【目的論視角下哪吒之魔童降世電影的字幕漢譯英探究（英語）（論文）】

.Introduction1.1ResearchbackgroundAsmycountry'sinternationalstatusandculturalsoftpowercontinuetoincrease,the"culturaloutreach"strategyhasbeenputontheagenda.Asoneoftheimportantcarriersofculturaldisseminationandexchange,theoutputoffilmandtelevisionworkshasbecomemoreandmoreimportant.Agoodfilmandtelevisionworkmustbesupportedbyhigh-qualitysubtitles.Subtitletranslationhelpspeopleofallethnicgroupsacrossthecountryunderstandeachother’sculture.High-qualitysubtitletranslationcannotonlyprovidetheaudiencewiththemostoriginalworks,butalsohelppeoplelearnmoreabouttheirownculture.Mycountry'smovieandtelevisionimportandexportvolumeisveryhigh,butthesubtitletranslationmarketisverysmall.TheculturalfactorsinherentinChinesefilmandtelevisionworkswillmakeitverydifficultfortheaudiencetounderstandthework.Subtitletranslationshouldtakeintoaccounttheculturaldifferencesbetweencountries,soastoaccuratelyconveythemeaningofthefilmtotheaudience,whichisthekeypointofsubtitletranslation.Therefore,Chinamustattachgreatimportancetothestudyofsubtitletranslation,enhancetheculturalliteracyoftranslators,improvethequalityoftranslation,promotethedevelopmentofChinesefilmsintheworld,makefilmandtelevisionworksgoabroad,andthusenhancetheworld'sunderstandingofChineseculture.Inforeigncountries,thestudyofsubtitletranslationhasalreadybegunandismaturingeveryday,creatingasystematicsystemofthinkingbasedonfeatures,functions,principlesandtechniques.statusofanysubtitletranslator.InChina,whilesubtitletranslationisanintegralpartofliterarytranslation,thereisnootherplacelikeliterarytranslation,suchassongs,novelsandprosetranslations,thatattractstheattentionofthetranslationcommunity..Regardlessofthenumberofresearchers,thenumberofpublishedscientists,orthefieldofresearch,theindustrylacksresearchonsubtitletranslation,andthereissomeimportantresearchdata.Intheexistingresearchresults,manyofthemonlyrelyontheexperienceandsubjectiveviewsoftranslators,andlackofrelevanttheoreticalguidance.Whataudiencesneedismoreprofessionalandstandardsubtitletranslation,soitisnecessarytoconductmorein-depthandprofessionalresearchonsubtitletranslationtomeettheneedsofaudiences.ThisarticletakesthedomesticanimationNeZhaastheresearchobject,andconductsresearchonitssubtitletranslationmethod.In2019,thedomesticanimationfilmNeZhawaswidelyacclaimedandwontheannualmainlandboxofficechampion.WhileitisverypopularinChina,italsolaunchedanoverseasEnglishversionaccordingly.NeZhaisadaptedfromtheChinesemythicalstory"NeZhaNausestheSea".IttellsthestoryofNeZhawhowas"bornasademon"but"foughtagainsttheskytotheend".ThecharactersinthefilmaremostlytraditionalChinesecharacters,andtherearealsomanywordswithspecificChineseculturalsignificanceinthelines.Howtomakeforeignaudiencesunderstandwhatthedirectorwantstoexpresswithoutthecorrespondingculturalbackgroundrequirescarefulconsiderationbythetranslator.Chooseasuitabletranslationmethodortranslationstrategytoachievethepurposeoftranslation.1.2ResearchpurposesInmodernsociety,filmandtelevisionworksarebecomingmoreandmorepopularwiththepublic.InadditiontowatchingfilmsandTVplaysoftheirowncountry,peoplewillalsoenjoytheworksofothercountrieswiththeoriginalsubtitlesinforeignlanguages,andexperiencethecustomsandcultureofdifferentcountrieswhilewatching.Thetranslationoffilmandtelevisionworkshasplayedaveryimportantrole.However,therearefewstudiesonsubtitletranslationmethods.ThisarticletakesthedomesticanimationNeZhaastheresearchobject.FromaSkoposTheoryperspective,thefivetranslationmethodsusedinthefilm'ssubtitlesarestudiedseparately,andadetailedanalysisiscarriedoutinconjunctionwithspecificcases.FilmtranslationinthefuturewillprovidereferencetopromotetheglobaldevelopmentofChinesefilmsandenhancetheworld'sunderstandingofChineseculture.1.3Researchmethods