(完整版)美國文學(xué)題庫(選擇題網(wǎng)上合集)范文

在當(dāng)今的科學(xué)發(fā)展飛速的新時(shí)代，越來越多的高科技開始運(yùn)用于我們的學(xué)習(xí)、工作和生活當(dāng)中?？萍?，已成為我們走向高質(zhì)量生活的一座橋梁，一根繩梯。ofvision.3,build,fittinginwiththeurbanmasterplaninYibincityrapidrailtransitlongtermnetwork,aswellasthevisionofYibincity,andfuturedevelopmentofrailtransitnetwork.4,Yibincity,preliminaryrailtrafficlevelsservicelevels,systemmodel,andtechnicalstandards.5,toensurethatnetworkcanbeimplemented.6,stableconditionsforplanningandsupportingofYibincitytracktrafficconstructionandformationofrailtransitindustry,provideconditionsforthestart-upanddevelopmentofrailtransitinYibincity.1.7technicalcoursetechnologyistheproject'sresearchprogramandresearchideas.Technologyreflectsthevariousstagesintheprocess,logicalrelationsbetweenvariouslevels,research,techniquesandphases.Networkplanningprocessthewholeprocesscanbedividedintofourparts,namely,backgroundresearch,networkarchitectureresearch,planningandimplementationofresearchandprogramminginterfaces.Figure1.7-1Yibincityrailtransitnetworkplanningtechnologyroadmapplanninginterfaceismainlyresponsiblefornetworkplanninginterfacewithfollow-upplanningtasks.NetworkplanningUrbanplanningsysteminatransitionalposition,onlinenetworkplanningiscompleted,willbecarriedoutassoonaspossiblethefollowingplanningprojects:1,detailedcontrolofthelandofrapidrailtransitnetworkplanning;2,thepartitioningfornetworkplanning;3,jointplanningofrailtransportandurbantransportinotherways;Detailedtechnicalcoursesseebelow.Figure1.7-2Generaltechnologyroutefigure2ndchapterCitystatusanddevelopmentplanning2.1citybasicprofile2.1.1

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在當(dāng)今的科學(xué)發(fā)展飛速的新時(shí)代，越來越多的高科技開始運(yùn)用于我們的學(xué)習(xí)、工作和生活當(dāng)中。科技，已成為我們走向高質(zhì)量生活的一座橋梁，一根繩梯。ofvision.3,build,fittinginwiththeurbanmasterplaninYibincityrapidrailtransitlongtermnetwork,aswellasthevisionofYibincity,andfuturedevelopmentofrailtransitnetwork.4,Yibincity,preliminaryrailtrafficlevelsservicelevels,systemmodel,andtechnicalstandards.5,toensurethatnetworkcanbeimplemented.6,stableconditionsforplanningandsupportingofYibincitytracktrafficconstructionandformationofrailtransitindustry,provideconditionsforthestart-upanddevelopmentofrailtransitinYibincity.1.7technicalcoursetechnologyistheproject'sresearchprogramandresearchideas.Technologyreflectsthevariousstagesintheprocess,logicalrelationsbetweenvariouslevels,research,techniquesandphases.Networkplanningprocessthewholeprocesscanbedividedintofourparts,namely,backgroundresearch,networkarchitectureresearch,planningandimplementationofresearchandprogramminginterfaces.Figure1.7-1Yibincityrailtransitnetworkplanningtechnologyroadmapplanninginterfaceismainlyresponsiblefornetworkplanninginterfacewithfollow-upplanningtasks.NetworkplanningUrbanplanningsysteminatransitionalposition,onlinenetworkplanningiscompleted,willbecarriedoutassoonaspossiblethefollowingplanningprojects:1,detailedcontrolofthelandofrapidrailtransitnetworkplanning;2,thepartitioningfornetworkplanning;3,jointplanningofrailtransportandurbantransportinotherways;Detailedtechnicalcoursesseebelow.Figure1.7-2Generaltechnologyroutefigure2ndchapterCitystatusanddevelopmentplanning2.1citybasicprofile2.1.1

