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Unit1Artdancemusicmoviesculpturepaintingarchitectureliteratureoperaartpainting
sculpturearchitecturephotography……musicdanceliteratureoperacalligraphypainting
movieChinesepaintingisoftenaboutnatureXuBeihongQiBaishiZhangDaqianoilpaintingwatercolorlandscapecartoonfiguredrawingsketch油畫(huà)水彩畫(huà)風(fēng)景畫(huà)卡通人物畫(huà)素描kindsofpaintinga.realisticb.abstractc.existenced.detailede.religiousf.traditional1.accurate,minute2.stateorfactofexisting3.beinginthoughtbutnothavingaphysicalorpracticalexistence4.lifelike,truetolife5.classical,ofoldbeliefs6.sinceretobelieveinagodorgodsItisoftenaboutnature,suchasmountain,water,bird-and-flower,etc.Ithasthesymbolofharmony(和諧〕andpeace.ChinesepaintingsWesternpaintingsdetailed,richin
color,lineandshapeAboutreligion,humanrealisticSunflowersSeatedwomenMonaLisaThekissof
JovahArtAshorthistoryofwesternpaintingQ:Howmanyperiodsofthepaintingsarementionedinthistext?Whatarethey?(20thcenturytotoday)Fastreading:TheMiddleAgesTheRenaissanceImpressionismModernart(15thto16thcentury)(5thto15thcenturyAD)(late19thtoearly20thcentury)Timeorderparagraph1Q:WhyWesternarthasmorechangethantheChineseone?Artisinfluencedbythewayoflifeandthebeliefsofthepeople,andChinaunlikeEurope,hasfollowedasimilarwayoflifeforalongtimeThistextwilldescribeonlyafewofthemainstyles,startingfromthe5thcenturyADReligionn.Q:Whatarethepaintingsofthisperiodfullof?Trueorfalse1.Artistsofthisperiodwereinterestedinshowingnatureandpeopleastheyreallywere.2.PaintingsintheMiddleAgeswereveryrealistic.Theyarefullofreligioussymbols.TheMiddleAgesFFnotTheywereinterestedincreatingrespectandloveforgodUntilthe13thcentury
paintersstartedtopaintinamorerealisticway.1.PaintersinRenaissancebegantofocuson
A.religionB.humansC.natureD.science2.InRenaissance,paintersreturnedtoclassicalandideasaboutart.A.Roman,ParisB.Greek,LondonC.Roman,GreekRenaissance3.Whichofthefollowingisnotthethingstherichpeoplepaidfamousartiststopaint?TherichpeoplethemselvesB.housesandpossessionsC.thegodD.activitiesandachievementsfocusonhumansQ:WhatarethetwoimportantdiscoveriesintheRenaissanceperiod?TherearedrawinginperspectivemorerealisticmakecolorslookricheranddeeperinperspectiveandoilpaintsⅡTheRenaissance(15thto16thcentury)Characteristics:humans;perspectiveThreefamouspaintersatthistime文藝復(fù)興三杰列奧納多·達(dá)·芬奇〔1452~1519〕米開(kāi)朗基羅〔1475~1564〕拉斐爾〔1483~1520〕blankfillingImpressionismChangesinpaintingstylesInthelate19thcentury,Europeagreatdeal.fromamostlysocietytoamostlyone.Peoplemovedfromtothe.Therearemanyandchangedagricultural
industrialcountrycitynewinventionssocialchangesTheimpressioniststriedtobreakawayfromthetraditionalstyleofthepainting.Ledto
changesQ:Whydidtheimpressionistshavetopaintquickly?Becausenaturallightchangessoquickly.Atdifferent
timeofthedaylightshadowpaintingswerenotsodetailedindoorsoutdoorsWorksoftheimpressionismⅢImpressionism(late19thtoearly20thcentury)莫奈Monet(1840~1926),法國(guó)畫(huà)家。印象畫(huà)派的創(chuàng)始人之一。印象派的名稱即由他的《日出印象》一畫(huà)而來(lái)。此畫(huà)也成了印象派的經(jīng)典代表作品。Characteristics:outdoorscenesVincentVanGoghSunflowersNowadays,therearesortsofmodernartstyles,suchasCubism(立體派),Surrealism(超現(xiàn)實(shí)主義〕Expressionism〔表現(xiàn)主義〕…Modernart(20thcenturytotoday)ImpressionismisthestartofModernArtAbstracthardtounderstandlikeaphotographRealisticTwoextremesbecausethepainterdoesnotpaintobjectsrealistic,instead,theyconcentratesoncertainoftheobject,usingtorepresentthemattemptto
qualitiescolor,line,shapeSomemodernartisabstract,TheMiddleAgesModernartImpressionismTheRenaissanceLet’stelltherightstyleofthepaintingsVincentVanGoghPicassoLeonardodaVinciGiottodiBondoneTheMiddleAgesTheRenaissanceImpressionismModernartHomework1.Findouttheimportantwordsandphrasesinthispassage2.DotheexerciseinPage4,exercise4Thankyou達(dá)·芬奇:《蒙娜·麗莎》被譽(yù)為世界美術(shù)杰作之冠,表現(xiàn)了藝術(shù)家對(duì)女性美和人的豐富精神生活的贊賞;壁畫(huà)《最后的晚餐》那么反映了藝術(shù)家創(chuàng)造典型人物和戲劇性場(chǎng)面的能力,為后人學(xué)習(xí)的典范。米開(kāi)朗基羅:他創(chuàng)作的巨幅屋頂壁畫(huà),充滿力量無(wú)窮的英雄形象,被稱為世界上最宏偉的藝術(shù)作品。他的許多雕塑,例如《大衛(wèi)像》、《摩西像》和《垂死的奴隸》等,在技藝上較希臘古典名作有過(guò)之無(wú)不及。拉斐爾:是卓越的畫(huà)家,被后世尊為“畫(huà)圣”。他善于吸收各家之長(zhǎng),加以自己的創(chuàng)造,在藝術(shù)的秀美、典雅方面大放異彩,留下了許多第一流的杰作如《花園中的圣母》、《西斯廷圣母》,以及梵蒂岡教皇宮中的許多壁畫(huà),尤其是《雅典學(xué)派》WesternarthasmorechangeMasaccio(1401-1427),GiottodiBondone喬托·迪·邦多納
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