專業(yè)藝術(shù)英語(yǔ)-中國(guó)戲曲-Chinese-Opera課件

ChineseOpera中國(guó)戲曲ChineseOperaContentsIntroductionVarietiesPekingOperaContentsIntroductionVarietiesPIntroduction-----ChineseOperasChineseOperahasbeenacknowledgedasoneofthegreatestancientdramasintheworld,parallelingtheComediesandTragediesofGreeceandtheSanskrit（梵文）DramaofIndia.TheChineseoperaisatraditionalformofstageentertainment,weavingtogetherelementsofmime,dance,song,dialogue,swordplay,andacrobaticsintoonefluidcontinuousflow.Gestures,movementsandexpressionsincorporatedwithineachperformer'sscriptcometogethertobringforthanimpressiveperformance.Introduction-----ChineseOpeIntroduction-----ChineseOperasIncontrasttoWesternstageentertainment,whichissubdividedintodifferentcategoriessuchasopera,dramaandsketches（幽默短?。?Chineseoperahasremainedfaithfultoitsoriginalformatoverthecenturies.Theirorigincanbetracedbacktoprimitivesocietybuttheprototype(雛形)forChineseoperaactuallyappearedintheSongdynastyabout800yearsago.Introduction-----ChineseOpeIntroduction-----ChineseOperasAlthoughsharingacommonancestry,Chineseoperaboastsover300variousdistinctforms-takingtheirnamesfromtheirplacesoforigin.Theseformsaregenerallydiscernible（可是別的）

bytheiruseoflocaldialectsanddistinct'melodies'.Beijingoperaisconsideredbymosttobethemostrefined.AlsowidespreadarePingjuOpera,KunquOpera,ShaoxingOpera,HenanOpera,SichuanOpera,ShanxiOpera,HuangmeiOpera,HuaguOperaandYangkoOpera.SomeChineseethnicminoritygroupshavesomelocalformofoperas.

Introduction-----ChineseOpeVarietiesNorthernBeijingopera京劇Errenzhuan二人轉(zhuǎn)

(NortheastChina)Hebeibangzi河北梆子(Hebei)Jiju吉?jiǎng)?/p>

(Jilin)Lüju呂劇

(Shandong)Pingju評(píng)劇

(Hebei)Puju蒲劇

(Shanxi)Qinqiang/Qindynastyopera秦腔

(Shaanxi)Shandongbangzi(Shandong)Shanxibangzi(Shanxi)VarietiesNorthernSouthern(main)Cantoneseopera(Guangdong)ChaozhouoperaGanju/Yiyangqiang(Jiangxi)Huju(Shanghai)KunquLiyuanoperaPuppetoperaShaoxingopera/Yueju(Zhejiang)Suzhouopera(Suzhou)TaiwaneseoperaWuju(Jinhua)Southern(main)VarietiesofChineseOperaOver300typesalltogetherBeijingOpera（京?。℡ueOpera（越劇）HuangmeiOpera（黃梅戲）YuOpera（豫?。㏄ingOpera（評(píng)?。㎏unOpera（昆劇）HebeiClapperOpera（河北梆子）ChuanOpera（川?。℡ueOpera（越?。㎜uOpera(呂?。￢arietiesofChineseOperaOverBeijingOpera（京?。〣eijingOpera,oncecalled'PekingOpera',isthemostinfluentialandrepresentativeofalloperasinChinaandhasahistoryofover200years.BeijingOperaisnoticeableforfourhighlysystemizedcategoriesofsinging,acting,recitingandacrobaticfighting.BeijingOpera（京?。〣eijingOperTheFourrolesinBeijingOperaTheFourrolesinBeijingOpeFamousPlaysinBeijingOperaTheGatheringOfHeroes《群英會(huì)》TheEmptyCity《空城計(jì)》The

OrphanoftheZhao《趙氏孤兒》TheFemaleGeneralsoftheYang《楊門(mén)女將》RedLantern《紅燈記》TheSparksinReedMarshes《蘆蕩火種》ToTaketheWeihuMountainbyStrategy《智取威虎山》FamousPlaysinBeijingOperaTYueOpera越劇YueOperaisalocaloperapopularinthesouthernregionsoftheChangjiangRiver.YueOperahasahistoryofnearly100years.ThefamousperformerYuanXuefen（袁雪芬）,contributedsignificantlytothereformofthisopera.WellknownplaysincludeTheButterfly’sLove《梁山伯與祝英臺(tái)》,TheDreamofRedMansions《紅樓夢(mèng)》andTheWestChamber《西廂記》.