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在當(dāng)今的科學(xué)發(fā)展飛速的新時(shí)代，越來越多的高科技開始運(yùn)用于我們的學(xué)習(xí)、工作和生活當(dāng)中。科技，已成為我們走向高質(zhì)量生活的一座橋梁，一根繩梯。ofvision.3,build,fittinginwiththeurbanmasterplaninYibincityrapidrailtransitlongtermnetwork,aswellasthevisionofYibincity,andfuturedevelopmentofrailtransitnetwork.4,Yibincity,preliminaryrailtrafficlevelsservicelevels,systemmodel,andtechnicalstandards.5,toensurethatnetworkcanbeimplemented.6,stableconditionsforplanningandsupportingofYibincitytracktrafficconstructionandformationofrailtransitindustry,provideconditionsforthestart-upanddevelopmentofrailtransitinYibincity.1.7technicalcoursetechnologyistheproject'sresearchprogramandresearchideas.Technologyreflectsthevariousstagesintheprocess,logicalrelationsbetweenvariouslevels,research,techniquesandphases.Networkplanningprocessthewholeprocesscanbedividedintofourparts,namely,backgroundresearch,networkarchitectureresearch,planningandimplementationofresearchandprogramminginterfaces.Figure1.7-1Yibincityrailtransitnetworkplanningtechnologyroadmapplanninginterfaceismainlyresponsiblefornetworkplanninginterfacewithfollow-upplanningtasks.NetworkplanningUrbanplanningsysteminatransitionalposition,onlinenetworkplanningiscompleted,willbecarriedoutassoonaspossiblethefollowingplanningprojects:1,detailedcontrolofthelandofrapidrailtransitnetworkplanning;2,thepartitioningfornetworkplanning;3,jointplanningofrailtransportandurbantransportinotherways;Detailedtechnicalcoursesseebelow.Figure1.7-2Generaltechnologyroutefigure2ndchapterCitystatusanddevelopmentplanning2.1citybasicprofile2.1.1

1.ForMelville,aswellasforthereaderand_________,thenarrator,MobyDickisstillamystery,anultimatemysteryoftheuniverse.

A.AhabB.Ishmael

C.StubbD.Starbuck

2.Naturalismisevolvedfromrealismwhentheauthor’stoneinwritingbecomeslessseriousandlesssympatheticbutmoreironicandmore_____________.

A.rationalB.humorous

C.optimisticD.pessimistic

3.Dreiser’sTrilogyofDesireincludesthreenovels.TheyareTheFinancier,TheTitanand_____.

A.TheGeniusB.TheTycoon

C.TheStoicD.TheGiant

4.TheimpactofDarwin’sevolutionarytheoryontheAmericanthoughtandtheinfluenceofthenineteenth-centuryFrenchliteratureontheAmericanmenoflettersgaverisetoyetanotherschoolofrealism:American___________.

A.localcolorismB.vernacularism

C.modernismD.naturalism

5.RobertFrostcombinedtraditionalverseforms-thesonnet,rhymingcouplets,blankverse-withaclearAmericanlocalspeechrhythm,thespeechof_______farmerswithitsidiosyncraticdictionandsyntax.

A.SouthernB.Western

C.NewHampshireD.NewEngland

6.Asanautobiographicalplay,O’Neill’s___________(1956)hasgaineditsstatusasaworldclassicandsimultaneouslymarkstheclimaxofhisliterarycareerandthecomingofageofAmericandrama.

A.TheIcemanComethB.LongDay’sJourneyIntoNight

C.TheHairyApeD.DesireUndertheElms

7.Apartfromthedislocationoftimeandthemodernstream-of-consciousness,theothernarrativetechniquesFaulknerusedtoconstructhisstoriesinclude_________,symbolismandmythologicalandbiblicalallusions.

