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C
ANNES
LIONS2023Five
takeaways
for
marketersIntroductionFivetakeaways
for
marketers1Creative
must
be
e?ectiveBeforethis
year’s
CannesLionsInternationalFestival
ofCreativit
y,one
thing
wascertain:
generative
AIwasgoing
to
be
the
talkof
the
town,along
witha
wholehost
of
topics
thattheadvertisingindustry
hasbeengrappling
withover
thepast
year.2345Inclusion
must
be
integratedCannesisthe
world’s
biggestcelebrationof
creativity
–
bringingtogether
theleadingexperts
intheindustry
to
discussthefutureof
creativity
anditschallenges.
Inthisbooklet,wesharefivecreativethemesthatmarketerscantake
from
this
year
’s
CannesLions’experttalks
andaward-winning
work.
For
eachthemewesharehow
Kantar
solutionscanhelppropelyourbrandsandbusinessesforward.The
sustainability
conundrumThe
return
of
entertainmentJane
OstlerEVP
ThoughtLeadershipVera
SidlovaGlobalDirector,
CreativeGenAI:
Adland’s
frenemy
ormarketers’
partner?1Creative
mustbe
e?ectiveUnder
thecurrent
economicpressures,
manymarketersinvest
inperformance
marketingtactics
to
deliver
short-termsales.
While
performance
has
itsplacein
themarketer’s
toolkit,the
top
marketers
at
CannesLionsfocused
on
thepower
ofbrand
andthe
ways
in
whichbrand
buildingcandrive
thecommercial
healthof
their
businesses.Marketers
atthefestivalremainedlaser-focused
onthefact
thatcreativity
notonly
can
–
but
should
–
deliver
differentiationandgrowth
for
brands.
Marc
Pritchard,
P&G’sChief
Brand
Officer,
introduced
theNextReset
for
theirbrands.
Effective
creative
liesatthecore
oftheirapproach
andthey
frametheReset
as“creativity
thatgrows
markets”by
leveraging
consumerunderstanding,being
truly
inclusive
anddrivingcreativeimpact.
Marketingprofessionalshavelongargued
about
the‘correct’
ratio
betweenbrand
buildingandperformance
advertising,withmany
seeing
digital
advertising
asachannelfor
performancemarketingonly.How
KantarcanhelpInasessionaptly
titled’Therealbeautyof
long-lastingbrands’,
Conny
Braams,
theChief
Digital
andCommercial
Officer
atUnilever,
highlightedtherole
ofbrandsforgrowth
as“themajority
of
[Unilever
brands’]growth
iscomingfrom
thelong-termeffects
ofbrandbuilding”andidentifiedthe“steady
decline
of
brand
differentiation”asthebiggestthreatfor
brandstoday.UMMOputs
you
incontrolof
yourmarketingbudgetandallocation.
Itprovidesguidanceonthe‘bigpicture’strategicbudgetallocationandhelps
you
withtacticaldecisionsandin-flightbudgetallocation.Kantar
haschallengedthis
view
for
years,sayingthatdigital
canbe
aneffectivechannelfor
brand
building.
Les
Binet,Grace
Kite
and
Tom
Roach
demonstratedwithdata
thatmarketers
know
how
todeliverimpact,
infact,
weare
enteringathirdageofeffectiveness,
wheredigitaladvertisingisnow
helpingto
buildbrands.UMMO
–
getacomprehensiveassessmentFind
out
moreof
yourmarketingeffectiveness.Inajointsession,
Felipe
ThomazofSa?dBusinessSchoolandKantar
’s
DomBoyd’did
themath’
onKantar
BrandZdata,proving
thatbrand
differentiation
isthekeydriverofbrandgrowth
as
wellaspricingpower,
whichisessentialinthecurrentinflationary
environment.Read
our
latest
thinking—
Where
does
performance
marketing
meet
brand
building?—
Is
inflation
wreaking
havoc
with
your
media
projections?—
What
Large
Language
Models
could
mean
formarket
research2Inclusionmustbe
integratedThis
year,
thediscussiononhowinclusion,
diversity
andequity
arecommunicated
withinadvertisingcontent
hasreached
yet
anotherlevel,
andshowedmore
nuance.Brands
alsoheavily
leverage
thelatesttechnologiesto
drive
positive
outcomes
fordifferent
groups,
suchastheMouthpadwhichisa
retainer-like
device
thatallowspeople
to
control
theirmousecursor
through
themovement
of
theirtongue,
Vaseline’s
SeeMy
Skin
whichtackles
thelackof
diversity
inimagesthatdermatologistsusefor
diagnoses,or
Apple’s
The
Greatest–a
campaign
thatshowcasestheaccessibility
builtinto
theirproducts.
Whilesomeprogress
hasbeenmade,
theindustry
needs
to
domore.Brandshavenow
movedpast
whetherto
be
inclusiveto
thehow,
withintheirownorganisationsas
wellashow
theyengageexternally
withagencies,
suppliersandconsumers.