YueOpera越劇YueOperaisalocaHuangmeiOpera黃梅戲HuangmeiOpera,oncecalled'HuangmeiTune'（黃梅調(diào)）,isalocaloperainAnhuiProvince,wasbasicallyderivedfromthe'CaichaTune'（采茶調(diào),tea-pickingtunes）ofHuangmeicounty.TheHuangmeiOperausesthetalentsofthewell-knownperformer,YanFengying（閻鳳英）,andthetraditionalplaysareTheHeavenlyMaidandtheMortal《天仙配》andFemaleSon-in-LawoftheEmperor《女駙馬》。HuangmeiOpera黃梅戲HuangmeiOperYuOpera豫劇YuOpera,alsocalled'HenanClapperOpera'（河南梆子）or'HenanHighTune'（河南高調(diào)）,isamajorlocaloperainHenanProvinceandenjoysnationwidepopularity.Therearemorethan600traditionalplaysintherepertoireofYuOpera,amongthemarePlayingShortSpears《對(duì)花槍》andTheBeheadingofChenShimei《鍘美案》.ThemostfamousperformerisChangXiangyu（常香玉）.YuOpera豫劇YuOpera,alsocallePingOpera評(píng)劇PingOperaisatraditionaloperawidelypopularinBeijing,Tianjin,NorthandNortheastChina.Itisespeciallygoodatreflectinglifeofurbanpeopleandhasgainedgreatfavorfrompeoplebothinruralandurbanareas.ClassicplaysincludeFlower,aMatchmaker《花為媒》andDuShiNiang《杜十娘》,tonamejustafew.RepresentativeperformersareXiaoBaiYushuang（小白玉霜）andXinFengxia（新風(fēng)霞）.PingOpera評(píng)劇PingOperaisatrKunOpera昆曲KunOpera,alsocalled'KunshanQiang'(昆山腔)',originatedintheKunshanregionofJiangsuProvince.ItisoneofChina'sclassicaloperaswithahistoryofmorethan600years.ThetraditionalplaysofKunOperaincludeThe

InjusticetoDouE《竇娥冤》,TheWestChamber《西廂記》,ThePeachBlossomFan《桃花扇》,ThePeonyPavilion《牡丹亭》andPalaceofEternalYouth《長(zhǎng)生殿》.TherepresentativeperformersareYuZhenfei（俞振飛）andHongXuefei（洪雪飛）.KunOpera昆曲KunOpera,alsocalHebeiClapperOpera河北梆子HebeiClapperOperaisalocaloperawhichoriginatedinHebeiProvince,yetalsobecameverypopularinBeijing,TianjinandsomeregionsofHebei,Liaoning,Jilin,Heilongjiang,InnerMongoliaandShandongProvinces.RepresentativeplaysincludeTheGeneralsoftheYang《楊家將》,LotusLantern《寶蓮燈》andQinXianglian《秦香蓮》.HebeiClapperOpera河北梆子HebeiCChuanOpera川劇ChuanOperaisoneoftheoldestlocaloperasinChina,mainlyprevalentinSichuanprovinceandpartsofYunnanandGuizhouprovinces.TherearesomeuniqueandrarefeaturesofChuanOperausedtodepict（描繪）certaincharacters.Forexample,theactorswithathirdeyeontheirforeheadcansuddenlyopenitandhaveaninsightintothepastandthefuture;someactorscanchangetheirfacialmake-upswithaquickswingofthehead;andsomeareproficientatjumpingthroughburninghoopsorhidingswords.Theyareperfectlyintegratedwiththeplotoftheplay,themoodandthepersonalityofthecharacters.ChuanOpera川劇ChuanOperaisonYueOpera粵劇YueOperaisamajoroperaprevalentinareaswherepeoplespeakGuangdongdialect,suchasGuangdongandGuangxiprovinces,HongKong,MacaoandoverseasChinesecommunitiesinSoutheastAsia.Itsorchestra(管弦樂(lè)隊(duì))

hasadoptedWesterninstrumentssuchasviolin,saxophone,cello(大提琴)

anddoublebass(大貝斯或低音提琴),inadditiontoChinesetraditionalinstrumentslikeErhe（二胡）,Gaohu（高胡）,Sanxian（三弦）,andYueqin（月琴）.Inacting,stagesceneryandlighting,thetechniquesofmoderndramaandWesternoperahavebeenintegrated.AleadingactressisHongXiannu（紅線女）YueOpera粵劇YueOperaisamaj