ThisarticleselectsSkoposTheoryfrommanytranslationtheoriesastheoreticalsupport.FromtheperspectiveofSkoposTheory,itconductsresearchonsubtitletranslation.Atthesametime,intheselectionofmovies,itselectsthehighestboxofficeofChineseanimatedfilmsthatwillsoonbereleasedinChinain2019.AsacasestudyofthedomesticanimatedfilmNeZha,thefilmcontainsrichChineseculturalelements.Howtoconveythemeaningoftheoriginaltextintranslationplaceshighdemandsontranslators.Therefore,thisarticlestudiesthetranslationofsubtitlesinworksfromtheperspectiveofSkoposTheory.Theresearchmethodsusedinthisarticlewillnowbedescribedindetail:(1)Methodsofdocumentinductionandsummarization:UsenetworkandlibraryresourcestofindoutmanycorejournalsrelatedtofilmsubtitletranslationandSkoposTheory,andanalyze,summarizeandsummarizerelateddocuments.(2)Themethodofcombiningtheoreticalresearchandcaseanalysis:anin-depthandsystematicanalysisofthesubtitletranslationofNeZha.Atthesametime,thisarticlestudiesthesubtitletranslationofthemovieNeZha,usingthemethodofrepeatedlywatchingthemovieandcarefullystudyingthesubtitletranslation,basedontheSkoposTheory,andapplyingtheSkoposTheorytoNeZha,thecorrespondingtranslationmethodshavebeenderivedfromthepracticeofsubtitletranslationofthemovieNeZha:literaltranslation,freetranslation,amplification,deduction,andadaptation,whicharesupportedbydetailedexamples.1.4ResearchsignificanceTheoreticalsignificance:high-qualitysubtitletranslationisessentialforculturalexchangesanddisseminationbetweenChinaandforeigncountries.ThisthesisselectsNeZha,adomesticanimationfilm,astheresearchobject,andcombinesspecificcasestostudyitsfilmsubtitletranslationfromaSkoposTheoryperspective.Ithopestoattractdomesticscholars’attentiontosubtitletranslationandprovidereferencestrategiesandstrategiesforChinese-Englishsubtitletranslation.Principles,andthencontinuetoimprovethedomesticsubtitletranslationtheory,sothatmycountry'ssubtitletranslationhasascientifictheoryasaguide,andpromotethedevelopmentofmycountry'ssubtitletranslation.Practicalsignificance:Theresearchofsubtitletranslationoffilmandtelevisionworkscanhelptoimprovethequalityoftranslationandtheaestheticsofworks.Goodsubtitletranslationdirectlyaffectsthequalityofthefilmandcanbetterconveythethoughtcontentofthefilm,whichhelpsChineseculturegoabroad.TheaudiencecanfeelthecharmofChineseculturewhilewatchingthemovie.ThispaperstudiestheChinese-EnglishtranslationofChinesecomicfilmsubtitles,andmakesanin-depthanalysisthroughtranslationcases,inthehopeofprovidingreferenceforfutureChinesecomicfilmtranslationpractice.2.LiteratureReview2.1IntroductiontosubtitletranslationSubtitletranslationusuallyreferstotheprocessofprovidingsynchronizedsubtitlesfortheworkonthebasisofpreservingtheoriginalsoundofthework.ThemainobjectsofsubtitletranslationmainlyincludeTVseriesandmovies.Fromtheperspectiveoflinguistics,therearetwocategories,oneisintra-languagesubtitletranslation,andtheotherisinter-languagesubtitletranslation.Subtitlesusuallyrefertointer-languagesubtitletranslation,thatis,thedialogueofprintedsentencesorfragmentsthatappearatthebottomofthescreenasatranslationbetweensilentmoviescenesorinforeignlanguagemoviesorTVprograms.Therearethreetypesofsubtitles:openingsubtitles,mainsubtitlesandendingsubtitles.Theopeningcaptionsappearatthebeginningofthemovie,aimingtoguidetheaudience'sinterestinthefuturestory;thecaptionsthatappearduringthemovieplaybackarecalledmaincaptions,whicharethemostimportanttype;thethirdtypeistheclosingcaptions.Subtitlesareanimportantmeansofcommunicationbetweenthefilmandtheaudience,andabridgeforculturalexchangesbetweenChinaandforeigncountries.Goodsubtitletranslationcanresonatewiththeaudienceandencouragetheaudiencetounderstandtheculturebehindthefilm.2.2PreviousstudiesofsubtitletranslationAsanartform,theroleoffilmininternationalcross-culturalcommunicationandculturalcommunicationhasbeenrecognizedbyeveryone,anditsroleisbecomingmoreandmoreimportant.Moviescanaccurately"restore"therealworldand"show"thevirtualworld,givingpeopleasenseofauthenticityandintimacy.Moviescansatisfypeople'sdesiretofeellifemorebroadlyandtruly.Bywatchingthefilm,theaudiencecanunderstandtheideathatthisworkisintendedtoconvey,andcanunderstandthecustomsandhabitsofforeigncountries.Agoodworkmustbesupportedbyhighqualitysubtitles.Throughthefilmsubtitles,theordinarypeoplewhohavenoknowledgeorabilityofforeignlanguagescaneasilyunderstandthefilm,whichcanhelpustohaveabetterunderstandingofforeignculture.2.2.1ResearchonsubtitletranslationabroadWesternscholars'researchonsubtitletranslationoffilmandtelevisionworksfirstbeganinthelate1950s.In1960,apaperonthestudyofsubtitletranslationwaspublishedinthejournalBabel,whichcompletelyopeneduptheall-rounddevelopmentofthefieldofsubtitletranslationinWesterncountries.AfterthepublicationofanarticlebyDolleruponsubtitles,itreceivedwidespreadattention.Dollerupalsoproposedtheimportanceofsubtitletranslationforforeignlanguagelearning(1974).Duringthe1990s,thereweregreatbreakthroughsinthestudyoffilmsubtitletranslation.ManytheoriesandachievementswereputforwardbyWesternscholarsatthistime.Since1995,Westernsubtitletranslationhasdevelopedfasterandfaster,andtherehavebeenmoreandmoretheoreticalstudiesonsubtitletranslation.Inthepasttwodecades,Europeanacademicresearchresultshavebeenoutstanding.Theyhavemadegreatcontributionsinthefieldofsubtitletranslationandhaveprovidedmanyreferencesforotherscholarstostudysubtitletranslation.2.2.2StudiesonsubtitletranslationathomeAsawhole,theresearchonsubtitletranslationinmycountryismuchlaterthaninWesterncountries.Bycombingthroughthearticlesonsubtitletranslationinrecentyears,wecanprobablyfindthattheresearchtheoriesinclude:functionalequivalencetheory,ecologicaltranslationtheory,relevancetheory,adaptationtheory,functionalSkoposTheory,cognitivetranslationview,andothers.Inadditiontoresearchfromatheoreticalperspective,somearticleshavedirectlyresearchedtranslationstrategiesandtranslationmethods,suchastranslationstrategiesofdomesticationandforeignization,andtranslationmethodsofliteraltranslationanddeduction.Before2006,peoplepaidverylittleattentiontosubtitletranslationinmycountry.Mostoftheattentiontofilmtranslationfocusedonthetranslationofmovietitles.Theprosandconsoftranslationwerediscussedintermsofspecifictranslationstrategies,andtherewasnosystematicandscientificresearchsystem.Sincethebeginningofthe21stcentury,thefilmindustryhascreatedtheeraofImaxand3Dimages.Peoplearemorepursuingtheshockingeffectandoriginalsoundoffilmimages.Subtitletranslationhasalsoprovidedanewdevelopmentopportunityformycountry'sfilmindustry.SinceLiYunxingpublishedhisarticle"StrategiesforSubtitleTranslation"inChinaTranslation,subtitletranslationhasgraduallyattractedtheattentionofmanyscholarsasanindependentfield(Li,2001).Throughresearch,WangLipingconcludedthatthesubtitletranslationof"Non-II"satisfiestheadaptiveconversionof"three-dimensional"andisasuccessfulsubtitletranslation(Wang,2011).Atthesametime,peopleareconstantlythinkingaboutthefutureofhowtocarryoutsubtitletranslationresearch.3.SkoposTheoryastheTheoreticalFramework3.1OverviewofSkoposTheorySkoposTheory:itskeyideaisthatthepurposeofthetranslationactiscrucialtothetranslationprocess.Ittakestwoforms.Oneistheinternal,theinternalSkoposTheory,andtheotheristheexternal,theexternalSkoposTheory.SkoposTheoryoftranslationholdsthatinanytranslation,wemusttakethe"skoposrule"asthemajorpremise,thatis,whentranslatingtheoriginaltext,thetranslatorshouldbeabletofollowthewayexpectedbythetranslatorinthebackgroundoftheoriginaltext,whichplaysanindispensableroleinthewholetranslationprocess.Thefinalresultdeterminesthemethodusedinthewholetranslationprocess.Wemayhavemorethanonepurposeinthewholeprocessoftranslation.Itmayhavemorethanonepurpose.Wecanroughlydividethesepurposesintothreecategories.Thefirstisthegoalthatthetranslatorwantstoachieve,whichisthesayingthatthesimplebirdsflyfirst;Thesecondisthepurposethatthetranslatedtextwantstoachieve,thatis,theinspirationthatthereadergetsinthetranslatedtext;Thethirdisthepurposeofthetranslationwhichisintendedtoachievebysomespecialmeans.However,ingeneral,thesimplestandmostdirectpurposeoftranslationisforbettercommunicationbetweenpeople.3.2ThreerulesofSkoposTheory3.2.1SkoposruleSkoposruleisaprinciplethateverytranslatormustabideby,whichrequirestheaudiencetounderstandthetranslatedtext.Thisruledeterminesthebehavior,methodsandstrategiesoftranslation.Translatorsplayasubjectiveroleintheprocessoftranslatingworks.Theyshouldtranslateaccordingtothepreferencesoftheaudience,thelanguagehabitsoftheaudienceandthecustomsandculturalbackgroundofthecountryorregiontowhichtheaudiencebelongs.3.2.2CoherenceruleCoherencerulemeansthatthelogicalrelationshipwithinthetranslationmusthaveacertaindegreeofcontinuity,andthetranslationmustbereadableandacceptable,sothattherecipientofthetargetlanguagecanunderstandit.Inshort,thetranslationmustnotonlybereadable,butalsoacceptability,inordertomaximizethepurposeofcommunication.Toachievethemaximumimitationoftheoriginaltranslation.3.2.3LoyaltyruleTheruleofloyalty,whichisnotabsoluteloyalty,isarulethatvariesfrompersontoperson.Becauseeveryreaderisdifferent.ThereareathousandHamletsinathousandreaders.Thisruleisabouthowwellthereaderortranslatorunderstandsthetext.3.3ThereasonsforselectingSkoposTheoryastheTheoreticalFrameworkFirstofall,asamajorbreakthroughinthestudyofWesterntranslationtheory,SkoposTheoryisofgreatsignificancebothintheoryandpractice.Secondly,SkoposTheorymakestranslationstandardsdiversified,andthediversificationoftranslationstandardsmakestranslationclosertoreality.Finally,becauseSkoposTheorybreaksthetraditionalmodeloftranslationtheory,itplacesthefocusoftranslationresearchonthechoiceoftranslationpurpose,andsolvestheshortcomingsoftraditionaltranslationresearch,thusprovidingnewideasfortranslationresearchandpromotingthedevelopmentoftranslationtheory.4.AnAnalysisoftheC-ETranslationMethodsofSubtitlesofNeZhaundertheSkoposTheory4.1AbriefintroductiontoNeZhaNeZhaisananimatedfilmproducedbyHorgosCaitiaoyaPicturesCo.,Ltd.ThefilmisadaptedfromaChinesemythicalstory.IttellsthestoryofNeZha'sgrowthexperienceinspiteofbeing"bornasadevil"but"fightingagainsttheskytotheend".ThefilmwasreleasedinmainlandChinaonJuly26,2019.OnSeptember6,2019,theopeningceremonyofthe12thChinaInternationalComicsFestivalandthe16thChinaAnimationGoldenDragonAwardswereheldinGuangzhou.NeZhawonthebestanimatedfeaturefilmbonusaward,thebestanimationdirectoraward,thebestanimationscreenwriteraward,andthebestanimationdubbingaward.Thequalityofthesubtitlesofdomesticfilmsisdirectlyrelatedtowhethertheaudiencecanunderstandthefeelingsandmeaningsconveyedbythework,andwhethertheycanfeelthecharmoftraditionalChineseculture.Therefore,thisarticletakesthedomesticanimationNeZhaastheresearchobject.FromtheSkoposTheoryperspective,thefivetranslationmethodsusedinthefilm'ssubtitlesarestudiedseparately,andadetailedanalysisiscarriedoutinconjunctionwithspecificcases.4.2AnalysisoftheChinse-EnglishTranslationMethodsofNeZha4.2.1LiteraltranslationLiteraltranslationreferstoatranslationmethodthatneitherchangesthecontentoftheoriginaltextnortheformoftheoriginaltextintheEnglishtranslation,thatis,aone-to-onetranslationbasedontheoriginaltextwordbyword.Example1:殺人不眨眼，吃人不放鹽。Translation:Ikillwithoutblinking,andeatpeoplewithoutsalting.Thegenreofthispoetryisaslangpoem,whichisaslangstyle.Thistypeofpoemisslang,humorous,smallandinteresting.Sometimesitisalsousedtobehumbleorself-deprecating.ThissentenceadoptstheliteraltranslationmethodtoshowNeZha'sfiercenessandevilspirit.Althoughhisself-deprecatingsentenceisexaggerated,itclearlyreflectsNeZha'sinternaldissatisfactionwiththepeopleofQiantangRiverfortheirrejectionandabuseofthemselves.Theconnotationofthetranslationherecanbewellreceivedbyforeignaudiences.Example2:山啊樹啊花啊草啊。Translation:Mountains,trees,flowers,andgrass.Thissentenceadoptsthemethodofliteraltranslation,andthestructureandmeaningoftheoriginalsentenceremainunchanged.Itistranslatedwordbywordfortheoriginaltext,reflectingtheprincipleofcoherenceandloyaltyinsubtitletranslation.Example3:我施了天劫咒。Translation:Ihavecastaheavenmadecurse."天劫"isatermofTaoism,anativeeasternreligion,andisaculturallyloadedword.InChineseculture,"天劫"referstoacalamity.Peoplewhoimplementthespellareusedtocallit"Heaven'sTribulationMantra",butintheEnglishlanguageofexpression,theimplementationofthemantrais"madeacurse".Therefore,inwesternlanguageandculture,creatingaspellistoimplementaspell.Therefore,accordingtotheprincipleofcontinuity,addingthemodifier"heaven"hereissuperfluousandcanbeomitted.ItisasstrangeforWesternreaderstoreadthissentenceasifitweresaltinsweetporridge.Therevisedtranslationismorecoherentandhasenhancedreadabilityandacceptability,makingiteasierforWesternreaderstounderstandthemeaningoftheoriginaltext.ThisalsoreflectsthecoherenceprincipleofSkoposTheory.Example4:喜得貴子。