濟(jì)慈代表作(雙語)

濟(jì)慈代表作(雙語)濟(jì)慈代表作(雙語)濟(jì)慈代表作(雙語)V:1.0精細(xì)整理，僅供參考濟(jì)慈代表作(雙語)日期：20xx年X月濟(jì)慈《夜鶯頌》是1818年濟(jì)慈23歲的作品。該詩歌一共八節(jié)80余行，該詩歌具有強(qiáng)烈的浪漫主義特色，用美麗的比喻和一瀉千里的流利語言表達(dá)了詩人心中強(qiáng)烈的思想感情和對(duì)自由世界的深深向往。OdetoaNightingale夜鶯頌-JohnKeats中英雙語對(duì)照Myheartaches,andadrowsynumbnesspains我的心痛，困頓和麻木Mysense,asthoughofhemlockIhaddrunk,毒害了感官，猶如飲過毒鴆，Oremptiedsomedullopiatetothedrains又似剛把鴉片吞服，Oneminutepast,andLethe-wardshadsunk一分鐘的時(shí)間，字句在忘川中沉沒

'Tisnotthroughenvyofthyhappylot,并不是在嫉妒你的幸運(yùn)，Butbeingtoohappyinthinehappiness,--是為著你的幸運(yùn)而大感快樂，Thatthou,light-wingedDryadofthetrees你，林間輕翅的精靈，Insomemelodiousplot在山毛櫸綠影下的情結(jié)中，Ofbeechengreen,andshadowsnumberless,Singestofsummerinfull-throatedease.放開了歌喉，歌唱夏季。O,foradraughtofvintage!thathathbeen哎，一口酒！那冷藏Cool'dalongageinthedeep-delvedearth,在地下多年的甘醇，TastingofFloraandthecountrygreen,味如花神、綠土、Dance,andProvencalsong,andsunburntmirth!舞蹈、戀歌和灼熱的歡樂！OforabeakerfullofthewarmSouth,哎，滿滿一杯南方的溫暖，F(xiàn)ullofthetrue,theblushfulHippocrene,充滿了鮮紅的靈感之泉，Withbeadedbubbleswinkingatthebrim,杯沿閃動(dòng)著珍珠的泡沫，Andpurple-stainedmouth和唇邊退去的紫色；ThatImightdrink,andleavetheworldunseen,我要一飲以不見塵世，Andwiththeefadeawayintotheforestdim與你循入森林幽暗的深處

Fadefaraway,dissolve,andquiteforget遠(yuǎn)遠(yuǎn)的離開，消失，徹底忘記Whatthouamongtheleaveshastneverknown,林中的你從不知道的，Theweariness,thefever,andthefret疲憊、熱病和急躁Here,wheremensitandheareachothergroan;這里，人們坐下并聽著彼此的呻吟；Wherepalsyshakesafew,sad,lastgrayhairs,癱瘓搖動(dòng)了一會(huì)兒，悲傷了，最后的幾絲白發(fā)，Whereyouthgrowspale,andspectre-thin,anddies;青春蒼白，古怪的消瘦下去，后來死亡；WherebuttothinkistobefullofsorrowAndleaden-eyeddespairs,鉛色的眼睛絕望著；WhereBeautycannotkeepherlustrouseyes,美人守不住明眸，OrnewLovepineatthembeyondto-morrow.新的戀情過不完明天。Away!away!forIwillflytothee,去吧！去吧！我要飛向你，NotchariotedbyBacchusandhispards,不用酒神的車輾和他的隨從，ButontheviewlesswingsofPoesy,乘著詩歌無形的翅膀，Thoughthedullbrainperplexesandretards盡管這混沌的頭腦早已跟隨你，Alreadywiththee!tenderisthenight,夜色溫柔，而月后AndhaplytheQueen-Moonisonherthrone,正登上她的寶座，Cluster'daroundbyallherstarryFays;周圍是她所有的星星仙子，Butherethereisnolight,但這處那處都沒有光，Savewhatfromheaveniswiththebreezesblown一些天光被微風(fēng)吹入幽綠，Throughverdurousgloomsandwindingmossyways.