淺談室內(nèi)空間中地域文化內(nèi)涵的體現(xiàn)與發(fā)揚(yáng)

1、 . . . 淺談室空間中地域文化涵的體現(xiàn)與發(fā)揚(yáng)摘要：本文以中國·米市博物館室設(shè)計(jì)為例，具體闡述地域文化如何在現(xiàn)代博物館設(shè)計(jì)中的體現(xiàn)。關(guān)鍵詞：地域文化；文化涵；室設(shè)計(jì)；博物館設(shè)計(jì) 一 主題定位分析 “·中國米市”博物館常年進(jìn)行展覽與列，其主要的社會價(jià)值在于學(xué)術(shù)研究和為社會公益教育提供良好的物質(zhì)基礎(chǔ)與精神基礎(chǔ)。主要包括自然和科技主題、歷史主題、文物、藝術(shù)、人物、民俗等相關(guān)主題的實(shí)物、資料的列和展示。二 設(shè)計(jì)原則 “中國米市”博物館室展示設(shè)計(jì)把握住了以下原則：一室環(huán)境的設(shè)計(jì)突破建筑結(jié)構(gòu)的局限，向深層次的功能布局發(fā)展，不僅滿足展示空間的基本需求，還成為導(dǎo)向合理、分區(qū)全面的設(shè)計(jì)特點(diǎn)

2、，即“多效”原則；二室環(huán)境的設(shè)計(jì)融合傳統(tǒng)與現(xiàn)代，體現(xiàn)南陵的歷史、人文與城市涵。三體現(xiàn)“和諧”原則，這些原則都對博物館室設(shè)計(jì)起到重要作用。博物館共包括一個(gè)序廳、兩個(gè)主展區(qū)和一個(gè)中庭。第一展區(qū)分為五大篇章：親近稻作文化、領(lǐng)略稻米文化、漫步米市歷程、重現(xiàn)歷史變遷、穿越古城米市。第二展區(qū)分為三大篇章：縱觀進(jìn)入米市、現(xiàn)代米市浮光掠影、展望未來米市。以下將羅列展廳具體闡述如何體現(xiàn)地域性文化涵。三 序廳：利用“米”字元素進(jìn)行再設(shè)計(jì) 序廳是米市展覽場館從入口到正式展示廳之間的過度空間，序廳的設(shè)計(jì)比較寬闊、高大、肅穆、莊重，序廳著重氛圍渲染，高度概括展覽風(fēng)格，力求讓參觀者迅速進(jìn)入狀態(tài)，效果等同于電影的序幕一樣重

3、要。 南陵米市的序廳進(jìn)門左側(cè)是石材飾面的接待臺，大氣而有底蘊(yùn)。利用 “米”字的不同字體表現(xiàn)的LOGO墻，此起彼伏更能體現(xiàn)我們的主題，序廳正前方，是圓形的展示臺，標(biāo)準(zhǔn)性的藝術(shù)品傳達(dá)出設(shè)計(jì)的獨(dú)特性。隨著視線向前便是有創(chuàng)意的展廳標(biāo)識導(dǎo)向指示牌和整個(gè)米市博物館的簡介。四 第一展區(qū)：再現(xiàn)米市場景第一展區(qū)分為五大篇章：親近稻作文化、領(lǐng)略稻米文化、漫步米市歷程、重現(xiàn)歷史變遷、穿越古城米市。市除了優(yōu)越的自然形成因素外，還應(yīng)追溯到米市的歷史成因。唐宋時(shí)期就有興建糧倉、屯糧轉(zhuǎn)運(yùn)的歷史記載。明中葉以來，皖中皖南所產(chǎn)稻米多在此聚散,成為“舟車輻輳,百貨興聚”的沿江重鎮(zhèn)。歷史上的農(nóng)業(yè)、手工業(yè)、商業(yè)頗為發(fā)達(dá)，從明代開始，