ChineseMusicalInstrumentswindinstruments(吹奏樂(lè)器)bowedstringinstruments(拉弦樂(lè)器)pluckedstringinstruments(彈撥樂(lè)器)percussioninstruments.(打擊樂(lè)器)ChineseMusicalInstrumentswWindorBlowingInstruments吹奏樂(lè)器Thewindinstrumentsaremainlymadeofbambooorwoodandareintheformofapipe.Theycanproducesmoothandsonorous(調(diào)子高的，響亮的)soundbywindblowingthroughthepipe.ThereisavarietyofwindinstrumentsusedinChinesemusic,amongthemaretheDizi,XiaoandSheng.Theseplayakeyroleinvariousmusicalensembles（重奏）.WindorBlowingInstruments吹奏WindorBlowingInstruments吹奏樂(lè)器笛簫笙嗩吶WindorBlowingInstruments吹奏BowedStringInstrument拉弦樂(lè)器

Thebowedstringinstrumentsproducefromthevibrationofthestringssweetsoundandrichtonecolors.

MostofChinesebowedstringinstrumentsbelongtotheHuqin（胡琴）group,suchastheErhu,theGaohuandtheBanhu,theformertwohavesoundingmembranes(薄膜)madeofpython(蟒蛇)skin,whilethelateronehasawoodensoundingboard.Theycanexpressprofoundfeelingsanddisplayexquisite(精湛的)skillsoftheperformer.

BowedStringInstrument拉弦樂(lè)器ThBowedStringInstrument拉弦樂(lè)器二胡京胡板胡BowedStringInstrument拉弦樂(lè)器二胡京PluckedStringInstrument彈撥樂(lè)器Thepluckedstringinstrumentsareplayedbypluckingthestringswithfingersorplectrums(弦撥).Therearevariouskindsofpluckedstringinstrumentsmadeofdifferentforms.ThegroupofthepluckedstringinstrumentmainlyincludestheGuqin,ZhengandPipa.PluckedStringInstrument彈撥樂(lè)器TPluckedStringInstrument彈撥樂(lè)器箏琵琶阮

三弦揚(yáng)琴PluckedStringInstrument彈撥樂(lè)器箏Percussion打擊樂(lè)器ThehistoryofpercussioninstrumentsinChinaislongerthananyothercategoryoftraditionalinstruments.Thecharacterof'drum'wasfirstfoundintheinscriptionsonbonesandtortoiseshellsoftheShangDynasty.ChinahasanenormousvarietyofpercussioninstrumentsandthemorepopularonesaretheGu,Zhong,

BoandLuo,whichcanmakesoundsfullofappealsandlocalcolor.Percussion打擊樂(lè)器ThehistoryofpPercussion打擊樂(lè)器青銅編鐘

編磬

鑼鈸鼓木魚(yú)Percussion打擊樂(lè)器青銅編鐘編磬鑼鈸鼓木魚(yú)專業(yè)藝術(shù)英語(yǔ)_中國(guó)戲曲_Chinese_Opera課件PekingOperaHistoryofPekingOperaRolesofPekingOperaFacialmasksPekingOperaHistoryofPekingBriefIntroductionBeijingoperaorPekingoperaisaformoftraditionalChinesetheatrewhichcombinesmusic,vocalperformance,mime,danceandacrobatics<雜技>.TheformwasextremelypopularintheQingDynastycourtandhascometoberegardedasoneoftheculturaltreasuresofChina.IthasalsospreadtoothercountriessuchastheUnitedStatesandJapan.BriefIntroductionBeijingopeBeijingoperawasbornwhenthe"FourGreatAnhuiTroupes"broughtAnhuiopera,orwhatisnowcalledHuiju,toBeijingin1790,forthebirthdayoftheQianlongEmperor.Beijingoperawasoriginallystagedforthecourtandcameintothepubliclater.In1828,somefamousHubeitroupescametoBeijing.TheyoftenjointlyperformedinthestagewithAnhuitroupes.ThecombinationgraduallyformedBeijingopera'smelodies.Beijingoperaisgenerallyregardedashavingfullyformedby1845.AlthoughitiscalledBeijingopera(Beijingtheatrestyle),itsoriginsareinthesouthernAnhuiandeasternHubeiBeijingoperaisnotactuallyamonolithic<單塊的>form,butratheracoalescence<聯(lián)合>ofmanyolderforms.

