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新視野大學英語視聽說教程第二冊(第二版)聽力原文及參考答案
UnitlRollover,Beethoven!
II.ListeningSkills
1.M:Whydon'twegototheconcerttoday?
W:Tilgogetthekeys.
Q:Whatdoesthewomanimply?
2.W:Ican'tfindmypurseanywhere.Theoperaticketsareinit.
M:Haveyoucheckedinthecar?
Q:Whatdoesthemanimply?
3.M:AreyougoingtobuythatpiratedCD?
W:DoIlooklikeathief?
Q:Whatdoesthewomanimply?
4.M:Doyouthinkthesingerispretty?
W:LefsjustsaythatIwouldn'tvoteforherinthelocalbeautycontest.
Q:Whatdoesthewomanimplyaboutthesinger?
5.M:HaveyouseenTom?Ican'tfindhimanywhere.
W:Thelightinhisdormwasonjustafewminutesago.
Q:Whatdoesthewomanmean?
LB2.B3.D4.C5.A
III.ListeningIn
Task1:Encore!
Assoonasthesingercompletedthesong,theaudiencecried,"Encore!Encore!”Thesingerwas
delightedandsangthesongagain.Shecouldn'tbelieveitwhentheaudienceshoutedfbrherto
singitagain.Thecycleofshoutsandsongswasrepeatedtenmoretimes.Thesingerwas
oveijoyedwiththeresponsefromtheaudience.Shetalkedthemandaskedthemwhytheywereso
interestedinhearingthesamesongagainandagain.Oneofthepeopleintheaudiencereplied,
“Wewantedyoutoimproveit;nowitismuchbetter.,,
1.F2.T3.F4.T5.F
Task2:Whatareyourfavoritesongs?
W:Hi,Bob!Doyouwanttogotoaconcertwithme?
M:Aconcert?What'sitabout?
W:Itfeaturesrecentpopsongs.Areyouinterested?
M:Hmm,IwascrazyaboutpopsongswhenIwasinhighschool,butnowI'mnolongerabigfan.
opsongsgooutoffashiontooquickly.'mbeginningtopreferoldfolksongs..
W:Manyolderpeoplefindthosesongscool,andmyparentsarehookedonthemtoo.Bytheway,
aprogramofgoldenoldieswasonTVyesterdayevening.
M:Ohwhatapity!Imissedit.
W:IhaveaDVDofoldies,Icanlendittoyouifyouwant.
W:Oh,thatwouldbegreat.Tmdyingtohearthem.Manythanks.
QkWhatdoestheconcertfeature?
B)Popsongs
Q2:Whatdidthemanlikewhenhewasinhighschool?
B)Helikedpopsongs
Q3:Whatdoesthewomensayaboutolderpeople?
D)Theylikeoldfolksongs.
Q4:Whatdoesthewomenoffertodowhenshelearnsthemanmissedtheprogramofgolden
oldiesonTV?
A)TolendhimaDVD
Q5:Whichofthefollowingcanweinferfromthedialog?
C)Aperson'smusicaltastemaychange.
Task3musicandyourmood
Musiccaninfluenceouremotions,thoughtsandbehaviortoagreatdegree.Itcanmakeussador
happy,relaxedorfullofenergy.
Slowmusiccalmpeople.Balladsandsomeformsofclassicalmusicoftencreateapeaceful
atmospherethatisgoodforrelaxingafterabusyday.Ifthemusicisslowedbelow50beatsper
minute,itcancreateanatmosphereofsadness.Thiskindofslowmusiccanbefoundinmany
typesofmusic,suchasjazzandblues.Manypeoplelistentoslowmusic.Itsuitstheirmoodwhen
theyarealoneatnight.
Fastermusic,suchasrock,heavymetalanddancemusic,tendtogiveusenergyandmakesusfeel
fulloflife.Thistypeofmusicisoftenplayedatsportingeventstostirupthefansandtheteams.
Rock,popmusicandrapareplayedatparties.Theycanprovideenergytothegathering.Since
mostrock,pop,andrapsongsareeasytolistento,theyaresuitableforparties.Rockmusicis
sometimesusedtoaccompanyphysicallabor.Itsheavyfasttempospeedsuptheheart,andone
almostworksintimetothemusic,makingtheworkmoreenjoyable.
