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中西文化鑒賞AppreciationofChineseandWesternCulturesUnit7Opera&Drama(戲曲與戲?。┱n程信息章節(jié)教學(xué)目標(biāo)AppreciationofChineseandWesternCultures中西文化鑒賞Unit7Opera&Drama(戲曲與戲劇)文化拓展思政映射章節(jié)主題Focusofthisunit
Opera&Drama(戲曲與戲?。㏕hetypes,featuresandaestheticsofChineseandwesternoperaanddrama中西戲曲和戲劇的分類、特征以及美學(xué)知識能力思政abilitygoals
ideologicalandpoliticaleducationgoals
tolearnsystematicallyChineseculturalknowledge系統(tǒng)學(xué)習(xí)中國文化知識toimprovecross-culturalcommunicationskills提高跨文化交際能力tounderstandthespiritualcoreoftheChinesenationreflectedinculturalthemes領(lǐng)會文化主題反映出的中華民族精神內(nèi)核knowledgegoals
KnowledgegoalstolearntheoriginsandstylesandEnglishexpressionsrelatedtoChineseandwesternoperaanddrama掌握中西戲曲與戲劇起源、類型及相關(guān)術(shù)語的英語表達(dá)AbilitygoalstobeabletocommunicateaccuratelyonculturaltopicsinEnglish能夠使用英語就文化主題進(jìn)行準(zhǔn)確溝通和交流Ideologicalandpoliticaleducationgoalstolearntheorigin,history,inheritanceanddevelopmentofChineseoperaandunderstandthetraditionalChineseaethetics通過學(xué)習(xí)中國戲曲的起源、歷史、傳承與發(fā)展,領(lǐng)會中華傳統(tǒng)美學(xué)ExperiencethebreadthanddepthofChinesetraditionalopera,andenhancenationalprideandculturalself-confidence體會中國傳統(tǒng)戲曲藝術(shù)的博大精深,增強(qiáng)民族自豪感與文化自信7.5WesternDrama(西方戲?。㎜ead-in(導(dǎo)入):Brainstorming(頭腦風(fēng)暴):
Q1:CanyounamesomewellknownmodernWesterndramas?
7.5.1OriginofWesternDramaTwoVersionsoftheOriginof
WesternDramaLiteraryversionFromtheperspectiveofliterature,itderivedfromthelyricalperformanceofepicpoetry.
ReligiousversionFromtheperspectiveofreligion,itoriginatedfromtheritualsperformedintheworshipof
Dionysos(
酒神狄俄尼索斯)
.
Dionysos:theGodofGrapevines
andWine
TheDevelopmentofWesternDramaAncientGreekdrama古希臘戲劇Medievaldrama中世紀(jì)戲劇Renaissancedrama文藝復(fù)興戲劇Classicaldrama古典主義戲劇Romanticdrama浪漫主義戲劇Moderndrama現(xiàn)代戲劇AncientGreekDramaMedievaldrama
RenaissanceDramaClassicaldrama
Romanticdrama
Moderndrama
7.5.2AncientGreekDrama
1)ClassificationofAncientGreekDramaTragedy悲劇Satyr-play羊人劇Comedy喜劇TheRelationshipAmongtheThreeGenresItisGreektragedythatledtoGreekcomedyandbyrepresentingtheserioussubjectmatteroftragediesincomicways,satyrplayslinkedtragedywithcomedy.
2)FeaturesofAncientGreekDrama
FeatureI:
TheUnitiesofTime,PlaceandAction
Theplotusuallytookplacewithinonlyoneday.Thelocationdidnotchange.Therewasonlyonemainplot.Feature2:CostumesandMasksActorsusedthick-soledbootstolooktaller,andsometimesworebrightlycoloredglovestoenabletheaudiencetorecognizetheirgestures.AncientGreekdramausedmaskstorepresentthedivisionbetweencomedyandtragedy.
