美國文學(xué)史復(fù)習(xí)知識點

如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!PuritanismFeaturesofPuritanismPurificationofthechurch2.Calvinism(JohnCalvin,1509-1564,Frenchprotestantreformer)(1).EmphasisofPredestination“預(yù)定論”(2).Totaldepravity(OriginalSin)徹底的墮落(因原罪而起）(3).Limitedatonement有限的贖罪AnneBradstreet(1612—1672)FirstfamouspoetinNorthAmerica,knownasthe“TenthMuse”最早寫出真正有價值的英文詩歌的女詩人Majorworks:thefirstcollectionofpoemsinNorthAmerica.TheTenthMuseLatelySprungupinAmerica(1650)《最近在美洲出現(xiàn)的第十位繆斯》Contemplations《沉思錄》BenjaminFranklin(1706-1790)Statesman,essayist,orator,philosopher,ambassador,scientist,inventor,publisher“masterofeachandmasteredbynone”—HermanMelvilleOneoftheFoundingFathersofAmericaSymbolofAmericaintheAgeofEnlightenmentTheonlyAmericantosignthefourdocumentsthatcreatedtheUnitedStates:theDeclarationofIndependencethetreatyofalliancewithFrancethetreatyofpeacewithEnglandtheconstitutionThesymbolofAmericanDream,aself-mademanHisMajorWorksPoorRichard’sAlmanac(1732)《格言歷書》poemsandessaysagoodmanyadagesandcommonsensewitticismsAutobiography(1868)—thesimpleyetimmenselyfascinatingrecordofamanrisingtowealthandfamefromastateofpovertyandobscurity—thefaithfulaccountofthecolorfulcareerofAmerican’sfirstself-mademan.—aPuritandocument(self-examinationandself-improvement;illustrationofPuritanethics)—astoryofthefulfillmentofAmericandream.ThirteenvirtuesfromTheAutobiography1.

Temperance節(jié)制.Eatnottodullness;drinknottoelevation.2.Silence沉默.Speaknotbutwhatmaybenefitothersoryourself;avoidtriflingconversation.3.

Order秩序.Letallyourthingshavetheirplaces;leteachpartofyourbusinesshaveitstime.4.

Resolution決心.Resolvetoperformwhatyouought;performwithoutfailwhatyouresolve.如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!5.Frugality節(jié)儉.Makenoexpensebuttodogoodtoothersoryourself,i.e.,wastenothing.6.

Industry勤奮.Losenotime;bealwaysemployedinsomethinguseful;cutoffallunnecessaryactions.7.

Sincerity誠實.Usenoharmfuldeceit;thinkinnocentlyandjustly,and,ifyouspeak,speakaccordingly.8.

Justice公正.Wrongnonebydoinginjuries,oromittingthebenefitsthatareyourduty.9.Moderation適度.Avoidextremes;forbearresentinginjuriessomuchasyouthinktheydeserve.10.

Cleanliness清潔.Toleratenouncleanlinessinbody,clothes,orhabitation.11.

Tranquility寧靜.Benotdisturbedattrifles,orataccidentscommonorunavoidable.12.

Chastity貞潔.Rarelyusevenerybutforhealthoroffspring,nevertodullness,weakness,ortheinjuryofourownoranother’speaceorreputation.13.