Somepeoplethinkthatrockmusiccancauseroadaccidents.Driverscouldbecomeexcitedbythe
speedofthemusicanddrivetoofast.Buttherearesomanythingstodistractadriver'sattention
thatitdosenotmakesensetoblamerockmusic.
1.classical
2.peaceful
3.relaxing
4.Jazz
5.sadness
6.heavymetal
7.energy
8.sportingevents
9.physicallabor
10.roadaccidents
IV.SpeakingOut
Model1Doyoulikejazz?
Laura:Hey!
Bob:Hello!
Laura:Doyoulikeiazz,Bob?
Bob:No,nolmuch.Doyoulikeit?
Laura:Well,yes,Ido.I'mcrazyaboutWyntonMarsalis.
Bob:Oh,he'sapianoplayer,isn'the?
Laura:No,he'satrumpetplayer.So,whatkindofmusicdoyoulike?
Bob:Ilikelisteningtorock.
Laura:Whatgroupdoyoulikebest?
Bob:Er,TheCranberries.They'rethegreatest.Whataboutyou?Don'tyoulikethem?
Laura:Ugh!Theymakemystomachturn!
Model2Doyoulikepunkrock?
Max:Whatkindofmusicdoyoulike?
Frannie:Well,Ilikedifferen」kinds.
Max:Anyinparticular?
Frannie:Er,Iespeciallylikepunkrock.
Max:Punkrock?Youdon'tseemlikethepunkrocktype.
Frannie:Youshouldhaveseenmeinhighschool.Ihadmyhairdyedblue.
Max:Wow,thatmusthavebeenasight!
Frannie:Itsurewas.Whataboutyou?What'syourfavoritemusic?
Max:IguessIlikejazzbest.Hey,I'mgoingshoppingforCDstomorrow.Wouldyoulikelo
comealong?
Frannie:Sure,thatsoundsgreat.
Model3Itjustsoundslikenoisetome.
Philip:Turndownthatnoise!Whatonearthisitanyway!
Laura:Butdad...ThisisMetallicalThey'resocool.Theyareoneofthemostfamousheavy
metalbands.
Philip:Idon'tcare.Iljustsoundslikenoisetome.Ican'tstandit!
Laura:Ilovethiskindofmusic,butifyoureallyhateitthatmuch,I'llputonsomethingelse.
Whatdoyouwanttohear?
Philip:Howaboutsomepopulareasy-listeningmusic.MaybesomethinglikeCelineDion?
Laura:Notheragain!Hermusicisn'tveryhipanymore.Ithinksheisabore.
V.LefsTalk
TheOriginoftheSong"HappyBirthdaytoYou”
Thestoryofthesong“HappyBirthdaytoYou“beganasasweetone,butlaterbecamebitter.Two
sisters,MildredHill,ateacheralakindergarten,andDr.PattyHill,theprincipalofthesame
school,wroteasongtogetherforthechildren,entitled“GoodMorningtoAll”.WhenMildred
combinedhermusicaltalentswithhersister5sknowledgeintheareaofkindergarteneducation,
'GoodMorningtoAirwassuretobeasuccess.Thesisterspublishedthesonginacollection
entitled“SongStoriesoftheKindergarten^^in1893.Thirty-oneyearslater,afterDr.PattyHill
becametheheadoftheDepartmentofKindergartenEducationatColumbiaUniversity'sTeachers
College,agentlemanbythenameRobertColemanpublishedthesong,withoutthesisters'
permission.Headdedasecondpart,whichisthefamiliar“HappyBirthdaytoYou”.Mr.
Coleman'sadditionofthesecondpartmadethesongpopularand,finally,thesisters“originalfirst
partdisappeared."HappyBirthdaytoYou”hadaltogetherreplacedthesisters5originalsong
“GoodMorningtoAH”.In1916PattytooklegalactionagainstMr.Coleman.Incourt,she
succeededinprovingthattheyweretherealownersofthesong.
