蕭伯納賣花女課件

蕭伯納賣花女Lifeexperience1Works2Pygmalion3References4蕭伯納賣花女GeorgeBernardShaw

(26July1856–2November1950)Earlyyearsandfamily:borninSyngeStreet,Dublinin1856.

Education:Hiseducationwasirregular

Personallifeandpoliticalactivism

蕭伯納賣花女Plays:RichardMansfield、Thedevil’sDiscipline、CaesarandCleopatra(1898),、Manandsuperman(1903)、MajorBarbara(1905)、TheDoctor’sdilemma(1906)、Fanny’sFirstPlay(1911)、Pygmalion（1912）

Novels:

CashelByron‘sProfession(1886)、AnUnsocialSocialist

（1887）、

LoveAmongtheArtists(

1900)

、TheIrrationalKnot

（1905）Shortstories:TheBlackGirlinsearchOfGOD(1932)、TheMiraculousRevenge

蕭伯納賣花女Origin

ComedyfactorsandsatireeffectFunctionsaboutconversationmeaningsPlotCharactersanalysis

Theme蕭伯納賣花女Originatefrom:

AnAncientGreekmythAsculptorfromCyprusHateswoman&theideaofgettingmarriedFallinlovewithhiswork:abeautifulwomanGetmarriedwithsculpture蕭伯納賣花女ElizaDoolittle

（poorflowergirl）HenryHiggins

（phonetician）ColonelPickering

FriendsMotherandsonMrs.HigginsFreddy

MadlyinlovewithElizaEliza’sfather蕭伯納賣花女ColonelPickering:sensitiveandfatherly,heisarealgentleman.Mrs.Higgins:arefined,independentwoman.AlfredDoolittle:contentedwithhisownlife,selfish,indifferent.Freddy:persistenttolove,almostnohierarchicalidea.蕭伯納賣花女AprofessorofphoneticsEliza’steacher,takesherasanexperimentSpoiledeccentric,stubborn,self-righteousandwillful,complacent,arrogant.蕭伯納賣花女ApoorflowergirlAcquiresagenteelaccentandsetofmannersunderHiggins'stutelageHeadstrong,andcoarsestreeturchin,rebelliousnature蕭伯納賣花女Higgins’sbehaviorsThethirdactisbeginningwithHiggins’crudebehaviors.---OnMrs.Higgins’at-homeday(會客日)，HigginsopenedthedoorCrudely,brokeupthepeacefulandharmonyatmosphere.---Whenhismothertalkedtohim,hejustcompletelyignoreditandTinkledthecoinsandkeysinhispocket.---WhenFreddywantedtoshakehandswithhim,healmostthrewFreddyintosofa.蕭伯納賣花女ConversationLiza:Walk!Notbloodylikely.I’mgoinginataxi.(散步！我他媽才不干呢。我要做汽車回去！)Higgins:Good-bye,besureyoutryonthatsmalltalkatthethreeat-homes.Don’tbenervousaboutit.Pinchitinstrong.(再見，在那三個(gè)茶會中你一定要試試這種時(shí)髦話。不要膽怯，盡管說。)Clara:Iwill,Good-byesuchnonsense,atallthisearlyVictorianprudery!(我一定說，再見.這些維多利亞早期的清規(guī)戒律都是胡鬧)Higgins：【temptingher】Suchdamnednonsense!(真是胡鬧)Clara:Suchbloodynonsense!(真是他媽的胡鬧)蕭伯納賣花女ExampleofconversationalimplicaturefromPygmalionHiggins：［stupent］Well?。。。跼ecoveringhisbreathwithagasp］Whatdoyouexpectmetosaytoyou？Liza：Well，ifyouwasagentleman，youmightaskmetositdown，Ithink．Don’ttellyouI’mbriningyoubusiness？Higgins：Pickering：shallweaskthisbaggagetositdown，orshallwethrowheroutofthewindow？（Background：Liza，theflowergirlwhospeakscockney，asksHigginstoteachherReceivedPronunciation．）

ExcerptA：蕭伯納賣花女ExampleofconversationalimplicaturefromPygmalionExcerptB：（Background：AfterLizahassuccessfullyplayedtheroleofanobleladyatthegardenparty，shehasbecomeawomanwithsensitivefeeling，buttoHigginssheisonlyasuccessfulexperimentwithnohumanclaims．ShereproachesHigginsforhisindifferenceanddecidestoleavehim．）Liza：Howdoyoudo，ProfessorHiggins？Areyouquitewell？Higgins：［chocking］AmI—［Hecansaynomore］．Liza：Butofcourseyouare：youareneverill．Sogladtoseeyouagain，

ColonelPickering．［Heriseshastily，andtheyshakehands］．

Quitechillythismorning，isn’tit？［Shesitsdownonhisleft．Hesitsbesideher］．蕭伯納賣花女ExampleofconversationalimplicaturefromPygmalionExcerptC：（ThesamebackgroundastheexcerptB．）Liza：［toPickering，takingnoapparentnoticeofHiggins，andworkingawaydeftly］Willyoudropmealtogethernowthattheexperimentisover，ColonelPickering？Pickering：Ohdon’t．Youmustn’tthinkofitasanexperiment．Itshocksme，somehow．Liza：Oh，I’monlyasquashedcabbageleaf—Pickering：［impulsively］No．蕭伯納賣花女Conclusion：Thecharacters’conflictmustberepresentedinalimitedtime，sothelanguageofaplayisoftenfilledwithimpliedmeaning．Throughtheseexamples，wecanseethattheconversationalimplicaturehelpsthereaderstoknowmoreandhaveanimmediateimpressionaboutthecharacters．蕭伯納賣花女Class:Thegeneralsenseisthatclassstructuresarerigidandshouldnotbetamperedwith,sotheexampleofLiza'sclassmobilityismostshocking.GentilityandManners:Goodmanners(oranymannersatall)weremostlyassociatedwiththeupperclassatthistime.Language:InthisplayandinBritishsocietyatlarge,languageiscloselytiedwithclass.Higgins'steachingsaresomewhatradicalinthattheydisrupt（使分裂）thissocialmarker,allowingforgreatersocialmobility.蕭伯納賣花女MarriageandProstitution:Fromhisunusualstandpointofbeingcommittedtoacelibatemarriage,Shawapparentlyfeelsfreetodenouncemarriageasanexchangeofsexualityformoneysimilartoprostitution(eventhoughthiswasnothappeninginhisownmarriage).MythsofCreation:PygmalionhasthemostreferencestoGreekandRomanmythology.However,unlikethemyth,Shaw'splaydoesnotendinamarriagebetweenthepair.Shehasworkedtorecreateheridentityaswell.蕭伯納賣花女

Hate：“Wehatesomepersonsbecausewedonotknowthem;andw