DevelopmentBeijingoperawasbornwhenth

Performersutilizetheskillsofspeech,song,dance,andcombatinmovementsthataresymbolicandsuggestive,ratherthanrealistic.Theskillofperformersisevaluatedaccordingtothebeautyoftheirmovements.Performersalsoadheretoavarietyofstylisticconventionsthathelpaudiencesnavigate

theplotoftheproduction.Thelayersofmeaningwithineachmovementmustbeexpressedintimewithmusic.BeijingoperaarebasedonChinesehistory,folklore,and,increasingly,contemporarylife.PerformersutilizetheskillsBeijingoperawasinitiallyanexclusivelymalepursuit.TheQianlongEmperorhadbannedallfemaleperformersinBeijingin1772.Theappearanceofwomenonthestagebeganunofficiallyduringthe1870s.Femaleperformersbegantoimpersonatemalerolesanddeclaredequalitywithmen.By1894,thefirstcommercialvenueshowcasingfemaleperformancetroupesappearedinShanghai.Thisencouragedotherfemaletroupestoform,whichgraduallyincreasedinpopularity.Asaresult,theatreartistYuZhenting俞振庭petitioned（請(qǐng)?jiān)福ゝortheliftingofthebanafterthefoundingoftheRepublicofChinain1911.Thiswasaccepted,andthebanwasliftedin1912.Beijingoperawasinitiallyan●TherolesontheChineseoperastagefallinto

fourcategories:Sheng,Dan,JingandChou.

●Theseroleshavethenaturalfeaturesofageand

sex,aswellassocialstatus,andare

artificiallyexaggeratedbymakeup,costume<戲服>andgestures.●京劇在塑造人物方面有其獨(dú)特的造型語(yǔ)言。它把不同性別、性格、年齡、身份的人物劃分為不同的行當(dāng)，一般說(shuō)來(lái)有"生、旦、凈、丑"四大行當(dāng)。由于京劇人物造型形象鮮明、風(fēng)格多樣，有強(qiáng)烈的劇場(chǎng)效果，常常更易于激起觀眾的欣賞興趣。

●TherolesontheChineseoperShengamalerole,usuallyaleadingone,datesbacktoSouthernDramaoftheSongandYuanDynasties(960-1368).Thisroleappearsinoperasinallhistoricalperiods.Shengfallsintothreesub-groups:Laosheng,Xiaosheng,WushengShengamalerole,usuallyaleSheng老生/《甘露寺》

小生/《柳蔭記》

Sheng老生/《甘露寺》

小生/《柳蔭記》

Laoshengismeaningbeardedmen,becausetheactorswearartificialbeards,andtheyaremiddle-agedorelderlymen.Mostareupright(正直)andresolute（剛毅）characters.Theysingintheirnaturalvoices,andtheiractionsareseriousones.Xiaoshengrepresentsyoungmalecharacters.Theydon'twearartificialbeards.Theyalwayssingintheirrealvoices,whileinKunquandPihuangoperasthesingingmixesnaturalandfalsettovoices.

LaoshengismeaningbeShengWushengstandsforallofthemalecharacterswhoappearinbattlescenes.Theyalwayswearhelmetsandthick-soledboots.Thegeneralsalwayscarrylongpikesorshort-handledweapons,.Wushengrolescallforsturdyandvigorousactions,withresounding(洪亮的）declamations.Themovementsofthewaistandlegsarepowerful,andahighlevelofmartialartsskillsisdemandedintheseroles.ShengWushengstandsforallofDanDanisthegeneralterminPekingOperaforfemaleroles.AsearlyasintheSongDynasty(960-1279),theDanroleappeared.SouthernDramaandNorthernZaju,whichdevelopedduringtheSongandYuanDynasties(960-1368)Nowadays,theDanrolesaresubdividedintoZhengdan(orQingyi),Huandan,WudanandLaodanDanDanisthegeneralterminZhengdanrolewasthemainDanroleintheNorthernZaju.Zhengdanreferstoyoungormiddle-agedwomenwithgentleandrefineddispositions.MostofZhengdan'slinesaredeliveredinsong,andeventhespokenpartsarerecitedinrhythmicstyle.Alwaysdressedinabluegown,ZhengdanisalsocalledQingyi(blueclothes).飾演大家閨秀和有身份的婦女稱為"正旦"，正旦在京劇中俗稱"青衣"，這就是因?yàn)檎┧缪莸慕巧４┣嗌拈L(zhǎng)衫而得名青衣的表演莊重嫻靜，秀雅柔婉，以唱功為主，一般說(shuō)來(lái)，青衣的唱腔旋律優(yōu)美，細(xì)膩婉轉(zhuǎn)。

ZhengdanrolewasthemainDanDanHuadanisaroleforavivaciousmaiden,ayoungwomanwithafrankandopenpersonality,orawomanofquestionablecharacter.

旦行中的"花旦"，多扮演天真活潑或放蕩潑辣的青衣婦女，在表演上注重做工和念白，例如《紅娘》中的紅娘.