1.GoodMorningtoAll
2.Success
3.musicaltalents
4.without
5.secondpart
6.replaced
7.legalaction
8.realowners
VI.FurtherListeningandSpeaking
Task1:ThankYoufortheMusic
I'mnothingspecial,infactI'mabitofabore
IfItellajoke,you'reprobablyhearditbefore
ButIhaveatalent,awonderfulthing
4CauseeveryonelistenswhenIstarttosing
I'msogratefulandproud
AllIwantistosingitoutloud
SoIsay
Thankyouforthemusic,thesongsI'msinging
Thanksforallthejoythey7ebringing
Whocanlivewithoutit,Iaskinallhonestly
Whatwouldlifebe
Withoutasongoradancewhatarewe
SoIsaythankyouforthemusic
Forgivingittome
MothersaysIwasadancerbeforeIcouldwalk
ShesaysIbegantosinglongbeforeIcouldtalk
AndI'veoftenwondered,howdiditallstart
Whofoundoutthatnothingcancaptureaheart
Likeamelodycan
Well,whoeveritwas,I'mafan
SoIsay
Thankyouforthemusic,thesongsI'msinging
Task2:Mozart
Mozartwasagreatmusicianandcomposerwhosefamecontinuestogrowmorethantwo
centuriesafterhisdeath.HewasborninSalzburg,Austria,in1756.Beforetheageoffour,hewas
alreadyshowinggreatmusicaltalent.Hisfatherthendecidedtolethimstarttakingmusiclessons.
Theboy'sreputationasamusicalprodigygrewfast.Atfive,hewascomposingmusic.Formthat
timeon,Mozartwasperforminginconcertsandwritingmusic.Byhisearlyteens,hehad
masteredthepianoandtheviolin,andwaswritingsymphoniesandoperas.Hisfirstmajoropera
wasperformedinMilanin1770whenhewasonly14.Atfifteen,Mozartbecametheconductor
foranorchestrainSalzburg.In1781,heleftforVienna,wherehewasingreatdemandasbotha
performerandacompositionteacher,andhisfirstoperawasasuccess.Butlifewasnoteasy
becausehewasapoorbusinessman,andhisfinanceswerealwaysinabadstate.Hismusicfrom
thenextdecadewasnotverypopular,andheeventuallyfellbackonhisteachingjobsforaliving.
In1788hestoppedperforminginpublic,prefeningonlytocompose.Hediedin1791attheage
ofthirty-five.Althoughhelivedonlyashortlife,hecomposedover600works.
1.Whichofthefollowingistrueofthefour-year-oldMozart?B
2.WhatcouldMozartdoattheageofsix?A
3.WhichofthefollowingisnotmentionedasoneofMozart'saccomplishmentswhilehewasin
hisearlyteens?A
4.WhichofthefollowingistrueofMozart?D
5.Whichofthefollowingcouldbethemostappropriatetitleforthepassage?
C
Task3:Karaoke
Dalin:It'sMike'sbirthdayonFriday,soabunchofusaregoingtogotothekaraokebar.Would
youliketocomewithus?
Laura:Karaokebar?Youhaveaspecialplacejustforsinging?InAmerica,barssometimeshave
akaraokenight,wherethecustomerscansingasong,butwehaven'tspecialkaraokebars!
Dalin:Really?InChina,karaokeisaverypopularwayforfriendstospendtimetogether.Wecan
selectthemusicthatourgroupenjoys.Wemostlysingpopsongs.
Laura:Doyousingindividuallyoringroups?Singingisnotaveryinthing,soIdon'tsingvery
well.
Dalin:I'msurprisedthatyoudon'tsingmuchinAmerican.Somanyreallycoolgroupscome
fromthere
Laura:Yeah,musicispopular,butmostlywejustlistentoit.
Dalin:Ifyoujustlistentoit,you'llmissoutonalotoffun.
Laura:Well,wesometimesdancetothemusic.
1.F2.F3.T4.T5.T
Unit2What'sonatthecinema?
ILListeningSkills
1.W:FromwhatIcanremember,thedirectoraskedustorehearsethisahundredtimes.
M:Ahundredtimes?Isthedirectoroutofhismind?
Q:Whatdoesthemanimply?
2.M:Whatdidyouthinkaboutthemovieyousawlastnight?
W:Ishouldhavestayedathome.Itwasacompletewasteofmoney.
Q:Whatdoesthewomanimply?
3.W:Shesaidshemightbecomeafamousmoviestar.
M:Yes,andpigsmightfly.
Q:Whatdoesthemanmean?
4.M:Soifyougiveme20dollarsforthreetickets,Icangiveyoueightdollarschange..
W:Oh,thafscheaperthanIexpected.
Q:Howmuchisaticket?
5.W:She'sthebestwomandirectorever.Tveseenallhermovies.
M:Areyousure?She'sneverwonanyawards.
Q:Whatdoesthemanmean?