This
year
’s
CannesLionswinnersdemonstratedthatcreativitycanhelpmake
brandsmore
inclusive.How
KantarcanhelpUnstereotype
Alliance’s
DanaiGuriracalled
for
deeper
engagement
withpeopleandcommunitiesto
combat
stereotypes,whichremain
abundant
inadvertising
andentertainment
more
broadly.
Brands
needto
thinkabout
theportrayal
ofmeninadvertising
andconsidertheneed
to
shiftfrom
portrayingmasculinity
asasinglemodeto
portrayingmultiplemasculinities,to
reflectthediversity
in
whichmenlive
andinteract
with
the
world
andtheirever-evolvingrolesinsociety.
Meanwhile,Kantar
’s
researchwithGLAAD
intheUS,
talked
about
atontheInfillion
stage
withGLAAD,
Getty
ImagesandGoogle,
showsthatrepresentationoftheLGBTQIA+
community
isexpectedand
welcomed,
butthatitneeds
toKantar
andtheUnstereotype
Alliancepartner
to
helpmarketers
measure
whethertheiradvertisingcontentisperceivedto
be
progressiveandmovingaway
from
genderstereotypes
withanUnstereotypeMetricandbenchmarks.Doveshowedhow
afocusedpurposeonraising
women’s
self-esteemcantake
onmany
differentforms.
TheirCostofBeautycampaign
–
which
wonsix
Lions-isamore’traditional’campaignthatraisesawarenessabouttheimpact
ofsocialmediaoneatingdisordersin
young
women.
Thebrandalsoleveragedsocialandcreators
wellinthe#turnyourbackonboldglamourcampaignwhichraisedawarenessaboutthenegativeimpact
of
TikTok’s
beauty
filter,
earningitamongstothersaGrandPrix
LioninMedia.Findouthow
LINK+
cansteeryouradvertising’sinclusivity.Find
out
moreRead
our
latest
thinking—
Beyond
brand
activism:
Three
routes
to
inclusive
advertising—
Playbook:
The
power
of
inclusive
portrayal
in
advertisingbe
authenticandincorporated
withinthenarrativeto
resonateproperly.Inclusion
Index
2022:
Discover
what
progress
havewe
made
on
Diversity,
Equality
and
Inclusion—DoveCost
ofBeauty3Thesustainability
conundrumThis
year’s
festival
showed
theplethoraof
ways
that
brandscaninnovate
their
supply
chains,productsandprocesses
to
reducetheir
impact
on
theenvironment.‘the
Airbnbfood
waste.
Renaultlaunchedfor
plugs’
thatallowspeopleto
rent
otherpeople’s
chargers,
makingelectromobilitymore
accessibleinrural
areas;
a
scalableidea
thathelpsboth
thebrand,
thecategoryandtheenvironment
more
broadly,
scoopedupaGrandPrix
inCreativeStrategy.Similarly,
many
ofthis
year
’s
winnersshowedhow
brands
cantalk
to
theiraudiencestodrive
theadoption
of
sustainable
socialbehaviours.
IKE
A’s
Life
collection
campaigninNorway
showed
thestories
behind
whypeople
are
passing
theirfurniture
onforsecond-hand
purchase,
from
thesadto
thefunny,
maintainingasenseofauthenticityandavoidingthepitfallsofgreenwashing.Whiletheseare
greatexamplesofbrands
focusing
onsustainability,
moreaction
isneeded
to
move
theneedle.Kantar
’s
JonathanHallsatdown
withPreetiSrivastav,
GroupSustainability
DirectoratAsahi,
and
WilliamSkeapingof
ExtinctionRebellionto
raisethebaronsustainability.Willshared
thegravity
of
thecrisis
wearefacing
andtheneed
for
businessesto
stepup,
andPreetisharedthejourney
Asahihasbeen
onandtheneedfor
themarketingandsustainability
functions
to
partnerclosely.
Jonathanshared
findingsfromtheKantar-WFA
collaboration,
SustainableMarketing
2030,
andtheCircular
Marketingframework,
includingfive
levers
ofHow
KantarcanhelpWe
work
withorganisationsacrosstheirspectrumofsustainability
challengesto
helpthemmeaningfullydefineandpowerfully
activateasustainability
strategy
–
acrossbrand,
innovation,
creativeevaluationandDEI.MakrosupermarketinColombiaturnedfruitstickers
into
a
clever
medium
of
itsown,
givingpeopleideasonhow
to
reduceContactourSustainableTransformationPractice
to
fuel
yoursustainability.Find
out
morechange:
value
redefined,
sustainabilityfirst,
transformative
relationships,
radicalinnovationandcreativity
into
action.Read
our
latest
thinking—
5
tips
to
get
sustainable
messaging
right
in
advertising—
Designing
for
a
waste-free
future—
Designing
for
sustainable
outcomes
to
close
theValue-Action
GapIKEALife
Collection4Thereturn
of
enter
tainmentIn
2023,
according
to
Kantar’sLink
database,
we
saw
advertisingbegin
to
reverse
thedeclineofthe
useofhumour
inadvertisingandCannesLions
this
yearre?ectedthat
as
well.Leon,
a
funny
spotaptly
depicting
itsunsendmessagesfeature,
perhaps
signalinga
shift
inattitudes
towards
humourandentertainmentinjury
roomsas
well?Afew
notable
winnersshowed
thatentertainingandfunny
creative
canbe
used
by
any
brand
inany
category.B2Badvertising
–
unlike
thenamesuggests-
stilladvertises
to
people
wholike
tolaugh,
theHRsystem
Workday
leveragedaninsight
about
how
employees
usethe
word
’rockstar’
ina
star-studded,laughter-inducing
campaign.Andrew
Robertson,
theCEO
of
BBDO,
gaveapowerfulpresentationdemonstratingthathumourdone
welldrivesimpact
forbrands,
callingontheindustry
to
useitmore
andchallengingCannesLionstoopenanew
category
ofawardsfocusingontheeffectiveuseof
humour.