4、逐漸成為長江下游地區(qū)的重要商埠。近現(xiàn)代以來更是有全國""四大米市""之首的美譽(yù)。1親近稻作文化親近稻作文化是由米糧種植現(xiàn)場區(qū)、文化展示區(qū)、繁華古城區(qū)構(gòu)成。種植現(xiàn)場區(qū)域分為農(nóng)業(yè)介紹和南陵農(nóng)業(yè)介紹，現(xiàn)場種植沙盤、稻作業(yè)、水稻種植情況與栽培技術(shù)，農(nóng)耕部分、播種部分、插秧部分、收割部分。讓人直觀去了解“一粥一飯，當(dāng)來之不易”。也起到了一定程度上的文化教育作用。在文化展示區(qū)預(yù)留了農(nóng)具實(shí)物展示區(qū)，逼真的再現(xiàn)了當(dāng)時(shí)人們耕作的器具，讓參觀者可以現(xiàn)場體驗(yàn)，親身感受稻米文化。2領(lǐng)略稻米文化：中國有著悠久的稻米傳承之路。中華文化中更是有著深遠(yuǎn)的稻情結(jié)。本展區(qū)分為兩個(gè)部分，第一

5、部分：遙想農(nóng)耕文明，包括農(nóng)業(yè)文化與農(nóng)耕文化，南陵地域地域農(nóng)耕文化與周邊農(nóng)耕文化的關(guān)系，稻作生產(chǎn)產(chǎn)生的農(nóng)耕文化，稻米對民族民風(fēng)與中華文化的影響，稻米的傳承之路，第二部分：感悟文化底蘊(yùn)，包括詩詞書畫、民間故事、名人與大米的故事，名人名家、米文化趣談，其中包括反映稻作農(nóng)耕的文字、詩歌、繪畫、諺語、文化娛樂與稻作農(nóng)耕民俗等精神層面的涵。在設(shè)計(jì)中尤其注重突出感悟文化底蘊(yùn)區(qū)域的設(shè)計(jì)構(gòu)想。在蕪陵留下了眾多名人名家的足跡，最出名的莫過于小喬的傳說?！斑b想公謹(jǐn)當(dāng)年，小喬初嫁了”，世上美女?dāng)?shù)不勝數(shù)，但是絕大多數(shù)都已隨歲月的流逝而沒有留下一絲痕跡。但千百年來小喬一直在人們的印象里。以與現(xiàn)今傳言在廬江等地發(fā)現(xiàn)的小喬墓

6、地等，都豐富了人們的精神文化。而南陵的小喬墓毀于文革，但幾塊斷碑仍在，現(xiàn)保存在南陵文化館里。 3漫步米市歷程： 本展區(qū)分為三個(gè)部分，第一部分：中國四大米市概況，大致介紹了四大米市形成的客觀因素和認(rèn)為因素；第二部分，闡述了米市的形成因素、發(fā)展歷程以與米市的歷史地位。設(shè)計(jì)上通過“時(shí)間長廊”的展示形式，讓參觀者如同漫步在時(shí)間穿越的走廊中，瀏覽米市變遷的過程。4重現(xiàn)歷史變遷：本展區(qū)分為四個(gè)部分：第一部分：體驗(yàn)稻作農(nóng)耕勞動（多媒體互動）；第二部分：米作器具展示，包括：滾子、扒子、板桶、舂碓、風(fēng)車、米桶、耙、石槽等米具的實(shí)物展示，讓參觀者加入到互動的環(huán)節(jié)中，更加深刻的了解米市文化的豐富涵，同時(shí)通過立體現(xiàn)實(shí)

7、了解農(nóng)耕用具的展示，進(jìn)一步了解稻米的種植歷程，第三部分：古代農(nóng)業(yè)的發(fā)展文化，其中包括古代農(nóng)業(yè)的發(fā)展、耕作制度的變化、古代米行建筑等容。第四部分：種植稻米的客觀要求與標(biāo)準(zhǔn)。五 第二展區(qū) 第二展區(qū)分為三大篇章：縱觀進(jìn)入米市、現(xiàn)代米市浮光掠影、展望未來米市。1縱觀今日米市：本展區(qū)分為三個(gè)部分，第一部分，概況；第二部分，的發(fā)展，主要容包括，經(jīng)濟(jì)發(fā)展提高農(nóng)民收入、工業(yè)發(fā)展牢牢把握科學(xué)發(fā)展主題、文化發(fā)展；第三部分，感領(lǐng)導(dǎo)關(guān)懷。 2現(xiàn)代米市浮光掠影：本展區(qū)分為三個(gè)部分：第一部分，走進(jìn)五谷雜糧，敘述五谷雜糧的發(fā)展歷史與各個(gè)雜糧特色，以與節(jié)約米糧的意義；第二部分，稻米科技種植，通過現(xiàn)代農(nóng)耕工具、袁氏科技種稻等容

