蘇州博物館英文

1、English Homework group members 竇新群 0858 魏佳琳 0860 廖貴欽 0863 陳大洋 08791，Designers introduction2，Outside the Museum3，Inside the Museum4，ATTENTION Suzhou museum Ieoh Ming Pei 貝聿銘（1917-）“讓光線來作設(shè)計(jì)” 貝聿銘“Let the light to do the design” Ieoh Ming Peiprofile（人物簡介） He was born in guangzhou, whose hometown is in s

2、uzhou。（出生于廣州，祖籍蘇州）As the last modernism architecture master, he was described as a focus on the abstract form of the architect. He is fond of of materials including stone, concrete, glass and steel.（作為最后一個現(xiàn)代主義建筑“大師”，他被人描.述成為一個注重于抽象形式的建筑師。他喜好的材料只包括石材、混凝土、玻璃和鋼。）Pei is called the unprecedented in Ameri

3、can historys most outstanding architect. In 1983, he received the Nobel Prize of architecture, the Pritzker Architecture Prize（貝聿銘被稱為“美國歷史上前所未有的最優(yōu)秀的建筑家”。1983年，他獲得了建筑界的“諾貝爾獎”普里茨克建筑獎。）Reason for Pei to designPei said, “suzhou is surrounded by water. Water is everywhere. Its a very poetic place. But mo

4、st important, I think when you look at suzhou you have to think of Suzhou as a city that is 2,500 years old. Built of wood ,tile and brick. So this is a small-scale city. It is a human-scale city. And it is a city for life, for people living there. And as such, I think the museum has to reflect this

5、 tradition and at the same time we have to think about change . Suzhou cannot remain like this forever. It has to have a chance to renew itself - to become modern.“貝聿銘說：“蘇州市三面環(huán)水，水是無處不在，這是一個很有詩意的地方，但最重要的，我覺得當(dāng)你看蘇州，你要想到蘇州作為一個城市，2500歲。用木頭建造的建成瓦和磚，所以這是一個小規(guī)模的城市，它是一個以人為尺度的城市，它是一個城市的生活，為生活在那里的人，正因?yàn)槿绱?，我覺得博物館

6、有反映這一傳統(tǒng)并在同一時間，我們不得不考慮“改變”蘇州不能保持像這樣永遠(yuǎn)它有一個機(jī)會來恢復(fù)自己 成為現(xiàn)代“OUTSIDE OF THE MUSUEM Thebuildingcomplexof theSuzhouMuseumisdividedintothreemajorparts.Thecenter partincludestheentrance, frontcourtandgreathallwhilethewestwingisdesignedas themainexhibitionarea,and theeastbelongsto primarily theadministrationoffi

7、cesand sub-exhibitiongalleries.蘇州博物館的建筑群被分為三個主要部分。 該中心部分包括大堂，前場和人民大會堂，而西廂房被設(shè)計(jì)為主體的展示區(qū)，以及東部屬于主要的行政辦公室和子展覽廳。The building with white walls and grey tiles can reduce the contrast.（traditional white walls and black tiles）建筑色彩用白墻灰瓦降低對比度（傳統(tǒng)民居的白墻黑瓦）TheinspirationcamefromthelandscapepaintingofMiFu,agreatSongD

8、ynasty(9601279)painter.靈感來自米芾，一個偉大的宋朝（9601279）畫家的風(fēng)景畫。AlthoughPeisimplifiedtheshapesandpatternsofthewindowsofmuseum,borrowedscenerywillnotbe influenced.雖然貝聿銘簡化了形狀和博物館的窗口模式，借景將不會受到影響。In order to create garden atmosphere, Pei has chosen trees carefully.There is a bamboo court and pine trees . And all t

9、hese plants in the museum have the same meaning like that of Suzhou traditional gardens.為了營造花園氛圍，貝聿銘選擇樹木很仔細(xì)。 有竹院和松樹。在博物館里，這些植物具有和蘇州古典園林相同的含義。INSIDE OF THE MUSUEMCategory （copy on the website）Thetotalexhibitionareacoversnearly3600squaremeters,andhouses1160culturalrelicsdatedfromtheprehistoriceratoMin

10、gandQingDynastiesaswellasmorerecentyears.展覽總面積占地約3600平方米，和房子從史前時期到明清時期，以及最近幾年1160年文物。Famous collections in the museumTHE PAINTERS1、唐寅(1470-1523年)，字伯虎，一字子畏，別號六如居士、桃花庵主，吳縣(今江蘇蘇州)人。弘治十一年(1498年)應(yīng)天府鄉(xiāng)試第一，翌年囚受科場案牽連，不入仕途。自稱“江南第一風(fēng)流才子”。工書畫詩文。畫長于山水，兼精人物，初師事沈周，上承李成、李唐以及趙盂頫、王蒙諸家，而自出新意，在明四家中聲名尤著。2、文徵明(14701559年)，

11、初名壁，字徵明，后改字徵仲，號衡山居士，長洲(今江蘇蘇州)人。曾任翰林院待詔。習(xí)詩文于吳寬，學(xué)書于李應(yīng)楨，畫則師從沈周。工書法，尤精繪畫，與沈周齊名，畫史并尊為吳浙宗師，為明四家之一。3、藍(lán)瑛(15851664年，一作15851666年)，字田叔，號蝶叟，晚號石頭陀、山公、萬篆阿主者、西湖研民。浙江杭州人。是浙派后期代表畫家之一。工書善畫，長于山水、花鳥、梅竹，尤以山水著名。其山水法宗宋元，又能自成一家。其于藍(lán)孟，孫藍(lán)濤、藍(lán)青均善繪畫，能承家法，在當(dāng)時頗有聲譽(yù)。Attention: Meseum hours：9:00-17:00 form Tuesday to Sunday (No admis

12、sion after 16:00 ) The museum is closed on Monday except the national holidays Visitors will be informed previously if the museum is closed for special activities or maintenance. ThenewSuzhouMuseumisnotonlyasymbolicbuildingbutalsoguidingChinesetraditionalculturetothefuture.PeihasmadeacontributiontoChinese