A.impressionismB.expressionism

C.multiplepointsofviewD.firstpersonpointofview

8.Stylistically,HenryJames’fictionischaracterizedby____________.

A.short,clearsentencesB.abundanceoflocalimages

C.ordinaryAmericanspeechD.highlyrefinedlanguage

9.OneofthecharacteristicsthathavemadeMarkTwainamajorliteraryfigureinthe19thcenturyAmericaishisuseof____________.

A.vernacularB.interiormonologue

C.pointofviewD.photographicdescription

10.Itisonhis____________thatWashingtonIrving’sfamemainlyrested.

A.childhoodrecollectionsB.sketchesabouthisEuropeantours

C.earlypoetryD.talesaboutAmerica

11.Atthemiddleof19thcentury,Americawitnessedaculturalfloweringwhichiscalled“____________________”.

A.theEnglishRenaissanceB.theSecondRenaissance

C.theAmericanRenaissanceD.theSalemRenaissance

12.Asaphilosophicalandliterarymovement,themainissuesinvolvedinthedebateofTranscendentalismaregenerallyconcerning____________________.

A.nature,manandtheuniverse

B.therelationshipbetweenmanandwoman

C.thedevelopmentofRomanticisminAmericanliterature

D.thecold,rigidrationalismofUnitarianism

13.AboutthenovelTheScarletLetter,whichofthefollowingstatementsisNOTright?

A.It’sveryhardtosaythatitisalovestoryorastoryofsin.

B.It’sahighlysymbolicstoryandtheauthorisamasterofsymbolism.

C.It’smainlyaboutthemoral,emotionalandpsychologicaleffectsofthesinuponthemaincharactersandthepeopleingeneral.

D.InittheletterAtakesthesamesymbolicmeaningthroughoutthenovel.

14.ThegreatseaadventurestoryMoby-Dickisusuallyconsidered____________.

A.asymbolicvoyageofthemindinquestofthetruthandknowledgeoftheuniverse.

B.anadventurousexplorationintoman’srelationshipwithnature

C.asimplewhalingtaleorseaadventure

D.asymbolicvoyageofthemindinquestoftheartistictruthandbeauty

15.Inhispoems,WaltWhitmanisinnovativeinthetermsoftheformofhispoetry,whichiscalled“____________________.”

A.freeverseB.blankverse

C.alliterationD.endrhyming

16.AftertheCivilWarAmericawastransformedfrom______to_________.

A.anagrariancommunity…anindustrializedandcommercializedsociety

B.anagrariancommunity…asocietyoffreedomandequality

C.apoorandbackwardsociety…anindustrializedandcommercializedsociety

D.anindustrializedandcommercializedsociety…ahighlydevelopedsociety

17.WhichofthefollowingissaidoftheAmericannaturalism?

A.Theypreferredtohavetheirownregionandpeopleattheforefrontofthestories.

B.Theircharacteristicsettingisusuallyanisolatedtown.

C.Humansshouldbeunitedbecausetheyhadtoadaptthemselvestochangingharshenvironment.

D.Theircharacterswereconceivedmoreorlesscomplexcombinationsofinheritedattributes,theirhabitsconditionedbysocialandeconomicforces.

18.WhichofthefollowingisnotrightaboutMarkTwain’sstyleoflanguage?

A.Hissentencestructuresarelong,ungrammaticalanddifficulttoread.

B.Hiswordsarecolloquial,concreteanddirectineffect.

C.Hishumorisremarkableandcharacterizedbypuns,straight-facedexaggeration，repetitionandanti-climax.

D.Hisstyleoflanguagehadexertedratherdeepinfluenceonthecontemporarywriters.

19.TheimpactofDarwin’sevolutionarytheoryontheAmericanthoughtandtheinfluenceofthe19thcenturyFrenchliteratureontheAmericanmenoflettersgaverisetoanotherschoolofrealism:American______.

A.RomanticismB.Transcendentalism

C.RealismD.Naturalism

20.WhichofthefollowingisnotwrittenbyHenryJames?