DanHuadanisaroleforavivaDang青衣/《貴妃醉酒》花旦/《拾玉鐲》Dang青衣/《貴妃醉酒》花旦/《拾玉鐲》WudanreferstofemalecharactersskilledinthemartialartsandcanbesubdividedintoDaomadanandWudan,accordingtothesocialpositionsandskillsrepresented.Daomadanisgoodatusingpikesandspears,andatridinghorses.Wudanalwayswearsshortrobesandtheroleemphasizesacrobatics.Wudanplaysgodsandghostsandhasexcellentfightingskills.武旦"和"刀馬旦"相當(dāng)于生行中的武生，扮演的是擅長(zhǎng)武藝的青壯年婦女，裝扮和武生差不多，也扎靠服，她們多在劇中扮演女俠、女將甚至女仙、女妖等。武旦和刀馬旦的表演往往還伴隨著熱鬧的鑼鼓點(diǎn)，烘托場(chǎng)上的氣氛WudanreferstofemalecharactLaodanusuallyrepresentsagedwomen.Shesingsintheirnaturalvoices,inastylesimilartothatofLaoshengbutinmildertones.老旦指在劇中扮演老年婦女的角色行當(dāng)。為突出老年人的特點(diǎn)，走路邁一種沉穩(wěn)的橫八字步，服裝色調(diào)為色彩偏暗的秋香色、墨綠色，演唱用真聲表現(xiàn)。Laodanusuallyrepresentsaged

武旦/《穆桂英》老旦/《秦香蓮》

武旦/《穆桂英》老旦/《秦香蓮》JingJingreferstopainted-faceroles,knownpopularlyasHualian.Thedifferentcolorsanddesignsonthefacesrepresentmaleswithdifferentcharacteristics.Someareboldandvigorousandsomearesinister<邪惡的>,ruthless,crudeandrash(魯莽).Thevoiceisloudandclear,andthemovementsareexaggerated.Therolesrepresentmenofhighsocialstandingandgoodbehavior,oftencourtministers."凈"角臉部化妝最為豐富彩。"凈"因面部化妝要用各種色彩和圖案勾勒臉譜，所以又俗稱"大花臉"。一般扮演品貌或者性格有特點(diǎn)的男子，在京劇中多為將軍或有一定社會(huì)地位的人JingJingreferstopainted-facJing武凈/《戰(zhàn)宛城》銅錘/《打龍袍》

Jing武凈/《戰(zhàn)宛城》銅錘/《"末"也屬老生類，但在年齡上應(yīng)更老，思維糊涂，生活在底層的老人。由于化妝時(shí)在鼻梁上抹以小塊白粉而俗稱"小花臉"，又同凈角的大花臉、二花臉并列而俗稱"三花臉"。"末"也屬老生類，但在年齡上應(yīng)更老，思維糊涂，生活在底層的老

ChouTheChouisoneofthemainrolesinPekingOpera.Theeyesandnosearesurroundedbyawhitepatch,soChouisalsoknownasXiaoHuaLian(partlypaintedface).TheChourolesoriginatedinSouthernDramaoftheSongandYuandynasties(960-1368)劇中的"丑"角演員又稱為"小花臉"。"丑"行的化妝雖與大花臉有點(diǎn)相象，可是他的表演風(fēng)格卻完全不同，有點(diǎn)像夸張的漫畫(huà)。丑角的出場(chǎng)常會(huì)帶來(lái)滿堂的笑聲theChourolesaredividedintotwocategories:Wenchou(civilian)andWuchou(martial).ChouTheChouisoneofthemaChou文丑/《群英會(huì)》

武丑/《連環(huán)套》Chou文丑/《群英會(huì)》

武丑/《連環(huán)套》Wuchourequiresnotonlyagoodcommandofthemartialartsoracrobatics,butalsotheabilitytodeliverthelinesbothclearlyandfluently.Themovementsshouldbelightandpowerful.武丑扮演的經(jīng)常是一些機(jī)警風(fēng)趣、武藝高超的人物，象綠林好漢、俠盜小偷等等。"文丑"經(jīng)常扮演花花公子、獄卒、酒保、更夫、老兵等。不管文丑或武丑，雖有文武善惡、身份高低之分，在劇中都是幽默、滑稽的喜劇人物，也并不都是反派。

WuchourequiresnotonlyagooBeijingOperafacialmasks京劇臉譜BeijingOperafacialmasks京劇臉譜ThefacialmakeupinChineseopera,isaspecialfeatureofanationalcosmetic.

