《大學(xué)英語》課件-微課 4 Beijing opera

BeijingOperaWatchvideo

BeijingOperaContents01030204IntroductionMainRoleTheOriginMyViewpointWatchvideo01Introduction

IntroductionBeijingOperahashadmanyinterestingnamessinceitcameintobeing,suchasJinghuang,Daxi,Pingju,Jingxi.京劇自誕生以來有許多有趣的名字，如“京簧”、“大戲”、“平劇”（北京曾稱為北平）、京戲。02TheOriginBeijingOperaisdevelopedfromabsorbingmanyotherdramaticforms,

mostlyfromthelocaldrama'Huiban'whichwaspopularinSouthChinaduringthe18thcentury.

Itisascenicartintegratingmusic,performance,literature,aria,andface-painting.京劇是在吸收了許多其他戲劇形式的基礎(chǔ)上發(fā)展起來的，主要來自于18世紀(jì)流行于中國南方的地方戲劇"徽班"。它是一種集音樂、表演、文學(xué)、詠嘆調(diào)和臉譜化為一體的風(fēng)景藝術(shù)。03MainRole

Dan(femalerole)Jing(paintedfacerole)Chou(comicrole)04MyViewpoint

TheartisticlifeofBeijingoperamasterMeiLanfang

TheartisticlifeofBeijingoperamasterMeiLanfangTheartisticlifeofBeijingoperamasterMeiLanfang

Beijingoperaisabeautifulformofartisticexpression.MeiLanfang,arguablythemostcelebratedBeijingoperaartistofalltime,succeededinspreadingthebeautyofChinesetheaterallovertheworld.京劇大師梅蘭芳的藝術(shù)人生

京劇是一種美麗的藝術(shù)表達(dá)形式。梅蘭芳，可以說是有史以來最著名的京劇表演藝術(shù)家，他成功地將中國戲劇之美傳播到世界各地。BorninBeijingin1894,MeibegantraininginChineseoperaskillsatageeight.Best-knownforportrayingfemalecharacters,hisperformancestylewasrigorousyetelegant.Throughouthiscareer,hemodernizedmanyaspectsofBeijingopera.梅蘭芳1894年生于北京，八歲開始學(xué)習(xí)中國戲曲技藝。梅蘭芳以塑造女性角色而聞名，其表演風(fēng)格嚴(yán)謹(jǐn)而優(yōu)雅。在他的整個(gè)職業(yè)生涯中，他將京劇的許多方面現(xiàn)代化了。梅蘭芳藝術(shù)的珍貴，不僅在于其天賦獨(dú)厚之條件和苦心孤詣之努力，更在于其民族氣節(jié)。在抗戰(zhàn)期間，作為對日本人要求他表演的回應(yīng)，梅蘭芳息歌罷舞、蓄須明志。ThepreciousnessofMeiLanfang’sartlaynotonlyinhisuniquetalentandhardwork,butalsoinhisloyaltytothenation.Duringwartime,MeistoppedsinginganddancingandgrewamustacheasaresponsetotheJapanesewhorequestedhimtoperform.Duringthisperiod,hereliedsolelyonpawningandsellinghispaintings.Thisboldactofpatriotism(愛國主義)earnedhimgreatrespectandbolsteredhisfameasanartist.Inthe1950s,Meibegananewchapterinhisartisticcareer.Heactivelypracticedthepurposeof“l(fā)iteratureandartforthepeople”,continuouslyinnovatingtheoldandbringingforththenew.其間僅靠典當(dāng)和賣畫為繼。這一大膽的愛國主義行為為他贏得了極大的尊重，并提高了他作為藝術(shù)家的聲譽(yù)這一大膽的愛國主義行為為他贏得了極大的尊重，并提高了他作為藝術(shù)家的聲譽(yù)。20世紀(jì)50年代，梅蘭芳開啟了他藝術(shù)生涯的新篇章。他積極踐行“文藝為人民”的宗旨，不斷推陳出新Hebuiltadramaperformancesystemwithdeepnationalcharacteristics,andcompletedhistransitionfrom“kingoftheoperaworld”toanartistofthepeople,becomingal