(hào)體系；人類擁有最完整的符號(hào)體系；人類的符號(hào)體系既包括信 號(hào),也包括象征符；傳播學(xué)中的符號(hào)體系包括了語言符號(hào)和 非語言符號(hào)；語言符號(hào)體系包括了聲音語言和文字語言；聲音語言是 人類把握的第一套完整的聽覺符號(hào)體系,有了語言,人類的 信息溝通才完全擺脫了動(dòng)物傳播狀態(tài)而進(jìn)入一個(gè)自由的境 界；劇中的席根斯教授能通過聽對(duì)方所說的話,辨別出對(duì)方 的地域和社會(huì)位置,這是通過聽覺符號(hào)體系進(jìn)行辨論的,當(dāng) 受者接受到傳者的信息時(shí),受者對(duì)傳者的信息進(jìn)行解碼,

18、之 后通過對(duì)接受事物的懂得,在思維中行進(jìn)深程度的思索,便 得到最終的譯碼符號(hào)；表述和懂得功能是符號(hào)的基本功能；文字是人類制造的第一套完整的視覺符號(hào)體系,有了文字,人類的信息活動(dòng)實(shí)現(xiàn)了體外化的記錄、儲(chǔ)存和傳播；文字是 聲音的再現(xiàn)和延長(zhǎng)；劇中,席根斯教授在訓(xùn)練艾麗莎時(shí),讓 她對(duì)基本的字母,基本的日常用語進(jìn)行練習(xí),而這些靜態(tài)的 文字便是文字語言符號(hào),這些具有肯定物質(zhì)形式的符號(hào),能 在時(shí)間和空間中得到傳播和儲(chǔ)存；正是由于有了文字符號(hào),人類的文明,精神才能一代一代傳承下去；非語言符號(hào)也是信息的重要載體,也起到符號(hào)的作用,對(duì)語言符號(hào)的運(yùn)用起到了肯定的補(bǔ)充；在街頭買花時(shí)的艾麗 莎說話聲調(diào)高、語氣生硬、無理取

19、鬧,到后來成為舞會(huì)的焦 點(diǎn)時(shí)話語的溫順、語氣委婉、和氣、等等,都反映出艾麗莎的背景和受訓(xùn)練程度以及社會(huì)位置；這些表達(dá)的是非語言符 號(hào)中的第一類,語言符號(hào)的伴生符；聲音的高低、大小,速 度的快慢,文字的字體、大小、等等,這些伴生符不僅僅起 著加強(qiáng)語言符號(hào)的作用或傳遞著語言符號(hào)以外的信息,它們 本身也具有肯定的意義；艾麗莎在街頭賣花時(shí),亂蹦亂跳,手舞足蹈, 表情夸張, 豪無形象而言, 而在舞會(huì)上舉止端莊,溫文爾雅,含蓄內(nèi)斂,時(shí)刻面帶微笑；這樣鮮明的對(duì)比可以 看出,一個(gè)人的動(dòng)作、手勢(shì)、表情、視線、姿態(tài)等也能表現(xiàn) 一個(gè)人的位置； 這表達(dá)的是其次類非語言符號(hào),即體態(tài)符號(hào)；體態(tài)符號(hào)既可以獨(dú)立使用,也可以與

20、語言并用,它們?cè)谛纬?語境方面起著重要的作用；在本部電影中,不論是演員的臺(tái)詞、形象、社會(huì)位置、社會(huì)背景,仍是劇情的設(shè)計(jì)都充分運(yùn)用了符號(hào)學(xué)原理,都體現(xiàn)出了符號(hào)的一些基本功能,即表述和懂得功能； 傳達(dá)功能；摸索功能；人與人之間傳播的目的是溝通意義,而溝通的內(nèi) 容是通過符號(hào)表現(xiàn)出來的,不論是影片本身內(nèi)部的溝通,即 角色之間的溝通,仍是影片和受眾的溝通；影片通過對(duì)劇情 的表演、詮釋,讓受眾接收到影片所要表達(dá)的意義和精神以 及所反映的社會(huì)現(xiàn)象,讓受眾得到相應(yīng)的信息,然而這個(gè)過 程便就是一個(gè)編碼和譯碼的過程,也就是符號(hào)的表述和懂得 功能、傳達(dá)功能的表達(dá)；其次,受眾通過觀看這部影片,通 過觀看艾麗莎如何從一