Aseachhistoricalfigureoracertaintypeofpersonhasanapproximatespectraltype,likesing,playmusictothemusic,socalled“typesoffacialmakeupinoperas”.Onthetypesoffacialmakeupinoperassources,thegeneralviewisfrommask.ThefacialmakeupinChineseoBeijingoperatypesoffacialmakeupinoperasarebasedoncertainpersonality,temperamentorsomespecialtypesoffiguresfortheuseofcertaincolors.京劇臉譜，是具有民族特色的一種特殊的化妝方法。由于每個(gè)歷史人物或某一種類型的人物都有一種大概的譜式，就像唱歌、奏樂(lè)都要按照樂(lè)譜一樣，所以稱為“臉譜”.關(guān)于臉譜的來(lái)源，一般的說(shuō)法是來(lái)自假面具。根據(jù)某種性格、性情或某種特殊類型的人物為采用某些色彩的。BeijingoperatypesoffacialRedhasexpressedhisWarriorsofstrongtypesoffacialmakeupinoperassuchasGuanYu,JiangWeiandChangYuchun.紅色有臉譜表示忠勇士義烈，如關(guān)羽、姜維、常遇春.RedhasexpressedhisWarriorsBlacksaidthetypesoffacialmakeupinoperasmingcriticizedpeople,integrity,braveryandevenreckless,suchasZhangFei,LiKui黑色的臉譜表示剛烈、正直、勇猛甚至魯莽，如包拯、張飛、李逵等張飛BlacksaidthetypesoffacialYellowtypesoffacialmakeupinoperasthatviciousbrutality,suchasYuwenChengdu,andDianWei.黃色的臉譜表示兇狠殘暴，如宇文成都、典韋.YellowtypesoffacialmakeupBlueorgreentypesoffacialmakeupinoperasthatsomeofthefiguresrepresentedirritable,suchasDouAmbassador,MaWu.藍(lán)色或綠色的臉譜表示一些粗豪暴躁的人物，如竇爾敦、馬武等.竇爾敦BlueorgreentypesoffacialGeneraltreacherouscourtofficialsaidthetypesoffacialmakeupinoperaswhite,badguys,suchasCaoCao,ZhaoGao.白色的臉譜一般表示奸臣、壞人，如曹操、趙高等曹操Generaltreacherouscourtoffi

Goldandsilverareusedonfacesofdeities,spiritsanddemons.

金色/銀色：用于佛祖和神仙一類人物以及一些比較有法力的精怪，如如來(lái)佛、二郎神京劇臉譜：如來(lái)佛二郎神Goldandsilverareusedonf

ClassicWorks京劇經(jīng)典ClassicWorks京劇經(jīng)典"Farewell,MyConcubine”霸王別姬"Farewell,MyConcubine”霸王別姬"MuGuiyingtakescommand"梅蘭芳晚年編演的《穆桂英掛帥》"MuGuiyingtakescommand"梅蘭芳導(dǎo)入《玉堂春》劇照導(dǎo)入《玉堂春》劇照京劇《昭君出塞》尚小云扮演的王昭君ZhaojunLefttheFortress京劇《昭君出塞》尚小云扮演的王昭君ZhaojunLeftQinXianglian京劇《秦香蓮》劇照張君秋飾演的秦香蓮QinXianglian京劇《秦香蓮》劇照張君秋飾演的秦香"Threeforks"經(jīng)典京劇《三岔口》中，表現(xiàn)出黑夜搏斗的場(chǎng)面"Threeforks"經(jīng)典京劇《三岔口》中，表現(xiàn)出黑夜TopScholarasMatchmaker

京劇《狀元媒》譚孝曾飾宋王、王蓉蓉飾柴郡主TopScholarasMatchmaker京劇《狀導(dǎo)入《秋江》童芷苓（左）飾道姑陳妙常，王泗水（右）飾艄翁

《秋江》劇照導(dǎo)入《秋江》《秋江》劇照導(dǎo)入荀慧生《紅娘》京劇《紅娘》劇照導(dǎo)入荀慧生《紅娘》京劇《紅娘》劇照UproarinHeaven《大鬧天宮》劇照《大鬧天宮》中的一個(gè)場(chǎng)面（1961年攝）UproarinHeaven《大鬧天宮》劇照《大鬧天宮》TheDrunkenBeauty《貴妃醉酒》TheDrunkenBeauty《貴妃醉酒》央視:MadamWhiteSnake常規(guī)譯:LegendoftheWhiteSnake

白蛇傳央視:MadamWhiteSnake白蛇傳鴻門(mén)宴HongmenBanquet(afeastormeetingsetupasatrapfortheinvited)鴻門(mén)宴HongmenBanquet

theRomanceoftheWestchamber

西廂記

theRomanceoftheWestchamb專業(yè)藝術(shù)英語(yǔ)_中國(guó)戲曲_Chinese_Opera課件TheDrunkenBeautyTheDrunkenBeauty趙氏孤兒“Sacrifice”（犧牲）