This
wasliberally
supportedby
data
from
Kantar
’sLinkdatabase
–
includingdigitalads.How
KantarcanhelpPartnersLife,
alife
insurancecompanyinNew
Zealand,
hadto
address
a
strategicchallenge,
where
New
Zealand
hasoneofthehighestrates
ofunderinsuredpeopleinthe
world.
They
tackled
thisby
leveragingdarkhumourandpopculture,
bringing
tolife
characters
from
a
popular
murdermysteryto
recount
their
reasons
for
nottaking
out
life
insurance.
Financialserviceadvertisingisn’t
knownfor
usinghumour.Partners
Life
showed
itcanbe
usedWe
useemotion
AI-poweredfacialcodinginLINK+adtestingto
capture
andunderstandpeople’semotionalresponses
while
watchinganad.Audienceslike
to
be
entertained,
butlastyearonly
1in
10Lions
were
awardedtofunny
content.
This
year,
oneoftheGrandPrix
awardsinFilm
wenttoApple’s
R.I.P.LINK+
gettheemotionrightin
youradvertising.Find
out
moreRead
our
latest
thinkingeffectively
to
drivebusinessresults.—
Who’s
laughing
now?
Let’s
stop
the
decline
ofhumour
in
advertising—
Harness
the
power
of
emotion
in
digital
advertising—
Express
your
emotions:
Why
emotionalresponse
is
important
in
advertisingAppleR.I.P.
Leon5GenAI:
Adland’s
frenemyormarketers’
par
tner?Generative
AI
wascertainlythebuzzwordof
the
week
andtherewascertainly
adangerofbecomingobsessed
withthelatest
shiny
trend.Cadbury
’s
ShahRukhKhan-My-Adcombined
thepower
of
a
Bollywood
celebritywith
AI.
ShahRukh
Khan
–
a
Bollywoodcelebrity
–
wasfeatured
ina
Diwaliadfor
Cadbury
askingpeople
to
stop
byspecific
smallbusinesses,
whofacedtough
recovery
following
thepandemic,around
theholidays.
Machinelearningwasusedto
create
over
130,000uniqueversions
oftheadsothatthenameandlocation
ofthesmallbusiness
were
saidinShahRukh
Khan’s
voice
andfacialexpressions.
The
campaign
used
AIto
createhyperlocalised
content
inunparalleled
ways,withtheonsetof
generative
AI,
wearelikely
to
seetheceilingraisedonthisoneevenfurther.
This
wasalsoamulti-awardwinnerlast
yearintheCreativeData
andothercategories,
andthisdemonstratesthepowerofapowerfulandholisticcampaign.Marketers
maintainedtheirfocus,
raisingabovediscussionsonhow
generative
AIwillunlockcreativity,
insteadmovingthegoalpoststo
whetherandhow
thelatestdevelopmentsingenerative
AIcanunlockcommercialgrowth
for
thebrandstheylookaf
ter.
Generative
AIis
yet
anothertoolinthemarketers’toolkit
–
withhugepotentialto
bringefficiency,
scale,
andifleveraged
cleverly,
even
commercial
impact.How
KantarcanhelpKantar
hasasuiteof
AIsolutionsincludingLink
AIto
quickly
evaluate
advertising
contentbased
onlearnings
from
ourdatabases.
We
continue
to
exploretheopportunities
AIandgenerative
AIbringto
shapethefuture
of
market
researchandbrands.Generative
AIadsdidn’t
grab
many
Lionsthis
year
(despite
there
being
a
specificAIstorytellingtrack
inDigital
Craft).Thatsignalsthatadlandisjustbeginningto
engage
withgenerative
AIand
wewillsurely
seemore
entriesnext
year.LinkAI
–
adtestingin
15minutes.Find
out
moreThis
year
’s
GrandPrix
winnerinCreativeEffectivenessdemonstrates
what
weseeevery
year,
thatcreative
agenciescanleveragethelatesttechin
waysthatbenefitbrandsas
wellascommunities.Read
our
latest
thinking—
What
could
Generative
AI
mean
foradvertising
and
concept
de
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