和青苔的曲徑。Icannotseewhatflowersareatmyfeet,我不能看清是哪些花在我的腳旁，Norwhatsoftincensehangsupontheboughs,何種軟香懸于高枝，But,inembalmeddarkness,guesseachsweet但在溫馨的暗處，猜測(cè)每一種甜蜜Wherewiththeseasonablemonthendows以其時(shí)令的贈(zèng)與Thegrass,thethicket,andthefruit-treewild;青草地、灌木叢、野果樹Whitehawthorn,andthepastoraleglantine;白山楂和田園玫瑰；Fastfadingvioletscover'dupinleaves;葉堆中易謝的紫羅蘭；Andmid-May'seldestchild,還有五與中旬的首出，Thecomingmusk-rose,fullofdewywine,這啜滿了露酒的麝香薔薇，Themurmuroushauntoffliesonsummereves.夏夜蠅子嗡嗡的出沒其中。DarklingIlisten;and,formanyatime我傾聽黑夜，多少次IhavebeenhalfinlovewitheasefulDeath,我?guī)缀鯋凵狭艘葜k的死亡，Call'dhimsoftnamesinmanyamusedrhyme,在如此多的沉思之韻中呼喚她輕柔的名，Totakeintotheairmyquietbreath;編織成歌，我無聲的呼吸；Nowmorethaneverseemsitrichtodie,現(xiàn)在她更加華麗的死去，Toceaseuponthemidnightwithnopain,在午夜不帶悲傷的飛升，Whilethouartpouringforththysoulabroad當(dāng)你正向外傾瀉靈魂Insuchanecstasy!這般的迷狂！Stillwouldstthousing,andIhaveearsinvain--你仍唱著，而我聽不見，Tothyhighrequiembecomeasod.你那高昂的安魂曲對(duì)著一搓泥土。

Thouwastnotbornfordeath,immortalBird!永生的鳥?。∧悴粸榱怂劳龀錾?！Nohungrygenerationstreadtheedown;饑餓的時(shí)代無法把你蹂躪；ThevoiceIhearthispassingnightwasheard這逝去的夜晚里我所聽見的Inancientdaysbyemperorandclown:在那遠(yuǎn)古的日子也曾為帝王和小丑聽見；Perhapstheself-samesongthatfoundapath可能相同的歌在魯思那顆憂愁的心中ThroughthesadheartofRuth,when,sickforhome,找到了一條路徑，當(dāng)她思念故鄉(xiāng)，Shestoodintearsamidthealiencorn;站在異邦的谷田中落淚；Thesamethatoft-timeshath這聲音常常Charm'dmagiccasements,openingonthefoam在遺失的仙城中震動(dòng)了窗扉Ofperilousseas,infaerylandsforlorn.望向泡沫浪花Forlorn!theverywordislikeabell遺失！這個(gè)字如同一聲鐘響Totollmebackfromtheetomysoleself!把我從你處帶會(huì)我單獨(dú)自我！Adieu!thefancycannotcheatsowell別了！幻想無法繼續(xù)欺騙Assheisfam'dtodo,deceivingelf.當(dāng)她不再能夠，Adieu!adieu!thyplaintiveanthemfades別了！別了！你哀傷的圣歌Pastthenearmeadows,overthestillstream,退入了后面的草地，流過溪水，Upthehill-side;andnow'tisburieddeep涌上山坡；而此時(shí)，它正深深I(lǐng)nthenextvalley-glades:埋在下一個(gè)山谷的陰影中：Wasitavision,orawakingdream是幻覺，還是夢(mèng)寐？