LA2.D3.B4.C5.B
III.ListeningIn
Task1:Finallywe'vefoundsomethingincommon
Amy:WhatdidyouthinkofthemoviePeter?Didyoulikeit?
Peter:Notreally,Amy.Itseemedthatthedirectorwasjusttryinghardtoimpressuswithstrange
close-upsandspecialsoundeffects,butheforgottoincludeagoodstory.
Amy:Themoviemadeyouthink.Itwasdifferentfromthesuperficialdialogsyouusuallyseein
filmsthesedays.
Peter:Butthemovieseemedtobetoodarkandsad.Whydoesamoviehavetobesadtobe
deep?
Amy:Butitisbetterthansomeviolentmovieswithnothingbutgunfightsandexplodingcars.I
preferthought-provokingmovies.
Peter:Sometimesyoudon'twanttothink.Youjustwantlight-heartedmovies.Bytheway,did
youseethenewmysterymovieshownatthelocalcinemayesterday?
Amy:Oh,itwassosuspenseful.Iwasontheedgeofmyseatthewholetime.
Peter:Ilovedittoo.Theplotwasgreat,andtheactingwasunbelievable.
Amy:Nowwehavefoundsomethingincommon.Iguesswecanwatchmysteriestogetherinthe
future.
1.director
2.soundeffects
3.goodstory
4.think
5.sad
6.violent
7.light-heartedmovies
8.mysterymovie
9.inthefuture
Task2:Anactorforgettinghisline
Therewasonceanactorwhocouldnolongerrememberhislines.Afterseveralyearsofsearching,
hefinallyfoundatheaterthatwaswillingtogivehimatry.Thedirectorsaid,“Thisisthemost
importantpart,andithasonlyoneline.Attheopeningyouwalkontostagecarryingarose.You
holdtherosetoyournosewithjustonefingerandthumb,smellitdeeplyandthensaythislinein
praiseoftherose:4Ah,thesweetsmellofmylove.^^^Theactorwasexcited.Alldaylongbefore
theplayhepracticedhislineoverandoveragain.Finally,thetimecame.Thecurtainwentup,the
actorwalkedontothestage,lookedattheaudience,andwithgreatemotionsaidtheline,44Ah,the
sweetsmellofmylove.^^Theaudienceexplodedinlaughter.Onlythedirectorwasfurious!,9You
damnedfbol!^^hecried."You'veruinedmyplay!You'veruinedme!”Theactorwaspuzzled,
“Whathappened?DidIforgetmyline?^^"No!"shoutedthedirector.t€Youforgettherose!”
I.Whatwastheproblemwiththeactor?D
2.Whatjobdidthedirectorofferhim?C
3.WhatwastheactorNOTexpectedtodowiththerose?D
4.Whatdidtheactordoafterwalkedontothestage?A
5.Whywasthedirectorextremelyangry?B
Task3.TheAcademyAwards
TheAcademyAwards,popularlyknownastheOscars,arepresentedeveryyearbytheAmerican
AcademyofMotionPictureArtsandSciencestorecognizeexcellentprofessionalsinthefilm
industry,includingdirectors,actors,andwriters.
Theformalceremonyatwhichtheawardsarepresentedisoneofthemostimportantaward
ceremoniesintheworld.ItistelevisedliveintheUnitedStates,Canada,theUnitedKingdom,and
gatherslargenumbersofviewerselsewherethroughouttheworld.Thisyear'sceremonywas
watchedbymorethan40millionAmericans.ItissaidthatonlytheSuperBowl,theOlympic
OpeningCeremonies,andtheFootballWorldCupFinaldrawmoreviewersintheUnitedStates.
However,theAcademyAwardsarenotwithoutcriticism.Ithasbeenobservedthatseveralofthe
AcademyAwardwinnershavenotstoodthetestoftime.Criticsclaimthatmanyfilmswithartistic
value,culturalinfluenceandinnovativequalitieshavenotreceivedenoughattention.Sincethe
1980s,money-makingblockbustershaveoftenbeenBestPicturewinners,buttheyarenot
necessarilygreatfilmswithdepth.TheAcademyAwardshavealsobeencriticizedforfavoring
certaintypesoffilmsandneglectingothertypes.TheBestPicturePrizehasrarelybeengivento
ananimatedfilmorasciencefictionfilm,withAvatarasanexception.