A.ThePortraitofALadyandTheEuropeans.

B.TheWingsoftheDoveandTheAmbassadors.

C.WhatMaisieKnowsandTheBostonians.

D.TheGeniusandTheGildedAge.

21.MorethanfivehundredpoemsDickinsonwroteareaboutnature,inwhichhergeneralSkepticismabouttherelationshipbetween______iswell-expressed.

A.manandmanB.menandwomen

C.manandnatureD.menandGod

22.WhichofthefollowingisrightaboutEmilyDickinson’spoemsaboutnature?

A.Inthem,sheexpressedhergeneralaffirmationabouttherelationshipbetweenmanandnature.

B.Someofthemshowedherdisbeliefthatthereexistedamythicalbondbetweenmanandnature.

C.Herpoemsreflectedherfeelingthatnatureisrestorativetohumanbeings.

D.Manyofthemshowedherfeelingofnature’sinscrutabilityandindifferencetothelifeandinterestsofhumanbeings.

23.AsagreatinnovatorinAmericanliterature,WaltWhitmanwrotehispoetryinanunconventionalstylewhichisnowcalledfreeverse,thatis_________.

A.lyricalpoetrywithchantingrefrains

B.poetrywithoutafixedbeatorregularrhymescheme

C.poetrywithoutrhymesattheendofthelinesbutwithafixedbeat

D.poetryinanirregularmetricformandexpressingnoblefeelings

24.Inthefirstpartofthe20thcentury，apartfromDarwinism,thereweretwothinkers-______，whoseideashadthegreatestimpactontheperiod.

A.theGermanKarlMarxandtheAustrianSigmundFreud

B.theGermanKarlMarxandtheAmericanSigmundFreud

C.theSwissCarlJungandtheAmericanWilliamJames

D.theAustrianKarlMarxandtheGermanSigmundFreud

25.WhichofthefollowingcanbesaidaboutEugeneO’Neillplays?

A.Mostofhisplaysareconcernedabouttheroot,thetruthofhumandesiresandhumanfrustrations.

B.Histragicviewoflifeisreflectedinmanyofhisworks.

C.Hisplaysareconcernedabouttherelationshipbetweenmanandnatureaswellasmanandwoman.

D.BothAandB.

26.MostofO’Neill’splaysareconcernedaboutthefollowingexcept______.

A.successandfailureinman’sliterarycareer

B.lifeanddeath,illusionanddisillusion,dreamandreality

C.alienationandcommunication,selfandsociety,desireandfrustration

D.thebasicissuesofhumanexistenceandpredicament

27.Whichofthefollowingcanbesaidaboutatypicalmodernliterarywork?

A.Itisarecordofsequenceandcoherenceofthehistoryandtheworld.

B.Itisajuxtapositionofthepastandpresent,ofthehistoryandthememory.

C.Itisabookofintegritydrawnfromdiverseareasofexperience.

D.Itsperspectiveisshiftedfromtheinternaltotheexternal,fromtheprivatetothepublic.

28.AstothegreatAmericanpoetEzraPound,whichofthefollowingisnotright?

A.Hislanguageisusuallyobliqueyetmarvelouslycompressedandhispoetryisdensewithpersonal,literary,andhistoricalallusions.

B.HisartistictalentsareonfulldisplayinthehistoryoftheImagistMovement.

C.FromhisanalysisoftheChineseideogramPoundlearnedtoanchorhispoeticlanguageinconcrete,perceptualreality,andtoorganizeimagesintolargerpatternsthroughjuxtaposition.

D.Forhewaspoliticallycontroversialandnotoriousforwhathedidinthewartime,hisliteraryachievementandinfluencearesomewhatreduced.

29.Inhispoetry,RobertFrostmadethecolloquial______speechintoapoeticexpression.

A.EnglandB.NewEngland

C.PlymouthD.Boston

30.WhichofthefollowingstatementsisrightaboutRobertFrost’spoetry?