Fledisthatmusic:--DoIwakeorsleep那歌聲去了：我醒了我睡著美是濟(jì)慈的畢生追求，《希臘古甕頌》是詩人對(duì)美的頌歌。詩歌通過詩人對(duì)古甕觀感以及與古甕的對(duì)話，得出了“美即是真，真即是美”的結(jié)論。濟(jì)慈的這句名言向來頗有爭(zhēng)議，很值得我們思考。在這首詩中，古甕之美不僅僅在于“優(yōu)美”和“美妙”：三幅畫面中既有人/神狂歡和少年求愛的美好畫面，也有小鎮(zhèn)傾城獻(xiàn)祭的凄涼街景。詩中的美是藝術(shù)之美。作為藝術(shù)品，這首詩和古甕是美的，這美源自有悲也有樂的生活，這便是真。生活的本真是藝術(shù)美的源泉，藝術(shù)之美則使生活的本真得以永存。這句話也可看作詩人一生的寫照。濟(jì)慈出生寒微，在創(chuàng)作過程中不斷受到死亡的威脅，但他以短暫的生命創(chuàng)作出大批具有強(qiáng)烈美感的名篇佳作。他的藝術(shù)成就是他在生活之真中追求美的結(jié)果，他所創(chuàng)造出來的藝術(shù)美則使他的一生不朽于世。OdeonaGrecianUrn希臘古甕頌byJohnKeats濟(jì)慈查良錚譯Thoustillunravishedbrideofquietness,Thoufosterchildofsilenceandslowtime,Sylvanhistorian,whocanstthusexpressAflowerytalemoresweetlythanourrhyme:Whatleaf-fringedlegendhauntsaboutthyshapeOfdeitiesormortals,orofboth,InTempeorthedalesofArcadyWhatmenorgodsaretheseWhatmaidensloathWhatmadpursuitWhatstruggletoescapeWhatpipesandtimbrelsWhatwildecstasy你委身“寂靜”的、完美的處子，受過了“沉默”和“悠久”的撫育，呵，田園的史家，你竟能鋪敘一個(gè)如花的故事，比詩還瑰麗：在你的形體上，豈非繚繞著古老的傳說，以綠葉為其邊緣；講著人，或神，敦陂或阿卡狄呵，是怎樣的人，或神！在舞樂前多熱烈的追求！少女怎樣地逃躲！怎樣的風(fēng)笛和鼓謠！怎樣的狂喜！Heardmelodiesaresweet,butthoseunheardAresweeter;therefore,yesoftpipes,playon;Nottothesensualear,but,moreendeared,Pipetothespiritditiesofnotone.Fairyouth,beneaththetrees,thoucanstnotleaveThysong,norevercanthosetreesbebare;BoldLover,never,nevercanstthoukiss,Thoughwinningnearthegoal---yet,donotgrieve;Shecannotfade,thoughthouhastnotthyblissForeverwiltthoulove,andshebefair!聽見的樂聲雖好，但若聽不見卻更美；所以，吹吧，柔情的風(fēng)笛；不是奏給耳朵聽，而是更甜，它給靈魂奏出無聲的樂曲；樹下的美少年呵，你無法中斷你的歌，那樹木也落不了葉子；鹵莽的戀人，你永遠(yuǎn)、永遠(yuǎn)吻不上，雖然夠接近了--但不必心酸；她不會(huì)老，雖然你不能如愿以償，你將永遠(yuǎn)愛下去，她也永遠(yuǎn)秀麗！Ah,happy,happyboughs!thatcannotshedYourleaves,noreverbidtheSpringadieu;And,happymelodist,unweari-ed,Foreverpipingsongsforevernew;Morehappylove!morehappy,happylove!Foreverwarmandstilltobeenjoyed,Foreverpanting,andforeveryoung;Allbreathinghumanpassionfarabove,Thatleavesahearthigh-sorrowfulandcloyed,Aburningforehead,andaparchingtongue.呵，幸福的樹木！你的枝葉不會(huì)剝落，從不曾離開春天；幸福的吹笛人也不會(huì)停歇，他的歌曲永遠(yuǎn)是那么新鮮；呵，更為幸福的、幸福的愛！