1.film2.directors3.actors
4.important5.theUnitedKingdom6.viewers
7.40million8.Olympic9.WorldCup
10.time11,artisticvalue12.depth
13.BestPicture14.favor15.sciencefiction
IV.SpeakingOut
Model1Willyoucomewithme?
John:Laura,Iamwonderingifyou're什eetomorrownight.
Laura:Well,IguessIam.Why?
John:PvegottwoStarWarspremieretickets.Willyoucomewithme?
Laura:Yeah,definitely!Thanksforinvitingme!
John:It'smypleasure.
Laura:IreallywantedtoseeStarWarsontheopeningnight,buttheticketsweresoldout.How
didyoumanagetogetholdofthem?
John:Afriendofmineworksatthe“Pepsi“headquarters,whichisamajorsponsorofthemovie.
Sohewasabletogettheticketsforfree.
Laura:Wow,peoplearepayingasmuchas$200eachontheblackmarket.I'mflatteredyouwent
throughallthistroublejustforme.
John:You'rewelcome.
Model2Whatdidyouthinkaboutthemovie?
John:So...whatdidyouthinkaboutthemovie?
Laura:Well...IthinkthisStarWarsepisodeisanexcellentpieceofwork,butnotasgoodas
thepreviousones.
John:Really?ButIthinkthisStarWarsepisodewasincredible!
Laura:Whydoyouthinkso?
John:Well,oneofthemostspectacularthingsaboutitwasthespecialeffects.State-ofdhe-art
specialeffectswerethemainreasonforthesuccessofthepreviousepisodes.
Laura:You'reright.Thespecialeffectswereamazing!AndIlikethefactthattheycreatedso
manyfantasticsettingsandother-worldlycostumes,weaponsandcreatures.
Model3Theplotisfirst-class.
John:It'skindofcoolthattheystillusedthesameStarWarsthemesongforthismovie.
Laura:Yeah!ItjustremindsmeofthepreviousStarWarsscenes.
John:Iknowexactlywhatyoumean!Hearingthatsongmakesmethinkofthepast.
Laura:Ithinktheplotwasfirst-class,butIdon'tthinkthecharacterdevelopmentwasthatstrong.
John:Doyouthinkthathasanythingtodowiththecastingofthemovie?
Laura:No,thecastingwasgreat;theactorsareexcellent,butIthinktheactingwasalittleweak.
Theyiustdidn'thavealotoffunnyormeaningfidlines.
John:Well,maybe,butIlikedthelittlekidthatplayed“Skywalker”.Ican'timagineanyoneelse
playingthatpart.
Laura:Yeah,Ilikedhimtoo.He'ssocute.
V.LefsTalk
AlfredHitchcock
AlfredHitchcockwasaBritishdirector.Hismoviesfrequentlyshowinnocentpeoplecaughtupin
situationsbeyondtheircontrolorevenunderstanding.
Hitchcockpreferredtheuseofsuspenseinhismovies.Insurprise,thedirectorprovidestheviewer
withfrighteningthings.Insuspense,thedirectortellsorshowsthingstotheaudiencewhichthe
charactersinthemoviedonotknow,andthenskillfullybuildsuptensionaroundwhatwillhappen
whenthecharactersfinallylearnthetruth.
Hitchcockhadagreatsenseofhumor.OnceataFrenchairport,asuspiciouscustomsofficial
lookedatHitchcock'spassport,whichwasmarkedsimplyPRODUCER.Thecuriousofficial
asked,“Andwhatdoyouproduce?”"Gooseflesh."repliedHitchcock.
AlfredHitchcockalwaysmanagedtomakeabriefappearanceinhismovies:Hewassometimes
gettingonabus,orcrossingastreet,orwalkinginfrontofastore,oracrossthecourtyardinan
apartment.However,forthemovieLifeboatin1944,hewasfacedwithadifficultproblem.The
entiremoviewassetinalifeboatoutatsea,andtherewereonlyafewcharactersintheboat.
Originally,hewantedtofloatbyasadeadbody,buthewasafraidhe'dsink!Hiscleversolution
wastoplaceaphotographofhimselfinanewspaperthatoneofthecharactersreadsduringthe
courseofthemovie.