A.Hecombinedtraditionalverseformswiththedifficultandhighlyornamentallanguage.

B.HecombinedtraditionalverseformswiththepastorallanguageoftheSouthernarea.

C.Hecombinedtraditionalverseformswithasimplespokenlanguage-thespeechofNewEnglandfarmers.

D.Hecombinedtraditionalverseformswiththeexperimental.

31.WhichofthefollowingstatementscanbesaidabouttheworksofScottFitzgerald,aspokesmanofthe“Roaring20s”?

A.ManyofthemportrayedthehollownessoftheAmericanworshipofrichesandtheunendingAmericandreamoffulfillment.

B.Theyaresymbolicofthepsychologicaljourneyofthemodernmanandhishelplessnessinthemodernworld.

C.Theyshowtheprimitivestruggleofindividualsinthecontextofirresistiblenaturalforces.

D.Theypenetrateintotheproblemsofthehumanheartinconflictwithitself.

32.WhichofthefollowingisnotwrittenbyErnestHemingway,oneofthebest-knownAmericanauthorsofthe20thcentury?

A.TheSunAlsoRises.B.TheOldManandtheSea.

C.MossesFromtheOldManse.D.TheGreenHillsofAfrica.

33.WhichofthefollowingstatementsisrightaboutthenovelAFarewelltoArms?

A.Theauthorfavoredtheideaofnatureasanexpressionofeithergod’sdesignorhisbeneficence.

B.Theauthorattemptedtowritetheepitaphtoadecadeandtothewholegenerationinthe1930s.

C.Theauthoremphasizeshisbeliefthatmanistrappedbothphysicallyandmentallyandsuggeststhatmanisdoomedtobeentrapped.

D.IttellsastoryaboutthetragicloveaffairofawoundedAmericansoldierwithanItaliannurse.

34.WhichofthefollowingisdepictedasthemythicalcountyinWilliamFaulkner’snovels?

A.Cambridge.B.Oxford.

C.Mississippi.D.Yoknapatawpha.

35.ToFaulkner,theprimarydutyofawriterwastoexploreandrepresenttheinfinitepossibilitiesinherentinhumanlife.Thereforeawritershould______.

A.observewithnojudgmentwhatsoever.

B.reduceauthorialintrusiontothelowestminimum.

C.observeatagreatdistanceandsometimesparticipateintheevents.

D.bothAandB.

36.WhichofthefollowingisrightaboutAmericanfictionfrom1945onwards?

A.Agroupofnewwriterswhosurvivedthewarwroteabouttheiridealswithintheartisticfield.

B.ThereappearedasignificantgroupofJewish-AmericanwriterswhoseworksweresetagainsttheJewishexperienceandtradition.

C.Blackfictionbegantoattractcriticalattentionduringthe1950s.

D.Americanfictioninthe1950sand1960sprovestobeaharvestwhichderivedfromitspredecessors.

37.WhichofthefollowingisnotaworkofNathanielHawthorne’s?

A.TheHouseoftheSevenGables.B.TheBlithedaleRomance.

C.TheMarbleFaun.D.WhiteJacket.

38.InHawthorne’snovelsandshortstories,intellectualsusuallyappearas______________.

A.commentatorsB.observers

C.villainsD.saviors

39.Besidessketches,talesandessays,WashingtonIrvingalsopublishedabookon______,whichisalsoconsideredanimportantpartofhiscreativewriting.

A.poetictheoryB.Frenchart

C.historyofNewYorkD.lifeofGeorgeWashington

40.InFitzgerald’sTheGreatGatsby,therearedetaileddescriptionsofbigparties.Thepurposeofsuchdescriptionsissoshow_______.

A.emptinessoflifeB.thecorruptionoftheupperclass

C.contrastoftherichandthepoorD.thehappydaysoftheJazzAge

41.InAmericanliterature,escapingfromthesocietyandreturningtonatureisacommonsubject.Thefollowingtitlesareallrelated,inonewayoranother,tothesubjectexcept_________.