21、個(gè)灰姑娘變成一個(gè)公主的經(jīng)受,可以從中得到一些對(duì)語言,對(duì)社會(huì)的摸索；這便表達(dá)出了符號(hào)的第三個(gè)功能,摸索功能；影片結(jié)尾, 在艾麗莎獲得了上層人士擁有的語言、位置、著裝、及受人矚目的焦點(diǎn)之外,仍收成了一份愛情,這無疑讓這部原本出色的大片增加了顏色；席根斯教授轉(zhuǎn)變了艾麗莎,艾麗莎又影響了席根斯教授,這是人際傳播中的結(jié)果；他們中間擁有屬于他們的符號(hào),讓他們產(chǎn)生了共鳴,而達(dá)到結(jié)合；感情是人與人溝通的重要元素；總之,無論是從語言符號(hào)仍是非語言符號(hào)角度來分析,窈窕淑女都集中表現(xiàn)出了符號(hào)在人類傳播中的重要性,以及語言對(duì)社會(huì)進(jìn)展及其對(duì)社會(huì)的反射的重要性,呈現(xiàn)了語言的魅力！以此,贏得了廣大受眾的寵愛和好評(píng)！第四篇：

22、窈窕淑女觀后感the review of my fair lady the movie is about a love story between a flower-girl eliza and a gentleman higgins. eliza was a fair but poor girl who had a distinct countryside accent. higgins was a linguist professor. he bet with his friend pickering that he could teach eliza for 6 months and t

23、ransform her into a lady. finally they succeed while eliza left because of the selfishness of higgins. but at last higgins realized he could not live without eliza and they got together from my standpoint, the most impressive character was eliza. she attracted me at first because of her noise charac

24、teristic which was quite different from the upper class. she was not constrained by the so-called dignity and she could say whatever she wanted though it would be regarded as impolite and rude. just as eliza said that she was a good girl. she earned money all by her hands and sometimes she had to gi

25、ve some money to her alcoholic father. she was brave enough to seize the chance to bexxe an elegant lady. she was also a lovely girl that when she heard she could have chocolates to eat everyday if she stayed her eyes stuck to the chocolates straightly. when she was forced to do the monotonous prono

26、uncing exercise everyday, she showed her disgust to the professor by dreaming that his head was cut down by the king, and only to find that the professor was upstairs staring at her and shouting to her . when she made a little progress and the professor danced with her for the first time, she was so

27、 excited that she could not fall asleep. in the story, she was a cinderella who became a charming princess. the only difference was that she did not live happily with her prince that easily, instead they experienced twist and turns. though eliza was a poor girl who made a living by selling flowers,

28、she had the determination and courage which seldom girls owned. she knocked the professors door bravely and asked him to teach her english with the full expectation of changing her fate. most people are satisfied with xxfortable condition they have and never think about doing something to make their

29、 life better and always laugh at those who attempt to challenge. after seeing the film, i realized that i am that kind of person who is lack of enthusiasm. i am afraid of failure and challenge. that is why i always feel my life boring just like a bottle of boiled water. you may challenge the fate wi

30、th the result of being knocked down, but it is this unpredictable consequence that is charming. we can use our curiosity and eagerness for knowledge to welxxe a new day with both dreams and obstacles. it is neither impulse of ignorant nor greedy of doing all kinds of things, but a gracious spirit th

31、ough ordinary. it happens on the flower-girl and happens on everyone who loves life. what is more, they will not give up to the hinder; instead they would rather pay more effort to do better. just like eliza, she could bear the tasteless pronouncing exercise and the midnight training. at last, her h

32、ard work paid off. she had changed into a excellent and independent lady after her behaviors and thoughts being guided and she was not a noisy girl any more. 第五篇：窈窕淑女影評(píng)窈窕淑女影評(píng) 最開頭接觸窈窕淑女這部影片是在高中的時(shí)候,英 語教材中就挑選了劇本中的一部分作為一個(gè)單元,之后就找 到電影,觀賞了一遍,也是從這里開頭領(lǐng)會(huì)到“ 人間天使”奧黛麗赫本的魅力；這次我們美國電影藝術(shù)觀賞選修課程需 要我們寫結(jié)業(yè)論文,要求就是真情實(shí)感,腦海里這部影片就 又冒了出來；一個(gè)賣花女偶遇一位語言學(xué)家赫根,竟成為這位語言學(xué) 家和他一位伴侶打賭的目標(biāo)；赫根要把這位發(fā)音不準(zhǔn)舉止粗 俗的賣花女阿特莎培訓(xùn)成為能出入上流社會(huì)的名媛閨秀；最 終他成功了,但就在他成功之時(shí),他這個(gè)可怕女人懼怕婚姻的獨(dú)身主義者竟悄然