藝術(shù)史17中西藝術(shù)比較2中

1、傳統(tǒng)與創(chuàng)新：14-17世紀(jì)中西藝術(shù)比較周5.與文人畫(huà)的復(fù)興k5. Zhao Mengfu andthe revela5on of Litera5-pain5ng博士、13.10.20161.時(shí)代背景與“古意”的提出。1. The historical Background and “the Spirit of An5quity”.Dynas&esTimeShangc.1600-1100BCEWestern Zhouc.1100-771BCEEastern Zhou771-256BCEQin221-206BCEWestern Han206BCE-8Xin8-23Eastern Han23-220

2、Three Kingdoms220-265Northern and Southern Dynas5es265-589Sui589-618Tang 唐618-907Five Dynas5es and Ten Kingdoms 五代十國(guó)時(shí)期907-960Northern Song 北宋960-1127Southern Song 南宋1127-1279Yuan1279-1368Ming1368-1644Qing1644-1911“郭氏謂山有三遠(yuǎn)，愚又論三遠(yuǎn)者：有近岸廣水，曠闊遙山者，謂之闊遠(yuǎn)有煙霧溟漠，野水隔而仿佛不見(jiàn)者，謂之迷遠(yuǎn)；景物至絕，而微?？~緲者，（活動(dòng)于12世紀(jì)）山水純?nèi)^之幽遠(yuǎn)。行吟圖

3、Liang Kai (c.1140-c.1210)Li Bai Strolling81.2x30.4cm, ink on pr.Tokyo Na5onal Museum,Japan玉澗廬山圖Yu Jian(ac5ve in late 13th century), Waterfall in Lushan Mountain,In 1234, Jin（金） was overwhelmed.In 1258, Hulagu（）, the elder brother of Kublai, had capturedand destroyed Baghdad, andhe following year he

4、took Damascusand reached the Mediterranean.In 1271, Kublai （ dynasty, and chose a Chi）announced the beginning of a new Chi name Da Yuan, meaning Great Origin.In 1279, for the rst 5me in history China. He was Kublai Khan.ien conqueror was master of allA few carefully selected scholars were invited to

5、 hold oce, but the examina5ons were suspended and were not resumed un5l 1315.（1254-1322）人騎圖 ( g :!=8:!U 幼輿丘壑Zhao Mengfu （1254-1322）“You Yu Seated amid Hills and Valleys”, 27.4x116.3cm, color on silk, Princeton University(c.348-c.409)圖“作畫(huà)貴有古意,若無(wú)古意,雖工無(wú)益。今人但知用筆纖細(xì)，濃艷，便自謂能手，殊不知古意既虧，百病橫生，豈可觀也？吾所作畫(huà)，似乎簡(jiǎn)率，然識(shí)

6、者知其近古，故以為佳。此可為知者道，不為不知者說(shuō)也?！倍驁DZhao Mengfu, “Sheep and Goat”, 25.2x48.4cm,ink on pr, Freer Gallery ,USA五馬圖韓滉五牛圖局部（1254-1322)，“疏林秀石”Zhao Mengfu(1254-1322), “Elegant Rocks and Sparse Trees”,ink on pr, 27.5x62.8cm, Palace Museum , Beijing枯木怪石圖Su Shi(1037-1101) , “A Dead Tree and a Grotesque Rock ”,rice

7、pr, ink and wash曰：“何以為似？何以為真？”叟曰：“似者，得其形，遺其氣。真者，氣質(zhì)華，遺于象，象之死也?！保矚鈧饔趫D畫(huà)之要，與子備言：氣者，心隨筆運(yùn)，取象不惑。韻者，隱跡立形，備儀不俗。（活動(dòng)于10世紀(jì)）筆法記鵲華秋Zhao Mengfu,卷，臺(tái)北故宮博物院“Autumn View of Mountain Que and Hua”,Ink and color on pr, 28.4x90.2cm ,1296Na5onal Palace Museum, TaipeiL: Hua Bu Zhu Mount.R: Zhao Mengfu(12541322), Hua Mount.

8、 In “Autumn Colors of Que and Hua Mountain”Huang Gongwang(1269-1354) “Dwelling in FucMauntains” detail,1350六君子圖軸Ni Zan(1301-1374)“Six Gentlemen”,61.9x33.3cm, ink on pr, 1345,Shanghai Museum3. 文人畫(huà)的藝術(shù)態(tài)度3. Ar5s5c aktude“如何是士夫畫(huà)?”問(wèn)曰：、曰：“隸家畫(huà)也。”子昂曰：“然觀之、時(shí)，皆士夫之高尚者，所畫(huà)蓋與物傳神，盡其妙也。近世作士夫畫(huà)者，所謬甚矣?！?畫(huà)譜卷三引（元）士夫畫(huà)Mi Fu (1051-1107), “Coral Brush-stand”,26.6x47.1cm，ink on pr，Palace Museum, Beijing米友仁 云山圖卷局部Mi Youren(1074-1153) detail of “Clouds and Mountains”仆之所謂畫(huà)者，不過(guò)逸筆草草，不求形似，聊以自?shī)识?。近迂游偶?lái)城邑，索畫(huà)者彼所指授，又欲應(yīng)時(shí)而得，鄙辱怒罵，無(wú)所不