永遠(yuǎn)熱烈，正等待情人宴饗，永遠(yuǎn)熱情地心跳，永遠(yuǎn)年輕；幸福的是這一切超凡的情態(tài)：它不會(huì)使心靈饜足和悲傷，沒有熾熱的頭腦，焦渴的嘴唇。WhoarethesecomingtothesacrificeTowhatgreenaltar,Omysteriouspriest,Lead'stthouthatheiferlowingattheskies,AndallhersilkenflankswithgarlandsdressedWhatlittletownbyriverorseashore,Ormountain-builtwithpeacefulcitadel,Isemptiedofthisfolk,thispiousmornAnd,littletown,thystreetsforevermoreWillsilentbe;andnotasoultotellWhythouartdesolate,cane'erreturn.這些人是誰呵，都去趕祭祀這作犧牲的小牛，對(duì)天鳴叫，你要牽它到哪兒，神秘的祭司花環(huán)綴滿著它光滑的身腰。是從哪個(gè)傍河傍海的小鎮(zhèn)，或哪個(gè)靜靜的堡寨山村，來了這些人，在這敬神的清早呵，小鎮(zhèn)，你的街道永遠(yuǎn)恬靜；再也不可能回來一個(gè)靈魂告訴人你何以是這么寂寥。OAtticshape!Fairattitude!withbredeOfmarblemenandmaidensoverwrought,Withforestbranchesandthetroddenweed;Thou,silentform,dostteaseusoutofthoughtAsdotheternity.ColdPastoral!Whenoldageshallthisgenerationwaste,Thoushaltremain,inmidstofotherwoeThanours,afriendtoman,towhomthousay'st,"Beautyistruth,truthbeauty"---thatisallYeknowonearth,andallyeneedtoknow.哦，希臘的形狀！唯美的觀照！上面綴有石雕的男人和女人，還有林木，和踐踏過的青草；沉默的形體呵，你象是“永恒”使人超越思想：呵，冰冷的牧歌！等暮年使這一世代都凋落，只有你如舊；在另外的一些憂傷中，你會(huì)撫慰后人說：“美即是真，真即是美，”這就包括你們所知道、和該知道的一切?！肚镯灐窞闈?jì)慈所作的一首詩歌。《秋頌》把秋的各種獨(dú)立的經(jīng)典意像完美融合在了一起，使得這些原本美好的事物的生命力更加飽滿，寫作手法運(yùn)用的相當(dāng)豐富和嫻熟，是描寫秋天的文學(xué)作品的極品之作。為了讓大家更好的能夠欣賞這篇詩文，中文為文學(xué)翻譯家穆旦（查良錚）先生的中文譯文。濟(jì)慈詩才橫溢，與雪萊、拜倫齊名。他生平只有25歲，但其遺下的詩篇一直譽(yù)滿人間，被認(rèn)為完美地體現(xiàn)了西方浪漫主義詩歌的特色，并被推崇為歐洲浪漫主義運(yùn)動(dòng)的杰出代表。他主張“美即是真，真即是美”，擅長(zhǎng)描繪自然景色和事物外貌，表現(xiàn)景物的色彩感和立體感，重視寫作技巧，語言追求華美，對(duì)后世抒情詩的創(chuàng)作影響極大。TOAUTUMN秋頌byJohnKeats（查良錚譯）SEASONofmistsandmellowfruitfulness,Closebosom-friendofthematuringsun;ConspiringwithhimhowtoloadandblessWithfruitthevinesthatroundthethatch-evesrun;Tobendwithapplesthemoss’dcottage-trees,Andfillallfruitwithripenesstothecore;Toswellthegourd,andplumpthehazelshellsWithasweetkernel;tosetbuddingmore,Andstillmore,laterflowersforthebees,Untiltheythinkwarmdayswillnevercease,ForSummerhaso’er-brimm’dtheirclammycells.