The

OrphanoftheZhao趙氏孤兒“Sacrifice”（犧牲）

TheOrphaTheFairyScatteringFlowersAStartlingDreamofWanderingThroughtheGardenBeautyDefiesTyranny宇宙鋒MuGuiyingTakesCommandTheFisherman’sRevenge打漁殺PhoenixReturnstoitsNestTheRedLanternThreeKingdomsambition天女散花三國(guó)志紅燈記鳳還巢游園驚夢(mèng)穆桂英掛帥TheFairyScatteringFlowers天女

FamousArtists FamousArtistsHislifeinartwasfulloffragrance(芳)whentheflowers(梅plum,蘭orchid)blossomSecretofthename梅

mei,plum(flower)蘭

lan,orchid(flower)芳

fang,fragrance

“TheFourGentlemen”-plum,orchid,chrysanthemumandbamboo(梅蘭菊竹).HislifeinartwasfulloffrMeiLanfangQueenofPekingOpera

TraditionallyonlymenperformedPekingOpera,includingthefemaleroles—andMeiLanfangwasthemaster.Duringhisstagelife,Meiembellishedtraditionsofthepastwithhisowncreations,shapingastyleofhisown,andgavebirthto“TheMeiLanfangSchool.”HewasalsothefirstartisttointroducePekingOperatoanoverseasaudience,winninginternationalrecognitionacrosstheglobe.MeiLanfangQueenofPekingOp專業(yè)藝術(shù)英語(yǔ)_中國(guó)戲曲_Chinese_Opera課件專業(yè)藝術(shù)英語(yǔ)_中國(guó)戲曲_Chinese_Opera課件

Homework

Doyouknowanyotherminoritycharacters?Pleaseintroduceoneofthem. Homework

DoyouknoThankYou!ThankYou!知識(shí)回顧KnowledgeReview知識(shí)回顧KnowledgeReviewChineseOpera中國(guó)戲曲ChineseOperaContentsIntroductionVarietiesPekingOperaContentsIntroductionVarietiesPIntroduction-----ChineseOperasChineseOperahasbeenacknowledgedasoneofthegreatestancientdramasintheworld,parallelingtheComediesandTragediesofGreeceandtheSanskrit（梵文）DramaofIndia.TheChineseoperaisatraditionalformofstageentertainment,weavingtogetherelementsofmime,dance,song,dialogue,swordplay,andacrobaticsintoonefluidcontinuousflow.Gestures,movementsandexpressionsincorporatedwithineachperformer'sscriptcometogethertobringforthanimpressiveperformance.Introduction-----ChineseOpeIntroduction-----ChineseOperasIncontrasttoWesternstageentertainment,whichissubdividedintodifferentcategoriessuchasopera,dramaandsketches（幽默短?。?Chineseoperahasremainedfaithfultoitsoriginalformatoverthecenturies.Theirorigincanbetracedbacktoprimitivesocietybuttheprototype(雛形)forChineseoperaactuallyappearedintheSongdynastyabout800yearsago.Introduction-----ChineseOpeIntroduction-----ChineseOperasAlthoughsharingacommonancestry,Chineseoperaboastsover300variousdistinctforms-takingtheirnamesfromtheirplacesoforigin.Theseformsaregenerallydiscernible（可是別的）

bytheiruseoflocaldialectsanddistinct'melodies'.Beijingoperaisconsideredbymosttobethemostrefined.AlsowidespreadarePingjuOpera,KunquOpera,ShaoxingOpera,HenanOpera,SichuanOpera,ShanxiOpera,HuangmeiOpera,HuaguOperaandYangkoOpera.SomeChineseethnicminoritygroupshavesomelocalformofoperas.

Introduction-----ChineseOpeVarietiesNorthernBeijingopera京劇Errenzhuan二人轉(zhuǎn)