CostumesMasksFeature3:
TheNumberofActorsTheInitialMeaningof“Actors”
Theword"actors"means“respondents”originally,whichrefertotheirroleinthedialoguebetweenactorsandchorus.FormationofThreeActorsThespisandthe
FirstActorAeschylusandtheSecondActor
SophoclesandtheThirdActor
3)RepresentativePlaywrightsandTheirMasterpieces
ThreeFamousPlaywrightsoftheGreekTragedyAeschylus埃斯庫羅斯Sophocles索福克勒斯Euripides歐里庇得斯
Aeschylus埃斯庫羅斯Sophocles索??死账笶uripides歐里庇得斯Aeschylus’RepresentativeWorksPrometheusBound
(《被縛的普羅米修斯》)Agamemnon(《阿加門農(nóng)》)PrometheusBoundAgamemnonSophocles’RepresentativeWorks索??死账勾碜髌稟ntigone
《安提戈涅》OedipustheKing《俄狄浦斯王》TheWomenofTrāchis《特拉斯基少女》AntigoneOedipustheKingTheWomenofTrāchisEuripides’RepresentativeWork歐里庇得斯代表作品Medeia《美狄亞》MedeiaTheOutstandingComicPlaywrightinAncientGreeceAristophanesandHisRepresentativeWorks
阿里斯托芬代表作品TheFrogs
《蛙》TheBirds《鳥》Clouds《云》
4)AppreciationofOedipustheKing
5)LegacyofAncientGreekDrama
AncientGreekdramaprovidenotonlyresources,butinspirationsforsubsequentplaywrights.InternationalFestivalofAncientGreekDramaisheldonceayeartoencouragepeopletoadaptandre-performclassicsofancientGreekdrama.7.5.3WesternClassicDramasinRenaissance1)TheBackgroundDefinitionofRenaissanceBirthplaceofRenaissanceSignificanceofRenaissanceLiteratureofRenaissanceDefinitionofRenaissance
Renaissancereferstotherebirthofliterature,artandlearning.BirthplaceofRenaissance
ItoriginatedinFlorence,Italy.文藝復(fù)興發(fā)源地:意大利的弗洛倫薩SignificanceofRenaissance
MarkingtheendoftheMiddleAgesandthebeginningofthemodernWesternworldWitnessingatransformationfromLatinliteraturetovernacularliterature(見證了拉丁文學(xué)向本土文學(xué)的轉(zhuǎn)變)
2)WilliamShakespeareandHisMasterpieces
FourClassificationsof
Shakespeare’sPlays
ComediesHistoricplaysTragediesLegendaryplaysTheFourMasterpiecesofShakespeare'sComedyAMidsummerNight’sDream《仲夏夜之夢》TheMerchantofVenice《威尼斯商人》AsYouLikeit
《皆大歡喜》TheTwelfthNight《第十二夜》AMidsummerNight’sDreamTheMerchantofVeniceAsYouLikeitTheTwelfthNightTheFourMasterpiecesofTragedyHamlet《哈姆萊特》
Othello《奧賽羅》KingLear《李爾王》Macbeth《麥克白》Hamlet
OthelloKingLearMacbeth
3)TheThemeandStyleTheThemeandStyleComedyPortrayingyoungpeoplefreedfromfeudalfettersSingingoftheiryouth,loveandidealofhappiness.TragedyPortrayingsomenobleheroesExposingtheinjusticeofhumanlife
4)AppreciationofHamlet
SummaryWelearnedthatwesterndramaoriginatedfromancientGreektragedy.WeknewthethreeclassificationsofancientGreekdrama:tragedy,satyr-playandcomedy.WeappreciatedmasterpiecesofrepresentativeplaywrightsbothinancientGreeceandinRenaissance.
7.5.4ModernWesternDrama
1)TheBackground
VariousSchoolsofWesternModernDramaSymbolism(象征主義)Expressionism(印象主義)Futurism(未來主義)Surrealism(超現(xiàn)實(shí)主義)Existentialism(存在主義)Absurdism(荒誕主義)
2)ModernWesternDramatistsandTheirMasterpieces
HenrikIbsenandHisMasterpieceHenrikIbsenTheImportanceofHenrikIbsenThefatherof
realismThefoundersof
modernism
ThemostfrequentlyperformeddramatistintheworldafterShakespeareADoll'sHouseSignificanceofADoll'sHouseItexposedtheconflictbetweenthepatriarchalsocietyandwomen'sliberationItchallengedthereligion,lawandmoralityofthebourgeoissocietyItencouragedpeople,especiallywomen,tobreakfreefromtheshacklesoftraditionalideasandfightforfreedomandequality.EugeneO'NeillandHisMasterpieceEugeneO'NeillTheImportanceofEugeneO'NeillThewinneroffo
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