8、介紹現(xiàn)代大米的發(fā)展，運(yùn)用圖文加實(shí)物的展示方式；第三部分，米糧產(chǎn)品推廣。3展望未來米市： 本展區(qū)分為四個(gè)部分。第一部分，現(xiàn)代大米品種介紹；第二部分，對未來稻米文化的展望，重視生態(tài)農(nóng)業(yè)促進(jìn)農(nóng)業(yè)生產(chǎn)和農(nóng)村經(jīng)濟(jì)持續(xù)高效發(fā)展，做到自主創(chuàng)新：第三部分，人民的生活面貌；第四部分，米市未來市場的預(yù)測。六 結(jié)語 我國室設(shè)計(jì)的理念己從簡單的滿足功能和強(qiáng)調(diào)材料的豪華氣派，轉(zhuǎn)移到更注重室環(huán)境所表達(dá)的涵上，即對情感的追求。表現(xiàn)在:注重以人為木，通過對小同地域文化、傳統(tǒng)文化、民族特色的表達(dá)，以與室環(huán)境與自然環(huán)境的統(tǒng)一。當(dāng)代室設(shè)計(jì)面臨著環(huán)境、生態(tài)、科技、文化等各種新的問題，究竟什么才是關(guān)鍵？室空間設(shè)計(jì)想要進(jìn)步發(fā)展，就必須要

9、有一個(gè)新的展望和高度，彰顯本土地域性文化，讓文化精神續(xù)寫傳承下去。Introduction to the connotation of the regional culture in the interior space of reflect and promote Pick to: this article in wuhu, China market, museum interior design as an example, elaborates how to regional culture in design of modern museum. Key words: regional

10、culture; Cultural connotation; Interior design; Design of the museum A theme positioning analysis 15 / 15"Wuhu, China market" perennial exhibition and display in the museum, the main social value lies in the academic research and provide a good material base for the social public welfare e

11、ducation and spiritual foundation. Mainly includes natural and science and technology subject, theme, cultural relic, artistic and historic figures, folk themes related to physical, data display and display. Two design principles "Wuhu, China market" museum interior display design to grasp

12、 the following principles: the indoor environment design to break through the confine of building structure, to develop deep function layout, not only meet the basic demand of display space, also be reasonable orientation, partition the comprehensive design characteristics, namely the "multiple

13、 effect" principle; 2 of the indoor environment of the fusion of traditional and modern design, reflect NaLing history, humanities and connotation of the city. Three reflects the "harmony" principles, these principles play an important role on the museum interior design. Museum includ

14、es a sequence, two main exhibition hall and a atrium. First exhibition area is divided into five chapters: close to rice culture, the taste of rice culture, stroll the market process, recreate history vicissitude, through the ancient city of the market. Second exhibition is divided into three chapte

15、rs: wuhu throughout into the market, the modern market jigsaw, wuhu in looking to the future market. Listed below to the exhibition hall specifically describe how to reflect regional culture connotation. Three hall: use "m" word elements in design Sequence is keeping exhibition hall venue

16、from entrance to excessive space between formal showroom, preface hall's design is wide, tall, solemn, solemn, emphatically atmosphere rendering sequence hall, highly summarized exhibition style, makes every effort to let visitors to quickly enter the state, are as important as a prelude to effe

17、ct equivalent to film. NaLing market sequence hall door on the left side of the stone material is acted the role of the reception desk, atmosphere and have inside information. Use different fonts of "m" word of the LOGO wall, with the more can reflect our themes, front hall, is a circular

18、placements, standard work of art conveys the uniqueness of the design. As the forward line of sight is a creative exhibition hall logo-oriented signs and the keeping of the museum's profile. 4 the first exhibition: wuhu market scene First exhibition area is divided into five chapters: close to r