(NortheastChina)Hebeibangzi河北梆子(Hebei)Jiju吉?jiǎng)?/p>

(Jilin)Lüju呂劇

(Shandong)Pingju評(píng)劇

(Hebei)Puju蒲劇

(Shanxi)Qinqiang/Qindynastyopera秦腔

(Shaanxi)Shandongbangzi(Shandong)Shanxibangzi(Shanxi)VarietiesNorthernSouthern(main)Cantoneseopera(Guangdong)ChaozhouoperaGanju/Yiyangqiang(Jiangxi)Huju(Shanghai)KunquLiyuanoperaPuppetoperaShaoxingopera/Yueju(Zhejiang)Suzhouopera(Suzhou)TaiwaneseoperaWuju(Jinhua)Southern(main)VarietiesofChineseOperaOver300typesalltogetherBeijingOpera（京?。℡ueOpera（越?。〩uangmeiOpera（黃梅戲）YuOpera（豫劇）PingOpera（評(píng)?。㎏unOpera（昆劇）HebeiClapperOpera（河北梆子）ChuanOpera（川?。℡ueOpera（越?。㎜uOpera(呂劇）VarietiesofChineseOperaOverBeijingOpera（京?。〣eijingOpera,oncecalled'PekingOpera',isthemostinfluentialandrepresentativeofalloperasinChinaandhasahistoryofover200years.BeijingOperaisnoticeableforfourhighlysystemizedcategoriesofsinging,acting,recitingandacrobaticfighting.BeijingOpera（京?。〣eijingOperTheFourrolesinBeijingOperaTheFourrolesinBeijingOpeFamousPlaysinBeijingOperaTheGatheringOfHeroes《群英會(huì)》TheEmptyCity《空城計(jì)》The

OrphanoftheZhao《趙氏孤兒》TheFemaleGeneralsoftheYang《楊門(mén)女將》RedLantern《紅燈記》TheSparksinReedMarshes《蘆蕩火種》ToTaketheWeihuMountainbyStrategy《智取威虎山》FamousPlaysinBeijingOperaTYueOpera越劇YueOperaisalocaloperapopularinthesouthernregionsoftheChangjiangRiver.YueOperahasahistoryofnearly100years.ThefamousperformerYuanXuefen（袁雪芬）,contributedsignificantlytothereformofthisopera.WellknownplaysincludeTheButterfly’sLove《梁山伯與祝英臺(tái)》,TheDreamofRedMansions《紅樓夢(mèng)》andTheWestChamber《西廂記》.

YueOpera越劇YueOperaisalocaHuangmeiOpera黃梅戲HuangmeiOpera,oncecalled'HuangmeiTune'（黃梅調(diào)）,isalocaloperainAnhuiProvince,wasbasicallyderivedfromthe'CaichaTune'（采茶調(diào),tea-pickingtunes）ofHuangmeicounty.TheHuangmeiOperausesthetalentsofthewell-knownperformer,YanFengying（閻鳳英）,andthetraditionalplaysareTheHeavenlyMaidandtheMortal《天仙配》andFemaleSon-in-LawoftheEmperor《女駙馬》。HuangmeiOpera黃梅戲HuangmeiOperYuOpera豫劇YuOpera,alsocalled'HenanClapperOpera'（河南梆子）or'HenanHighTune'（河南高調(diào)）,isamajorlocaloperainHenanProvinceandenjoysnationwidepopularity.Therearemorethan600traditionalplaysintherepertoireofYuOpera,amongthemarePlayingShortSpears《對(duì)花槍》andTheBeheadingofChenShimei《鍘美案》.ThemostfamousperformerisChangXiangyu（常香玉）.YuOpera豫劇YuOpera,alsocallePingOpera評(píng)劇PingOperaisatraditionaloperawidelypopularinBeijing,Tianjin,NorthandNortheastChina.Itisespeciallygoodatreflectinglifeofurbanpeopleandhasgainedgreatfavorfrompeoplebothinruralandurbanareas.ClassicplaysincludeFlower,aMatchmaker《花為媒》andDuShiNiang《杜十娘》,tonamejustafew.RepresentativeperformersareXiaoBaiYushuang（小白玉霜）andXinFengxia（新風(fēng)霞）.PingOpera評(píng)劇PingOperaisatrKunOpera昆曲KunOpera,alsocalled'KunshanQiang'(昆山腔)',originatedintheKunshanregionofJiangsuProvince.ItisoneofChina'sclassicaloperaswithahistoryofmorethan600years.ThetraditionalplaysofKunOperaincludeThe

InjusticetoDouE《竇娥冤》,TheWestChamber《西廂記》,ThePeachBlossomFan《桃花扇》,ThePeonyPavilion《牡丹亭》andPalaceofEternalYouth《長(zhǎng)生殿》.TherepresentativeperformersareYuZhenfei（俞振飛）andHongXuefei（洪雪飛）.KunOpera昆曲KunOpera,alsocalHebeiClapperOpera河北梆子HebeiClapperOperaisalocaloperawhichoriginatedinHebeiProvince,yetalsobecameverypopularinBeijing,TianjinandsomeregionsofHebei,Liaoning,Jilin,Heilongjiang,InnerMongoliaandShandongProvinces.RepresentativeplaysincludeTheGeneralsoftheYang《楊家將》,LotusLantern《寶蓮燈》andQinXianglian《秦香蓮》.HebeiClapperOpera河北梆子HebeiCChuanOper