A.MarkTwain’sTheAdventuresofHuckleberryFinn

B.Dreiser’sSisterCarrie

C.Copper’sLeather-StockingTales

D.Thoreau’sWalden

42.Whichofthefollowingnovelscanberegardedastypicallybelongingtotheschoolofliterarymodernism?

A.TheSoundandtheFuryB.UncleTom’sCabin.

C.DaisyMiller.D.TheGildedAge.

43.EmilyDickinsonwrotemanyshortpoemsonvariousaspectsoflife.Whichofthefollowingisnotausualsubjectofherpoeticexpression?

A.Religion.B.Lifeanddeath.

C.Loveandmarriage.D.Warandpeace.

44.In1837,RalphWaldoEmersonmadeaspeechentitled_______atHarvard,whichwashailedbyOliverWendellHolmesas"OurintellectualDeclarationofIndependence."

A."Nature"B."Self-Reliance"

C."DivinitySchoolAddress"D."TheAmericanScholar"

45.Whichofthefollowingstatementsaboutwritersin1920sistrue?

A.MarkTwainpublishedhislastandmostimportantnovel.

B.F.ScottFitzgeraldreceivedtheNobelPrize.

C.Freudianpsychologyinfluencedmanymodernwriters.

D.Mostwriterswerepoliticallyradical.

46.InAmericanliteraturethefirstimportantwriterwhoearnedaninternationalfame

onbothsidesoftheAtlanticOceanis_______________.

A.WashingtonIrvingB.RalphWaldoEmerson

C.NathanielHawthorneD.WaltWhitman

47.TheAmericannovelistNathanielHawthorneisknownforhis“blackvision．”The

Term“blackvision”refersto______________.

A.Hawthorne'sobservationthateverymanfacesablackWall

B.Hawthorne'sbeliefthatallmenarebynatureevil

C.thatHawthorneemployedadreamvisiontotellhisstory

D.thatPuritansofHawthorne'stimeusuallyworeblackclothes

48.TheodoreDreiserwasoncecriticizedforhis____________inStyle，butasatrueartisthisstrengthjustliesinthathisstyleisveryseriousandwellcalculatedtoachievethethematicendshesought.

A.crudenessB.elegance

C.concisenessD.subtlety

49.AlmostallFaulkner’sheroesturnedouttobetragicbecause_____________.

A.allenjoyedlivinginthedecliningAmericanSouth

B.noneofthemwasconditionedbythecivilizationandSocialinstitutions

C.mostofthemwereprisonersofthepast

D.noneweresuccessfulintheirattempttoexplaintheinexplicable

50.Yank,theprotagonistofEugeneO’Neill’splayTheHairyApe,talkedtothegorillaandsetitfreebecause____.

A.hewasmad，mistakingabeastforahuman

B.hewastoldbythewhiteyoungladythathewaslikeabeastandhewantedto

seehowcloselyheresembledthegorilla

C.hewascagedwiththegorillaafterheinsultedanaristocraticstroller

D.hecouldfeelthekinshiponlywiththebeast

51.In__________,RobertFrostcompareslifetoajourney,andheisdoubtfulwhetherhewillregrethischoiceornotwhenheisold,becausethechoicehasmadeallthedifference.

A.“AfterApple-Picking”

B.“TheRoadNOtTaken”

C.“StoppingbyWoodsonaSnowyEvening”

D.“FireandIce”

52.ThoughWaltWhitmanandEmilyDickinsonwereromanticpoetsinthemeandtechnique,theydifferfromeachotherinavarietyofways.Foronething,whereas

WhitmanlikestokeephiseyeonhumanSocietyatlarge,Dickinsonoftenaddressessuchissuesas_______,immortality,religion,loveandnature.