1.WhichofthefollowingisnotacharacteristicofHitchcockandhismovies?A
2.Whatdoesthepassagesayaboutsuspenseinamovie?B
3.WhenHitchcocktoldthecustomsofficialheproduced^^gooseflesh”,whatdidhemean?nC
4.WhichofthefollowingisnottrueofAlfredHitchcockinhismovies?D
5.HowdidHitchcockmanagetomakeanappearanceinthefilmLifeboat?D
VI.FurtheringListeningandSpeaking
Listening
Task1:OnlyOneLine
Peterhasalwayswantedtobeanactor,butneversucceededbecausehehadahardtime
memorizinglines.Afriendofhistoldhimaboutasmallpartinaplay.HepromisedPeterthathe
coulddoitbecausehe'donlyhavetorememberoneline.Peterdecidedtotakethepart.Hisonly
linewas,“Listen,Ihearthegunsroar!^^Peterpracticedandpracticed,“Listen,Iheartheguns
roar!,,OntheopeningnightoftheplayPeterwasverynervous.Backstage,hepracticedhisline,
overandoveragain,"Listen,Ihearthegunsroar!Listen,Ihearthegunsroar!^^Finallycamehis
turn,Peterwentontostage.HeheardaloudBOOMandcriedoutinspiteofhimself^“WHAT
THEHELLWASTHAT?”
1.memorizinglines
2.rememberoneline
3.Ihearthegunsroar
4.aloudboom
5.forgothisline
Task2:Moviereviews
Ilovemovies!AndafterIseethem,Iliketocommentonthem.ThesearemoviesIsawthisyearI
wouldliketorecommend:AmongcomediesIhighlyrecommendMonsoonWedding.It'sanIndian
movie.ThestoryisaboutanIndianwedding.Preparationsfortheweddingbringoutfunnyand
sadsituationstouchingonloveandapastrape.Thismovieshowssomeofthewonderfulcustoms
ofIndia,andtheimportanceoffamilyandlove.Ifsgreat!
Amongdramas,IlikeAdaptation.Itisanexcellentmovie!Butformethefirstpartofthemovie
wastoofasttofollow.IhopetoseeitagainonDVDwithcaptions.
ThePianistissetintheSecondWorldWar.It'saboutayoungPolish-Jewishpianist,wholivesin
Warsawwithhisfamily.TheNazissenthisfamilytodieintheconcentrationcamps.Hewassafe,
butwouldhavediedwithoutunusuallygoodluckandthekindnessofafewnon-Jews.Thisisa
powerfulmoviewiththought-provokingthemes.
Rabbit-ProofFenceissetinthe1930sinAustralia,andit'sbasedonrealevents.Itisaboutthree
nativegirlswhoareseparatedfromtheirfamiliesbytheracistpolice.Afterthishappens,the
policesendthemtospecialcenters.Therethegirlsaretaughtpracticalskills,andthegovernment
triestointegratethemintowhiteAustraliansociety.Theycanawayfromthecampandwalked
1,500milestofindtheirmothers.Thisisasad,touchingstorythatyoushouldnotmiss.
1.WhatdoesthespeakerimplybysayinghewantstoseethemovieAdaptationagainonDVD?
A)Hewantstounderstanditbetter.
2.WhathappenedtotheyoungPolish-JewishpianistinthemovieThePianist?
C)Henarrowlyescapeddeaththankstoafewnon-Jews.
3.WhichofthefollowingistrueofthethreenativegirlsinthemovieRabbit-ProofFence?
C)Theywanttobewiththeirmothers.
4.Howmanycomediesdoesthespeakerrecommend?
A)One
5.Whichofthefollowingcouldbethebesttitleforthepassage?
D)MovieRecommendations
Task3:lefsgoandseethemovie
Lisa:Whatkindofmoviedoyouwanttosee,Nick?
Nick:IreallywanttoseeMonsterNight,thehorrormovieadvertisedinnewspapers.
Lisa:MonsterNight?Itsoundsscary.Idon'tlikehorrorfilms.
Nick:OK.It'snotyetintheatersanyway.Itwon'tbecomingoutuntilnextweek.Whatmovies
areplayingnow?
Lisa:Letmecheck.There'sanactionfilmstarringJetLi,and...MonsterNight!It'salreadyin
theaters.
Nick:What?Itis?Whichtheaterisitplayingat?
Lisa:It'sshowingatthetheaterinthemall.ButIreallydon'twanttoseeit.
Nick:AllthecriticshavegivenMonsterNightgreatreviews.Whattimesisthenextshowing?