霧氣洋溢、果實(shí)圓熟的秋，你和成熟的太陽成為友伴；你們密謀用累累的珠球，綴滿茅屋檐下的葡萄藤蔓；使屋前的老樹背負(fù)著蘋果，讓熟味透進(jìn)果實(shí)的心中，使葫蘆脹大，鼓起了榛子殼，好塞進(jìn)甜核；又為了蜜蜂一次一次開放過遲的花朵，使它們以為日子將永遠(yuǎn)暖和，因?yàn)橄募驹缣顫M它們的粘巢。WhohasthnotseentheeoftamidthystoreSometimeswhoeverseeksabroadmayfindTheesittingcarelessonagranaryfloor,Thyhairsoft-liftedbythewinnowingwind;Oronahalf-reap’dfurrowsoundasleep.Drowsedwiththefumesofpoppies,whilethyhookSparesthenextswathandallitstwinedflowers:AndsometimeslikeagleanerthoudostkeepSteadythyladenheadacrossabrook;Orbyacyder-press,withpatientlook,Thouwatchestthelastoozingshoursbyhours.誰不經(jīng)?？匆娔惆橹葌}在田野里也可以把你找到，彌有時(shí)隨意坐在打麥場(chǎng)上，讓發(fā)絲隨著簸谷的風(fēng)輕飄；有時(shí)候，為罌粟花香所沉迷，你倒臥在收割一半的田壟，讓鐮刀歇在下一畦的花旁；或者．像拾穗人越過小溪，你昂首背著谷袋，投下倒影，或者就在榨果架下坐幾點(diǎn)鐘，你耐心地瞧著徐徐滴下的酒漿。WherearethesongsofSpringAy,wherearetheyThinknotofthem,thouhastthymusictoo,-Whilebarredcloudsbloomthesoft-dyingday,Andtouchthestubble-plainswithrosyhue;TheninawailfulchoirthesmallgnatsmournAmongtherivershallows,bornealoftOrsinkingasthelightwindlivesordies;Andfull-grownlambsloudbleatfromhillybourn;Hedge-cricketssing;andnowwithtreblesoftThered-breastwhistlesfromagarden-croft;Andgatheringswallowstwitterintheskies.?。喝盏母枘睦锶チ说灰脒@些吧，你也有你的音樂——當(dāng)波狀的云把將逝的一天映照，以胭紅抹上殘梗散碎的田野，這時(shí)啊，河柳下的一群小飛蟲就同奏哀音，它們忽而飛高，忽而下落，隨著微風(fēng)的起滅；籬下的蟋蟀在歌唱，在園中紅胸的知更鳥就群起呼哨；而群羊在山圈里高聲默默咩叫；叢飛的燕子在天空呢喃不歇。<BrightStar燦爛星辰>這首詩歌是濟(jì)慈寫給女友芳妮-布勞恩（FannyBrawne）的一首十四行詩。在本詩中，濟(jì)慈采用了brightstar，themovingwaters，snow，love’sripeningbreast等意象，把關(guān)于愛情、死亡和永恒的思想融會(huì)在一起，表現(xiàn)了生活、死亡、愛情和理想等永恒的主題。BrightStar燦爛星辰JohnKeats約翰·濟(jì)慈Brightstar,wouldIwerestedfastasthouart—愿我如你堅(jiān)定–璀璨明星！Notinlonesplendourhungaloftthenight但不要高懸夜空顯赫孤零。Andwatching,witheternallidsapart,像塵世間的隱士警覺清醒，Likenature’spatient,sleeplessEremite,耐心注視大地，目不轉(zhuǎn)睛。Themovingwatersattheirpriestliketask江水滔滔把牧師之職履行，Ofpureablutionroundearth’shumanshores,將那紅塵之堤岸沐浴洗凈。Orgazingonthenewsoft-fallenmask或者凝視著玉屑曼舞晶瑩，Ofsnowuponthemountainsandthemoors—一襲白紗帳裝扮曠野峻嶺。No–yetstillstedfast,stillunchangeable,不，我要一心不二永篤定，Pillow’duponmyfairlove’sripeningbreast,頭枕愛人的酥胸日漸堅(jiān)挺。