Translation:Congratulationsonyournewbornbaby.Thissentenceisrelativelyshortandsimpleinmeaning.Thetranslatoradoptsthemethodofliteraltranslation.TheChineseandEnglisharedirectlyconverted.Boththesentencestructureandthewordordercorrespondwell.Itnotonlyexpressestheoriginalmeaning,butalsoisconciseandclear.Therefore,thetranslationof"Congratulationsonyournewbornbaby"ismostfaithfultotheoriginal.4.2.2AmplificationAmplification:Itisnotmadeoutofnothing,letaloneaddsomewordscasually.It'snotthatthetranslatorcanjustaddtoit.Itmustabidebysomebasicprinciples,grammarorsentencestructure,writingcontext,etc.Infact,itisnotdifficulttounderstandthatitisforreaderstobetterunderstandthearticletoreasonablyaddsomeappropriatewords.Inorderforreaderstobetterunderstandandseeclearlywhattheauthorwantstoexpress.Thisaspectalsomeetstherequirementoffaithfulandcoherentsubtitletranslationaswellasthepurposeoftranslation.Example5:爹送你個平安福保佑你平平安安。Translation:I'mgivingyouaprotectioncharmtokeepyousafefromharm.Thetranslationofthissentenceadded"fromharm"toavoidinjury.Abitofprocessingwascarriedoutwithintheacceptablelengthofthesubtitles.ItcomplementedNeZha'sfather'semotionalexpressionandconveyedthefilm'sartisticconception.Doingsuchasimpleadditionaltranslationhereisarequirementforthepurposeoftranslation,aswellasaneedfortheculturalnatureofsubtitles.ItshowsNeZha'sfather'sloveforhischildincisivelyandvividlyExample6:若命運不公，就和它斗到底。Translation:Ifyoudon'tlikeyourfate,fightituntilthebitterend.ThissentenceshowsNeZha'sdaringtoresistandthepaininhisheart."untilthebitterend"isaddedinthetranslation,andthetranslationmethodisusedtoexpressthepainfulfeelingsofbeingbornasamagicpillandeagerlydesiretochangethestatusquo.Sothattheaudiencecanexperiencetheeffectsconveyedbythefilm,whichisalsotherequirementoftheprincipleoftranslationfidelity.4.2.3DeductionSincetranslationactivitiesarelimitedbytimeandspace,thecontentoftranslationmustbechangedaccordingtothedifferencesintimeandspace.Deductionistocompresstheoriginalcontenttomakethetranslationconciseandconcisetothegreatestextent.Ontheonehand,thetranslatormuststrictlylimitthenumberofwordsinthesubtitles;ontheotherhand,thesubtitles,asanauxiliarymeanstoappreciatethefilmandtelevisionworks,cannotoccupytoomuchattentionoftheaudience.Therefore,subtitletranslationshouldbeasconciseaspossiblewithoutaffectingunderstanding.Inthisway,theaudiencecanbebetterinvolvedinthecontentoffilmandtelevisionworks.Example7:去你個鳥命。Translation:Forgetyourfate！ThissentenceisNeZha'sroarwhenheisunwillingtoacceptthatheisamagicpillandwantstobethemasterofhisowndestiny.Culturaldifferenceshavecausedunequaltranslations.ThetargetlanguageaudiencecannotunderstandChinesecolloquialism.Inordertoavoidsemanticdistortioncausedbyliteraltranslation,thesubtractivetranslationmethodisusedhere,andthe"鳥"isdirectlydeleted.Infact,thissentencewasoriginallymeanttoexpress"Iamthemasterofmyowndestiny",andNeZhawantstochangehisdestinybyhimself,showinghisunrecognizedspirit,butthetranslatedresultis"忘記命運",whichisfarlessthantheoriginallanguage.Theauradisplayedisstrong,withoutexpressingNeZha'sangerandunwillingness,andthecharacterimagecreatedinthiswayisnotfullenough.Moreover,fromtheperspectiveofSkoposTheory,thetranslationofthetargetlanguagedoesnotfaithfultothesourcelanguageemotion,andWesternaudienceswillfindNeZha'semotionalexplosionillogical.4.2.4FreetranslationFreetranslationisoppositetotheliteraltranslation,whichmeansthatstartingfromthemeaning,onlyneedtotranslateaccordingtothegeneralmeaning,andthetranslationcanbefluent.Thismethoddoesnotneedtopayattentiontodetails,anddoesnotneedtoberestrictedbytheoriginaltext.Whentranslating,itisbasedonthepossiblepreferencesofthetargetlanguageaudience,sothattheworkismoreconducivetothetargetlanguageaudience’sunderstandingandacceptance.Example8:急急如律令。Translation:Obeymycommand！"急急如律令"meansthatthesituationofsomethingisveryurgentandneedstobedealtwithimmediately,asifrunninglikealaw.Theliteraltranslationis"urgentaslaw",whichmeans"如律法一樣緊急",butthefilmreferstospells,whichmakesitdifficulttoexpressthesituationatthetime.Domesticaudiences,especiallythosewithcertainreligiousbackgroundknowledge,arefamiliarwiththis,butthesebackgroundsarenotwellunderstoodbyforeignaudiences.Inordertoallowforeignaudiencestoseemoreclearlyandunderstandmorethoroughly,thetranslationinthefilmhereusesfreetranslationinsteadofword-for-wordtranslation,whichistranslatedas"obeymycommand".Inthisway,thecasterinthefilmhasastrong,dignified,anddecisiveimage,whichisconducivetotheaudience'sdeepunderstandingoftheexternalimageofthecharacter,andeliminatestheobstaclesthatforeignaudiencescannotunderstandduetothedifferencesbetweenChineseandWesterncultures.Theaudience’slinguisticexpressionhabits.ItembodiestheskoposruleofSkoposTheory.Example9:人心都是肉長的。Translation:Allhumansfeelsympathy."人心都是肉長的"meansthatpeopleareemotionalandcanappreciatetheaffectionofothers.IftranslatedintoEnglishaccordingtotheliteralmeaning,"Theheartismadeofflesh",itwillmakethereaderconfusedandunabletounderstandtheconnotation.Therefore,inordertoachievethepurposeofconveyinginformation,itisnecessarytodiscarditsform,preserveitscontent,andtranslateItis"feelsympathy".ItembodiestheskoposruleofSkoposTheory.Example10:指點江山筆。Translation:Amagicallandscapebrush."指點江山"isanidiomderivedfromthephrase"QinyuanchunChangsha"writtenbyMaoZedong,whichmeansanopiniononsomethingoramajoreventintheworld.Italsoreferstoaperson'sbroadmind,loftyambition,andquiteindependentopinions.Inthefilm,themeaningofthisidiomisjustlikewhatTaiyisaid:paintwhateveryouwant,paintwhateveryouwant,andwriteitallwithyourownconsciousness.Whentranslating,consideringthatforeignaudiencesmaybeunfamiliarwiththeidiom,thetranslatorblockedtheoriginalbackgroundinformationandtranslateditinto"amagicallandscapebrush"bymeansoffreetranslation,tellingtheaudiencethenewmeaning,namely,oneAmagicalpaintbrush.Inthisway,theaudiencewillnotbeeasilydisturbedbytheoriginalculturalinformationwhenunderstanding,andatthesametimethenewmeaninghasshapedthesilentandplayfulimageofTaiyiinthefilm.SuchfreetranslationistherequirementofthethreeprinciplesofSkoposTheory,aswellastherequirementoftheconciseness,coherenceandliterarynatureofthetranslation.Example11:關在府里無事干，翻墻搗瓦摔瓶罐，來來回回千百遍，小爺也是很疲倦。Translation:Thesedumbwallscrushmysoul.Evenprisonersgetparole.Nofriends,nofun,it'sjustworst.Hopefullyboredomwillgetmefirst.ThissentenceisapoemwrittenbyNeZhabecausethereisnosmallpartnerwillingtoplaywithhim,andhisparentshavenosparetimetoaccompanyhim,andhisheartislonelyandbored.Duringthetranslationprocess,thetranslationoftheimagewasadjusted,omitting