Lisa:Well,ifwehurry,wecanmakethethreeo'clockshow.Theshowafterthatisat4:30.But
I'mtoofrightenedtoseethisone.
Nick:Comeon,Lisa!Don'tbeachicken.Let'sgo!Wehavetogetticketsbeforetheysellout!
FTFTF
Unit3EveryJackhashisJill!
II.ListeningSkills
1.M:Willyoulovehim,honorhim,comforthimandkeephiminsicknessandinhealth,aslong
asyoubothshalllive?
W:Iwill.
Q:Whoisthewoman?
2.W:Mike,wakeuplIt'stimetogotoschool.Hurryuporyou'regoingtobelate!
M:Don'tworry.Icansleepalldaylong.DidyouforgettodayisMartinLutherKing's
birthday?
Q:Whoisthewomanmostlikelytobe?
3.M:CouldIseeyourdriver'slicenseandregistration,please?
W:Whafsthematter,officer?
Q:Whoistheman?
4.M:Edliketoaskyouabouttheresearchpaperyouassignedthatwehavetodobytheendof
thesemester.
W:Ok.Whatwouldyouliketoknow?
Q:Whoisthewomanmostlikelytobe?
5.W:I'vecleanedthewindows,moppedthefloors,andfoldedthelaundry.Isthereanything
elsethatyouwouldlikemetodobeforeIcallitaday?
M:Didyoudothelivingroomyet?
Q:Whoisthewomanmostlikelytobe?
l.B2.C3.D4.A5.A
III.ListeningIn
Task1:Don'tbeachicken!
Gilbert:Hey,Henry,isSarahcomingwithus?
Henry:Yes.Why?
Gilbert:Nothing.Tmjustasking.
Henry:Justasking?Butwhyisyourfaceflamingred?Ah-huh,someonehasacrushonSarah,
doesn'the?
Gilbert:Whohasacrush?!
Henry:Comeon,Gilbert,don'tbesuchachicken.Ifyoulikeher,justgoandtellher.Maybeshe
likesyou.
Gilbert:ButIdon'thavethegutstoaskherout.
Henry:Whatareyousoafraidof?
Gilbert:Tdtotallydieifsheturnedmedown.
Henry:Butthat'sbetterthankeepingeverythingtoyourself.You'vegottoletherknow.Comeon!
You'vegottotakeachance!
Gilbert:Idon'tknow...Well,maybeyou'reright,buthowamIgoingtotellherIlikeher?
1.goout2.flamingred3.crush4.chicken5.likes
6.guts7.turnhimdown8.keepingeverything9.tellher
Task2:DatinginAmerica
Beforemarriage,youngerAmericansdateeachother,thatis,theyoftengoouttogether.Casual
datingusuallybeginsintheearlyteens,andinthelateteensapatternofsteadydatingdevelops.
Thereisagreatpossibilitythatonegoestoadancewithoneperson,toafootballgamewith
another,andtoapicnicwithathird.Sometimestwocouplesgoouttogether.Thisisknownas
“doubledating."Groupdatingisalsopopularamongyoungpeople.Largegroupsofboysand
girlsmaygoaroundtogether.Youngpeoplemaygoouttogetherforalongtime,whichis,in
effect,apublicstatementoftheirintentiontomarry.Menandwomengoouttogetheragreatdeal,
especiallythoseincities.Thisis“adultdating."Theyskitogether,dinetogether,eitherat
restaurantsorineachother'shomes.TheAmericandatingsystemisarathercasualone.Often
youngAmericanswhohardlyknoweachothergooutondates.Itisalsoacceptableforthemto
arrangea“blinddate”,thatis,adatebetweentwoyoungpeoplewhohavenotmetbefore.
DatingDescription
Causaldating(1)Earlyteens
Steadydating(2)Lateteens
⑶DoubledatingTwocouples
(4)GroupdatingLargegroups
GooutforalongperiodIntentionto(5)marry
⑹AdultdatingMenandwomen.e.g.ski,work,dinetogether
CasualdatingsystemThosewho(7)hardlyknoweachother
⑻BlinddateThosewhohave(9)nevermetbefore
Task3AnAmericanwedding
Americanweddingsarenotalwaysthesame.Tdliketoshowyoupicturesofmywedding.When
wegotengaged,anannouncementwaspublishedinthenewspaper.Theannouncementtypically
includesthenamesofthebride,thebridegroomandtheirparent
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