Humility謙虛.ImitateJesusandSocrates.TheStyleofPuritanWriting1.Protestant-againstornateness;reverencefortheBible.ThePuritanschosetheBibleastheguidebooktotheirPromisedLand.2.Puritanwritingreflectedthecharacterandscopeofthereadingpublic,whichwasliterateandwell-groundedinreligion.AmericanRomanticismTimeRange:Fromtheendofthe18thcenturythroughtheoutbreakoftheCivilWar.HistoricalBackground:Nationalindependence,democracyRisingmaterialismandbusiness:leisureandwealthReligiousdogma,rationalismFeatures:AmericanRomanticismwasbothimitativeandindependent.Imitative:EnglishandEuropeanRomanticists,abouthome,family,nature,childrenandidealizedlove,etc.Independent:EmersonandWhitman,onmajorproblemsofAmericanlife,likethewestwardexpansionanddemocracyandequality,etc.1.RomanticSubjectMatter(1).Thequestforbeauty:non-didactic,"purebeauty."(AllanPoe)(2).Theuseofthefar-awayandnon-normal-antiqueandfanciful(Hawthorn,Poe)(3).Escapism-fromAmericanproblems(Irving).(4).Interestinexternalnature-foritself,forbeauty(Emerson,Thoreau)2.RomanticAttitudes:(1).Appealstoimagination:remotenessofsettingsintimeandspace.improbableplots.(2).Stressonemotionratherthanreason;optimism,(3).Authorialsubjectivity:informandmeaning.3.MajorThemes:a.Primitivismandthecultofthe“noblesavage”(Hiawatha《海華沙》);b.Thecelebrationofnaturalbeautyandthesimplelife(Cooper,Emerson,Thoreau);c.Commonman,uncorruptedbycivilization(Whittier,Cooper);d.Interestinthepicturesquepast(Irving,Hawthorne);e.Interestintheremoteplaces(Melville);medievalism(Longfellow);RepresentitiveWritersandWorks如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!WashingtonIrving’sTheSketchBook《見聞札記》marksthebeginningofAmericanRomanticism.Whitman’s(慧特曼)LeavesofGrass《草葉集》)isthelastmasterpieceofAmericanRomanticism.JamesFenimoreCooper’sLeatherstockingTales《皮裹腿故事集》depictsasapioneer,effectivelyapproximatestheAmericannationalexperienceofadventureintotheWest.WashingtonIrving（1783-1859）FatheroftheAmericanshortstories；thefirstgreatAmericanwriter；thefirstAmericanwriterofimaginativeliteraturetogaininternationalfame.Masterpiece:TheSketchBook(1820）marksthebeginningofAmericanRomanticism.RipVanWinkle（《瑞普·凡·溫克爾》）TheLegendofSleepyHollow（《睡谷的傳說》）JamesFenimoreCooper(1789-1851)OneofthefirstauthorstowriteabouttheAmericanWestwardmovement.ThecreationofamythabouttheformativeperiodoftheAmericannation.Theintroductionofthe“Western”traditionintoAmericanliterature.Masterpiece:LeatherstockingTales《皮裹腿故事集》（acollectionoftales）ThePioneer,1823;《拓荒者》TheLastoftheMohicans,1826;《最后的莫西干人》ThePrairie,1827;《大草原》ThePathfinder,1840;《探路人》TheDeerslayer,1841.《殺鹿者》TranscendentalismFeatures:OversoulIndividualismNatureTheTranscendentalists:TheBigThree:RalphWaldoEmerson;HenryDavidThoreau;MargaretFullerThreesources:AthoughtfulrevoltagainstPuritanism(totaldepravity,theoriginalsinetc.).Germanphilosophersofthe18thcentury.TheeffectoforientalthoughtontheWesternworld.RalphWaldoEmersonMajorWorks:如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!Nature:Emerson’sbestknowworkThebibleofNewEnglandtranscendentalism2.