A.progressB.freedom

C.beautyD.death

53.TheRomanticwriterswouldfocusonallthefollowingissuesEXCEPTthe_______

intheAmericanliteraryhistory．

A.individualfeelingB.survivalofthefittest

C.strongimaginationD.returntonature

54.Generallyspeaking，allthosewriterswithanaturalisticapproachtohumanreality

tendtobe_____________.

A.transcendentalistsB.optimists

C.pessimistsD.idealists

55.WithHowells,James,andMarkTwainactiveontheliteraryscene,______became

themajortrendinAmericanliteratureintheseventiesandeightiesofthe19th

century．

A.SentimentalismB.Romanticism

C.RealismD.Naturalism

56.AmericanwritersafterWorldWarIself-consciouslyacknowledgedthattheywere(a)

“_______,”devoidoffaithandalienatedfromtheWesterncivilization．

A.LostGenerationB.BeatGeneration

C.SonsofLibertyD.AngryYoungMen

57.HesterPrynne,Dimmesdale,ChillingworthandPearlaremostlikelyCharactersin_______.

A.TheHouseoftheSevenGablesB.TheScarletLetter

C.ThePortraitofaLadyD.Thepioneers

58.Inhisrealisticfiction,HenryJames'sprimaryconcernistopresentthe_________.

A.innerlifeofhumanbeingsB.AmericanCivilWaranditseffects

C.lifeontheMississippiRiverD.CalvinisticviewoforiginalSin

59.WhichofthefollowingstatementsaboutE.Grierson,theprotagonistinFaulkner's

Story“ARoseforEmily,”isNOTtrue?

A.Shehasadistortedpersonality.

B.Sheisphysicallydeformedandparalyzed.

C.SheisthesymboloftheoldvaluesoftheSouth.

D.Sheisthevictimofthepastglory.

60.WhichofthefollowingisNOTthevirtuethatFranklinenumeratedinhisTheAutobiography?

A.TemperanceB.Humanity(Humility)

C.FrugalityD.Immoderation

61.AmericanRomanticismstretchesfromtheendofthe________centurythroughtheoutbreakof______.

A.18th,theCivilWarB.18th,theWarofIndependence

C.19th,WWID.19th,WWII

62._________believesthatthechiefaimofliterarycreationisbeauty,and“thedeathofabeautifulwomanis,unquestionably,themostpoeticaltopicintheworld.”

A.WaltWhitmanB.EdgarAllenPoe

C.AnneBradstreetD.RalphWaldoEmerson

63.InEmilyDickinson’sBecauseICouldNotStopforDeath,______________.

A.deathispersonifiedasadevil

B.deathisdescribedasthetragicendofaperson’slife

C.deathisastageoflifeanditleadspeopletotheHeavenofimmortality

D.deathisdescribedasabeautifulgirlwhocouldn’tfindherfinaldestination

64.WhichisgenerallyregardedasthemanifestoandtheBibleofAmericanTranscendentalism?

A.Thoreau’sWaldenB.Emerson’sNature

C.Poe’sPoeticPrincipleD.Thoreau’sNature

65.HenryDavidThoreau’swork,________,hasalwaysbeenregardedasamasterpieceoftheNewEnglandTranscendentalMovement.

A.WaldenB.ThePioneers

C.NatureD."SongofMyself"

66.‘LeavesofGrass’commandsgreatattentionbecauseofitsuniquelypoeticembodimentof________,whicharewritteninthefoundingdocumentsofboththeRevolutionaryWarandtheAmericanCivilWar.

A.thedemocraticidealsB.theromanticideals

C.theself-reliancespiritsD.thereligiousideals

67.________istheauthorofthework“TheLegendofSleepyHollow”.

A.WashingtonIrvingB.JamesJoyce

C.WaltWhitmanD.WilliamButlerYeats

68.After"TheAdventureofTomSawyer",TwaingivesaliteraryindependencetoTom’sbuddyHuckinabookcalled_________,andthebookfromwhich"allmodernAmericanliteraturecomes".

A.LifeontheMississippiRiverB