Tofeelforeveritssoftfallandswell,永遠(yuǎn)感受跌宕起伏的溫情，Awakeforeverinasweetunrest,洞察那份甜蜜的騷動(dòng)不寧。Still,stilltohearhertender-takenbreath,細(xì)柔的呼吸永遠(yuǎn)啜飲聆聽，Andsoliveever–orelseswoontodeath.這樣活著，或者暈厥喪命。濟(jì)慈詩才橫溢，與雪萊、拜倫齊名。他年僅25歲，可是他遺下的詩篇一直譽(yù)滿人間，被認(rèn)為完美地體現(xiàn)了西方浪漫主義詩歌的特色，并被推崇為歐洲浪漫主義運(yùn)動(dòng)的杰出代表。JohnKeats（約翰濟(jì)慈）TheDayIsGone,AndAllItsSweetsAreGone!那一天來了，所有甜蜜的東西都失去Thedayisgone,andallitssweetsaregone!Sweetvoice,sweetlips,softhand,andsofterbreast,Warmbreath,lightwhisper,tendersemi-tone,Brighteyes,accomplish'dshape,andlang'rouswaist!那一天來了，甜蜜的一切已失去!甜嗓，甜唇，酥胸，纖纖十指，熱烈的呼吸，溫柔的低音，耳語，明眸，美好的體態(tài)，柔軟的腰肢!Fadedtheflowerandallitsbuddedcharms,Fadedthesightofbeautyfrommyeyes,Fadedtheshapeofbeautyfrommyarms,Fadedthevoice,warmth,whiteness,paradise-凋謝了，鮮花初綻的全部魅力，凋謝了，我眼睛見過的美的景色，凋謝了，我雙臂抱過的美的形體，凋謝了，輕聲，溫馨，純潔，歡樂——Vanish'dunseasonablyatshutofeve,WhentheduskholidayorholynightOffragrant-curtain'dlovebeginstoweaveThewoofofdarknessthick,forhiddelight;這一切在黃昏不合時(shí)宜地消退，當(dāng)黃昏，節(jié)日的黃昏，愛情的良夜正開始細(xì)密地編織昏暗的經(jīng)緯以便用香幔遮住隱蔽的歡悅；But,asI'vereadlove'smissalthroughto-day,He'llletmesleep,seeingIfastandpray.但今天我已把愛的彌撒書讀遍，他見我齋戒祈禱，會(huì)讓我安眠?！睹慨?dāng)我害怕》為濟(jì)慈所作的一首詩歌，也是濟(jì)慈的第一首莎士比亞型十四行詩，附在1818年1月31日致雷諾茲的心中。被認(rèn)為是他以這種詩格創(chuàng)作最成功的作品之一。WhenIhavefears每當(dāng)我害怕by濟(jì)慈英語帶中文翻譯：WhenIhavefearsthatImayceasetobe每當(dāng)我害怕，生命也許等不及Beforemypenhasglean'dmyteemingbrain,我的筆搜集完我蓬勃的思潮，Beforehigh-piledbooks,incharactery,等不及高高一堆書，在文字里，Holdlikerichgarnersthefullripen'dgrain;象豐富的谷倉，把熟谷子收好；WhenIbehold,uponthenight'sstarr'dface,每當(dāng)我在繁星的夜幕上看見Hugecloudysymbolsofahighromance,傳奇故事的巨大的云霧征象，AndthinkthatImayneverlivetotrace而且想，我或許活不到那一天，Theirshadows,withthemagichandofchance;以偶然的神筆描出它的幻相；AndwhenIfeel,faircreatureofanhour,每當(dāng)我感覺，呵，瞬息的美人！ThatIshallneverlookupontheemore,我也許永遠(yuǎn)都不會(huì)再看到你，Neverhaverelishinthefaerypower不會(huì)再陶醉于無憂的愛情Ofunreflectinglove;--thenontheshore和它的魅力！——于是，在這廣大的OfthewideworldIstandalone,andthink世界的岸沿，我獨(dú)自站定、沉思，Tillloveandfametonothingnessdosink.直到愛情、聲名，都沒入虛無里。查良錚譯約翰·濟(jì)慈（1795