（招聘面試）農(nóng)行招聘考試真題

4030 在夕陽的照射下，枯草和落葉閃著不定的光，崖壁像一道巨大的屏，矗??2080可能存在一個(gè)令整個(gè)世界毀滅的巨大的伙伴星球，這個(gè)觀點(diǎn)許多人反對〖=251.55展到生物科學(xué)、農(nóng)林科學(xué)及至新興的環(huán)境科學(xué)等領(lǐng)域中?？荚嚧笳搲韵玛P(guān)于獲得“??為了獲得??D.D.D.①總經(jīng)理在辦公會上的話 了好幾層意思②聽說老李要搬家了，同辦公室的人都 ①對于這個(gè)新問題，要研究出新的解決方法，不 以前的老經(jīng)驗(yàn)②伴著陣陣清風(fēng)的吹拂，翠綠的柳枝也隨 ③西漢董仲舒提出，百 ，獨(dú)尊儒術(shù) 2000B.C.D.?普魯姆博士62001771.11.2化為鳥類的姿態(tài)。20002015-2，1，31，70，112，()-49，109，43，79，19，()---12090453452∶5。問雞和兔子的數(shù)量之比是()。13，而乙車則增速42A.B.C.D.524%，由于對方多訂購，仍能獲得原來一樣多的利潤，則這種商品成本是多少元?()352510030030%5%公民死亡前??B.C.D.200019981487008523442500而應(yīng)留在家里照顧小孩。B80%的家庭的男主人則不這么認(rèn)為，他們認(rèn)為妻子出外工作ABABABBA為使上述論證成??，如果沒有盜版光盤，W1052010特別行政區(qū)的高度自治包括??法權(quán)、行政管理權(quán)、獨(dú)??的司法、終審權(quán)、獨(dú)??DNARNA1DNADNA1A??B②?C②?④DA警告B記過CD降級SECTIONⅢReading(40minutes)ParAReadthefollowingthreetexts.AnswerthequestionsoneachtextbychoosingA,B,CorD.MarkyouranswersonANSWERSHEET1.Peopleseldomfeelneutralaboutpoetry.Thosewholoveitsometimesgivetheimpressionthatitisanadequatesubstitutionforfood,shelter,andlove.Itisn’t.Words,nomatterhowsatisfying,areneveranequivalentforlifeitselfanditshumanexperiences.Thosewhodislikepoetryonprinciplesometimesclaim,ontheotherhand,thatpoetryisonlywordsandgoodfornothing.That’snottrueeither.Itiseasytobecomefrustratedbywords-------inpoetryorinlife----butwhenwordsrepresentandrecreateandgenuinehumanfeelings,astheyoftendoinpoetry,theycanbeveryimportant.Poetryis,infact,morethanjustwords.Itisanexperienceofwords,andthosewhoknowhowtoreadpoetrycaneasilyextendtheirexperienceoflife,theirsenseofwhatotherpeoplearelike,theirawarenessofthemselves,andtheirrangeofhumanfeelings.Onereasonpoetrycanbesoimportantisthatitissocloselyconcernedwithfeelings.Poetryisoftenfullofideas,too,andsometimespoemscanbepowerfulexperiencesofthemind,butmostpoemsareprimarilyabouthowpeoplefeelratherthanhowpeoplethink.Poemsprovide,infact,alanguageforfeeling,andoneofpoetry’smostinsistentmeritsinvolvesitsattempttoexpresstheinexpressible.Howcananyone,forexample,putintowordswhatitmeanstobeinloveorwhatitfeelsliketolosesomeoneonecaresabout?Poetrytries,anditoftencapturesexactlytheshadeofemotionthatfeelsjustrighttoareader.Nosinglepoemcanbesaidtoexpressallthethingsthatloveordeathfeelslike,ormeans,butoneofthejoysofexperiencingpoetryoccurswhenwereadapoemandwanttosay,“Yes,thatisjustwhatitislike;IknowexactlywhatthatlinemeansbutI’veneverbeenabletoexpressitsowell.”Poetrycanbethevoiceofourfeelingsevenwhenourmindsarespeechlesswithgrieforjoy.“Peopleseldomfeelneutralaboutpoetry”inthefirstparagraphmeansthat fewpeoplethinkthatpoetryispeoplealwaysdifferintheirviewsaboutpeoplerarelytakeapartialopinionaboutpeoplegenerallythinkofpoetryasextremelyimportantortotallyTheauthorsuggeststhat poetrytendstomakethereaderpoetrymakesitsreaderspoetryismoreimportantthanpoetryoftencapturesrealhumanAccordingtotheauthor,poetry ismorethanjustisthepoet’sfeelingsaboutisanythingbutpatternsofisanexperimentontheuseofPoetrytries,persistently,toexpress whatloveanddeathwhatpeoplethinkaboutwhatpeoplefeelbutfindithardtohowpeoplegothroughThispassageismainlyabout thestructureofthecomponentofthenatureandimportanceoftheappreciationofpoetryText2ContemporaryWesternAmericanarthasbeenaverypopularandlucrativepartoftheartmarketplace.ButunlikesomeartistswhohavebeguntopaintWesternsubjectspreciselybecausethereisareadymarketforthem,thememberswhomakesuptheWomenArtistsoftheAmericanWest(WAOAW)painttheWestbecauseithasalwaysbeentheprimarysubjectmatterforthem.Forthemostpart,thesewomenhavelivedintheAmericanWestsincebirth,andtheirartisnaturaloutgrowthofthehabitatandhabitsoftheirdailylives.TheWAOAWwaslaunchedin1971byartistsGloriaBilottaandMollieThisorganizationbroughtWesternartiststogetherinhopeofmakingmoreofanimpactoftheartcommunitythananyofthemcouldindividuallyandtopromoteWesternartbywomen.Inthemorethan10yearsoftheorganization’sexistence,theworkofWAOAWhasbecomerecognizedaspreeminentbycollectorsandcriticsofWesternAmericanart.Justwhattypeofsubjectmatterdoesthisartgenreinclude?ThesceniclandscapesandsprawlingvistasoftheWestare,ofcourse,subjectsbutthemostrecognizablearethoselandscapesandportraitsfeaturingmountainmen,cowboys,andvariousAmericanIndiantribes.However,WAOAWartistsbelievethatthesubjectsmatterforWesternartshouldnotbeconfinedtothesenarrowlimitations.Itshouldcontainallaspectsofranchandpioneerlife,includingthelargeroleplayedbywomenWesternartshouldalsodepictWesternwildlifeandauthenticWesternartifactsasportrayedbyLisaDanielleLorimer,EstherMaricVetsch,MaryThomson,andothermembers.TheartistswhomakeupWAOAW,currentlyaboutthirty-fivemembershaveanothercharacterincommonapartfromtheirpaintinggenreandthatisthehighqualityoftheirart.Whenthegroupwasoriginallyformed,requirementsformembershipwerenotstrictandinvolvedwillingnesstoparticipateandamembershipfee.Butasthegroupgrewinprestige,itbecamenecessarytotightenmembershiprequirementsconsiderablyinordertojustifythemanyhoursandthousandsofdollarsspentbythegrouptopromotetheworkofitsThebesttitleforthepassageis WomenArtistsoftheAmericanWesternLandscapeFamousArtistsintheThePopularityofWesternArt(www.Examda。AllthefollowingsubjectsarementionedbytheauthorastypicalofWAOAWportraitsEXCEPT powerfulAmericanmountainauthenticwesternAnexampleofypicalWAOAWpaintingwouldbe menattendinganEasternhorseawomanparticipatinginaWesternhorseaviewofaportraitpainteratcollectorsat