“DivinitySchoolAddress”attacksorganizedChristianityarguesfor“moralsentiment”---essenceofallreligionsurgesthelistenerstobethetrueteacher:offeringfirst-handrevelations“TheAmericanScholar”:America’sdeclarationofIntellectualIndependenceassertsnatureasateacherthatinstructsmantoseehisconnectionwiththeworldmaintainscreationiscontinuousandeachagemusthaveitsownbooksdeclaresself-trustandindependentthinkinganecessityforthenewscholar.HenryDavidThoreauMajorWorks:WaldenAbookonself-cultureandhumanperfectibilitycarryingoutanexperimentrecordingingreatdetailaspirituallyrewardingyetsimplelifereflectingonnature’srestorativeinfluenceAbookthatinspiredmodernnaturepreservationCivilDisobedienceNathanielHawthorne(1804-1864)MajorWorks:(1).Fanshawe《范肖》(2).TheTokenwerereprintedinTwice-toldTales.《重述一遍的故事》(3).Twice-ToldTales,1837;《重述一遍的故事》(4).MossesfromanOldManse,1846;《古屋青苔》,including“YoungGoodmanBrown”《年輕的古德曼·布朗》,“Rappaccini’sDaughter”《拉帕西尼的女兒》,“TheArtistoftheBeautiful”,“TheBirthmark”,and“RogerMalvin’sBurial”.(5).Booksforchildren:Grandfather’sChair(1841);FamousOldPeople(1841),LibertyTree(1841),BiographicalStoriesforChildren(1842)(6).TheScarletLetter,1850;《紅字》(7).TheSnow-ImageandOtherTwice-ToldTales(1851)(8).TheHouseofSevenGables,1851;《七個尖角閣的房子》(9).TheBlithedaleRomance,1852;《福谷傳奇》(10).TheMarbleFaun,1860;《玉石雕像》(11).TheCentenaryEditionoftheWorksofHawthorne,18vols.ed.W.Charvatetal.,1962-1987.Masterpieces:TheScarletLetter(1850),writtenafterHawthorn’sdismissalfromhispostowingtoachangeofadministrations,provedtobehisgreatestwork,andindeedsummedupinclassictermsthePuritandilemmathathadsolongoccupiedhisimagination.OtherImportantbooks:如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!TheHouseoftheSevenGables(1851);isanothergreatromance,concernedwiththedecadenceofPuritanism,anovelbaseduponcolonialAmericaandfilledwithmysticism.TheBlithedaleRomance,(1852)inwhichhetunedtothecontemporarysceneandhisBrookFarmexperiences;TheScarletLetter(1850)人物:Wife:HesterPrynne丈夫改名后:RogerChillingworthPriest:ArthurDimmesdaleWaltWhitman(1819-1891)Whitman’s(慧特曼)LeavesofGrass《草葉集》)isthelastmasterpieceofAmericanRomanticism.Freeverse1.withoutafixed,traditionalrhymescheme2.Itissometimesreferredtoas“openform”verse,orbytheFrenchtermverslibre.Whitman’sstatusWhitmanstandsasoneoftwogiantsofAmericanpoetryin19thC.foundnewsubjectsfortypicalAmericantypeofpoetry.rejectedconventionalthemes,traditionalrhymeHeinfluencedHarlemRenaissancewritersasLangstonHughesandJamesWeldonJohnson.EzraPound,T.S.Eliot(Modernistpoets)werealsoinfluencedbyWhitman.MajorWorks:LeavesofGrassSongofMyselfOutoftheCradleEndlesslyRockingWhenLilacsLastintheDooryardBloom’d紀(jì)念林肯EdgarAllanPoe1.Position(1).Poet,short-storywriterandcritic.(2).UniquepositioninthehistoryofAmericanliterature:

a.ancestorofthedetectivestory(influencingConanDoyle)b.forefatherofpsychologicalnovels(psychologicalanalysis)

c.thefirstimportantAmericancriticandfatherofpsychoanalyticcriticism

d.(beregardedas)oneofthefirstaesthetesinliteraryhistoryHowever,PoemaybethemostcontroversialandmostmisunderstoodliteraryfigureinthehistoryofAmericanliterature.2.Masterpieces:TheRaven(1844)—oneofhismostenduringworksToHelenHermanMelville:majortheme:aliennation如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!Masterpiece:MobyDick《白鯨》人物:Ishmael船長:Ahab白鯨:MobyDick船:PequodAcommonTheme:oneof“Rejectionandquest”19世紀(jì)中期Cooper,Hawthorne,MelvilleEmilyDickinson(1830-1886)PioneerofImagismCalvinistfamily詩歌特點:Love:“WithaFlower”,“Proof”Nature:“AServiceofSong”,“SummerShower”Deathandimmortality:“BecauseICouldNotStopforDeath”Miscellaneous:“TellalltheTruthbuttellItSlant”Hertechniquesoriginality:CapitalizationsanddashesMetaphorssymbolismDickinson’sstatus1.HerunconventionalityinfluencedmodernpoetslikeAdrienneRich,RichardWilbur,andWilliamStafford.AlongwithWaltWhitman,DickinsonisconsideredatruegeniusofAmericanpoetryofthe19thC.WorksBecauseIcouldnot…TellalltheTruthbuttellitslant-WithAFlowerProofAServiceofSongThisismyletterAmericanRealismTimeRange:1865–1910Background:1.AftermathoftheCivilWara.SocialProblems:deteriorationofmoralvalues;extremesofwealthandpoverty;majoritystruggledforsurvivalb.QuestionontheTranscendentalists’assumptions如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!2.Agreatinterestintherealitiesoflife3.ThecloseofthefrontierFeatures:1.Anti-romantic,anti-sentimental;truthfuldescriptionoflife真實性2.Typicalcharacterandplotundertypicalsetting人物情節(jié)與背景的典型性、代表性3.Objectiveratherthanidealizedviewofhumannatureandexperience客觀性4.Concernforsocialandpsychologicalproblems關(guān)注社會與個人心理問題 RealisticTechniques(1).Settingsthoroughlyfamiliartothewriter(2).Plotsemphasizingthenormofdailyexperience(3).Ordinarycharacters,studiedindepth(4).Completeauthorialobjectivity(5).Responsiblemorality;aworldtrulyreportedRepresentativeWritersandWorks:1.WilliamDeanHowellsisthethechampionofliteraryrealisminAmerica.HisTheRiseofSilasLapham,isaboutcriticaloftheriseofmaterialisminAmericanlife2.HenryJamesistheforefatherofpsychologicalanalysisandstreamofconsciousness.HisfamousworkisThePortraitofaLady.3.MarkTwainrepresentssociallifethroughportraitsoflocalplaceswhichheknewbest.HisfamouswordisTheAdventuresofTomSawyer.WilliamDeanHowells（1837—1920）middleclasssmilingaspectLackingofpsychologicaldepthMajorWorksTheRiseofSilasLapham（1885）《塞拉斯·拉帕姆的發(fā)跡》Protagonist:SilasLapham,aself-mademan,aupstart2.AModernInstance（1881）《現(xiàn)代婚姻》IndianSummer（1886）《晚秋之曖》AnnieKilburn（1888）《安妮·吉爾伯恩》AHazardofNewFortunes（1890）《時來運(yùn)轉(zhuǎn)》AChanceAcquaintanceHenryJames（1843—1916）upperclassHarvardNovelist,critic,playwright,essayistForefatherofpsychologicalanalysisandstreamofconsciousnessInternationaltheme:AmericaninnocenceinfaceofEuropeansophistication如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!MajorWorks:TheAmerican（1877）《美國人》DaisyMiller（1879）《苔瑟·密勒》ThePortraitofaLady（1881）《貴婦人的畫像》TheBostonians（1886）《波士頓人》ThePrincessCasamassima（1886）《卡薩瑪西瑪公主》WhatMaisieKnew（1897）《梅吉的見聞》TheTurnoftheScrew《擰螺絲》ThreegreatnovelsTheWingsoftheDove（1902）《鴿翼》TheAmbassadors（1903）《專使》TheGoldenBowl（1904）《金碗》LocalColorism(1860s--1900)鄉(xiāng)土文學(xué)FeaturesEmphasisofelementswhichcharacterizealocalculture,suchasspeech,customs,andmorespeculiartooneparticularplace.Emphasisofphysicalsettingandthosedistinctivequalitiesoflandscapewhichconditionhumanthoughtandbehavior.dialectframestoryMarkTwain（1835—1910）lowerclasssocialcritic,localcoloristcolloquialspeechsouthwesternhumor5.storiespeculiartoMississippiandWestMajorWorks1.《卡拉韋拉斯縣馳名的跳蛙》TheCelebratedJumpingFrogofCalaverasCounty第一個成功文學(xué)作品2.《鍍金時代》（TheGildedAge,1873）3.