19、ice culture, the taste of rice culture, stroll the market process, recreate history vicissitude, through the ancient city of the market. Wuhu besides superior natural factors, should also be traced back to wuhu historical causes of the market. Wuhu has built during the tang and song dynasty granary,

20、 transportation history. Since the mid-ming period, anhui rice from many in the south of anhui in the accumulation and dispersion, become "vessel and vehicle convergence, department interest together" town along the river. Wuhu in the history of agriculture, handicraft industry and busines

21、s was developed, since Ming dynasty, has gradually become the important commercial port of Yangtze river region. Since the modern times is the "big four" the market "" of reputation. 1 close to rice planting culture Rice culture is closer by rice planting field area, the cultural

22、 exhibits, bustling ancient city. Wuhu plant site area is divided into introduction and NaLing agriculture, planting sand, rice, rice planting site conditions and cultivation techniques, agricultural sections, sowing, planting, harvesting part. Let a person intuitive to understand "a rice porri

23、dge, when has not come easily. Also played a part in the cultural education. In culture displays reserved tools physical exhibits, lifelike reappear when people farming instruments, let visitors can the scene experience, experience of rice culture. 2 sample of rice culture: China has a long history

24、of rice, inheritance path. Chinese culture has had a profound rice in the complex. This exhibition area is divided into two parts, the first part: the thought of farming civilization, including agricultural culture and farming culture, NaLing regional regional farming culture and the surrounding far

25、ming culture, the relationship between farming culture, rice production, rice influence on folk customs and the Chinese culture, the inheritance of rice, the second part: culture and perception, including poem calligraphy and painting, folk tales, famous with the story of rice, anecdotal stories cel

26、ebrity virtuosi, rice culture, including rice farming reflection, poetry, painting, proverbs, cultural entertainment and rice farming folk spirit connotation. Especially in the design pay attention to highlight the design vision of comprehension culture area. In wuhu NaLing left a footprint of numer

27、ous celebrity virtuosi, the most famous is the coach. Early communists would like in those days, the boy married ", the beauty in the world, but most have been with the passing of time without leaving a trace. But little has been one thousand years in the impression of people. And now rumors in

28、 LuJiang found little cemetery, etc, has enriched people's spiritual culture. And NaLing little destroyed tomb cultural revolution, but still in the pieces of broken stone, now kept in NaLing gym culture. 3 stroll the market process: This exhibition is divided into three parts, part I: China'

29、;s four big market overview, Outlines the four market formation of the objective factors and think; The second part, elaborated the wuhu wuhu factor, the development of the market and the market place in history. Design through the corridor "time" display form, let visitors like a stroll i

30、n time through the corridor, browse the market change process. 4 repeat history change: This exhibition is divided into four parts: part one: experience rice farming labor (interactive); Instruments show the second part: m, include: roller, PaZi, barrels, pounded reef, windmills, MiTong, rake, into

31、which meters the physical display, let visitors join the interactive link, more profound understanding of the rich cultural connotation of the market, at the same time, through the three-dimensional reality understand farming tools, the further understanding of the rice planting, the third part: the

32、 development of ancient agricultural culture, including the ancient agricultural development, the change of cropping system and ancient MiHang architecture, etc. The fourth part: the objective requirement of rice growing and standards. Five second exhibition area Second exhibition is divided into th

33、ree chapters: wuhu throughout into the market, the modern market jigsaw, wuhu in looking to the future market. 1 in wuhu today the market: This exhibition is divided into three parts, the first part, wuhu profiles; The second part, the development of wuhu, main content, including economic developmen

34、t increase farmers' income, industrial development, firmly grasp the scientific development theme, cultural development; The third part, thank leadership concern. 2 the modern market jigsaw: This exhibition is divided into three parts: the first part, into the grain, describe the development his

35、tory of grain and the grain characteristics, as well as save the meaning of rice; The second part, rice planting technology, through the modern farming tools, had rice science and technology content such as introduction to the development of modern rice, using graphic and physical display; The third part, the rice product promotion. 3 look forward to the future in wuhu were: This exhibi