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TheAnalysisofEmilyDickinson’sPoem獲獎科研報告EmilyElizabethDickinson(1830–1886)wasborninAmherst,Massachusettsfromasociallyprominentfamily.Therangeofherworldlyexperiencewaslimitedbyanystandards.ShespentherwholelifeinthesmalltownofAmherst,atherownhomeandgarden,nevermarried.Abnormallyshyandretiring,sheledaninactivelifeasarecluse,aninwardlifewhichshedeliberatelychosetoleadsothatshecouldachievepersonalintegrity.

Around1850shebegantowritepoems.Sincesheseldomhadsociallife,herpoemswereallaboutnature,love,lifeanddeath.However,therangeofherpoetrysuggestednotherlimitedexperiencebutthepowerofhercreativityandimagination.Shewasonthewholeapessimisticpoet.Herpoetryreflectsherspiritualunrestandherawarenessofthehumanpredicament.

Dickinsonfoundalotofsimilaritiesbetweenherandthelittlebirdinquality,sosheoftenregardedtherobinastheembodimentofherself.Whatsmore,therewerealltogetherupto33poemswhichhavementionedrobin.Thefollowingisoneofthepoems.

Ishallkeepsinging!

Birdswillpassme

OntheirwaytoYellowerClimes—

Each—withaRobin'sexpectation—

I—withmyRedbreast—

AndmyRhymes—

Late—whenItakemyplaceinsummer—

But—Ishallbringafullertune—

Vespers—aresweeterthanMatins—Signor—

Morning—onlytheseedofNoon–

Inthispoem,Dickinsondidnotdescribeanydetailaboutrobin;sheonlyreferredtoit,usingitssymbolicmeaning.However,thesymbolicmeaningofrobincannoteasilyfigureoutfromthepoem,becauseDickinsonusedmanyellipses,whichmadethepoemsoundobscure.Ifweaddtheomittedpartofthepoem,itwillbecomeclearinmeaningandalsotheimageoftherobinwillcomeintosight.

Ishallkeepsinging!

(Thoughother)Birdswillpassme

OntheirwaytoYellower(andmoremature)Climes—

(Thepoetisliketherobin)Each—withaRobin'sexpectation—

I–(also)withmyRedbreast—

And(also)myRhymes—

(Icome)Late–(if)whenItakemyplaceinsummer–

(Thesummerbelongstotheothersbirds,becausetheyhavebeautifulsongs)

But—Ishallbringafullertune—

Vespers—aresweeterthanMatins—Signor—

Morning—onlytheseedofNoon–

Sonowtheimpliedmeaningofthepoemhasbeenspokenout.Andthe“Robin'sexpectation”isthekeytowhollyunderstandwhatthepoetwastalkingabout.First,thereissomebasicknowledgeaboutthelittlecreature.Robinisasmallinsectivorouspasserinebirdthatisaround12.5-14.0cminlength,themaleandfemalearesimilarincoloration,witharedbreastandfacelinedwithgrey,brownupperpartsandawhitishbelly.Therobinhasfluting,warblingsonginthebreedingseason.Itisrelativelyunafraidofpeopleandlikestocomeclosewhenanyoneisdiggingthesoil,inordertolookoutforearthwormsandotherfoodfreshlyturnedup.Indeed,therobinisconsideredtobeagardener'sfriendandforvariousfolklorereasonstherobinwouldneverbeharmed.

Whatsmore,robinwasheldtobeastorm-cloudbirdandsacredtoThor,thegodofthunder,inNorsemythology.Morerecently,ithasbecomestronglyassociatedwithChristmas,takingastarringroleonmanyaChristmascardsincethemid19thcentury.TheassociationwithChristmasprobablyarisesfromthefactthatpostmeninVictorianBritainworereduniformsandwerenicknamed“Robin”;therobinfeaturedontheChristmascardisanemblemofthepostmandeliveringthecard.

Inthe1960s,inavotepublishedbyTheTimesnewspaper,therobinwasadoptedastheunofficialnationalbirdoftheUK,representingthesturdyandbraveEnglandspirit.

Sothe“Robin'sexpectation”indicatedthatthepoetisverystronginmind.Shewoulddowhatshethoughtright,withoutbeingdisturbedbyotherpeople.Sheisthebirdwithsmallbodybuthasgreatexpectations.“Morning—onlytheseedofNoon–”indicatesthatthisisonlythebeginning.AndwhentheChristmascomes,alltheotherbirdswerestoppedsinging,therobin,orthepoet,willpersistinsinging.So“I”withmydistinctiveredbreastandmyownrhythmwillfinallybeheardbytheentireworld.Thisisthepoetsexpectation,ortherobinsexpectationinthepoem.AndDickinsonhasalreadyachievedhergoalafterdecadesofherdeath.

WorksCited

[1]

Dickinson,Emily.ThePoemsofEmilyDickinson.US:ElectronicClassicsSeriesPublication,2003.

[2]

Johnson,ThomasH.,ed.ThepoemsofEmilyDickinson.Cambridge:HarvardUP,1995.

[3]

Kirszner,L.G.,andS.R.Mandell.Literature:Reading,Reacting,Writing.Ed.HUNaandZHANGBing.5thed.Beijing:PekingUP,2006.1039-97.

[4]

LiJuan,andWeiYuqi,ed.“Matthew10”,NewTestment.Tianjin:TianjinPeoplesPublishingHouse,2003.

[5]

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