《湯姆·索耶歷險記》（TheAdventuresofTomSawyer,1876）4.《王子與貧兒》（ThePrinceandthePauper,1881）5.《密西西比河上》（LifeontheMississippi,1883）6.《哈克貝利·費(fèi)恩歷險記》（TheAdventuresofHuckleberryFinn,1886）7.《傻瓜威爾遜》Pud’nheadWilson（1893）8.《圣女貞德》PersonalReflectionsofJoanofArc（1896）FollowingtheEquator（1897）《赤道旅行記》《敗壞了赫德萊堡的人》TheManThatCorruptedHadleyburg(1900)《傻子國外旅行記》InnocentsAbroad(1869)《神秘的來客》TheMysteriousStranger(1906)《人是怎么一回事》WhatIsMan(1906)TheAdventuresofHuckleberryFinn(1884)如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!人物:HuckleberryFinn:Maincharacterofthebook,whorunsawayfromhisadoptedfamilytobefreeofsocietyandcivilization.TomSawyer:Huck'sbestfriendwhofreelyspinsliesandlovesadventure.WidowDouglas:AdoptsHucktotryandcivilizehim.MissWatson:SisteroftheWidowDouglas.ShetriestoteachHuckreligionandhowtospell.Jim:MissWatson'sslave.HerunsawayandjourneysdowntheMississippiRiverwithHuck.Pap:Huck'sdrunkardfather.TheKingandtheDuke:twoswindlersComparisonofthethree“giants”1.ThemeHowells–middleclassJames–upperclassTwain–lowerclass2.ToneHowells–smiling/genteelrealismJames–psychologicalrealismTwain–localcolourismandcolloquialismAmericanNaturalismTimeRange:1890--1920Background:1.Emergenceof“ModernAmerica”:financialgiantsvs.industrialproletariat2.Newideasaboutmanandman’splaceintheuniverse:inacold,indifferentandGodlessworld,manisinsignificantwithoutfreedomofwill.3.YoungergenerationofwritersthoughtHowellsianrealismwastoorestrainedandgenteeltotellthetruthoftheharsherrealitiesofAmericanlife.Definition:acriticaltermappliedtothemethodofliterarycompositionthataimsatadetached,scientificobjectivityinthetreatmentofnaturalman.Itisthusmoreinclusiveandlessselectivethanrealism,andholdstothephilosophyofdeterminism.Itconceivesofmanascontrolledbyhisinstinctsorhispassions,orbyhissocialandeconomicenvironmentandcircumstances.Sinceinthisviewmanhasnofreewill,thenaturalisticwriterdoesnotattempttomakemoraljudgments,andasadeterministhetendstowardpessimism.(TheOxfordCompaniontoAmericanlit.)Features:1.Humansarecontrolledbysomedeterministicforces,bothinternal(heredity)andexternal(environment)2.Theuniverseisindifferentandhostile.3.Theliterarynaturalistshaveamajordifferencefromtherealists.Theydescribedtheviolent,sensational,sordid,unpleasant,anduglyaspectsoflifeinsteadoftheaverageInsteadofreflectingthemiddle-classlife,theywouldratherwriteaboutthelifeoffailure,povertyandevencrime.4.generaltone:hopelessness,despair,gloom,pessimism如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!RepresentativeWritersandWorks1.asaresponsetoadarkeningsocialoutlook:theharshfutilityoflifeinnature,onthefarm,orinthecity(StephenCrane)Maggie:AGirloftheStreet(1893)2.TheodoreDreiserSisterCarrieisaspiritualtragedy.3.thepoliticalimplicationsofeconomicforces(FrankNorris)McTeagueStephenCrane(1871-1900)PioneerinthefieldofModernpoetry:OneofthetwoprecursorsofImagist,theotherbeingEmilyDicksonMajorWorks:1.Maggie:AGirloftheStreet(1893)《街頭女郎梅季》AmasterpieceofAm.naturalism,thefirstnaturalisticnovelinAmericanLiterature.TragiclifediedinriverPeteseducesandabandonsMaggieTheRedBadgeofCourage(1895)《紅色英勇勛章TheOpenBoat《海上扁舟》(1897)TheBrideComestoYellowSky《新娘來到黃天鎮(zhèn)》TheBlueHotel《藍(lán)色旅館》AnExperimentinMiseryCollection:TheBlackRidersandOtherLines《黑衣騎士及其他》(1895）Longpoem:WarIsKind《戰(zhàn)爭是仁慈的》（1899）AManSaidtotheUniverse(book)AManAdriftonaSlimSpar”(book)FrankNorris(1870-1902)MajorWorks:1.McTeague(1899)《麥克提格》“thefirstfull-bodiednaturalisticAmericannovel”/fulllength“TheEpicoftheWheat”:atrilogy《小麥?zhǔn)吩姟稵heOctopus（1901）《章魚》thebest,abouttheproductionofthewheat,theoctopus—therailroadThePit(1903)《陷阱》thedistributionandconsumptionofthewheatonthemarketTheWolf《野狼》TheodoreDreiser(1871-1945)MajorWorks:SisterCarrie(1900)《嘉莉妹妹》第一部小說先遭拒絕,后出版TheTrilogyofDesire”《欲望三部曲》:TheFinancier(1912)《金融家》TheTitan(1914)《巨頭》TheStoic,《禁欲者》(1945,unfinished)The'Genius'(1915)《天才》如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!AnAmericanTragedy(1925)《美國悲劇》,自傳Dawn《曙光》(1931)TheBulwark《堡壘》(1946)SisterCarrie(1900)人物:CarolineMeeber,knownasCarrieCharlieDrouetGeorgeHurstwoodThe1920sAmericanModernismTimeRange:1910s–1945HistoricalBackground:1.TheInfluenceoftheWWI:AstrongerimageofAmericaininternationalarena;Theeconomicboom-adeceptiveaffluence;Thedevelopmentofanewtypeofindustrialeconomy;2.IntoleranceinAmericansociety:thediscriminationagainstminorities.3.Thelossoffaith—thedeathofGod.Intellectually,Darwin,Freud,Nietzsche,MarxSpiritually,senseofdisillusionment&fragmentationDefinition:1.Theattempttocreatesomethingnewinthespaceofmoderncrisisandchange.2.Discontentmentandadeliberate&radicalbreakwithtraditionalwaysofexpressioninWesternarts&lit.3.Innovativeexperimentationinsubjects,forms,concepts&stylesFeatures:Fragmentationandopen-endednessinstructureAlienationasthechiefcharacteristicInterestsinthepsychologicaldepthsofcharacters(methodofstream-of-consciousness)Gender,race,classasacceptedregisters--effortstorepresentpostwarworldasincoherent,futile,fragmented,andmeaningless,manasmisplaced,lostandalienated,toresisttraditionaltotalizedviewsofrealityRepresentitiveWritersandWorksT.SEliotisthemostdominantliteraryfigurebetweenthetwoworldwars.TheLoveSongofJ.AlfredPrufrockEzraPoundistheleaderoftheImagistmovement,mentorofmanyliterarytalents,triedfortreasonIndebtednesstoChineseculture.InaStationoftheMetro.Imagism意象主義(1912—1914,withEzraPoundastheleader)如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!RejectedtheeffusivenatureofRomanticandVictorianpoetryFocusedondirectnessofideaandeconomyoflanguageContemporarywithandinharshcontrasttoGeorgianpoetryContemporaries:EzraPound,T.S.EliotRepresentatives:Pound,Hulme,AmyLowell,H.D.,RichardAldington,WilliamCarlosWilliamsFeaturesoftheImagistPoetry:TousethelanguageofcommonspeechTocreatenewrhythms–anewcadencemeansanewideaToallowabsolutefreedominthechoiceofsubjectTopresentanimageToproducepoetrythatishardandclear,neverblurredorindefiniteConcentrationistheveryessenceofPoetryEzraPound(1885—1972)龐德MajorWorks:InaStationoftheMetroIndebtednesstoChinesecultureHughSelwynMauberley《休·西爾文·毛伯萊》Cantos（1915-1945）《詩章》1908ALumeSpento《燈火熄滅之時》1909Personae《人物》1910TheSpiritofRomance《羅曼斯精神》1915Cathay《中國》1919HomagetoSextusPropertivs《向塞克斯圖斯·普羅佩提烏斯致敬》1920HughSelwynMauberley《休·賽爾溫·毛伯利》1945ThePisanCantos《比薩詩章》1954LettersofEzraPound，1907—1941《埃茲拉·龐德書信集》1973LiteraryEssays《文學(xué)論文集》SelectedProse1909—1965《文選》ThomasStearnsEliot(1888-1965)fragmentationmodernmanalienationMajorWorks:TheLoveSongofJ.AlfredPrufrock(1911)《普魯弗洛克的情歌》TheWasteLand(1922)《荒原》HollowMan(1925)《空心人》AshWenesday(1930)《圣塵星期三》FourQuartets(1943)《四個四重奏》ScottFitzgerald(1896—1940)菲茨杰拉德Thespokesmanofthe“Roaringtwenties”andTheJazzAgeStylistMajorWorks:如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!如果您需要使用本文檔，請點擊下載按鈕下載!ThisSideofParadise(1920)《人間天堂》TheBeautifulandDamned(1922)《美人與丑鬼》ThefirstattemptatwritingTheGreatGatsby.3.TheGreatGatsby(1925)《了不起的蓋茨比》F’sbest,writteninParis,amasterpieceofthe1920scriticismontheJazzAge4.TenderIstheNight(1934)《夜色溫柔》F’ssecondimportantnovel,condemningthewastedenergyofmisguidedyouth.5.TheLastTycoon(1941)《最后一個巨頭》unfinished6.Twoshortstorycollections:FlappersandPhilosophers(1920)《少女與哲學(xué)家》TalesoftheJazzAge(1922)《爵士時代的故事》Giveitsnametothedecade(1919-1929)–theJazzAge(the“RoaringTwenties”,“TheFlapperPeriod”)7.TheCrack-Up(1945),essayscollectedbyEdmundWilson《崩潰》TheGreatGatsby(1925)《了不起的蓋茨比》人物:TomBuchananDaisyGatsbyWilsonNickCarrawayErnestHemingway(1899—1961)海明威colloquialstyleicebergtheoryMajorWorks:1.TheSunAlsoRises(1926)《太陽照樣升起》paintstheimageofawholegeneration—thelostgeneration,spiritualcrisis2.AFarewelltoArms(1929)《永別了，武器》basedonhiswarexperienceinIt